Visual Art
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Arte digitale nell'arte visiva, c'è la pittura digitale.
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Digital art in visual art, there is digital painting.
Non ho filosofia: ho senso. - I have no philosophy: I make sense.
Digital Painting - Graphic Art
An abstract for the month of April.
ProleteR - April Showers
www.youtube.com/watch?v=18JQUYgpOlw
Please right click the link and open in a new tab to view and listen. Thank you !
Rollingstone1's most interesting photos on Flickriver
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For Macro Monday, Aug 14
Theme: high key
I'm deeply saddened by the events over the weekend and felt the need to speak of love in a visual art form, so I combined the MM theme with the message.
Love,
Dee
Digital Painting - Graphic Art
Arte digitale nell'arte visiva, c'è la pittura digitale.
Digital art in visual art, there is digital painting.
...e poi coi secchi di vernice coloriamo tutti i muri, case, vicoli e palazzi, perché lei ama i colori e poi anche i fiori...
... and then with the buckets of paint we color all the walls, houses, alleys and buildings, because she loves the colors and then also the flowers ...
ls projectes per urbanitzar els costers de Montjuïc com a pulmó i espai d'esbarjo de Barcelona daten de principis del segle xx. Fou decisiu en aquesta orientació el fet que la muntanya fos escollida com a escenari de la gran Exposició Internacional de Barcelona de 1929: la direcció de la part urbanística i arquitectònica del projecte fou confiada al prestigiós arquitecte modernista Josep Puig i Cadafalch i els jardins, a Jean Claude Nicolas Forestier i a Nicolau Maria Rubió i Tudurí. El Palau Nacional fou concebut dins aquesta planificació com a palau central de l'exposició i el 1924 fou convocat un concurs per a la seva realització –un cop apartat del projecte, Puig i Cadafalch amb l'arribada de la dictadura de Primo de Rivera (1923)–, que guanyaren els arquitectes Eugenio P. Cendoya, Enric Catà i Pere Domènech i Roura. Estava destinat a allotjar una magna exposició –El Arte en España–,[6] amb més de 5.000 peces i reproduccions representatives de la història de l'art espanyol, que tenia dues extensions, el conjunt arquitectònic del Poble Espanyol, encara actiu, i el Palau d'Art Modern, que s'enderrocà.
L'edifici del Palau Nacional de Montjuïc és obra d'Eugenio Cendoya i Enric Catà, sota la supervisió de Pere Domènech i Roura, desestimant un projecte inicial de Puig i Cadafalch i Guillem Busquets. Presenta una façana principal simètrica, amb un cos central que sobresurt i dos laterals; el cos central està coronat per una cúpula d'estil romà, dominant tot el conjunt de la façana i s'acompanya de dues cúpules més petites als costats. Els quatre angles del gran Saló estan compostos per unes torres de planta quadrada que s'integren a la composició de la façana exterior.[7]
L'obra té una superfície de 32.000 m² i és d'estil classicista, inspirada en el Renaixement espanyol. Té una planta rectangular amb dos cossos laterals i un de posterior quadrat, amb una gran cúpula el·líptica a la part central. Les cascades i brolladors de l'escalinata del Palau són obra de Carles Buïgas. En la mateixa època, es van col·locar nou grans projectors que encara avui emeten uns intensos feixos de llum que escriuen el nom de la ciutat al cel.
Al seu Saló Oval es va efectuar la cerimònia d'inauguració de l'exposició El Arte en España, presidida per Alfons XIII i la reina Victòria Eugènia.
En la decoració del Palau –d'estil noucentista (contràriament al classicisme de l'estructura)– hi intervingueren diversos artistes, com els escultors Enric Casanovas, Josep Dunyach, Frederic Marès i Josep Llimona, i els pintors Francesc d'Assís Galí, Josep de Togores, Manuel Humbert, Josep Obiols, Joan Colom i Francesc Labarta.[8] Des del 1934 és la seu del MNAC.
L'any 1985 es van començar a debatre els primers projectes per rehabilitar l'edifici, però no fou fins al 1990 que van començar les obres de restitució segons el projecte dels arquitectes Gae Aulenti i Enric Steegman. L'any 1992 es va realitzar la rehabilitació de la Sala Oval i la consolidació i adequació estructural parcial de l'edifici, així com la reestructuració de dues sales d'exposicions temporals.[9] Entre 1995 i 2004 el palau va patir diverses reformes i ampliacions a càrrec de Gae Aulenti, Enric Steegman, Josep Benedito Rovira i Agustí Obiol, amb l'objectiu de crear espais per poder encabir totes les obres de la col·lecció.[10] Les obres foren encomanades a Eduard Carbonell, el director del museu en aquell moment.
La zona del palau que va necessitar una reforma més complexa fou l'ala on s'exposa l'art romànic. Es va haver de desmuntar la primera planta, reforçar la cúpula i construir parets noves i plafons, a més de canviar totes les instal·lacions de seguretat. Per tal de garantir unes condicions de conservació favorables (humitat, calor,...) el febrer de 1995 es va haver de traslladar la col·lecció d'absis romànics, sota la supervisió d'Aulenti. L'objectiu de la reforma arquitectònica era «reunir el passat i el present, preservar les necessitats filosòfiques i morals de l'edifici», interessant-se sobretot en el tema de la il·luminació. Per això es van col·locar llums arran de terra enfocant els absis, deixant alguns punts de les sales més enfosquits de manera que es reproduís l'ambient de les esglesioles romàniques. Moltes de les restauracions van ser realitzades per Gianluigi Colalucci i el seu equip, restauradors també de la Capella Sixtina del Vaticà.[11][12]
The Museu Nacional d'Art de Catalunya (Catalan pronunciation: [muˈzɛw nəsi.uˈnal ˈdaɾd də kətəˈluɲə], English: "National Art Museum of Catalonia"), abbreviated as MNAC, is the national museum of Catalan visual art located in Barcelona, Catalonia, Spain. Situated on Montjuïc hill at the end of Avinguda de la Reina Maria Cristina, near Pl Espanya, the museum is especially notable for its outstanding collection of romanesque church paintings, and for Catalan art and design from the late 19th and early 20th centuries, including modernisme and noucentisme. The museum is housed in the Palau Nacional, a huge, Italian-style building dating to 1929. The Palau Nacional, which has housed the Museu d'Art de Catalunya since 1934, was declared a national museum in 1990 under the Museums Law passed by the Catalan Government. That same year, a thorough renovation process was launched to refurbish the site, based on plans drawn up by the architects Gae Aulenti and Enric Steegmann, who were later joined in the undertaking by Josep Benedito. The Oval Hall was reopened in 1992 on the occasion of the Olympic Games, and the various collections were installed and opened over the period from 1995 (when the Romanesque Art section was reopened) to 2004. The Museu Nacional d'Art de Catalunya (Museu Nacional) was officially inaugurated on 16 December 2004.[1] It is one of the largest museums in Spain.
he history of this institution dates back to the 19th century, when, in accordance with the principles that inspired Catalonia's cultural and political Renaixença (renaissance), a movement particularly active in that century, many projects were launched to help revive and conserve the country's artistic heritage. This process began with the establishment of the Museu d'Antiguitats de Barcelona (Barcelona Museum of Antiquities) in the Chapel of St Agatha (1880) and the Museu Municipal de Belles Arts (Municipal Fine Art Museum) in the Palau de Belles Arts (1891), a palace built to mark the occasion of the 1888 Universal Exhibition. A project to install all these Catalan art collections in the Palau Nacional, launched in 1934 under the initiative of Joaquim Folch i Torres, the first director of Catalonia Museum of Art, was frustrated by the outbreak of the Spanish Civil War (1936–1939), when for protection many works were transferred to Olot, Darnius and Paris (where an important exhibit was established). During the postwar period, the 19th- and 20th-century collections were installed in the Museu d'Art Modern, housed from 1945 to 2004 in the Arsenal building in Barcelona's Parc de la Ciutadella, whilst the Romanesque, Gothic and baroque collections were installed in the Palau in 1942.
The Palau Nacional, which has housed the Museu d'Art de Catalunya since 1934, was declared a national museum in 1990 under the Museums Law passed by the Catalan Government. In 1992 a thorough renovation process was launched to refurbish the site, based on plans drawn up by the architects Gae Aulenti and Enric Steegmann, who were later joined in the undertaking by Josep Benedito. The Oval Hall was reopened in 1992 on the occasion of the Olympic Games, and the various collections were installed and opened over the period from 1995 (when the Romanesque Art section was reopened) to 2004. The Museu Nacional d'Art de Catalunya (Museu Nacional) was officially inaugurated on 16 December 2004.
Since 2004, the Palau Nacional has once more housed several magnificent art collections, mostly by Catalan art, but also Spanish and European art. The works from that first museum have now been enriched by new purchases and donations, tracing the country's art history from early medieval times to the mid-20th century: from Romanesque, Gothic, Renaissance and baroque to modern art. This heritage is completed by the Gabinet Numismàtic de Catalunya (coin and medal collections), the Gabinet de Dibuixos i Gravats (drawings and engravings) and the library.[1]
Credits:
Maria [Aleutia] @ The Liaison Collaborative
.::Nanika::.Katy Colar & Necklace @ TLC
AG. Luster Eyes
Originated in MidJourney (see original)
and post-edited by me using both
Paint Shop Pro and PhotoScape X Pro.
(No copyrighted backgrounds or textures used -- EVER.)
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WITH SINCERE THANKS: 💕
Sending out gratitude to those who follow my photostream and FAVE my images. Of course, the awards and comments are lovely, too. I'm grateful for ALL of it! Thanks so much! ♡
Festival Images Vevey and my flickr's photostream . 25.09.16, 15:10:47 . No. DSC_4150 B & W.
Vevey , visiting the "Festival Images Vevey is Switzerland’s first visual arts biennale. Every other year, the festival features unique large-scale photography exhibitions in the streets of Vevey as well as a series of exhibitions in indoor venues, and presents the winning project of the international photography competition Grand Prix Images Vevey."
After seeing this wonderful festival you should take a picture for yourself and for your Flickr's friends..More then 17, 500 already ...! )))
"Le Festival Images Vevey est la plus importante biennale d’arts visuels de Suisse. Il produit tous les deux ans des expositions de photographie monumentale inédites dans les rues de Vevey; il propose aussi de nombreuses expositions dans divers lieux de la région dédiés à l’image et présente les lauréats du concours qu’il organise: le Grand Prix Images Vevey."
Après votre visit prenez une photo pour vous même et pour vos amis de Flickr , Déjà 17,500....! )))
"Le Festival Images plonge Vevey dans un grand bain photographique..."
"Dès ce samedi et jusqu'au 2 octobre, la ville de Vevey célèbre la photographie avec la présentation de 75 expositions à travers toute la cité de la Riviera vaudoise dans le cadre du Festival Images.
Manifestation gratuite, le Festival Images Vevey plonge la ville dans un bain photographique. Fil rouge de cette 5e édition, l'immersion apparaîtra au travers de 75 projets présentés en plein air et en intérieur.
Pendant trois semaines, le public pourra découvrir dans les parcs, les jardins, le lac, les musées ou sur les façades quelque 1500 images, parfois monumentales, proposées par des artistes de quinze pays. Parmi eux, Hans-Peter Feldmann, Martin Parr, Alec Soth, Mat Collishaw, Graciela Iturbide, Guido Mocafico ou encore James Casebere.
S'y ajoutent des projets spéciaux comme BookBox, 1000 clichés tirés du photomaton installé à Montreux à l'occasion du 50e anniversaire du Montreux Jazz. Et les 1168 images de Lei lei et Thomas Sauvin qui réinventent l'histoire d'inconnus à partir de photos récupérées.
Record de gigantisme
La plus grande bâche jamais faite pour le Festival, près de mille m2, accueille une photographie de l'Alémanique Renate Buser. Jouant sur la transparence, elle est exposée sur la façade du siège international de Nestlé.
Près de la gare, c'est l'image géante de Martin Parr qui interpelle les visiteurs avec son homme de dos devant un paysage alpin. Dans un autre projet du photographe britannique, les festivaliers pourront "faire la paire avec Parr" et entrer physiquement dans une vingtaine de ses photos.
Autre série monumentale, "100 years" de Hans-Peter Feldmann. Le photographe allemand a tiré en noir blanc le portrait de cent personnes de son entourage, âgées de un à cent ans, recomposant ainsi toutes les étapes d'une vie humaine.
ats/olhor "
RTS Culture.
Arte digitale nell'arte visiva, c'è la pittura digitale.- Digital art in visual art, there is digital painting.
Non ho filosofia: ho senso.- I have no philosophy: I make sense.
Ogni sguardo diventa visione, ogni visione diventa uno sguardo.
Gesualdo Bufalino
Every look becomes a vision, every vision becomes a look.
Gesualdo Bufalino
Digital Painting - Graphic Art
f00461
Credits:
\//. [Sheryl] -Exclusive- Mask @ The Epiphany
V/. VoluptasVirtualis - [Eve] - soon @ Kinky
-Belleza- Freya Mesh Body
tram H0414 hair, coming @ Uber
Art Week Gallery Group
~~~~ GLOBES ~~~~
Thank you for your kind visit. Have a wonderful and beautiful day! ❤️❤️❤️
Excerpt from the plaque:
Yes-No by Ted Fullerton: Ted Fullerton is a Canadian artist who works in painting, drawing, printmaking and sculpture and has achieved awards in all four media.
As a figurative artist his work is symbolic in nature. He was professor/head of the Fine Art Program at Georgian College, School of Design and Visual Art from 1978-2013.
Recently the artist was invited by the European Art Committee – a non-profit organization – to exhibit during the 2022 Venice Biennale.
Petra is a most talented artist deep in her heart and soul . Her inner beauty comes out in all forms of visual art, from painting to photography. Her eternally searching eye captures beauty in all subjects , from landscapes to portraits, from archtecture to flowers. She has a special place in my heart as a friend, because she believed in my images even when I didn't and, encouraged me to go on and improve and, these words coming from a most gifted artist as her gave me a magical strenght. Thank you so much Petra for being who you are
If you wish to give your eyes a New Year gift go to a trip through her marvellous photostream
One of the photos I took yesterday, November 25, 2024, when the first snow fell. The leaves of the willow trees caught in the snowfall at an unexpected moment created a visual art.
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Dün, 25 Kasım 2024 ilk kar yağdığında çektiğim fotoğraflardan biri.. Beklenmedik anda kar yağışına yakalanan söğüt ağaçlarının yaprakları, görsel bir sanat oluşturdu...
I enjoyed this slide, a double exposure and then some.
Pictured installations :
Butterfly Effect by Masamichi Shimada
I .26 Amsterdam by Janet Echelman
Credits:
AG. Charm Eyes - Marble @ MainStore
.euphoric ~ Maya Lashes Applier ~[Catwa]
DeeTaleZ *Appliers* CATWA Head "Snow White" Special Edition@ Enchantment
A masterclass in social survival: sometimes your only defense is to blend into your surroundings. Become invisible and pass unnoticed to avoid toxic people. This image delivers an unfiltered depiction of a specific psychological defense mechanism: protective avoidance through social camouflage. In clinical and evolutionary psychology, the desire to blend into the background is not mere shyness, but an adaptive response to an environment perceived as hostile or unsafe. Just as camouflage saves a prey in nature, on a social level, an individual learns that reducing their own visibility minimizes the likelihood of becoming a target. It is a strategic choice—choosing not to invest energy in interaction in order to preserve one's emotional integrity.Shifting into invisibility thus implies a temporary renunciation of self-expression for the sake of safety. A strong component of hypervigilance takes over: one scans the environment, recognizes potential dangers, and consciously decides to turn off their headlights to observe without being observed, maintaining control over the situation from a safe distance.The ultimate goal becomes entirely utilitarian: to avoid contact with toxic people and disruptive elements. This dynamic reflects a deep relational saturation—the end of any willingness to negotiate, mediate, or endure the negativity of others. It comes with the realistic realization that changing toxic people is impossible, and the only solution within one's control is to deny them access to oneself. The "masterclass" lies precisely in transforming blending in—which many mistake for passivity—into an act of power and conscious control. It is not a flight dictated by fear, but a strategic retreat guided by social intelligence, where silence and invisibility become the sharpest weapons to protect one's mental health.
Credits:
{ Speakeasy } - Cry Time - Courage Tattoo @ Pocket Gacha
maps.secondlife.com/secondlife/PocketGacha/201/139/2001
More Info on Pocket Gacha:
OSMIA - Temptation.Gacha.Kitty @OSMIA Showroom
OSMIA - Temptation Gacha Lingerie @OSMIA Showroom
maps.secondlife.com/secondlife/Lately/134/96/27
Genesis Head Bento - EVA
My first solo exibition ー I Novel 私小説
VibesGallery
slurl.com/secondlife/Wanderers%20Retreat/74/90/2007
Over 10 new photos will be there :)
The opening party will runs on
May 3rd 1 pm SLT〜
The solo exibition ー I Novel 私小説
May 3rd 〜 around 19th SLT
Lunhea, Eviana
Thank you for giving me this opportunity !
Credits:
GENUS Project - Genus Bento Head Beta - Mocap
[Glam Affair] Roxy Applier [ Genus ] coming @ Uber
2
M+ Art Museum; West Kowloon cultural district
A museum "dedicated to collecting, exhibiting, and interpreting visual art, design and architecture, moving image, and Hong Kong visual culture of the twentieth and twenty-first centuries"
Credits:
[CX] Crux Septum
.::Nanika::. Bumblebee Jewelry:
Necklace-Bracelet-Earrings-Crown RARE@ The Gacha Guardians
maps.secondlife.com/secondlife/Gimme%20Gacha%20Production...
Eliavah ~ Ephermeral Bandeau @ Mainstore
LM: maps.secondlife.com/secondlife/Nouveaux/46/214/23
LeLutka Bento Head - CATE
*
M+ is Asia's global museum of contemporary visual culture, dedicated to collecting, exhibiting, and interpreting visual art, design and architecture, moving image, and Hong Kong visual culture of the twentieth and twenty-first centuries.
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M+ est le musée mondial de la culture visuelle contemporaine en Asie, dédié à la collecte, l'exposition et l'interprétation des arts visuels, du design et de l'architecture, des images animées et de la culture visuelle de Hong Kong aux XXe et XXIe siècles.
Credits:
BigBeautifulDoll - ANAIS Mesh Lingerie @ Frou Frou Event
LM: maps.secondlife.com/secondlife/Pink%20Heaven/193/93/2999
^^Swallow^^ Rox Ears
Genesis Lab Eyeshadow Applier TRICK NO TREAT
Genesis Lab Eyelashes Applier LOVE SPELL
Genesis Head Bento - MOLLY