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Clay is very versatile and there are so many ways toddlers and preschoolers can play and experiment with it.
Clay gives them the opportunity to be creative and learn about texture, shape and form whilst having lots of fun.
In some areas, clay can be sourced from the natural environment. Alternatively, clay can be bought from an art shop or potters’ suppliers or you could make your own.
9 Benefits of playing with clay
1. Manipulating clay helps toddlers and preschoolers to develop their hand and eye co-ordination as they pound, pat and push the clay into shapes and objects.
2. Clay also helps toddlers and preschoolers develop the small muscles in their fingers and hands, known as fine motor skills, as they pinch, squeeze and prod the clay, adding detail to the shape or object.
3. Through this manipulation, toddlers and preschoolers can express their thoughts and ideas as they mould the clay to take on the form of their imagination.
4. Toddlers and preschoolers can experiment with literacy and numeracy concepts as they use clay to create letter, number and shape formations.
5. Facilitating toddlers and preschoolers to create their own name, their age, street address, or the names of people in their family makes learning meaningful.
6. Clay can also be used to visually represent your toddler's or preschooler's culture as it is moulded to represent meaningful symbols and patterns.
7. You can support your toddler or preschooler with clay play by providing an unhurried, spacious environment so that time can be spent developing and revisiting their work.
8. Regular access to clay provides toddlers and preschoolers with opportunities to build on their knowledge, verbalise their thoughts and ideas, and add detail to their work.
9. Skills toddles and preschoolers develop when playing with clay include imagination, perseverance, problem solving, teamwork, social interaction and self- regulation.
Versatility is my final project after a one year photographic course. All the pictures are made from my old pictures of flowers.
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Summary:
Good Bridge Camera
Snappy Bridge Camera.
Versatile.
Wonderful Sweep Panorama.
The Canon PowerShot SX70 HS is probably the most versatile bridge camera - with ultra wide and ultra long range zoom - you can get in the market.
Styled like a small DSLR:
- a 'compact' with 608 g weight.
Integrated-lens cameras have an advantage for travellers because they eliminate the need to change lenses.
A formidable all-in-one travel compact camera for macro, architecture, outdoor and macros or moon shots.
While the camera is quite easy to use even for beginners, it still has a lot to offer to professional photographers.
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The Canon PowerShot SX70 HS camera delivers an incredible zoom range:
wide-angle : 21 mm
Long range zoom: 1365 mm
useful Zoom plus with 2.0x converter: 2730 mm
°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°
°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°
My first Review after 10.000 shots (February 2019)
- with some hints for handling with the SX70.
...
to be continued
pro and cons
My First rating and assessment:
Value was placed above all on the simplest operation and a slimmer equipment.
The target is the beginner, less the savvy photographer.
Therefore, the hot shoe and some menu items of the predecessor are missing.
! - No External Flash Shoe
SUMMARY
**** / of *****
i give 4 of 5 stars.
-------------------
Meine erste Wertung und Einschätzung:
Wert wurde vor allem auf einfachste Bedienung und einer schlankeren Ausstattungen gelegt.
Im Visier ist der Anfänger, weniger der versierte Photograph.
Deshalb fehlt auch der Blitzschuh und einige Menüpunkte des Vorgängers.
pro und Contra
-
4/5 Punkten
-->
Erste positive Einschätzung und
harte Kritik im Vergleich zu SX Vorgängern.
... mit ein paar Tipps zur Handhabung
... wird laufend ergänzt!
-
############# 2. Versuch #############
Canon USA hat den ersten Review nicht akzeptiert:
Also kürzer und Lobhudeln:
my Review
short Version was approved
"
★★★★★
5 stars of 5
Would definitely recommend.
*****
-
Good Bridge Camera
Snappy Bridge Camera. Versatile. Wonderful Sweep Panorama.
is now approved
and live
www.usa.canon.com/internet/portal/us/home/products/detail...
Average Customer Ratings
-
3.1 before my excellent ranged Review:
now
Overall Rating:
★★★★★
★★★★
3.3
others said:
Exactly As Advertised
...
The camera is a great size for traveling and
for a full day of photography.
Upgraded from SX40
There were so many features on my older camera that I didn't want to loose, including the optical sight. This is new and improved
...
.. reminder, the SX70 is not in the same league as the 5DS(R) or D850 cameras ...
As "superzoom" no matter how good,
it's still a "superzoom".
Especially a cam with such a tiny sensor.
...
Keep your expectations in check, while this camera will show image noise if you pixel peep 1x1 in low light situations if you really push the limits, just remember... a little work in ACR (*software tool) and your fine.
* ACR is the raw development utility module for Photoshop and Photoshop Elements.
ACR, Adobe Camera Raw
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660 mm - ISO 125
Only a few pinholes is visible in this picture
Exakta Varex IIa and Carl Zeiss Jena Flektogon 35mm/2.8, Kodak Max Versatility 400
American postcard by Fotofolio, New York, no. P 432. Photo: Brigitte Lacombe, 1988.
American actress Meryl Streep (1949) is one of the best actresses of her generation, known for her versatility and accents. She has been nominated for the Oscar an astonishing 21 times and has won it three times. Among her other accolades, she has received 32 Golden Globe nominations, more than any other person, and won eight.
Mary Louise 'Meryl' Streep was born in 1949, in Summit, New Jersey. She is the daughter of Mary Wilkinson Streep (née Mary Wolf Wilkinson), a commercial artist and art editor; and Harry William Streep, Jr., a pharmaceutical executive. She has two younger brothers: Harry William Streep III and Dana David Streep, who are also actors. At the age of 12, Streep was selected to sing at a school recital, leading to her having opera lessons from Estelle Liebling. She quit after four years. Although Streep appeared in numerous school plays during her high school years, she was uninterested in serious theatre until acting in the play Miss Julie at Vassar College in 1969, in which she gained attention across the campus. She received her B.A. cum laude from the college in 1971, before applying for an MFA from the Yale School of Drama. Streep played a variety of roles on stage, from Helena in A Midsummer Night's Dream to an 80-year-old woman in a wheelchair in a comedy written by then-unknown playwrights Christopher Durang and Albert Innaurato. She received her MFA from Yale in 1975. That year, Streep made her stage debut in New York in Trelawny of the Wells by Arthur Wing Pinero. The following year, she received a Tony Award nomination for Best Featured Actress in a Play for appearing in the 1976 double bill of '27 Wagons Full of Cotton' by Tennessee Williams and 'A Memory of Two Mondays' by Arthur Miller. She made her screen debut in the television film The Deadliest Season (Robert Markowitz, 1977), a sports drama with Michael Moriarty. Her film debut was the award-winning Holocaust drama Julia (Fred Zinnemann, 1977), starring Jane Fonda and Vanessa Redgrave. It is based on a chapter from Lillian Hellman's book Pentimento about the author's relationship with a lifelong friend, 'Julia,' who fought against the Nazis in the years prior to World War II. Streep had a small role during a flashback sequence. She received her first Oscar nomination for the epic war drama The Deer Hunter (Michael Cimino, 1978). Critic Pauline Kael remarked that she was a "real beauty" who brought much freshness to the film with her performance. The film, starring Robert De Niro and Christopher Walken, was also successful at the box office, grossing $49 million. She also won an Emmy Award for her role in the miniseries Holocaust (Marvin J. Chomsky, 1978), which recounts the trajectory of the Holocaust from the perspectives of the fictional Weiss family of German Jews and that of a rising member of the SS (Michael Moriarty), who gradually becomes a merciless war criminal. Streep travelled to Germany and Austria for filming while her partner, actor John Cazale, who had been diagnosed with lung cancer, remained in New York. Upon her return, Streep found that Cazale's illness had progressed, and she nursed him until his death in March 1978. Streep starred opposite Dustin Hoffman in the legal drama Kramer vs. Kramer (Robert Benton, 1979). It tells the story of a couple's (Streep and Dustin Hoffmann) divorce, its impact on their young son (Justin Henry), and the subsequent evolution of their relationship and views on parenting. For Kramer vs. Kramer, Streep won both the Golden Globe Award and the Academy Award for Best Supporting Actress, which she famously left in the ladies' room after giving her speech.
Meryl Streep's first leading role was in the British romantic drama The French Lieutenant's Woman (Karel Reisz, 1981), a story within a story drama. The film paired Streep with Jeremy Irons as contemporary actors, telling their modern story, as well as the Victorian era drama they were performing. She got an Oscar nomination for her performance. Streep won the Oscar for Best Actress for Sophie's Choice (Alan J. Pakula, 1982). Streep was very determined to get the role. After obtaining a bootlegged copy of the script, she went after Pakula, and threw herself on the ground, begging him to give her the part. She portrayed a Polish survivor of Auschwitz, caught in a love triangle between a young naïve writer (Peter MacNicol) and a Jewish intellectual (Kevin Kline). Janet Maslin of The New York Times wrote: "Though it's far from a flawless movie, 'Sophie's Choice' is a unified and deeply affecting one. Thanks in large part to Miss Streep's bravura performance, it's a film that casts a powerful, uninterrupted spell." In 1983, Streep played her first non-fictional character, the nuclear whistleblower and labor union activist Karen Silkwood, who died in a suspicious car accident while investigating alleged wrongdoing at the Kerr-McGee plutonium plant, in Mike Nichols' biographical drama Silkwood (Mike Nichols, 1983) with Cher. Then she portrayed a fighter for the French Resistance during World War II in the British drama Plenty (Fred Schepisi, 1985), adapted from the play by David Hare. Her next release, the epic romantic drama Out of Africa (Sydney Pollack, 1985), established her as a Hollywood superstar. In the film, Streep starred as the Danish writer Karen Blixen, opposite Robert Redford's Denys Finch Hatton. It earned her another Oscar nomination. Karina Longworth notes in 'Meryl Streep: Anatomy of an Actor' (2013) that the dramatic success of Out of Africa led to a backlash of critical opinion against Streep in the years that followed, especially as she was now demanding $4 million a picture. Unlike other stars at the time, such as Sylvester Stallone and Tom Cruise, Streep "never seemed to play herself", and certain critics felt her technical finesse led people to literally see her acting.
Meryl Streep's other Oscar-nominated roles were in Ironweed (Héctor Babenco, 1987) with Jack Nicholson, the Australian drama Evil Angels/A Cry in the Dark (Fred Schepisi, 1988), the comedy-drama Postcards from the Edge (Mike Nichols, 1990) with Shirley MacLaine, the romantic drama The Bridges of Madison County (Clint Eastwood, 1995), One True Thing (Carl Franklin, 1998) with Renee Zellweger, the musical drama Music of the Heart (Wes Craven, 1999), Adaptation (Spike Jonze, 2002) starring Nicholas Cage, the comedy-drama The Devil Wears Prada (David Frankel, 2006) with Anne Hathaway, the period drama Doubt (John Patrick Shanley, 2008), the comedy-drama Julie & Julia (Nora Ephron, 2009) with Amy Adams, August: Osage County (John Wells, 2013) with Julia Roberts, the musical fantasy Into the Woods (Rob Marshall, 2014), the biographical comedy-drama Florence Foster Jenkins (Stephen Frears, 2016) with Hugh Grant, and the historical political thriller The Post (Steven Spielberg, 2017), starring Tom Hanks. Streep won the Best Actress Oscar again for The Iron Lady (Phyllida Lloyd, 2011), the British-French biographical drama based on the life and career of Margaret Thatcher. While the film was met with mixed reviews, Streep's performance was widely acclaimed, and considered to be one of the greatest of her career. Her stage roles include The Public Theater's 2001 revival of 'The Seagull', and her television roles include two projects for HBO, the acclaimed miniseries Angels in America (2003), for which her performance won her another Emmy Award, and the drama series Big Little Lies (2019). Streep has also been the recipient of many honorary awards. She was awarded Commander of the Order of the Arts and Letters by French culture minister Jean-Jacques Aillagon in 2003. In the cinema, she appeared as Emmeline Pankhurst, a British political activist and leader of the British suffragette movement who helped women win the right to vote in the period drama Suffragette (Sarah Gavron, 2015), co-starring Carey Mulligan and Helena Bonham Carter. Streep reprised the role of Donna Sheridan in the musical sequel Mamma Mia! Here We Go Again (Ol Parker, 2018). She also played a supporting part in Mary Poppins Returns (Rob Marshall, ), starring Emily Blunt in the title role. In 2019, she starred in the biographical comedy The Laundromat (Steven Soderberg, 2019), the first Netflix film in which Streep starred. The film focused on the Panama Papers in particular and Beneficial ownership in general. Streep was whistleblower John Doe who released incriminating documents to the media. In addition, she played Aunt March in Little Women (Greta Gerwig, 2019). Despite her stardom, for decades Streep has managed to maintain a relatively normal personal life. Streep lived with actor John Cazale for three years until his death from lung cancer in March 1978. Streep married sculptor Don Gummer six months after Cazale's death. They have four children: one son and three daughters, son Henry Wolfe Gummer (1979), a musician; daughters Mary Willa 'Mamie' Gummer (1983), an actress; Grace Jane Gummer (1986), an actress; and Louisa Jacobson Gummer (1991), a model. In February 2019, Streep became a grandmother for the first time, through her eldest daughter Mamie.
Sources: Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
The 'Most Versatile' challenge is set by the Compositionally Challenged Group. Thank you very much Sharon for choosing these fab themes, and thanks Linda for posting them.
In this month's challenge, 11 members entered 98 photos, and 7 members completed all 10 themes. These members, in play order were: Robin, Maria, Ms J, Pat, Sharon, Andy and Carissa.
This montage features at least one photo per person, and at least one photo per theme. To view the complete challenge and entries, click Here.
Hello beauties! we're excited to announce our new collection, available now at the August round of Level!
🎁 GIVEAWAY — Here are the two simple steps to enter:
．Comment with your in-world name 💬
．Favorite this image 💕
🌸 The Haneul Outfit is a versatile product compatible with Maitreya, Maitreya Petite, Legacy, Legacy Perky and Ebody Reborn bodies. With your purchase, you will receive all available sizes to ensure the perfect fit.
☁️ Come visit us at the @ Level Event
✨ You can choose from 30 different colors for the sleeves and buttons on the top, and they come with every purchase, whether you buy a full set or individual items. Additionally, there are over 40 color choices available for the tops. You can buy the tops separately with these options, or get them all together in a convenient fatpack, which suits different preferences.
✨ As for the skirt, you have the option to pick from 30 various colors for the skirt, ruffles, and metal! Every purchase includes all the colors for the ruffles and metals, whether you buy a full set or individual items. You can buy the skirts separately with these options, or get them all together in a convenient fatpack, catering to different preferences.
🎀 Compatible Body Sizes!
． Maitreya Lara & Petite
． Legacy Female & Perky
． Ebody Reborn
🎀 Mix & Match!
．40 Top Colors
．30 Sleeves Colors
．30 Buttons Colors
．30 Skirt Colors
．30 Ruffles Colors
．30 Metal Colors
We highly recommend trying the demo before making a purchase to ensure complete satisfaction.
📷 Participating on both our Flickr and Facebook platforms can increase your chances of winning by two-fold. The announcement of the winners will be made on my Facebook profile.
💝 très beau.
Tungsten white balance, B&W levels adjusted, Twilight filter added in editor.
January Most Versatile - All Color, fill the frame
Cheffins vintage and classic auction, Sutton -
"FORD 276 VERSATILE 4 cylinder diesel TRACTOR Fitted with front loader and pallet tines."
Unsold.
A 1911 Gold Sovereign, and two enamelled coins, a 'young Victoria' farthing 1850 and a 1889 'old Victoria' silver sixpence.
Italian postcard by B.F.F. Editore, no. 2986. Photo: MGM (Metro Goldwyn Mayer).
American actress Eleanor Parker (1922-2013) appeared in some 80 films and television series. She was nominated three times for the Academy Award for Best Actress, for Caged (1950), Detective Story (1951) and Interrupted Melody (1955). Her role in Caged also won her the Volpi Cup for Best Actress at the Venice Film Festival. One of her most memorable roles was that of the Baroness in The Sound of Music (1965). Her biographer Doug McClelland called her ‘Woman of a Thousand Faces’, because of her versatility.
Eleanor Jean Parker was born in 1922, in Cedarville, Ohio. She was the daughter of Lola (Isett) and Lester Day Parker. Her family moved to East Cleveland, Ohio, where she attended public schools and graduated from Shaw High School. She appeared in a number of school plays. When she was 15 she started to attend the Rice Summer Theatre on Martha's Vineyard in Massachusetts. After graduation, she moved to California and began appearing at the Pasadena Playhouse. There she was spotted by a Warners Bros talent scout, Irving Kumin. The studio signed her to a long-term contract in June 1941. She was cast that year in They Died with Their Boots On (Raoul Walsh, 1941), but her scenes were cut. Her actual film debut was as Nurse Ryan in the short Soldiers in White (B. Reeves Eason, 1942). She was given some decent roles in B films, Busses Roar (D. Ross Lederman, 1942) and The Mysterious Doctor (Benjamin Stoloff, 1943) opposites John Loder. She also had a small role in one of Warner Brothers' biggest productions for the 1943 season, the pro-Soviet Mission to Moscow (Michael Curtiz, 1943) as Emlen Davies, daughter of the U.S. ambassador to the U.S.S.R (Walter Huston). On the set, she met her first husband, Navy Lieutenant. Fred L. Losse, but the marriage turned out to be a brief wartime affair. Parker had impressed Warners enough to offer her a strong role in a prestige production, Between Two Worlds (Edward A. Blatt, 1944), playing the suicidal wife of Paul Henreid's character. She played support roles for Crime by Night (William Clemens, 1944) and The Last Ride (D. Ross Lederman, 1944). Then she got the starring role opposite Dennis Morgan in The Very Thought of You (Delmer Daves, 1944). She was considered enough of a ‘name’ to be given a cameo in Hollywood Canteen (Delmer Daves, 1944). Warners gave her the choice role of Mildred Rogers in a new version of Somerset Maugham's Of Human Bondage (Edmund Goulding, 1946), but previews were not favourable and the film sat on the shelf for two years before being released. She had her big break when she was cast opposite John Garfield in Pride of the Marines (Delmer Daves, 1945). However, two films with Errol Flynn that followed, the romantic comedy Never Say Goodbye (James V. Kern, 1946) and the drama Escape Me Never (Peter Godfrey, 1947), were box office disappointments. Parker was suspended twice by Warners for refusing parts in films – in Stallion Road (James V. Kern, 1947), where she was replaced by Alexis Smith and Love and Learn (Frederick De Cordova, 1947). She made the comedy Voice of the Turtle (Irving Rapper, 1947) with Ronald Reagan, and the mystery The Woman in White (Peter Godfrey, 1948). She refused to appear in Somewhere in the City (Vincent Sherman, 1950) so Warners suspended her again; Virginia Mayo played the role. Parker then had two years off, during which time she married and had a baby. She turned down a role in The Hasty Heart (Vincent Sherman, 1949) which she wanted to do, but it would have meant going to England and she did not want to leave her baby alone during its first year.
Eleanor Parker returned in Chain Lightning (Stuart Heisler, 1950) with Humphrey Bogart. Parker heard about a women-in-prison film Warners were making, Caged (John Cromwell, 1950), and actively lobbied for the role. She got it, won the 1950 Volpi Cup for Best Actress at the Venice Film Festival and was nominated for an Academy Award. She also had a good role in the melodrama Three Secrets (Robert Wise, 1950). In February 1950, Parker left Warner Bros. after having been under contract there for eight years. Parker had understood that she would star in a film called Safe Harbor, but Warner Bros. apparently had no intention of making it. Because of this misunderstanding, her agents negotiated her release. Parker's career outside of Warners started badly with Valentino (Lewis Allen, 1951) playing a fictionalised wife of Rudolph Valentino for producer Edward Small. She tried a comedy at 20th Century Fox with Fred MacMurray, A Millionaire for Christy (George Marshall, 1951). In 1951, Parker signed a contract with Paramount for one film a year, with an option for outside films. This arrangement began brilliantly with Detective Story (William Wyler, 1951) playing Mary McLeod, the woman who doesn't understand the position of her unstable detective husband (Kirk Douglas). Parker was nominated for the Oscar in 1951 for her performance. Parker followed Detective Story with her portrayal of an actress in love with a swashbuckling nobleman (Stewart Granger) in Scaramouche (George Sidney, 1952), a role originally intended for Ava Gardner. Wikipedia: “Parker later claimed that Granger was the only person she didn't get along with during her entire career. However, they had good chemistry and the film was a massive hit. “MGM cast her into Above and Beyond (Melvin Frank, Norman Panama, 1952), a biopic of Lt. Col. Paul W. Tibbets, Jr. (Robert Taylor), the pilot of the aircraft that dropped the atomic bomb on Hiroshima. It was a solid hit. While Parker was making a third film for MGM, Escape from Fort Bravo (John Sturges, 1953), she signed a five-year contract with the studio. She was named as star of a Sidney Sheldon script, My Most Intimate Friend and of One More Time, from a script by Ruth Gordon and Garson Kanin directed by George Cukor, but neither film was made. Back at Paramount, Parker starred with Charlton Heston as a 1900s mail-order bride in The Naked Jungle (Byron Haskin, 1954), produced by George Pal. Parker returned to MGM where she was reunited with Robert Taylor in an Egyptian adventure film, Valley of the Kings (Robert Pirosh, 1954), and a Western, Many Rivers to Cross (Roy Rowland, 1955). MGM gave her one of her best roles as opera singer Marjorie Lawrence struck down by polio in Interrupted Melody (Curtis Bernhardt, 1955). This was a big hit and earned Parker a third Oscar nomination; she later said it was her favourite film. Also in 1955, Parker appeared in the film adaptation of the National Book Award-winner The Man with the Golden Arm (Otto Preminger, 1955), released through United Artists. She played Zosh, the supposedly wheelchair-bound wife of heroin-addicted, would-be jazz drummer Frankie Machine (Frank Sinatra). It was a major commercial and critical success. In 1956, she co-starred with Clark Gable in the Western comedy The King and Four Queens (Raoul Walsh, 1956), also for United Artists. It was then back at MGM for two dramas: Lizzie (Hugo Haas, 1957), in the title role, as a woman with a split personality; and The Seventh Sin (Ronald Neame, 1957), a remake of The Painted Veil in the role originated by Greta Garbo and, once again, intended for Ava Gardner. Both films flopped at the box office and, as a result, Parker's plans to produce her own film, L'Eternelle, about French resistance fighters, did not materialise.
Eleanor Parker supported Frank Sinatra in a popular comedy, A Hole in the Head (Frank Capra, 1959). She returned to MGM for Home from the Hill (Vincente Minnelli, 1960), co-starring with Robert Mitchum, then took over Lana Turner's role of Constance Rossi in Return to Peyton Place (José Ferrer, 1961), the sequel to the hit 1957 film. That was made by 20th Century Fox who also produced Madison Avenue (H. Bruce Humberstone, 1961) with Parker. In 1960, she made her TV debut, and in the following years, she worked increasingly in television, with the occasional film role such as Panic Button (George Sherman, Giuliano Carnimeo, 1964) with Maurice Chevalier and Jayne Mansfield. Parker's best-known screen role is Baroness Elsa Schraeder in the Oscar-winning musical The Sound of Music (Robert Wise, 1965). The Baroness was famously and poignantly unsuccessful in keeping the affections of Captain Georg von Trapp (Christopher Plummer) after he falls in love with Maria (Julie Andrews). In 1966, Parker played an alcoholic widow in the crime drama Warning Shot (Buzz Kulik, 1967), a talent scout who discovers a Hollywood star in The Oscar (Russell Rouse, 1966), and a rich alcoholic in An American Dream (Robert Gist, 1966). However, her film career seemed to go downhill. A Playboy Magazine reviewer derided the cast of The Oscar as "has-beens and never-will-be". From the late 1960s, she focused on television. In 1963, Parker appeared in the medical TV drama about psychiatry The Eleventh Hour in the episode Why Am I Grown So Cold?, for which she was nominated for an Emmy Award. She also appeared in episodes of Breaking Point (1964). And The Man from U.N.C.L.E. (1968). In 1969–1970, Parker starred in the television series Bracken's World, for which she was nominated for a 1970 Golden Globe Award. Parker also appeared on stage in the role of Margo Channing in Applause, the Broadway musical version of the film All About Eve. In 1976, she played Maxine in a revival of The Night of the Iguana. Her last film role was in a Farrah Fawcett bomb, Sunburn (Richard C. Sarafian, 1979). Subsequently, she appeared very infrequently on TV, most recently in Dead on the Money (Mark Cullingham, 1991). Eleanor Parker was married four times. Her first husband was Fred Losee (1943-1944). Her second marriage to Bert E. Friedlob (1946-1953) produced three children Susan Eleanor Friedlob (1948), Sharon Anne Friedlob (1950), and Richard Parker Friedlob (1952). Her third marriage was to American portrait painter Paul Clemens, (1954-1965) and the couple had one child, actor Paul Clemens (1958). Her fourth marriage with Raymond N. Hirsch (1966-2001) ended when Hirsch died of oesophagal cancer. She was the grandmother of actor/director Chasen Parker. Eleanor Parker died in 2013 at a medical facility in Palm Springs, California of complications of pneumonia. She was 91. Parker was raised a Protestant and later converted to Judaism, telling the New York Daily News columnist Kay Gardella in August 1969, "I think we're all Jews at heart ... I wanted to convert for a long time."
Sources: Jon C. Hopwood (IMDb), Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
A European lunar landscape: a 1:1 model of ESA’s Argonaut lunar lander at Europe’s Moon on Earth, LUNA.
Argonaut is ESA’s lunar lander programme and represents Europe’s future autonomous, versatile and reliable access to the Moon. Argonaut lunar landers, fully built by European industry, will transport 1.5 tonnes of cargo to anywhere on the lunar surface, supporting international robotic and crewed missions to the Moon. The cargo could include vital resources for astronauts such as food, water and air, as well as rovers, science instruments, infrastructures for communication and power generation and more. Together with the lander's ability to survive the harsh lunar night (unlike Apollo missions), these supplies will support long-term human presence on the Moon, helping to develop the capabilities needed to live and work on the lunar surface.
The model stands in LUNA, a cutting-edge lunar training ground that recreates some of the challenging conditions on the Moon, such as the harsh sunlight and dusty ground, to help researchers prepare for exploration on the lunar surface. At the heart of the facility is a 700-square metre testbed filled with simulated lunar dust, with a deep floor area that allows for sampling and drilling up to three metres below the surface. The facility is located near Cologne, Germany and is operated jointly by ESA and the German Aerospace Center (DLR). Here, engineers, scientists and astronauts can prepare for the next steps forward to the Moon.
Watch Matthias Maurer walking across the dusty terrain of LUNA.
Credits: ESA-R. Barbosa
My theme today was "versatile". I drew a complete blank. I seriously had to Google the word to spur any ideas.
Amazing how these wonderful animals are so versatile and can walk on top of fence as securely as they can a pathway
Mignon.....She is my girl that can literally wear ANYTHING and look so fabulous. Look at these wonderful pink goggles on her!!
Today the Laowa 85mm f/5.6 2x Ultra Macro APO completed my light travel combo that also contains the TTArtisan f:5.6/28mm and the Leica Elmar-M f:2,8/50mm
This is another skirt that an be worn with different colored tops.. This top is actually a very light tan.
✰ Credit ✰
Violetility - Devilish Tunnels - Gothcore
[ VelvetVue ] - Versatile #3 Eyeliner - Gothcore
.::DEATH INK::. - MACABRE Evox Neck Unisex Tattoo - Gothcore
NEW ATTITUDE
● Tumblr
● Flickr
● Primfeed
Versatile the ability to adapt change become what ever or who ever you want to be, Always strive to be a chameleon there are so many phases colors and experiences. Never be afraid to take chances. From fear comes greatness.
Pants: tomoto slim pants black by tomoto,
Boots: A&Y Deuz Boots Metallic (Male) - Black by ☢A&Y Bunker CyberShop☢
marketplace.secondlife.com/p/AY-Deuz-Boots-Metallic-Male-...
Arm wraps: Caboodle Aiden Arm warmer by Caboodle
maps.secondlife.com/secondlife/TMD/129/205/22
Face Mask: Caboodle by Caboodle
maps.secondlife.com/secondlife/TMD/129/205/22
Hair Piece: Zibska: Radulfr Color Change Headpiece and Necklace by Zibska
marketplace.secondlife.com/p/Zibska-Radulfr-Color-Change-...
Neck piece: Zibska ~ Ortensia Deux Color Change Collar by Zibska
marketplace.secondlife.com/p/Zibska-Ortensia-Deux-Color-C...
Makeup: Dawg Shadow Eye Makeup - Unisex Makeup Tattoo Layer
by VANITY FLAIR by Lera - eyes, eyeliner, eyelashes, makeup
marketplace.secondlife.com/p/Dawg-Shadow-Eye-Makeup-Unise...
Flicker: www.flickr.com/photos/126589445@N02/
Blog: tazmanianalpha.wordpress.com/
Photo by Chezza Slade
The versatile 88mm cannon was Germany’s main heavy antiaircraft—or “flak”—gun during World War II. When an 88mm projectile exploded at altitude, it sent out jagged metal fragments that tore through nearby aircraft. It also left a characteristic black cloud hanging in the sky.
The 88mm cannon’s high-velocity fire also made it a deadly antitank gun, and it could be used as conventional artillery against distant ground targets. Other versions equipped heavy tanks and submarines.
The Museum’s 88mm cannon is painted as a typical weapon used in Europe during the strategic bombing campaign. The rings around the barrel represent aircraft shot down by the gun crew.
To show the versatility of the Layman frame I recreated my Budgies through relatively simple changes, additions, and recolors.
Left to Right: Ex, Dynames, and Igneous.
Hangar post: mobileframehangarnova.com/phpBB3/viewtopic.php?f=18&t...
This is maybe the one among numerous video clips I filmed during the latest spectacular paroxysm from Etna's Southeast Crater, on the evening of 30 July 2011, which I like best. It has very much the original sound with some wind disturbance, thanks to me doing the filming from a fairly protected site (much of my video is strongly disturbed by the wind blowing in the microphone of my little camera). It has the climax of the sustained lava fountaining, when incandescent jets rose up to 500 m above the vent, some isolated bursts may have gone still higher. Just to the left of the base of the incandescent fountain, the old, quiescent cone of the old Southeast Crater cone rears its two rotting peaks, watching silently over the work done by its successor, which is building itself a fast-growing new cone where at the beginning of this year there was just a hole in the ground, a pit crater.
I recorded this video from a location along the dirt road leading up Etna's south flank to the arrival point of the tourist jeeps, Torre del Filosofo. This location is close to the "Belvedere" (which means, very adequately, "beautiful view"), a site now packed with monitoring instruments of the INGV-Catania, and hosting also one of the "Radiostudio7" web cams (the first on the page). You can see that there were actually two vents producing lava fountains, one in the center of the active crater produced a tall, vertical fountain, the other, near the eastern rim of the crater produced an inclined jet. Close to the latter vent, a well-fed river of lava exited through a deep notch in the crater rim, feeding a rather spectacular, fast-moving lava flow (see my previous post).
I have not seen all too many active volcanoes elsewhere in the world, but I doubt there is one as beautiful and versatile as this one, Mount Etna on the sunny Mediterranean island of Sicily, my chosen home since 15 years.
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At the Denver International Airport, Terminal-C. They have a small real airplane suspended from the ceiling, providing an unusual sight.
A lot of photographers tend to go for a 24mm or 21mm focal length when they shoot wide angle, and tend to overlook the 28mm focal length. I am really surprised by this. I tend to favor a 28mm focal length over a 24mm, since the 28mm is a much more versatile all round lens, and is wider than initially may appear.
28mm is also an excellent enrironmental portraits that include more context and background. Last but not least, it is the classic reportage focal length, ideal for street photography – it is like a 35mm lens, but with more punch, and it puts more distance from a "normal" focal length of a 50mm lens than the 35mm does. So I tend to favor either carrying a single 35mm prime or if I carry two lenses, they tend to be 28mm and 50mm.
Denver-157
Known for its agility and strength, the northern goshawk is one of the most effective and versatile hunters in the raptor world. Northern goshawks are found in forests across the Northern Hemisphere, preferring dense woodlands for nesting and hunting. They inhabit coniferous, mixed, and deciduous forests, often in remote areas away from human activity.
The northern goshawk is a versatile predator with a diet that includes:
Birds: pigeons, crows, grouse, and songbirds.
Mammals: squirrels, rabbits, hares, and other small mammals.
Occasionally: reptiles and insects.
They use their powerful talons and keen eyesight to ambush prey, often hunting through fast, maneuverable flights in dense forests.
Your guess is as good as mine. Seen in Lost Valley which is in the Buffalo National River park near Ponca, Arkansas.
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Photo credit: #Fashion #documentary #photographer © Kenta Aminaka
Italian postcard by Rotalfoto, Milano, no. 1124. Photo: Warner Bros.
Versatile and beloved American actor Jack Lemmon (1925-2001) was a virtuoso in both comedy and drama. He initially acted on TV before moving to Hollywood, cultivating a career that would span decades. Lemmon starred in over 60 films including Some Like It Hot (1959), The Apartment (1960), Irma la Douce (1963), The Odd Couple (1968), Save the Tiger (1973) and Grumpy Old Men (1993). Some of his most beloved performances stemmed from his collaborations with acclaimed director Billy Wilder and with his fellow friend and actor Walter Matthau.
Jack Lemmon was born John Uhler Lemmon III in 1925, in an elevator at Newton-Wellesley Hospital in Newton, Massachusetts, a suburb of Boston. He was the only child of Mildred Lankford Noel and John Uhler Lemmon, Jr., the president of a doughnut company. He later described his flamboyant, authoritarian mother as 'Tallulah Bankhead on a roadshow.' He laughed about how she used to hang out with her girlfriends at the Ritz Bar in Boston and how she tried to have her cremation ashes placed on the bar (the management refused). Jack attended Ward Elementary near his Newton, MA home. At age 9 he was sent to Rivers Country Day School, then located in nearby Brookline. After RCDS, he went to high school at Phillips Andover Academy. Jack Lemmon attended Harvard, where he became president of the Hasty Pudding Club, the university's famous acting club. During WW II, he served in the Naval Reserve and was the communications officer aboard the aircraft carrier USS Lake Champlain CV-39. After serving as a Navy ensign, he worked in a beer hall playing the piano. Then, Lemmon followed his passion for theatre. His father didn't approve of his son taking up acting, but told him he should continue with it only as long as he felt passion for it. Soon, Jack landed small roles on radio, off-Broadway, TV and Broadway. In 1953, he was very successful on Broadway with 'Room Service', after which he went to Hollywood. He signed a contract with Columbia Pictures. His film debut was opposite Judy Holliday in the romantic comedy It Should Happen to You (George Cukor, 1954). He was loaned to Warner Bros. in 1955 for his fourth film. There, he had his breakthrough as Ensign Pulver in the war drama Mister Roberts (John Ford, Mervyn LeRoy, 1955) starring Henry Fonda and James Cagney. His complex portrayal of this somewhat dishonest but sensitive character earned him the Academy Award for Best Supporting Actor. Lemmon would go on to work on a number of films with comedian and close friend Ernie Kovacs, including Bell Book and Candle (Richard Quine, 1958) starring James Stewart and Kim Novak. In 1959, Lemmon gave one of the top comedic performances of his career when he starred alongside Tony Curtis and Marilyn Monroe in the romantic comedy Some Like It Hot (Billy Wilder, 1959). He received an Oscar nomination for his role and he did the next year, for The Appartement (Billy Wilder, (1960) in which he co-starred with Shirley MacLaine. This led to several more collaborations with director Billy Wilder and great success on the big screen throughout the 1960s and 1970s.
Jack Lemmon also excelled in drama. He received an Oscar nomination for his role as an alcoholic in Days of Wine and Roses (Blake Edwards, 1962) and later followed more nominations for the dramas The China Syndrome (James Bridges, 1979), Tribute (Bob Clark, 1980) and Missing (Costa-Gravas, 1982). Kyle Perez at IMDb: "Sometimes referred to as "America's Everyman", Lemmon's versatility as an actor helped the audience more closely identify and relate to him. He was able always to elicit a laugh or sympathy from his viewers and his charismatic presence always shined on the big screen. He often portrayed the quintessence of an aspiring man and established a lasting impression on the film industry." Lemmon reunited with Shirley MacLaine in another Wilder film, Irma la Douce (Billy Wilder, 1963). It was one of the biggest commercial successes for the trio. The Fortune Cookie (Billy Wilder, 1966) served as the start of a comedic partnership between Lemmon and Walter Matthau and the two would come together again, two years later, for The Odd Couple (Gene Saks, 1968), based on a play by Neil Simon. It is one of their most endearing films together. As the 1970s came around, Lemmon began to undertake more dramatic roles and won the Academy Award for Best Actor for his performance as Harry Stoner in Save the Tiger (John G. Avildsen, 1973). Lemmon admitted to having had a serious drinking problem at one time, which is one reason he looked back on his Oscar-winning role as perhaps the most gratifying, emotionally fulfilling performance of his career. Throughout the 1980s and 1990s, Lemmon continued to excel in his character performances and earned the Cannes Best Actor award for The China Syndrome (James Bridges, 1979) and Missing (Costa-Gravas, 1982). As a director, he made his film debut with Kotch (Jack Lemmon, 1971) and his Broadway debut with Eugene O'Neill's 'Long Day's Journey into Night'. In 1988 he received the Life Achievement Award from the American Film Institute. In the 1990s, he continued to have success with roles in films such as Glengarry Glen Ross (James Foley, 1992) and Short Cuts (Robert Altman, 1993). In the comedy Grumpy Old Men (Donald Petrie, 1993), he was reunited with Walter Matthau. The film was a huge success, and a sequel was even released in 1995. A sequel to The Odd Couple was also released in 1998. In 1997, he received a Golden Globe nomination for the television adaptation of 12 Angry Men (William Friedkin, 1997). Lemmon was married twice, first to actress Cynthia Stone (1950-1956) and his second marriage to actress Felicia Farr lasted from 1972 till his death. Jack Lemmon passed away in 2001 in Los Angeles at the age of 76. He had two children, Chris Lemmon (1954) and Courtney Lemmon (1966). Actress Sydney Lemmon is his granddaughter.
Sources: Ed Stephan (IMDb), Kyle Perez (IMDb), Wikipedia (Dutch) and IMDb.
And, please check out our blog European Film Star Postcards.
Tune: The Roots - The Lesson Pt 1
Lyrically versatile
My rap definition is wild
I wrote graffiti as a juvenile
Restin on deuce trey
And used to boost gray Kangol's
With 555 Soul's from the streets
Of the Ill-a-delphiadaic insane
For monetary gain, niggas is slain on the train
It's homicide
For wealth stealth missions for crack
In the alleyways, where niggas get grazed in the back
From stray shots
Clips with hollow tips, for your spine or
Either remain calm, catch a rhyme, to your mind
Niggas ya know my style
I run a--motherfuckin-rap--muk
When Malik get a U-Haul truck
I stand five, foot seven, in command of the party
And scam like Uncle Sam
I'm never caught up in the glass eye
Of your action cam, cause I'm down low
Artistic exquisite rap pro, that get the dough
It's the Philly borough dread
Thoroughbread for dolo
I bag solo, like a nigga that boost Polo
Steppin through the corridor, of metaphors
Lookin over my left
Shoulder the mic, still feel colder than before
With this jazz shit I hit your jaw
Dice Raw, get up on the mic, my young poor
I be the nigga blowin up the spot on tour
Surely real to the core, old school like eighty-four
I never die, and raps till my lungs collapse
Then relax until my knack for tracks
Bring it back, on time
When I rhyme my rep remain
Either go against the grain or your ass is found slain
I overcome, niggas want styles then I throw you some
Show you some, get on the mic and take it over son
Dice Raw, the motherfuckin Wild Noid
Get on the mic and perpetrate in this void
Ya leave niggas missing in action like their dads in the projects
My style like an old mac, travel round and catch wreck
I'm ill versatile, with the skill no more
Wack MC's wanna flex but their styles they bore
Got to know the real meaning of the ill shit, kid
I do mad damage but never will catch a bid
With my knapsack, full of ill shit that I just boosted
From the corner store when I let loose more
Flavor that's me, rippin heads off from the seams
Niggas didn't play like Jeru and Come Clean
[He heh ha ha ha] I beat down on they heads like drum machines
Or 808's cause my style flows out great
And superspectac, with all the raw rap
Pull a metal chair out my knapsack across your back ka-crack
Now do you feel the pain of course
I guess you're believin that I'm insane
When I'm taggin my name, upon the train I got so much pride
I got so much soul, with lyrics high
To make niggas stop drop and roll, now check me out one time
For your ass, fat styles equivalent
Of an AIDS infected Glock blast
Niggas know my style, plus they know they want more
Props from Mount Vernon, to Mount Rushmore
OK kid, you know my style is buckwild literature
That you can never get when I'm thinkin your particular
Flavor that you want
I sit back and smoke a fat blunt in class
Teachers can kiss my ass, I'm twice, Dice
Nigga de Raw, never take a bad fall
Smack your head up against the wall
Like playin handball, my style's ill
I slam like Hulk Hogan, Dice Raw bettin on my arm
Niggas know my slogan while I breathe your last breath
Niggas better watch they step, fat bull catch wreck
Ill, gots ta keep you in check
With the hellified beats and hard rhymes
Niggas know my style, when I go the whole nine
I beat down punks, cut em up into fruit chunks
Like fruit salad, my style's smooth like white owl
Blunts, so whatcha want if you got beef then come get it
If ya don't well then forget it
My rap style's exquisite, I'm Raw Daddy
Like niggas with no Trojans on the stage when I rhyme
I gots ta keep, my composure
Where I'm from it's like a whole different world
Hoppin a train honeydip and I'mma snatch your squirrel
Most corrupt, motherfucker in the tenth grade
Juvenile cause Jeff McKay could not fade
Don't ask me honey I'm not the one for stressin
If you wanna know better ask brother question
Cause he know the time like I know the time
When I grab the microphone
It's like, summertime, laid back, to recline
In my La-Z-Boy chair
Dice Raw, the Wild Noid
I'm the fuck up outta here
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→Tipo de Servicio: Rural.-
→Placa Patente: RY*34·60.-
→Número de Orden Interno: 82.-
►Datos de Fotografía:
→Lugar: La Calera, Región de Valparaíso.-
→Fecha | Hora: 22.Diciembre.2013 || 17:48 hrs.-
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