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Looks even better on my massive monitor. For the record, this was while playing "The Lady in My Life" by Michael Jackson
CeCee Clifford,
Model: Mitchell Bartlett,
Pinhole Camera,
Professor: Jack Barnosky,
Visualizations, Spring 2013
3D view of the project that I'm working on at work. I'm studying and visualizing how our new freeway will go into the site.
Screendumps of a Processing visualization using Miles Davies's "Bitches Brew" as input.
Source available here: mrben.co.uk/blog/2008/10/dancing-circles/
Visualization Handbook
Visualization Handbook download Here : fisrtmagazine.biz/?book=012387582X
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Sky Spectrum revisited, work-in-progress
Experiments in visualizing data collected from the colour of the Ottawa sky.
More info here: technoetc.net/blog/2012/03/06/sky-spectrum-revisited/
this kind of visualization through metal poles is obligatory for building proposals in Zurich - even for skyscrapers
This photo is meant to show on the outside what depression feels like on the inside. If there were more prominent visualize symptoms of depression they would be very similar to a broken, empty, and bruised body.
I took this eons ago, but just rediscovered it while trying to clear off some of the thousands of photos on my hard drive. The text was in one of Ansel Adams's books on photography and the flower is a really cute pincushion that I have no idea where to find these days.
Organization seems like such a pleasant dream :)
Shower Art is waterproof art you can hang in your shower with a suction cup. Or anywhere else. We're no dictators.
The Past is Present: Virtuality, Archaeology, and the Future of History, took place on April 5, 2018 at the Banatao Auditorium, Sutardja Dai Hall, UC Berkeley. Hosted by the Berkeley Center for New Media.
With rapid advances in modern documentation and interpretive technologies such as scanning, visualization, and Virtual and Augmented Reality, how must our study of the past and its material legacy adapt?
The Past is Present is an interdisciplinary event bringing together scholars, students, technology innovators, and cultural heritage workers in conversation about new methods and tools which are shaping their work.
Speakers include: Christophe Girot (ETH Zurich), Nicolò Dell'Unto (Lund University), Elaine Sullivan (University of California, Santa Cruz), Eugenie Shinkle (University of Westminster), Benjamin Porter (University of California, Berkeley), Adam Lowe (Factum Arte), Brendan Cormier (Victoria & Albert Museum), David Gissen (California College of the Arts), Jennifer Stager (City College of California), Maurizio Forte (Duke University), Rachel Opitz (University of Glasgow), Stuart Eve (University College London), Sonia Katyal (University of California Berkeley)
Presented in partnership with swissnex San Francisco, with support from Arts + Design, LAEP, the Phoebe A. Hearst Museum of Anthropology, CITRIS and the Banatao Institute, Research, Teaching and Learning (RTL), the Archaeological Research Facility (ARF), and Digital Humanities at Berkeley.