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photo by Giuseppe Ventura

Visual Communication - COARSE

Visit to Ritu Nandaʼs home, with traditional Mehendi (Henna tattoos) and Saafas (Turban tying)

3D Visual of a proposed retirement village for a local Architectural firm.

 

Please see www.constructivemedia.com.au for more information.

Visual Exploration Assignment

The Showcase Lounge is a piece of the Executive Inn and it hangs over the Ohio River. It's being demolished soon so i wanted to do something kind of unique. The lounge actually sits over the River (hard to photograph--couldn't get close ..trees and overgrown plants..etc.etc.. and fences ... etc.etc... but i replaced through layering the river with a unique sunset. I then layered in the tower from the front of the hotel. All illustration was completed with Corel and everything was actually burned in and enamel or paint was not used. It was then transferred to Exposure 2 for a Fuji Pro 160C film effect

Model: Nicole Zuppardi (Mana Billie Jean)

Photographer: Alex R. Ionescu

A book I found over the lunch hour... lots of fun, nicely designed.

 

blackdogonline.com/all-books/visual-aid.html

On the table are two 3TrinsRGB by Gieskes (gieskes.nl/instruments/?file=3TrinsRGB1), as well as two companion Comparator circuits by FetidEye (www.muffwiggler.com/forum/viewtopic.php?t=157807). These can all be patched back and forth with each other using breadboarding jumper cables.

 

In the Eurorack is power, then an Expert Sleepers Silent Way ES-3 being controlled via an old MOTU 828 audio interface.

 

Next, an unrelated spring reverb and a distortion unit and a diy sequencer that I'm putting together.

 

Next in black is a recased Sima video unit with some additional controls.

 

Then on a circuit board is a recased Radio Shack Video Enhancer, also with some additional controls. This is the same type of unit that is sitting on top of the case in one of the other photos.

 

Next is a Raspberry Pi which is housed in a slim panel in order to be used as either a video source, or as a control voltage source.

 

Then, clearly labeled to the right of that is a Schele Video Mixer by Gieskes. There are more modifications that can be made with these, so I'll likely reconfigure it in the future.

 

On the far right in copper is a Karl Klomp Dirty Video Mixer. Pretty much just connecting the jacks to and from each other with no circuitry in back.

 

On top are two more Radio Shack Video Enhancers that I will likely make into modified modules at some point, and an old analog video mixer from Sansui.

 

I have a lot more video mixers and video devices that I'd love to bring out to shows, but they take up so much room. I did visuals this last month with almost this exact setup with the exception of a different video device instead of the Sansui.

The MFA in Visual Studies welcomes Gil Blank as part of the 2013-2014 Graduate Visiting Artist Lecture Series. Photos by Stephanie Yu MFA VS 14'

Ensaio para a Grife Yue Aoi. Esta foi do visual Kei, baseado nas bandas japonesas...

 

Modelo: Manoela

Fotografa: Ádria de Souza.

 

Perfil da grife no orkut: Yue Aoi.

Projeto de Identidade Visual

Pictures by Anupam Gangopadhyay of Bankura India. Tel: +91 9434 101 670.

Criação de identidade visual e manual de aplicação da marca.

 

Interligar - Branding & Design

Tel.: 55 (21) 2558-5510 Brasil

www.interligar.com.br

 

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..but exilerating none the less, Cleveland Tower (1970) seen with "10 Holloway Circus" (2008) 130m (426 ft) sloping over its shoulder.

Kurt Laurenz Theinert

participação de Miguel Barella e Thomas Rohrer

 

IV Mostra Live Cinema SP

Sesc Pompeia

6 e 7 de outubro de 2011

Obras de construcción de IMQ Zorrozaure

First impression of Hong Kong can cause severe epilepsy.

visuales de mi pagina web, que por cierto es

www.patoportafolio.sitee88.net

This was actually the most difficult for me when it came to decision-making! I was still focused on trying to

do things programmatically which was seriously limiting my options for a design to lift. In the end, I chose one

I found aesthetically pleasing and gave up on trying to automate everything.

This was otherwise enjoyable since I was able to focus more on the looks of things, but I would have liked to

have deviated more from the source material as the colours here have very little to do with the ISS data I chose to

display with them. The original design worked better because, ironically, it was Javascript-driven and interactive,

which seemed to be outside the scope of this class to try to replicate.

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