Visual Art
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Well, I said I would be back in the fall and here I am.
We are all well. We had a very busy summer doing a lot of cleaning chores and just trying to escape the ridiculous heat here in Southern California.
It occurred to me that I was beginning to film the same ole same ole. I hate to be boring. So, I think I will only post new series when I have something novel and fun or exciting to share. Otherwise, I know I am just posting to post. Let's face it, there are people here who are real photographers -- not just dabbling as I am. They are the ones to visit for true visual art.
My photostream is really story telling. So, when I have a compelling new story, I will be posting.
I miss every one of you and think of you often. So, I don't want to lose touch. I am going to look at my recent photos and add them here if I think they are interesting.
Hugs to you all!
I enjoyed this slide, a double exposure and then some.
Pictured installations :
Butterfly Effect by Masamichi Shimada
I .26 Amsterdam by Janet Echelman
Open Sketchbook, Bigger One - 2019
Artist: Jelte van Lente
Jelte van Lente proves that drawing has lost none of its relevance. He studied Visual Art in Groningen, Illustration in Boston and took a course in traditional Chinese painting in Hangzhou. In his work he tries to capture perceptible elements from his daily surroundings and the thoughts, dreams and feelings that come with them. He draws inspiration from book illustrations, films, outsider art and cartoons. For CODA Paper Art he made new work consisting of a sequence of various drawings. A giant sketch book lies open: built from lines and spots, a world that has been entrusted to the paper unfolds.
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CODA Paper Art 2019
(An exhibition focussed on recently created art made from and on paper and cardboard.
10.06.2019 - 27.10.2019 | CODA Museum Apeldoorn)
The strength and beauty of paper are astounding. The world of this dynamic material offers boundless potential for making great ideas palpable. Paper has been a source of inspiration for artists and designers for centuries; with this relatively simple base material, they manage to create monumental sculptures, animations, colourful new worlds and delicate jewellery.
CODA Paper Art brings together the works of 39 artists from the Netherlands and abroad. Many of the exhibited works were created especially for this edition or are even shown for the very first time.
2
M+ Art Museum; West Kowloon cultural district
A museum "dedicated to collecting, exhibiting, and interpreting visual art, design and architecture, moving image, and Hong Kong visual culture of the twentieth and twenty-first centuries"
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M+ is Asia's global museum of contemporary visual culture, dedicated to collecting, exhibiting, and interpreting visual art, design and architecture, moving image, and Hong Kong visual culture of the twentieth and twenty-first centuries.
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M+ est le musée mondial de la culture visuelle contemporaine en Asie, dédié à la collecte, l'exposition et l'interprétation des arts visuels, du design et de l'architecture, des images animées et de la culture visuelle de Hong Kong aux XXe et XXIe siècles.
the problem with people,is that they are insist to show a visual proof of my Invisible Visual Art.
The problem with Invisible Visual Art is that there is no magic trick here,just an offer start seing new, unseen before.
I would say that basic idea of Invisible Visual Art related to Jewish/ Muslum religion,
where invisible is the whole idea to see beyond optical
Thank you so much for your views, comments and faves! They are encouraging as I continue on my photographic journey.
Not everyone wants "art" on their windows.
Graffiti is a visual art form that involves writing or drawing on a surface, usually without permission and in public view. It can range from simple tags to elaborate wall paintings.
Devon, UK.
Minimalism in visual art, sometimes referred to as "literalist art"[3] and "ABC Art"[4] emerged in New York in the 1960s. It is regarded as a reaction against the painterly forms of Abstract Expressionism as well as the discourse, institutions and ideologies that supported it. As artist and critic Thomas Lawson noted in his 1977 catalog essay Last Exit: Painting, minimalism did not reject Clement Greenberg's claims about Modernist Painting's reduction to surface and materials so much as take his claims literally. Minimalism was the result, even though the term "minimalism" was not generally embraced by the artists associated with it, and many practitioners of art designated minimalist by critics did not identify it as a movement as such.
In contrast to the Abstract Expressionists, Minimalists were influenced by composer John Cage, poet William Carlos Williams, and architect Frederick Law Olmsted. They very explicitly stated that their art was not self-expression, in opposition to the previous decade's Abstract Expressionists. In general, Minimalism's features included: geometric, often cubic forms purged of all metaphor, equality of parts, repetition, neutral surfaces, and industrial materials.
Robert Morris, an influential theorist and artist, wrote a three part essay, "Notes on Sculpture 1-3," originally published across three issues of Artforum in 1966. In these essays, Morris attempted to define a conceptual framework and formal elements for himself and one that would embrace the practices of his contemporaries. These essays paid great attention to the idea of the gestalt- "parts... bound together in such a way that they create a maximum resistance to perceptual separation." Morris later described an art represented by a "marked lateral spread and no regularized units or symmetrical intervals..." in "Notes on Sculpture 4: Beyond Objects," originally published in Artforum, 1969, continuing to say that "indeterminacy of arrangement of parts is a literal aspect of the physical existence of the thing.” The general shift in theory of which this essay is an expression suggests the transitions into what would later be referred to as Post-Minimalism.
Genesis - Dancing with the Moonlit Knight
Jennifer Holliday Luther Vandross - Bridge Over Troubled Water
Eric Dolphy - Something Sweet, Something Tender omaggio di Lup
Luna Omaggio di Vecchiotinti
LunaOmaggio di Vecchiotinti
Ravi Shankar - Raga Anandi Kalyan omaggio notturno di Lup
Explore #101 24.10.2008
Stai quieto, mio Dolore, stai calmo. Invocavi la Sera: ec-
cola, scende e un'atmosfera scura avvolge la città, appor-
tando agli uni pace, agli altri affanno.
Mentre la moltitudine vile dei mortali, sotto la sferza del
Piacere, carnefice impietoso, va a cogliere rimorsi nella fe-
sta servile, dammi la mano, o mio dolore, vieni da me,
lontano da loro. Vedi affacciarsi dai balconi del cielo gli
Anni defunti in vestiti antiquati, vedi sorgere dal fondo
delle acque il radioso Rimpianto;
il sole addormentarsi moribondo sotto un ponte; e come
un lungo sudario strusciante a Oriente, ascolta, mio caro,
ascolta la dolce Notte che avanza. (C.Baudalaire)
Museum London is Southwestern Ontario's leading establishment for the collection and presentation of visual art and material culture.
The Cultural Olympiad began Jan. 21 and runs through to March. It includes music, dance, visual arts, literary arts, theatre, film and new media.
In the Same Boat by Chien Chun-Cheng is part of the LunarFest lantern festival.
The plaque reads:
The lantern combined Chinese caligraphy wit three-dimensional sculpture to find teh boorder between lauguage, visual art and physical space. The use of the three figures represents th different races, while the boat with grass is a call for humans to reconnect with nature. The caligraphy is from the Da Tung Passages and conveys ideas of love and peace.
www.youtube.com/watch?v=iwzfR7-33Wc
I’ve been climbing up the walls
To escape the sinking feeling
But I can’t hide from the nihilist at my door.
Buried in the basement floor
Didn’t know what I had planted
It blossomed with all the heart of a Cold War.
I’m a spirit in a tomb
Won’t somebody raise the roof
I’m going white, I’m going black, I’m going blue
inspired by
quote
Journey through the Power of the Rainbow
Quotations from a Life Made Out of Poetry
Aberjhani
A native of Savannah, Georgia, and former U.S. Air Force journalist, Aberjhani has authored and/or edited more than 2 dozen books and journals of fiction, history, poetry, essays, and biography. He is also a visual artist known for his creation of the Silk-Featherbrush Artstyle and image series exploring contemporary social justice, environmental, and cultural arts issues. A member of the Savannah Art Association, his visual art can be found on his Pixels profile and at Fine Art America.com.