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Chaplain (Capt.) Bruce conducts value of life and ACE/ASIST training at Provider Chapel, 299th Brigade Engineer Battalion, 1st Stryker Brigade Combat Team, 4th Infantry Division, as part of 4th Inf. Div.'s Mountain Post Resolve People First program at Fort Carson, Colorado, October 6, 2020. (U.S. Army photo by Capt. Daniel Parker)
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Title: The encyclopedia of food : the stories of the foods by which we live how and where they grow and are marketed their comparative values and how best to use and enjoy them
Creator: Ward, Artemas, 1848-1925. nr2006012983
Publisher: New York : Artemas Ward
Sponsor: Wellcome Library
Contributor: Wellcome Library
Date: 1923
Language: eng
Description: Published 1911 under title: The grocer's encyclopedia
Dictionary of food names in six languages: English, French, German, Italian, Spanish, and Swedish, with alphabetical lists: French-English, German-English, Italian-English, Spanish-English and Swedish-English: p. 565-591
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
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Stetson's Values Council come together to celebrate core values, health and wellness, diversity, community service, gender equity, and ethics during Homecoming weekend Spring 2010.
A successful partnership between the New Jersey State Library and the Highland Regional Library Cooperative! This outstanding workshop given throughout the state presented a process of establishing the value of library services in, a way that demonstrates impact and return on investment to our communities, funders, and stakeholders. The programs used materials and guidelines from the WebJunction.
We the Best Value Tailor in Hong Kong make you look fashionably famous with our assortment of bespoke fashion outfits & accessories such as topcoats, overcoats, trench coats.
The best value place I stayed at in Japan!
Only 3 rooms staffed by volunteers. The ex-pat American hosts are on some sort of mission, but did not preach and were very helpful indeed! Big breakfast and park/museum tour with local volunteers included.
Unfortunately, a meeting with a hibakusha (survivor) was made, but she fell ill at the time. Highly recommend this tiny place to stay in Hiroshima!
Soil Values project Launch in Mali.
www.cifor-icraf.org/project/soil-values/
Photo by CIFOR-ICRAF
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: news@cifor-icraf.org and a.sanjaya@cifor-icraf.org
This is value and it is shown in the color of the bricks, the brick variation is the most visually striking part
Braceros, 1960
Domingo Ulloa, born Pomona CA 1919
died El Centro CA 1997
Domingo Ulloa painted this canvas after several visits to a Bracero camp in Holtville, California. The Bracero Program (1942-64) was a bi-national effort that brought Mexican guest workers, known as braceros, to fill in agricultural labor shortages caused by World War II. Ulloa's crowd of workers, who peer dejectedly through a barbed-wire fence, reinforce the mounting public protest against their poor living and working conditions. His composition recalls photographs of concentration camp inmates, which Ulloa--a World War II veteran--was familiar with. Ulloa later stated, "Most of my paintings are inspired by the common people in their work, in their joy, and their struggle."
SAAM's Education Department works closely with 600 8th-grade students from DC public schools. We visit their classrooms and (thanks to a fleet of dedicated docents) they visit our galleries. Each student then writes a creative response to an artwork of their choosing from SAAM's permanent collection. These individual creative acts give us a view into the hearts and minds, worries and dreams of this population of future voters, community leaders, parents, and entrepreneurs. We've chosen two to share on our blog; we began with Myles Bell on Mark Bradford's Amendment #8, and are now honored to present Amaia Noursi—who shared her work at SAAM—writing about Domingo Ulloa's Braceros.
The History Written Here by Amaia Noursi
What happened here? What happened fifty years ago that still dwells over us all like fog above a mountainous road. Mis compañeros and I have suffered the telling of The Tale. We sat through it like little children sit through a scary movie for the first time, but don't leave because they want to show their friends they were not scared. The story makes those hairs on the back of your neck that don't stand up when thunder crackles above your soul, stand up.
My friend Ricardo had an uncle who was there the time It happened. The day was sunny, but the Masters were not. The Tale tells of the hundreds of Mexicans who stood on this same ground fifty years ago. Who everyday did the same as we did, and nothing more. Who had no freedom or chance to leave the camp. We were sheep herded and enclosed ready for slaughter. Ricardo's uncle lived to tell the first Tale told. He died soon after, the last of the survivors.
Today we look beyond the barriers, into the horizon where the spirits dwell. While we pick the crops we don't even get to eat, the Tale replays over and over in our head. No pause buttons or other stories. Just the Tale. It is not spoken of except on the day of the Telling. But what happened here fifty years ago sank into the soil, our soil. It haunts us every time, not knowing exactly when or if it will happen again.
A Q&A with Amaia Noursi
How did the painting Braceros inspire you?
I got inspired by the painting Braceros when seeing all the different faces with more or less the same expressions, but I saw it as something I can work with and expand on. I thought it would be great to incorporate a mystery with what I had, going beyond expectations and pitching in something new. Plus there was an odd mood hovering over these painted souls.
What was your writing process?
At first I had to decide what I was going to write: I had figured it would be a mystery but I couldn’t make it longer than a page, which, as a writer, I know is very hard. How to write a mystery in less than a page? You can't. Unless… it's just an unknown mystery and not a full-on narrative with a case. So I made it a hanging mystery. What the mystery was, how it affected the Braceros and what would happen. So I was able to explain that knowing a bit about the troubles they faced.
What value did you see in engaging with artwork in both English and US History?
So here’s the thing, I love writing, especially narratives and I love English class. I also find US history quite interesting. Plus it's not only US history, but it's also Mexican history just as much. I am Mexican, too. This allowed me to mix all these traits and things together which I found challenging and exciting, n adventure I’d be willing to go on. I thought I would be able to put these things together in a way no one has done before and add a bit of my touch to it.
What are your thoughts about giving voice to the poem in the museum’s auditorium?
I think it was important for people to express their pieces as they saw them in their head. For me, I don’t think it would’ve made a difference to be read by someone else, aside from the Spanish parts and emphasizing The Tale.
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Experience America
The 1930s was a heady time for artists in America. Through President Franklin Roosevelt’s New Deal programs, the federal government paid them to paint and sculpt and urged them to look to the nation’s land and people for subjects. For the next decade — until World War II brought support to a halt — the country’s artists captured the beauty of the landscape, the industry of America’s working people, and a sense of community shared in towns large and small despite the Great Depression.
Many of the paintings in Experience America were created in 1934 for a pilot program designed to put artists to work; others were produced under the auspices of the WPA (Works Progress Administration), which followed. The thousands of paintings, sculptures, and murals placed in schools, post offices, and other public buildings stand as a testimony to the resilience of Americans during one of the most difficult periods in U.S. history. This display is drawn entirely from the Smithsonian American Art Museum's collection. SAAM holds the largest collection of New Deal art in the world.
americanart.si.edu/exhibitions/experience-america
During the Great Depression, president Franklin Delano Roosevelt promised a “new deal for the American people,” initiating government programs to foster economic recovery. Roosevelt’s pledge to help “the forgotten man” also embraced America’s artists. The Public Works of Art Project (PWAP) enlisted artists to capture “the American Scene” in works of art that would embellish public buildings across the country. Although it lasted less than one year, from December 1933 to June 1934, the PWAP provided employment for thousands of artists, giving them an important role in the country’s recovery. Their legacy, captured in more than fifteen thousand artworks, helped “the American Scene” become America seen.
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The 18th Military Police Detachment hosted the Dr. Martin Luther King Jr. observance Jan. 17, 2019 in Fitch Auditorium. In his remarks, guest speaker Dr. Otha Thornton illustrated how Dr. King's values align with our Army Values. (U.S. Army photo by Tanja Linton)
Soil Values project Launch in Mali.
www.cifor-icraf.org/project/soil-values/
Photo by CIFOR-ICRAF
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: news@cifor-icraf.org and a.sanjaya@cifor-icraf.org