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De belles vignettes d'origine et en plus de la dernière année au format hexagonal: en effet elles deviendront rondes à partir de 1986.
Cette Peugeot 504 n'avait donc que 10 ans lors de son arrêt.
My LEGO vignette based of Portal 2
The funnel actually spins as shown here:
www.youtube.com/watch?v=Z4feRzazJBA
I'm sorry for not the best video quality btw.
This is my Mandalorian Warrior. I cut off the jett-pack part of the helmet, it didn't go so well... but it works. This is him in my Desert Ruins vignette.
Same location with my previous shot.
In the mood of overloading vignettes.
You have a wonderful weekend.
God bless you!
Very cool on black, view it HERE!
Post processing - Used Darktable. Vignette, split-toning adding red to shadows matching reds in his cap and her dress
Looks like John will think twice before loitering again.
I hope you all think the surgeon's hat looks like a garbage bag too. 353
I didn't think much of the view from our hotel room as it was overlooking a car dealership from the night before. But who knew what a gift our room turned out to be. As the sun rose, it created a perfect box frame from the sun peering through the window and in to the room!
"Probably the most stupid drinks promotion ever..."
An entry for the Vignette category in the Battles contest over at Classic-Castle.
Part of my '4 Stages of the Wehrmacht' Vignette
Figures Included: 1x Wehrmacht Infantry, 1x American Rifle Man
Short Description: Urban Warfare, two soldiers of opposing armies get into a fist fight after losing their weapons.
You have been warned : this may be a vignette but it's not a joke.
My minifigures and I are joining the tens of thousands of women protesting in Italy against the way our conditions has degraded in the last twenty years or so.
For example, about one in two women is unemployed or not even looking for a job. Why ? Because, even if you are lucky enough to get a job you will be treated as a second class employee despite the legislation guaranteeing male-female equality.
For example, the television is constantly bombarding the audience with degrading and titillating images of scantly clad young girsl. You guys may think this is heaven. I don't.
For example, the media are actively promoting the image of a woman achieving success only for her looks and her being submissive to men. Again, this may be fun for you guys, but would you want your daughter to grow up having as main aspiration to appear half naked on the television ?
For example, now the path to a political career is not through competence but by being pretty enough to have caught the attention of the Party Leader.
We are saying "enough is enough!" to the the people elected to our Governement, and especially to our Prime Minister.
end of the rant.
( normal vignette service will resume at the weekend )
Lizardman vs. the 50 foot boxer! Who will win who will lose?
My target is finally carrying series 5 and so I 4 more figures. =D 193
Trevor Carpenter Photo Challenge WEEK 16 - BEVERLY'S CHALLENGE
I spent the last few days gathering things that were colorful, and that reminded me of Beverly.
It may seem like an odd collection of things, but I think its eclectic nature would be right up her alley. <3
Vignetting is a reduction of an image's clarity at the periphery compared to the center of the image. It may be gradual or abrupt. Usually photographers think of it as a darkening that starts at the corners, and, in some cases, spreads along the edges of the photo to create a rounded off image. Other forms of vignetting include photos with a periphery that fades to white, loses color saturation, or generally looks “washed-out.” Blur in the corners or along the edges of a photo might also be considered vignetting.
A variety of factors contribute to dark vignetting – for example, optical limitations in the lens (especially in toy cameras with inexpensive lens) and lens hoods, filters and other lens attachments that reduce the angle of view. Dark vignetting is most obvious at wide-open aperture, especially in wide-angle lenses with filters. It might be hidden in images with complex details, while being more obvious in photos that contain areas with few features, like clear skies or blank walls.
Because dark vignetting usually results from the “problem” of light being blocked, some photographers, especially those who are invested in a pure or totally realistic image, will consider it undesirable. They might try to crop it out, or use an image editing program to correct it.
For artistic purposes, vignetting might be desirable and even added to a photo that doesn’t have it. There are a variety of techniques for achieving the effect: by deliberately shooting with a camera, lens, or filter that will create vignetting, by burning the outer edges of the image, or using masks in an image editing program to selectively alter the periphery of the photo. Some programs, like Photoshop, have a feature specifically designed to create dark or light vignetting. To create blur vignetting, some photographers suggest smearing Vaseline along the edges of a UV filter. That might result in some very interesting effects, although I imagine the clean-up job could be tedious.
Vignetting is often used in portrait photos, usually by creating an oval shape around the subject. Along with film grain and black/white or sepia treatments, dark vignetting is also a good technique for creating the look of an “old photograph” because the relatively low quality lens of old cameras often resulted in vignetting.
It’s helpful to think about vignetting in terms of the psychology of perception. If the vignetting is symmetrical, it focuses the eye towards the middle of the photo and creates a feeling of centeredness. Sometimes the effect can be quite subtle and not consciously noticed by the viewer. It mimics the cognitive process of concentrating on something while toning down attention to any distractions in the periphery of awareness. Imagine yourself, for example, reading a book or watching TV. Your attention zooms in on the words or pictures, while you just barely notice things around the book or TV.
In some respects vignetting mimics the way the eye works. The receptor cells known as “cones” are sensitive to color and concentrated in the center of the retina, while the “rods,” which detect light but not color, are found on the periphery of the retina.
Dark vignetting that is obvious or blatant creates the sensation of "looking in" or “looking out,” as if through a hole, window, or tunnel of some kind. We experience the sensation of a space out there and some barrier or plane through which we are looking at it. We are here in this space, the subject over there in that space, and there’s distance between us. With some subjects the feeling of voyeurism and even peeping might be quite strong.
When people are in an altered state of consciousness, or when losing consciousness, as in passing out, they may experience darkness closing in from the periphery of their vision. Under conditions of stress, some people have “tunnel vision.” To recreate these sensations of a mind that is intoxicated, fading, or traumatized, a photographer might use vignetting.
When vignetting is not symmetrical around the periphery of the image, the off-balance feeling that results can enhance this sensation of a mind gone awry. Asymmetrical vignetting might also serve the more mundane function of focusing the viewer’s eye on an element of the image that is not at the center, or of providing balance to other elements of the image.
White vignetting similarly helps focus the eye, but its other psychological effects can be quite different than dark vignetting. The image will feel more light, airy, and ethereal, as if in a reverie or dream. For this reason, white vignetting will probably work better in high key photographs. It also tends to lift the image up towards the viewer rather than make the subject appear to be in a distant space. For subjects that are uplifting, happy, and joyful, as in wedding photography, white vignetting will usually be more appropriate that dark vignetting, which tends to create a more introspective, moody, or even sinister feeling.
Fading to white at the edges of the image can create the sensation of the subject opening up or spreading out into the surrounding space. In some cases the subject might appear to be evaporating, while in others it seems to be “coming into being.” Dark vignetting can result in a feeling of darkness closing in, of a subject that is disappearing or being engulfed. Or, in images with bright and colorful subjects at the center of dark vignetting, the impression might be that of light penetrating darkness or of the proverbial light at the end of the tunnel.
In both fading to white and black at the edges, the sensation of an image border might be lost. As a result, the image and subject might appear as if they are drifting, floating, uncontained, or boundless. Without a distinct frame that separates viewer from photo, we might also find it easier to psychologically enter into the image.
Some people define the word “vignette” as a small, graceful sketch of a scene from a story. This too might be the emotional impact of vignetting in photography. We feel as if we are getting a brief but elegant glimpse into a scene from an ongoing story.
* This image and essay are part of a book on Photographic Psychology that I’m writing within Flickr. Please see the set description. If you have a photo that illustrates the ideas in this essay, please feel free to post it
Staten Island Ferry, New York
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Another Wedding pic. Here is how to create a Vignette:
This effect has been around for so long that most of the people who knew how to do it have forgotten how. If you put a vignette on some of your treasured images of young children, especially the pretty young girls, you can turn an ordinary snapshot into a precious memento.
Here is how easy it is. To start you simply put a circle or an elliptical marquee around your image. You can move this around to your liking by clicking on the move tool. When you have it in place, go to Select, and click on Feather. This is one that you may want to change after you see it. Usually anything above 12 will be very soft. I set this one for 19. This is easy to change just click on your History and back up a few moves. Once you set this it is locked in.
Now go back to your image and click on Select and click the Inverse. This will select everything in the image out side the picture you are working on. Now hit Backspace and your
Vignette is made. On some Mac’s you may have to hit Delete instead of Backspace.
I bet you didn’t think it was this easy.
Free to use under creative commons attribution license. Made with multiple layers and brushes.
Credit me if used and it would be nice to leave a link or comment so I could take a look (and fave) the work done with it.
This 48 footer was built in 1951 by Vineyard Shipbuilding. She is seen here at the Antique & Classic Boat Festival at the Chesapeake Bay Maritime Museum in St Michaels, MD. in 2019.
Shot on a Zenit 3M, Helios-44 58/2 and Agfa Precisa 100 slide film.
Pretty good effort for a 50-year-old camera and slide film. The vignetting's really pleasant.
Thought of this the second I finally got the hotdog piece. www.flickr.com/photos/59395264@N03/6590058807/in/photostr... 287