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clickeventonline.com/event/cultura/150930-FromMotherstoDa...
We live in a hyper-technological society in which family life is failing, a world where we can learn anything except how to be parents; how to raise children with values and limits, how to say No more often, how to discipline them.
It is said that we must raise children in freedom. No demands on them. Let them dictate their own rules and do as they please. These are well-intentioned mistakes whose consequences we are paying for daily: children and adolescents who run away, commit suicide, kill and drug themselves.
The absence of the mother in the home and the weakening of fatherly authority have become a central issue of a daily reality that threatens to destroy the family as an institution. Alone, in front of a computer our children grow up in a state of emotional emptiness. Consequently, they do not grow up. Christina Balinotti provides an enlightening handbook designed to show mothers (and fathers) how to lead and strengthen the family. It is a defense of the most important and significant event of human experience: parenthood.
Christina Balinotti is an Argentine author and lecturer. She holds a bachelor’s degree in the social sciences with graduate studies in Psychology including three years of special studies in Philosophy and Literature in her native Buenos Aires. She also has ample knowledge in the field of quantum physics.
She has resided in Miami since the year 2000, where she works as an international analyst on TV and Radio, investigating the crimes and suicides of our young people and their relationship to maternal absence during a child’s early years in this and in other developed societies.
Through her Foundation, Holistic Femininity, Christina Balinotti organizes conferences and annual workshops at several Florida universities (FIU, UM, SUAGM) as well as in important venues in Miami for the purpose of educating women in the essential recovery of family values and in the pathways of holistic femininity, all free of charge.
In 2013 she hosted a radio show at Radio Nova Internacional as well as a weekly TV Show at Telemiami in which she, together with other professionals, including sociologists, historians and psychologists, analyzed the role of women in Western cultures. Proud mother and grandmother.
Value City Furniture #109 (55,800 square feet)
12149 Jefferson Avenue, Jefferson Plaza, Newport News, VA
This location opened on April 11th, 2002; it was originally part of an HQ, which opened on September 1st, 1994 (originally located here) and closed in December 1999. Outside signage was replaced in March 2018.
In our office, we have been discussing the values of the office for the past several months. We were asked to make a diagram about values. I decided to compare my personal values to those of the offices.
My values are the yellow ones. The offices's values are the blue ones. Where those values overlap, the value is in green. The size of the circle is determined by how much the value is worth. The circles around the values are assessments of where i think the values should be.
All in all, i think that this diagram shows how lucky i am to have a job that encompasses so many of my values.
The Project on Prosperity and Development will host the Creating Shared Value Conference as part of its ongoing work on the role of the private sector in addressing enduring socioeconomic challenges in the world's poorest countries. Join us for a discussion on ways to maximize shared value between businesses and the often rural communities in which they operate. The conference will build on the energy generated by Nestlé's Creating Shared Value Annual 2014 report to discuss innovative ways government and civil society can work with the private sector to achieve rural development goals. This event is made possible with support from the Nestlé Corporation.
Agenda
7:30AM-8:00AM - Registration and Breakfast
8:00AM-9:00AM - Keynote Panel: “Leveraging Shared Value as a Catalyst for Development”
His Excellency Martin Dahinden, Ambassador, Embassy of Switzerland; Former Director General, Swiss Agency for Development and Cooperation
The Honorable Daniel Glickman, Former United States Secretary of Agriculture
The Honorable Ann Veneman, Former Executive Director, UNICEF
Moderator:
The Honorable William Garvelink, Former United States Ambassador to the Democratic Republic of the Congo
9:00AM-10:30AM - Panel 1: “Integrating Women Smallholder Farmers Into Global Value Chains”
Janet Voûte, Global Head of Public Affairs, Nestlé
Deirdre White, CEO, PYXERA Global
Macani Toungara, Senior Manager for Program Development, TechnoServe
Margaret Enis Spears, Director, Office of Market and Partnership Innovations; Bureau for Food Security, U.S. Agency for International Development
Moderator:
Daniel Runde, Director, Project on Prosperity and Development, CSIS
10:45-12:00PM - Panel 2: “The Food, Water, and Energy Nexus”
Anders Berntell, Executive Director, 2030 Water Resources Group
Paul Guenette, Executive Vice President for Communications and Outreach, ACDI/VOCA
Late Lawson-Lartego, Director, Agriculture and Market System Team, CARE USA
Christian Holmes, Global Water Coordinator, U.S. Agency for International Development
Moderator:
Johanna Nesseth, Senior Associate, Global Food Security Project, CSIS
12:45PM-2:00PM - Panel 3: “Challenges and Opportunities of Youth and Rural Workforce Development”
Bill Reese, President and CEO, International Youth Foundation
Bill Guyton, President, World Cocoa Foundation
Sherry Youssef, Youth and Workforce Development Specialist, Development Alternatives Inc.
Moderator:
Nicole Goldin, Senior Associate, Project on Prosperity and Development, CSIS
The search for new ideals characterizes our generation. But which values and virtues are still relevant today - religious, moral, spiritual or personal?
The 2013 Trend Diary presents design projects exploring the theme of values.
Why a Trend Diary dealing with values? We feel that in the course of the change instigated by the digital revolution, our view of a clearly defined, shared value system is increasingly fading. While design for "material values" is loud and ever-present, ethical values that paint a picture of belief, family, virtues and moral ideals are drowning in the modern media excess.
What´s in the trend diary? The Trend Diary, in the format of a desk calendar, assembles inspiring works of design by 53 designers of different cultures. Design that conveys values in message and function, provides guidance or aids us in our quest for meaning. Design that shows us that values are the most valuable thing we possess.
In keeping with the trend set by previous award-winning issues from the EIGA Trend Diary series, the publication showcases a special focus on experimental typography and groundbreaking graphic design. The designers at EIGA have developed a unique typeface whose characters are composed of continually rearranging elements – just like society’s understanding of shared values. Furthermore each calendar week features an individual composition corresponding to the designer’s contributions while still following a consistent overall design principle.
The cultural background. Design has been a guide and bearer of standards and values in all cultures from time immemorial. This is evidenced by the codex the Mesopotamians hewed in stone in the 18th century BC, by the awe-inspiring illumination of European Bible manuscripts in the Middle Ages or by the Bauhaus school's function-driven approach to design. Utilizing any given era's media toolbox, design brings the ideals and moral values of society to the surface.
Fact and figures. The Trend Diary was initiated by EIGA, a Hamburg-based design office, and published by NBVD. The production enjoys support from well-known partners in fine paper, printing and print finishing. 53 designers are given a special platform in the form of a weekly motive in the exclusive design calendar.
Market value chains studies team workshop -2nd -3rd September 2031(image create: ILRI/Zerihun Sewunet)
"All of democracy's values [spring from] police guns"
A young father was "mistakenly" executed by police in a hail of bullets, one week ago in Athens, during a botched attempt to arrest heavily armed robbers. Police brutality in Greece, especially towards migrants, continues unabated, despite repeated pledges by the Minister of Public Protection to curb abuse, and as the trial of the police officer arrested for the murder of 15-year old Alexandros Grigoropoulos in December 2008, which sparked country-wide riots, goes on.
Moomba Boats @MoombaBoats is digitally chronicling the first production build of the new Mojo 2.5 wakeboard boat with daily build photo posts. This series of blog posts and photos galleries will illustrate the superior production processes that make a Moomba boat.
Today is the fourth production day of this new Moomba wide-bow wake boat. We have seen the deck created and pulled from the mold. Today we will see the structure of the hull completed in the mold with the sub floor installation and then we will see it pulled out. After the hull has been pulled it will be closely inspected. The deck and the hull together are starting to look like the Mojo.
After the CompSys Stingers have been laminated inside the hull the sub floor of the Mojo is installed. This first floor is affixed to the stringers and the inside of the hull with WeldOn, a chemical adhesive that forms a stronger bond than fiberglass. WeldOn actually changes the molecular structure of the two materials it is joining to make them literally one part. So at this point in the Moomba Mojo construction the hull, stringers and sub floor become one.
Now we come to a step that is foregone by most of our competitors. At this stage in production a Moomba boat, no matter which model, is injected with Closed Cell Flotation Foam beneath the floor. The injection of this foam insures there are no open air voids in the structure of the boat. This process dampens noise and vibration as well as improves the boat structural integrity. This is a large part of why Moomba boats are the quietest value performance boats in the industry. The Coast Guard does not require this flotation foam in boat models over 20 feet in length. This is why many of our competitors skip this step to save time and money. Moomba injects all of their models with full flotation foam. We don't build boat this way because it is easy. We do it because it is the right way.
Once the sub floor has been installed and the WeldOn is properly set, the hull is ready to be pulled from the mold. When this separation occurs we will see the exterior gel coat of the first production Mojo hull for the first time.
Just like the deck the hull has an incomparable shine even right after it has been pulled. This amazing finish is thanks to meticulous conditioning and preparation. But even a nearly perfect surface requires scrutiny at Moomba. After the hull is pulled it is closely examined under lights to reveal any imperfection no matter how small. The items, if any, are marked for attention and addressed before the boat leaves the factory.
Tomorrow this Mojo will be in rigging ready to except its Indmar engine. Tune in to the Moomba Mojo Build Day 5 on the blog for that powerful experience.
One of the many great things about the individuals who work on the production line at Moomba Boats, is their dedication to continued improvement. They are constantly looking to better themselves and the processes they execute everyday. The results are evident in the new Mojo 2.5.
Stay tuned to the Moomba Boats Blog for more photos and production process descriptions of the first production Mojo 2.5 build. Your Mojo could be next. Moomba is brand you!
Project managed by lowwintersun for Wigan Recycles and SENW, Added Value was a hands on event for commissioners, managers and staff, exploring the social enterprise model and its potential for public service delivery. It took place on Tuesday 29th March 2011 at Levenshulme Inspire, Manchester,
A Beat Safari csapata (karácsonyra való telkintettel :D )
ezúttal Current Value-t látja vendégül!
▼ Current Value ▼
(Blackout NL, Critical Music, Subsistenz, TSM, MethLab)
Artist Profile : methlab-agency.com/agency/artist/current-value
Facebook : www.facebook.com/currentvalue
Soundcloud : twitter.com/TIMCURRENTVALUE
Website : www.currentvalue.eu/
▼ Midland Breakz - (UK) ▼
▼ Gosh - Highscore - (AT) ▼
▼ Konor - dnbnoise.com, wirsindcybo ▼
THE BEAT SAFARI CREW:
▼ SiN - Beat Safari, wirsindcybo ▼
▼ Khaist - Beat Safari ▼
▼ Stuy - Beat Safari ▼
▼ Mgl - Beat Safari ▼
▼ Mist - Beat Safari ▼
▼ Magematix - Beat Safari ▼
Deko: Goof Art Deko
JEGYEK A HELYSZÍNEN MÉG KAPHATÓK KORLÁTOZOTT SZÁMBAN:
- 3000 HUF
In the quiet dignity of a study steeped in tradition, a British officer observes as young minds engage with lessons of discipline and character. The scene is more than a moment of education; it is a passage of values from one generation to the next. The officer’s composed presence symbolizes leadership, while the boys’ Scout uniforms reflect the importance of honor, camaraderie, and learning. This is the essence of a legacy—built not just in achievements, but in the character and wisdom imparted to those who follow.
Participants in China: Moving up the Value Chain at the World Economic Forum, AMNC 14, Annual Meeting of the New Champions in Tianjin, People's Republic of China 2014. Copyright by World Economic Forum / Sikarin Fon Thanachaiary
Scott Brown, University of Missouri, talks with guests of the Agroforestry Symposium on Jan. 30. The 11th annual Agroforestry Symposium, hosted by the University of Missouri Center for Agroforestry, focused on value-added processing for Missouri agriculture and forestry.
Photo by Logan Jackson | © 2020 - Curators of the University of Missouri
Photo showing Impressions of the Panel Discussion: "Made in your City: A new value chain for fashion" with Christiane Luible-Bär (AT) and Karin Fleck (AT), Anastasia Pistofidou (GR), Silke Hofmann (DE), Sophia Guggenberger (AT), Eugenia Morpurgo (IT), Filippo Nassetti (IT), Vincenzo Reale (IT), Malou Beemer (NL), Anke Loh (DE), Sandra Nicoline Nielsen (DK), Tim van der Loo (NL), Loreto Binvignat Streeter (CL/ES) and Alexander Bello (BE/MX/US/CA) at the Ars Electronica Festival 2021.
Credit: tom mesic
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