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Reflections 3rd year project, 2007
I am using a mind mapping technique to gather my thoughts and make connnections about my own vocation to write my paper.
fr.wikipedia.org/wiki/Palais_de_la_musique_catalane
es.wikipedia.org/wiki/Palau_de_la_Música_Catalana
en.wikipedia.org/wiki/Palau_de_la_Música_Catalana
english
The Palau de la Música Catalana (Palace of Catalan Music) is a concert hall in Barcelona, Catalonia, Spain. Designed in the Catalan modernista style by the architect Lluís Domènech i Montaner, it was built between 1905 and 1908 for the Orfeó Català, a choral society founded in 1891 that was a leading force in the Catalan cultural movement that came to be known as the Renaixença (Catalan Rebirth) (Benton 1986, 56; Fahr-Becker 2004, 199). It was inaugurated February 9, 1908.
The project was financed primarily by the society, but important financial contributions also were made by Barcelona's wealthy industrialists and bourgeoisie. The Palau won the architect an award from the Barcelona City Council in 1909, given to the best building built during the previous year. Between 1982 and 1989, the building underwent extensive restoration, remodeling, and extension under the direction of architects Oscar Tusquets and Carles Díaz (Carandell et al. 2006, 138).
In 1997, the Palau de la Música Catalana was declared a UNESCO World Heritage Site along with Hospital de Sant Pau. Today, more than half a million people a year attend musical performances in the Palau that range from symphonic and chamber music to jazz and Cançó (Catalan song).
Español
El Palacio de la Música Catalana es un auditorio de música situado en la calle Sant Pere més Alt en el barrio de la Ribera de Barcelona, España. Fue proyectado por el arquitecto barcelonés Lluís Domènech i Montaner, uno de los máximos representantes del modernismo catalán. La construcción se llevó a cabo entre los años 1905 y 1908, con soluciones en la estructura muy avanzadas con la aplicación de grandes muros de cristal y la integración de todas las artes, escultura, mosaicos, vitrales y forja.1 El edificio, sede central del "Orfeón Catalán", fundado en 1891 por Lluís Millet y Amadeo Vives, fue sufragado por industriales y financieros catalanes, ilustrados y amantes de la música, estamento que sesenta años antes ya había financiado el teatro de ópera y ballet Gran Teatro del Liceo.
En 1997 la Unesco incluyó el edificio en su relación del Patrimonio de la Humanidad.
Français :
Le palais de la musique catalane (catalan : Palau de la Música Catalana) est une salle de concert située dans le quartier Saint-Pierre de Barcelone. C'est l'œuvre de Lluís Domènech i Montaner, l'un des principaux représentants du modernisme catalan.
Les travaux se déroulent de 1905 à 1908 et font appel à des structures avancées telles que l'utilisation de nouveaux profils laminaires, une structure métallique centrale stabilisée par des contreforts et des voûtes d'inspiration gothiques. L'architecte innove par l'utilisation de murs-rideaux et fait appel à une grande variété de techniques artistiques : sculptures, mosaïques, vitraux et ferronneries.
L'édifice est une commande de l'association « l'Orféo catalan » qui désire en faire son siège social. Comme pour la construction du Liceu 60 ans auparavant, les fonds proviennent du mécénat : industriels, financiers, notables et amateurs de musique financent la construction.
La vocation première de la salle est de recevoir des concerts de musique chorale, de la musique symphoniques et des récitals. Elle est utilisée aujourd'hui pour tous les types de musiques, depuis les styles classiques jusqu'aux concerts modernes.
Khaju Bridge is arguably the finest bridge in the province of Isfahan, Iran. It was built by the Persian Safavid king, Shah Abbas II around 1650 C.E., on the foundations of an older bridge. From Wikipedia.
1899, Oil on canvas, 94.6 x 61.9 cm (37-1/4 x 24-3/8 in)
In 1883, Gauguin resigned from his career as a stockbroker and abandoned his family to pursue a vocation as a painter. Gauguin's fascination with the exotic and his distaste for the strictures of modern "civilization" led him to Tahiti in 1891. Other than a brief return to Paris in 1893, he remained in the South Seas until his death. In Tahitian Woman and Boy, Gaugin's vision of the simplicity and beauty of primitive life is express in the broad descriptions of the faces and flat application of lush, warm colors. The stillness of the composition and the formal arrangement of figures, however, recall traditional protraiture.
2048 x 2048 pixel image for the iPad’s 2048 x 1536 pixel retina display.
image source: www.pexels.com/photo/1221/
The Cathedral of Mary of the Assumption in Saginaw was packed with faithful from across the diocese who came to witness the ordination of Father Adam Maher on June 1.
The Rite of Ordination includes the candidate promising to "discharge the office of priesthood with humility and love, to hold fast to the mystery of faith, to proclaim this faith in word and deed, to embrace the celibate state and to pray for the Church and the whole world," as well as obedience to the bishop and his successors. The candidate then lies prostrate as the congregation prays the Litany of Supplication. Following the prayer, Bishop Cistone and those priests present silently impose their hands upon the candidate. The candidate is then dressed in priestly vestments, a stole and chasuble. He then kneels before the bishop, who anoints his hands with Sacred Chrism and hands over the bread and wine.
A Port Sanilac native, Father Adam completed his seminarian education at Sacred Heart Major Seminary in Detroit. This July, he will become the Parochial Administrator of Our Lady Consolata Parish, which serves Cass City, Sebewaing, Gagetown and Wilmot.
Regarding his call to the priesthood, Father Adam credits the prayers of so many people to whom he says, "My vocation is the fruit of your prayers. I'm excited to lay my life down for Jesus and for all of you. Your prayers have been preparing me for this. I feel your prayers."
The Cathedral Church of St. Barnabas was opened in 1844. It was an event of undoubted importance as witnessed by this engraving reproduced from the London Illustrated News of 31st August that year.
Prior to that, the Church of St. John the Evangelist, on George Street, had been the home to Nottingham's ever growing band of Catholics. This growth in the population, prompted the then Parish Priest, Fr. Robert Willson, to set out to raise funds for a larger Church.
Lord Shrewsbury, a champion of the Gothic Revival, stepped forward with financial support and employed A.W.N. Pugin as architect.
The Blessed Sacrament Chapel is considered by many to be the 'jewel in the crown' of St. Barnabas Cathedral. It is richly decorated as Pugin had originally intended and is the very heart of the Cathedral. In addition to being used for private prayer, the Chapel is also the centrepiece for more organised group prayer, such as that for Vocations on a Saturday morning.
More detailed information can be found:
taking-stock.org.uk/Home/Dioceses/Diocese-of-Nottingham/C...
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Cathedral Church of St Barnabas (RC), Nottingham, 1841-44.
By Augustus Welby Northmore Pugin (1812-1852).
For John Talbot, 16th Earl of Shrewsbury (1791-1852).
Grade ll* listed.
Cathedral History . . .
The Cathedral Church of St. Barnabas was opened in 1844. It was an event of undoubted importance as witnessed by this engraving reproduced from the London Illustrated News of 31st August that year.
Prior to that, the Church of St. John the Evangelist, on George Street, had been the home to Nottingham's ever growing band of Catholics. This growth in the population, prompted the then Parish Priest, Fr. Robert Willson, to set out to raise funds for a larger Church.
Lord Shrewsbury, a champion of the Gothic Revival, stepped forward with financial support and employed A.W.N. Pugin as architect.
The Blessed Sacrament Chapel is considered by many to be the 'jewel in the crown' of St. Barnabas Cathedral. It is richly decorated as Pugin had originally intended and is the very heart of the Cathedral. In addition to being used for private prayer, the Chapel is also the centrepiece for more organised group prayer, such as that for Vocations on a Saturday morning.
www.stbarnabascathedral.org.uk/02_Barnabas/History.html
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The Cathedral Church of St. Barnabas in the city of Nottingham, England, is a cathedral of the Roman Catholic church. It is the mother church of the Diocese of Nottingham and seat of the Bishop of Nottingham.
Location
It is located on the corner of Derby Road and North Circus Street, on the opposite side of which are the Albert Hall and the Nottingham Playhouse (Wellington Circus).
History
It was built between 1841 and 1844, costing £15,000 (equivalent to £1,510,000 in 2019), and was first consecrated in 1844, fifteen years after the Catholic Relief Act ended most restrictions on Catholicism in the United Kingdom. A substantial amount of the cost was paid by the important Catholic Lord Shrewsbury. The architect was Augustus Welby Northmore Pugin who also designed the interior of The Houses of Parliament. It was built in the Early English Plain Gothic style, although in contrast, the Blessed Sacrament Chapel was richly decorated and Pugin's later churches were built in that Decorated Gothic style throughout. Pugin was retained as architect by Rev Robert William Willson, then priest in charge of Nottingham. In 1842 he was named as Bishop-Elect of Hobart, Tasmania, and had to leave the work in Nottingham before completion.
Following the establishment of a new Catholic hierarchy in England and Wales in 1850 by the decree of Pope Pius IX, it was raised to cathedral status in 1852, becoming one of the first four Catholic cathedrals in England and Wales since the English Reformation. It is the seat of the Bishop of Nottingham.
The cathedral is a Grade II* listed building of the lancet style of architecture, and is considered to be one of the best specimens of Pugin's work. Most of Pugin's decorative scheme was destroyed in the upheaval that surrounded the Second Vatican Council, when the old high altar was discarded, and most of the painted decoration smothered and painted plain. Other fittings removed at this time include the old cathedra, as well as the figures of St Mary and St John from the rood screen (the figures were reinstated in 1993). Buildings of England wrote: ‘The whole effect could hardly be further from the richness of decoration and atmosphere that Pugin intended’. A fragment of the scheme is preserved in the Blessed Sacrament chapel, and is the highlight of the interior. The replacement high altar from the 1960s was replaced again in 1993 with one in a more sympathetic style. Fragments of Pugin's decoration, such as the roundels in the nave, were uncovered and restored, but most remains lost.
The clergy of the Cathedral also serve the church of St. Augustine on Woodborough Road.
en.wikipedia.org/wiki/Nottingham_Cathedral
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CATHEDRAL CHURCH OF ST BARNABAS AND ATTACHED BOUNDARY WALL, DERBY ROAD, NOTTINGHAM
Heritage Category: Listed Building
Grade: II*
List Entry Number: 1247533
Date first listed: 11-Aug-1952
Details
NOTTINGHAM
SK5640SE DERBY ROAD 646-1/13/187 (South side) 11/08/52 Cathedral Church of St Barnabas and attached boundary wall (Formerly Listed as: DERBY ROAD Roman Catholic Cathedral of St Barnabas)
GV II*
Roman Catholic church, created a cathedral in 1851. 1841-44. By Augustus Welby Northmore Pugin for John Talbot, 16th Earl of Shrewsbury, and Ambrose Philipps de Lisle. Altered late C19, 1927, 1962. Restored 1933 and c1990. Ashlar with slate roofs. Gothic Revival style. PLAN: cruciform plan, nearly symmetrical, with crossing tower and spire. EXTERIOR: plinth, coped gables with crosses. Windows are mainly plain lancets. Choir with eastern chapel and side chapels, crossing and transepts, nave with aisles and 3 porches. East end has a projecting central gable with 3 graduated lancets. Side chapels have single lancets to east and 2 lancets to the returns. Choir has a round east window with plate tracery, and 3 pairs of lancets to the clerestory. Side chapels have buttresses to east, and 3 lancets. Transepts have buttresses to east, and very tall triple lancets with quatrefoils above, all with hood moulds. Organ chamber, to north-east, has 2 lancets. Blessed Sacrament chapel, to south east, has 3 lancets. sacristy corridor, to south east, linked to adjoining presbytery. Square crossing tower, 2 stages, has a recessed bell stage with two 2-light pointed arched openings with moulded surrounds. Octagonal broach spire with diagonal buttresses containing niches. Between them, single lucarnes. Nave has 5 pairs of clerestory lancets. West end has clasping buttresses and a moulded doorcase with hood mould and triple shafts. Above it, a triple lancet and quatrefoils. Aisles have 4 side lancets and single west windows. Off-centre porches with moulded pointed arched doorways.
INTERIOR: Pugin's decorative scheme was never completed, and was further reduced late C19 and 1962. The Blessed Sacrament (SE) chapel was restored to Pugin's design by Alphege Pippet in 1933. Redecorated 1971-74. Double chamfered arches throughout. Choir has arch braced roof, and arcades with quatrefoil piers, 3 bays, with wooden screens. East end has a moulded double arch with octagonal pier. West arch, flanked by figures in niches, has a hanging crucifix by Pugin. Crypt, 3 bays, has segmental pointed arches on round piers, and contains the tombs of 5 bishops. Blessed Sacrament chapel has elaborate stencilled decoration. North arcade, 3 bays, with wooden screen. Arch braced roof with wall shafts and angel corbels. East end has a baldacchino with marble pillars and cusped arch, under a gable. Windows have stained glass, that to south designed by Pugin and made by Wailes. Central east chapel has arch and screen on each side, aumbry, piscina and sedilia to east, and ashlar blind arcade at east end. North and south chapels are similar, without sedilia. All have scissor braced roofs. Ambulatory, 3 bays, has shrine with figure on bracket, and door to Presbytery at south end. Crossing has an arcaded corbel table with 4 pointed arched openings above it, and cross beam ceiling. Transepts have stained glass windows. On the east sides, pointed arches into the organ chamber and south-east chapel. Nave has arcades, 5 bays, with octagonal piers, double clerestory windows and strutted king post roof with collar purlins. Aisles have lean to roofs and eastern arches.
Fittings include C19 square font on round columns. Other fittings mid and late C20. Aisle windows have stained glass by Pugin. Transepts have stained glass, mid C20, by Nuttgens. No memorials of special interest. Attached boundary wall, ashlar with gabled coping, bordering Derby Road and North Circus Street. Approx 60m x 40m. (The Buildings of England: Pevsner N: Nottinghamshire: London: 1979-: 241-242; Nottingham Cathedral: a history of Catholic Nottingham: Mgr. M Cummins: Nottingham: 1977-1985: PASSIM).
Listing NGR: SK5672040028
Sources
Books and journals
Monsignor Cummins, M , Nottingham Cathedral a History of Catholic Nottingham, (1985)
Williamson, E, The Buildings of England: Nottinghamshire, (1979), 241-242
Fisher House's (the Cambridge University Chaplaincy) annual Vocations Mass was celebrated in the Tridentine rite.
Fr. Benedict Croell, O.P., a Dominican friar, hails from Broomfield, Colorado. He studied at Colorado State University, Conception Seminary College (MO), Providence College (RI), the Dominican House of Studies and the Pontifical University of St. Thomas Aquinas (Angelicum) in Rome. He has served in parish, university and itinerant preaching ministries. He also served 5 years in the Order's East African missions where he was novice master for friars in their initial stage of formation from Kenya, Tanzania, Uganda, Southern Sudan, Angola, Mozambique and South Africa. He has been Director of Vocations for the Eastern Province Dominicans since 2010 and lives with over 80 friars in the largest Dominican priory in North America: the Dominican House of Studies in our nation's capital. The province of St. Joseph is struggling in a good way, that is financially, because there are more than 65 friars in formation. Together with other friars, he is reaching out to young Catholics to preach Jesus Christ and Him crucified. He was named a Missionary of Mercy by Pope Francis in St. Peter's along with 21 other US Dominican Friars during the Ash Wednesday Mass 2016.
DominicanFriars.org (province)
Dominicanablog.com (blog of our Dominican student brothers)
Vocations.OPEast.org (vocations)
Fr. Benedict Croell, O.P.
Vocations Director, Province of St. Joseph
Dominican House of Studies
487 Michigan Ave., NE
Washington, DC 20017-1585
mobile: (202) 642-3597
toll free: (800) 529-1205
vocations@opeast.org