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Diciplina: Linguagem Visual III
Profs: Alex Heilmair e Fabio Espíndola
Proposta do trabalho:
Fazer um trabalho 20x20 cm com o texto passado pelo professor, onde deveria seguir uma hierarquia sem alterar a ordem do texto e não usar outra tipográfia, somente a familia escolhida.
Também não podia ter outra cor de fundo, nem outros elementos.
Tipografia escolhida foi a Helvetica.
Descripciòn Tamaño: 410 mm x 570 mm
Soporte: bastidor afiches de calle
Tecnica: collage y stencil
2012
Image from the annual Visual Resources Association conference. Held in Albuquerque, from April 18-21st, 2012.
I’ve been working with stencils for more than a year now. In order to get some longevity out of the mostly paper stencils & to make as many as forty works in one sitting, I began to cut-up brown grocery bags & tape them down for use as a rag to wipe the stencils. How could an artist throw these painted scraps away? When the paper acquires too much paint to be of use I use it as a canvas. I was inspired by the works included in the Latin American Cartonera Publishers Database, via a Spidertangle e-mail from mIEKAL aND, to give these grocery bag works credence, instead of thinking of them solely as unfortunate by-products of near poverty, process or inventions of necessity.
Lauren Baker experiences the pain of a bellybutton pricing at Golden Eagle Tattoo and Body Piercing in Santa Barbara, Calif., May 13, 2006. Jeff Kish, left, has been in the business of body modification for seven years and has had over 30 pricings himself, 19 at one time. (Amanda Bowles/Brooks Institute of Photography, © 2006)
Permission granted for journalism outlets and educational purposes. Not for commercial use. Must be credited. Photo courtesy of South Dakota Public Broadcasting.
©2019SDPB
An annual exhibition by Gaston County Art Guild, hosted at Gaston College Rauch Gallery. (Installation view)
An annual exhibition by Gaston County Art Guild, hosted at Gaston College Rauch Gallery. (Installation view)
Visuals from a presentation about "YouTube" from Chris Smith [Shamblesguru]
www.shambles.net/pages/staff/youtube/
Follow on Twitter at twitter.com/shamblesguru
Visual explanation of a HDR image. Multiple (9 in this case) images of the same scene exposed differently are blended together in Post.
Welcome to the "Chronicles of the Aether: Gears of Reverie," a visual odyssey that weaves through the smoky alleys of a bygone epoch where the steam-driven heart of progress beats in rhythm with the human soul. Each image is a portal to an era of intricate machinery and unbridled imagination, capturing the delicate interplay between the mechanical and the mystical. These artworks are more than mere representations; they are narratives frozen in time, where every gear, every whisper of steam tells a story of dreams and darkness, of an age both splendid and sombre.
Poem:
In the gloaming of gas-lit streets they stir,
The ticking sentinels of time's blur.
Brass and copper, intricate filigree,
Wrought by hands unseen, a technotic spree.
Beneath the skin of the world we know,
Lies the aether's pulse, a ceaseless glow.
Gears of reverie spin tales untold,
Of valiant hearts and quests bold.
Through the mists of this steam-soaked realm,
Visions emerge, with gears at the helm.
In this chronicle where shadows play,
The aether whispers secrets of an age gone astray.
Haiku:
Steam whispers secrets,
Gears turn in silent reverie,
Aether's tale unfolds.