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Van Nuys, CA 2013
Toyo/Omega 45F
Nikon Nikkor-W 210mm (82A filter)
T5.6
1/30 shutter
Fuji 160NC (rated 80 ASA expired 2006)
process: Richard's Photo Lab Los Angeles processed normal
scan: Epson 4490
color: Lightroom
Linhof Kardan Standard / Schneider Symmar / Agfa MCP paper negative
Here you have the cutest of SLRs, the Zenit C with the amazing but monstrously huge Helios 40 (notice the low series number on the lens front). This is a rig I would not really use to go shooting out; I just show it ofr illustrative reasons: I mean, that the lens that should really live in a first generation Zrnit (like a C, 3, 3m or Kristall) is an Industar 50 (or its early version, the 22) and nothing else. Anything else looks exremely unblanced, even a Helios 44, which is by no means a big lens, looks so off in a Zenit. It looses its elegance, its beauty, its balance... it stops being a Zorki, a Russian made Barnack Leica, a killer design, with a mirror box and starts being just another SLR...
A section of the Snyder path located at the intersection of Emmitsburg Road and West Confederate Avenue on the Gettysburg Battlefield National Historic Site.
Camera: Calumet 45NX 4x5 large format monorail view camera.
Lens: Schneider 90mm f/5.6 Super-Angulon lens in a Copal 0 shutter mounted on recessed lens board. B+W brand #29 red filter on the lens to bring out some drama in the sky. Unfortunately, there wasn't much in the way of cloud formations, only a vapor trail from a jet.
Exposure: 1/4 second @ F45 with film rated at box speed. Metered with a Pentax 1 degree spot meter.
Film: Ilford HP5+ B&W 400 ISO Negative Film.
Development: Self Developed film in Kodak Xtol 1+2 in Paterson Universal Tank using the Taco Method. 15 1/2 minutes @ 20 degrees Celsius. Tap water stop bath. Ilford Rapid Fixer. Photo-Flo. Hung on shower curtain to dry on film clips.
Scanning: Negative scanned with Epson V600 in two scans and merged back together in PhotoShop since the V600 doesn't natively support 4x5 scans in one pass. Cropped to square format in Lightroom.
De oude plek waar de HKU (High School of Art Utrecht) was gevestigd en nu dit nieuwe gebouw werd opgezet.
The old place where the HKU (High School of Art Utrecht) was located and now this new building was established.
Open diafragma @ f/4
Visited a vehicle graveyard with the ShenHao.
f32 @ 1/8 sec
ShenHao HZX45-IIA + Fujinon-W 135mm f5.6 + Arista EDU Ultra 100 @ 50 iso + HC-110 B @ 4 min (Tray developed)
Seth is one of the finest analog color photographers in Seattle and tonight I had the honor of taking his portrait.
4x5
Kodak 160VC
Finally, actual NEW work! This was taken yesterday evening. Someone finally put some color back in my life and gave me inspiration. I ran around and just took pictures of everything after this shoot and I started carrying my camera everywhere with me. It feels so nice. I hope I can keep this up so I can keep producing the amount of images I am. Thank you, you know who you are. Me = happy.
More photos coming...
Double Exposure
Intrepid 4x5 MkIV
Rodekstock Sinar 210mm Lens @F/8
Kodak Tri-X P 320
Dev: D-76 Stock for 6 Min
Wheel detail on the Union Pacific Steam Locomotive # 4012 which resides on the grounds of the Steamtown National Historic Site in Scranton, PA.
4x5 for 365 Project details: greggobst.photography/4x5-for-365
Camera: Calumet 45NX 4x5 large format monorail view camera.
Lens: Schneider 90mm f/5.6 Super-Angulon lens in a Copal 0 shutter mounted on recessed lens board. B+W brand Yellow filter on the lens to help with contrast.
Film: Arista EDU 200 Ultra B&W Negative Film, shot at box speed.
Exposure: 1 second @ F32.
Development: Self Developed in Kodak Xtol 1+2 dilution in Paterson Universal Tank using the Taco Method. 12 minutes @ 20 degrees Celsius. Kodak indicator stop bath. Ilford Rapid Fixer. Photo-Flo rinse.
Scanning: Negative scanned with Epson V600 in two scans and merged back together in PhotoShop since the V600 doesn't natively support 4x5 scans in one pass.
Testing front tilt of the lens on the ShenHao to see the impact on foreground and background sharpness.
f45-64 @ 1/2 second
ShenHao HZX45-IIA + Fujinon-W 135mm f5.6 + Arista EDU Ultra 100 @ 50 iso + D-76 1:1 @ 9 min (Tray developed, 1 min initial agitation followed by every minute)
Regardless of how or if you voted yesterday or what country you call home, try to be a better, kinder, more compassionate, more selfless, more honest, more fair, more understanding person today than you were yesterday. Love people. Be kind to everyone. Take time to breathe and to think. Attempt to understand those with different views. Be responsible for your actions. Care for who and what you hold dear. We're all in this thing we call life together.
On my trip into Devil's Postpile National Monument, I decided to only bring black and white film, because the basalt formations and pines reminded me of Yosemite National Park and the work of Ansel Adams, and I knew this place would play well with the strengths of that medium. This place is defined by stark contrasts, rich textures, and harsh light, so I knew that Fuji Neopan Acros 100 would be a great film for the job with its silky whites, inky blacks, and beautiful tonal gradations. The image you see here is a tiny downsampling of a small 135-megapixel crop from a 180-megapixel scan from 4x5" film.
I uploaded a 135 MP file to Flickr. Yes, I'm that crazy! Be sure to use the zoom feature to get in close and pan around the image to take in all the juicy details!
The Intrepid Camera Co. 4x5 Field Camera
Schneider-Kreuznach Super-Angulon 90mm f/8
Fujifilm Neopan Acros 100 4x5" large format black & white sheet film
sunpak 611 , camera right in medium softbox, up high,1/4 power,tripped with optical slave by on camera 580ii,1/128 power
Glory in the Highest to God.
Pacemaker Crown Graphic - Schneider-Krueznack Symmar-S 1:5.6/210 - Agfa APX 100 @ ASA-100
Kodak HC-110 Dil. B 7:00 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700
Editor: Adobe Photoshop CC (2018)
Taken on the 2nd to last day for Garde Rail Gallery in Seattle. Hasta Luego Karen!
Garde Rail Gallery will be closing its Seattle doors Saturday August 22, 2009, and starting a new chapter in Austin, TX. Garde Rail Gallery owners Karen Light-Piña and Marcus Piña are relocating their family to Austin and will move the gallery there and reopen in the fall.
Read more- www.garde-rail.com/index.html
check out my blog- www.daniel-carrillo.com/blog/
Toyo 45CF 4x5", Rodenstock Grandagon N 90mm f4.5 lens, AGFA RSX II 100, Tripod
aperture: f16.0
exposure: 1/60 s
My Shen-Hao large-format view-camera getting some action.
See the next photo in my stream for what it took.
Taken whilst travelling through Lochalsh area on holiday hunting scenery.
Located just outside of Reading, PA, this mill was built by David Gring in 1811. The Miller's house was built in 1831. There is also a large barn off to the left that was built in 1896. Today Gring's Mill is a park and recreation area and the buildings house the Berks County Parks and Recreation Department's administration and maintenance offices. The Union Canal Trail that runs alongside the creek is a favorite with the local joggers and walkers.
Shot with the Calumet CC-401 4x5 large format monorail view camera
Rodenstock Geronar 150mm F6.3 lens in a Copal 0 shutter
Arista EDU 100 Ultra 4x5 B&W sheet film which I shot at 64 ISO
Shot at F32, 1/8th second shutter speed. Metered with a Pentax 1 degree spot meter.
Self Developed film in Rodinal 1:100 using semi-stand development in Paterson Tank using the Taco Method. Tap water stop bath. Ilford Rapid Fixer. Photo-Flo. Hung on shower curtain to dry on film clips.
Negative scanned with Epson V600 in two parts and merged in Photoshop CS5 since the V600 doesn't natively support scanning 4x5 sheet film and I haven't stepped up to the V700 yet.
Sinar P / Schneider Symmar 150mm / Agfa MCP paper negative
Indeed! I love leicamorphs, even if I'm not truly adept at handling them. Who I wanna decieve, it's a pain in the ass for me shooting a rangefinder of any kind, and I own a Leica M6 and a Bessa R2, so I know what is state of the art rangefinder tech... but I love leicamorphs anyway. I love having one on my hands and shooting a roll or two from time to time... but not so often.
Galvin 6x9 Monorail View Camera
100mm Kodak Wide Field Ektar Lens
Shown with a Graphic 6x9 roll film magazine and the optional monorail extension for a total of 14" bellows draw.
Not shown is an extra lens board that I'm thinking about using with my 203mm Ektar lens.
I knew Jim Galvin when he was building these, and I owned and used several of them years ago. The last few years I would occasionally look for one with no luck, but my luck changed this week.
Death Valley National Park
California, USA
Tachihara 8x10
Caltar II-N 240mm f/5.6
Rollei Ortho 25 Plus
Developed at Northcoast Photographic Services, Carlsbad, California.
I describe the making of this photograph in an article on the on-line publication, Photography Life.
Satoshi and Yudai
© Dan Hirsch, 2014.
3.3 Gb drum scan by CastorScan
(CROP, 100% FULL RES)
PLEASE ZOOM IN!
Full picture here: www.flickr.com/photos/castorscan/17060245570/in/photostream/
Arca Swiss F-Metric,
Rodenstock Apo Sironar,
Kodak Portra 8x10 inches.
Taken in the late afternoon in Valley of Fire State Park, just northwest of Las Vegas in the Nevada Desert. A very geologically diverse park that provides many photographic opportunities.
Linhof Technika V, 90mm Fujinon SW with orange filter.
12 degrees of front tilt.
Ilford FP4, ISO 100, f/22 at 1/60 sec.
Developed in Kodak Xtol 1:1 using a Jobo processor with a 4x5 expert drum
Taken with a Lizars "Challenge" camera in week 471 of my 52 film cameras in 52 weeks project:
www.flickr.com/photos/tony_kemplen/collections/72157623113584240
For the first full week in 2019 of my 52 cameras in 52 weeks project, I decided to use my dad's Lizars Challenge folding plate camera.
The film is Rollei PAN 25, an ISO 25 black and white negative film, devloped in Rodinal 1:50 for 11 minutes at 20 degrees.
Exposure approx 40 seconds at f22.
Death Valley National Park, California, USA
Tachihara 8x10
Fujinon-C 300mm f/8.5
Kodak Ektar 100
Developed at Northcoast Photographic Services, Carlsbad, CA
The Aurajoki river and The old cathedral at Turku, Finland.
11/3/2009
Toyo-View 4x5, Symmar-S 5.6/150mm, Fuji Acros 100 film.
If you have lived in the Kansas City area for any time, you have probably had a close encounter with this old Guard at the Nelson Atkins Museum of Art.
www.nelson-atkins.org/art/CollectionDatabase.cfm?id=20739...
This rail is tall and the runway is tight on this side. I was actually shooting someone skating the rail on the right, so forgive my composition.
Built in the 1850s as the seat of Halton County and Court, the building served in that roll until the mid 1970s and has seen extensive renovations in the 1980s to the new Milton Town Hall and still serves that purpose today.
Graflex Crown Graphic - Fuji Fujinon-W 1:5.6/125 - Ilford HP5+ @ ASA-400
FA-1027 (1+14) 9:00 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700
Editor: Adobe Photoshop CC
Sinar P / Schneider Symmar 150mm / Agfa MCP paper negative
I don't know if it's truly legit to call the Smena 35 a Soviet camera, as if one looks for the serial number, will find that they're made well after the demise of the USSR. This means that either the serial numbers do not match the years of production, which is not really consistent; or they were embossed 'made in the USSR' being actually made in the Russian Federation. This could be for a number of reasons, but I'm inclined to think that the embossing was part of the injection molds and guys at LOMO were not to change them to better reflect were the camera was made, which is really more consistent with the "anything goes" way of doing things in Soviet industry...
Located at 198 Main Street in Milton, the original Hemstreet Build had to be demolished in 2000 as renovations inside rendered it unstable. Replaced with a near duplicate. The original building was home to an early Milton Photography studio for local photographer George Albert Hemstreet. George, born in 1853 and raised on a farm in the Trafalgar Township, left the farm at age 23 and moved to Milton joining the dry good business with his brother and became a local photographer. He went on to serve as a Town Councillor and served 26 years as Clerk-Treasurer. He died in 1957 and is interred in Milton's Evergreen Cemetery. Today the building is occupied by Southside Community Church.
Graflex Crown Graphic - Fuji Fujinon-W 1:5.6/125 - Agfa APX 100 @ ASA-100
Rollei Supergrain (1+15) 7:00 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700
Editor: Adobe Photoshop CC
The history of St. Peters dates back to 1825 with the original settlement of Erindale. The first building constructed in 1826 was a simple wooden frame church, the first services were held a year later and consecration took place in 1828. The white frame church survived until 1886, and in 1887 a new stone church began construction and the old church torn down. The new building was constructed out of local stone, and moved by hand up the hill where the church stood. The bell tower and steeple were completed in 1910 and the basement was expanded to hold a Church School during the 1930s. A narthex and church hall were added in 1959. Today St. Peter's remains an active church in the village.
Graflex Pacemaker Crown Graphic - Wollensak 90mm f/6.8 Raptar Wide Angle - Kodak Tri-X 320 @ ASA-320
Kodak D-76 (Stock) 5:30 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700
Editor: Adobe Photoshop CC
Armstrong Redwoods State Natural Reserve,
Sonoma County, CA, USA
Tachihara 4x5
Kodak Wide Field Ektar 135mm f/6.3
Kodak Ektar 100
Developed at Northcoast Photographic Services, Carlsbad, CA