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French, 1689-1760
The Sense of Hearing
Metropolitan Museum of Art
NYC
Visual art and music today seem inherently intertwined. Music videos of musicians garbed in theatrical costumes or outlandish fashion have all become common place. Of course this present-day art form could readily be traced to Hollywood and stage musicals, which in turn are offshoot of the opera. Paintings and reliefs celebrating musicians go back to the Egyptians and perhaps even earlier. History, music and visual art, in other words, inevitably harmonize each other.
In grazing about the rich pastures of art museums in three continents, I’ve photographed dozens of masterpieces illustrating the evolution of music itself across time. For instance, the lute as you will see in these paintings was the staple stringed instrument of the Renaissance through the Baroque Period. The other instrument painted by masters that time has forgotten is the lyre. Like a character fatally wounded in an opera, the lute suddenly disappeared by the mid to late nineteenth century and has since been replaced by the guitar in modern paintings.
Trivial as this may all seem, this collection of masterpieces---by Caravaggio, Vermeer, Corot, Renoir, Degas, Picasso, Braque, Matisse, to name a few--- is a fine example of visual art serving as a vital vessel of history, a time capsule if you will, that delivers images and information that we would otherwise have not grasped.
Italian, Lombard 1571-1610
The Lute Player, c. 1596
Metropolitan Museum of Art
NYC
Visual art and music today seem inherently intertwined. Music videos of musicians garbed in theatrical costumes or outlandish fashion have all become common place. Of course this present-day art form could readily be traced to Hollywood and stage musicals, which in turn are offshoot of the opera. Paintings and reliefs celebrating musicians go back to the Egyptians and perhaps even earlier. History, music and visual art, in other words, inevitably harmonize each other.
In grazing about the rich pastures of art museums in three continents, I’ve photographed dozens of masterpieces illustrating the evolution of music itself across time. For instance, the lute as you will see in these paintings was the staple stringed instrument of the Renaissance through the Baroque Period. The other instrument painted by masters that time has forgotten is the lyre. Like a character fatally wounded in an opera, the lute suddenly disappeared by the mid to late nineteenth century and has since been replaced by the guitar in modern paintings.
Trivial as this may all seem, this collection of masterpieces---by Caravaggio, Vermeer, Corot, Renoir, Degas, Picasso, Braque, Matisse, to name a few--- is a fine example of visual art serving as a vital vessel of history, a time capsule if you will, that delivers images and information that we would otherwise have not grasped.
Emerging artist Chloe McGrath with her work.
Diploma of Visual Art student exhibition opening night on December 9, 2011. For more information on the Diploma of Visual Arts www.gippstafe.edu.au/courses/gippstafe_courses/courses/a/...
Facing of the John Labatt Visual Arts Building at The University of Western Ontario.
September 16, 2011
Photo: Douglas Keddy
HCC’s Visual Art Response to Hurricane Harvey
Eyes of the Storm is a socially conscious art installation at HCC. This project will shed light on the myriad experiences that we – the faculty, students, and staff at HCC- have had during Hurricane Harvey. From September 20th to October 10th, HCC students, faculty and staff will build an exhibition in the Central Fine Art Gallery that reflects our experiences with Hurricane Harvey across the city. Materials to create visual responses, provided to the students in the gallery space, act as a means of personal responses and experiential story-telling. The participants are encouraged to reflect on their on-going experiences through visual imagery, mapping and text by using a variety of media conveying their story in both a conceptual and actual way. The visual responses are added to the gallery walls based on locations throughout the city of Houston building upon on their unique and shared experiences. A video installation will also be a part of this response.
The exhibition opened for viewing on October 11th. The responses will be on display in HCC’s Center of Excellence for the Visual and Performing Arts Gallery at Central Campus, located in the Fine Arts Center until Wednesday, November 1, 2017.
This project assignment exhibition, Eyes of the Storm, is a collaborative effort created by the COE VPA Studio Arts Faculty and Staff to promote the utilization of varied materials and techniques with informed aesthetic and conceptual strategies in order to ensure that students create original, display-ready works of art using the studio skills taught this semester.
Leipzig Spinnerei Herbstrundgang 9-2016
Leipzig Spinnerei autumn tour 2016/9
Kunstgalerien: Josef Filipp Galerie -
ASPN Jochen Plogsties: Shanzhai www.aspngalerie.de
Galerie b2_ HAYAHISA TOMIYASU: TTP www.galerie-b2.de
Art MÛR MONTRÉAL/LEIPZIG CAL LANE: DISOBEDIENT VIRTUES www.artmur.com
Galerie Dukan Paris/Leipzig Josef Filipp Galerie Rayk Goetze: Der Gegenwart www.filipp-galerie.com Galerie Jochen Hempel STEPHAN BALKENHOL: NEUE ARBEITEN www.jochenhempel.com Galerie Kleindienst CLAUDIA ANGELMAIER: LANDSCAPES www.galeriekleindienst.de R E I T E R STEFFEN JUNGHANS: "It's Me." www.reitergalleries.com THE GRASS IS GREENER HELGE HOMMES: CASPAR – [WIEDER] OHNE KOMPASS IM MORGENLAND Esther Niebel www.thegrassisgreener.de SPINNEREI archiv massiv JOHANNES TIEPELMANN: THE HICK LÆTITIA GORSY: BILDARCHIVE 29 Bertram Schultze,
HALLE 14:
TERRA MEDITERRANEA:
IN ACTION – ÜBER EINEN FLÜSSIGEN KONTINENT
Ana Adamović, Marwa Arsanios, Bank of No, Sofia Bempeza, Banu Cennetoğlu, Marianna Christofides, Tom Dale, Haris Epaminonda, Hackitectura, Lia Haraki, Timo Herbst & Marcus Nebe, Elizabeth Hoak- Doering, Eleni Kamma, Mahmoud Khaled, Zissis Kotionis, Mona Marzouk, Panayiotis Michael, Christodoulos Panayiotou, Nira Pereg, Polys Peslikas, Alexandros Pissourios, Ran Slavin, Paola Yacoub
PILOTENKUECHE ORIGIN
Amina & Karima Tarchouni [DE], Cristiano Carotti [IT], Fernando Davis [BR], Gabriel Secchin [BR], Latzi [IL], Milena Roglic [CA], Nina Perlman [US], Sally Lia Vigano [IT], Sofia Rossi Bunge [CH], So Jin Lim [KR], Wednesday Kim [US]
Artist Residency Martin Holz www.pilotenkueche.net
Werkschau
17./18. Sep 2016
INTERNATIONALE GASTGALERIEN
Billytown, Den Haag
Larm Gallery, Kopenhagen
Daine Singer, Melbourne
Black Swan Project, New York
Rutger Brandt Gallery, Amsterdam
Aeroplastics, Brüssel
Jonathan Ferrara, New Orleans
Christine König, Wien
Galerie Conradi, Hamburg
Galería Hilario Galguera, Mexico
Anca Poterasu Gallery, Bukarest
Pearl Lam Galleries, Hongkong/ Shanghai
L’Atelier-ksr, Monaco/Berlin
Guido Romero Pierini, Paris
Tobias Fischer
Lead is transformed into objects that are photographed for screening on sheets of lead before being melted down into letters to form text on illuminated pages
by Sarah Forrest and Virginia Hutchison
Market Gallery, Glasgow
May 2012.
Part of the Glasgow International Festival of Visual Art.
More neate photos.
The Mother of All Strikes: The 1824 Textile Worker Turnout
Commemorating one of America’s first factory strikes, this exhibition honors a historic labor action through visual art, historic documents and imagery, and Slater Mill’s collection of textile machinery dating from the 19th and 20th centuries. “This may be one of the first temporary exhibits installed on the Slater Mill floor,” says Lori Urso, Executive Director. “We’ve taken a place-based approach to telling the story with the hope that our visitors will be more deeply connected to the narrative by viewing it from within a historically-significant mill of the period.”
Though 190 years have passed since the “turnout,” or strike, of 1824, The Mother of All Strikes evokes this inciting incident in American history. By pairing the historic narrative with original contemporary art created in response to the themes, Slater Mill and artists Christine Ashley, Ian Cozzens, Chelsea Carl, Priscilla Carrion, and Kristina Brown shape far more than a retold tale of labor history.
In May of 1824, women power loom weavers of Pawtucket took action on the growing chorus of workers and artisans who faced circumstances of transitions in labor and in their agricultural ways of life. Reduced wages, increased length of the working day, erosion of the value of their work, and loss of land and interests led to discord among a new working class.
The female laborers were discriminately targeted for wage cuts while already facing lower pay than their male coworkers – an issue still the subject of some debate today. Yet the demand for female workers at the time – who primarily worked the power looms – continued to grow as the power loom became more prevalent (and increased cloth production significantly) in Rhode Island mills.
The exhibition was conceived by Slater Mill interpreter Joe L. DeFrancesco as a reflection of his own advocacy of workers’ rights in Rhode Island and New England. DeFrancesco developed a labor history tour for Slater Mill in 2013 in conjunction with the John H. Chafee Blackstone River Valley National Heritage Corridor.
On Thursday, November 3, 2022 the Visual Art Department invited students to the first event in the Visiting Artist Lecture Cycle this year. This event featured renowned artist Robert Lazzarini. Lazzarini is widely considered to be one of the first visual artists to implement CAD/CAM technologies into fine art, and is known for his mathematical distortions, which, applied to existing objects, have the effect of confusing visual and haptic space.
by BAUT/
BAUT is a project by Jan Brokof (Drawings / Collages), Alfredo Bautista (Sound Installations / Noise Devices), Theo Boettger (Drawings / Installations), and Martin Böttger (Visual Art / Sculpture).
The concept of the project BAUT is to found a band of different ascendancies of music; combining different genre like noise, electronic, break beat, metal, punk, rap, and soundscapes. The project is supposed to involve all things, a regular music band represents plus exploring the possibilities of visual artistic expression within a showcase.
Their first exhibition was held at the gallery Delikatessenhaus Leipzig; where they created three different rooms: a festival room for the performance, a merchandise room for selling shirts and vinyl, and finally the backstage room.
Delikatessenhaus leipzig
Theo Boettger
Jan Brokof
Alfredo Bautista
Martin Böttger
BAUT 7 INCH VINYL ON HAUTE AREAL
What happens if you take four artists who had nothing to do with music so far, give them a barrel full of magazines and electro garbage and ask them to create an audiovisual work out of it. Together. As a band with bandname, livegig, labeldeal, release etc. We have checked it out and don't want to withhold the result from the world.
Their oeuvre can be best described as experimental noise. The lyrics are mostly collages of quotations from diverse magazines and newspapers which were modified and combined with own text passages.
LABEL
www.hauteareal.de/Bands/Baut/Baut.htm
VIDEO
www.youtube.com/user/HauteAreal#p/a/u/0/Kxs3OD-f4K0
BAUT