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I shop in Vancouver’s Downtown Eastside (DTES) most days and it’s been a few years since I posted photos of the desperation of drug users in the area.
I became numb to the situation years ago as I see scenes like this in large numbers on every DTES trip. Most of the people seen like this on the streets of the DTES will likely not die as the response of emergency services are called here dozens of times a day. On Monday I counted 11 emergency service vehicles attending drug users within a 2 block area.
More deaths occur by people alone at their place of abode. Since the province declared an emergency health condition in 2016, the problem has only gotten more disheartening.
The supply of more toxic drugs with more lethal consequences has become worse. There appears to be little headway made in curtailing the illegal supply.
The latest report from the BC Coroners Service suggested it's time to post again. Here are three.
1 of 3.
BC Coroners Service drug toxicity death update through June 2024:
At least 1,158 British Columbians have lost their lives to unregulated drug toxicity in the first half of 2024, according to preliminary data from the BC Coroners Service (BCCS).
The findings show there were 181 and 185 suspected unregulated drug deaths in May and June 2024, respectively. Though the number of deaths to date this year is lower than at the same mark over the previous three years, approximately six people are still dying each day because of unregulated toxic drugs.
“People are continuing to lose their loved ones in communities across B.C. at a tragic rate,” said John McNamee, acting chief coroner. “Even as the figures reflect a 9% decrease in the number of deaths reported to the coroners service during the first six months of this year from 2023, the number of lives lost is still significant.”
Nearly half of reported deaths in May and June were people between the ages of 30 and 49. While males account for 72% of deaths so far in 2024, the rate of deaths among females continues to rise and currently accounts for 28% of deaths in 2024.
More than one-fifth of the lives lost so far in 2024 have been in Vancouver (22%).
Fentanyl continues to be the driver of unregulated drug-toxicity deaths, detected in 82% of expedited toxicological tests conducted so far in 2024.
Unregulated drug toxicity remains the leading cause of death in British Columbia for those age 10 to 59, accounting for more deaths than homicides, suicides, accidents and natural diseases combined. Since the public-health emergency was declared in April 2016, more than 14,948 people have lost their lives to unregulated toxic drugs.
Mercedes-Benz O305 11m
Alexander R
1983
1983 (Brand new / Very early version):
ME1, CZ 6686
Happy New Year 2021. According to tradition here, today is the day to post a "First of its kind" that breaks the record in Hong Kong History! This year, I present all of you the first public bus in Hong Kong which is not required to be built by the UK and / or the Commonwealth of Nations. A big milestone.
Original Size:
www.flickr.com/photos/kcr58drawings/50785684521/sizes/o/
Complete:
2020-12-29
Last Update:
2023-12-14
This picture is also posted to:
Follow my Facebook Page for drawings update news.
KCR 58 (Drawings)
Strobist note:
primary flash under a white plastic box command by light trigger.
secondary flash on camera.
Die Besten von Buffer
- Top 100 Blogs zu kuratieren für Social Media Power-User ...
Die Besten von Buffer - Suchen Sie nach einigen frischen Inhalt zu kuratieren und Anteil auf Social Media? Es ist da draußen - in den Spaten! Fast zu viele Spaten, nicht wahr?
Mit so vielen Blogs zur Auswahl, kann die Herausforderung manchmal Flip von Inhalten zu finden, um die Wahl zu teilen, die Inhalte zu teilen. Wir würden gerne helfen.
Die Besten von Buffer - Bei Buffer, haben wir Glück, einige Daten für die beliebtesten Blogs zu haben, die gelesen werden, geliebt und geteilt durch Social-Media-Power-User.
Im Buffer Produkt können Sie verbinden RSS-Feeds zu Ihrem Profil, so dass alle die neuesten Beiträge von Ihrem Lieblings-Blogs direkt in Ihr Armaturenbrett gezogen werden, wo Sie wählen, und wählen können, welche zur Warteschlange hinzuzufügen.
Die Besten von Buffer - Keen zu hören, die Blogs zu den meisten abonniert? Hier ist die komplette Liste der Top-100 RSS-Feeds, die in Puffer angeschlossen sind. Hoffe, dass Sie etwas frische Inspiration und Ideen finden Sie hier! Die Top 100 Blogs zu kuratieren für Social Media Power-User.
Hier ist die Liste der Top 100 von Buffer Kunden verwendet Feeds. Es ist eine großartige Mischung aus Marketing, Technologie, Nachrichten, Gesundheit und ein bisschen Spaß, auch!
Die Besten von Buffer - Wenn Sie würden aufgeregt irgendetwas davon auf Ihre Buffer Profil hinzuzufügen oder zu Feeds zum ersten Mal ausprobieren, scrollen Sie nach unten für ein paar Informationen darüber, wie das alles funktioniert.
- 1. Puffer Social Blog - 2691 Feeds 2. Mashable - 2620 3. Inc.com - 2205 4. TechCrunch - 1.886 5. Social Media Examiner - 1643 6. Entrepreneur - 1.230 7. Fast Company - 1106 8. HubSpot Marketing-Blog - 1067 9. WIRED - 998 10. Lifehacker - 846 12. Copyblogger - 835 13. Seth Godin Blog - 796 14. Venture - 699 15. Harvard Business Review 691 16. Moz Blog - 672 17. Content Marketing Institute - 590 18. The Huffington Post - 572 19. Forbes - Unternehmer - 571 20 Search Engine Land - 551 21 Forbes Echtzeit - 512 22 Schnell Sprout - 512 23 Business Insider - 505 24. The Verge - 474 25 Lifehack - 471 26 . The Next Web - 469 27. Marketing-Land - 445 28. Engadget - 421 29. Alltop -417 30. Marketingprofs - 394 31 WebMD Health - 376 32. Smashing Magazine - 372 33. Social Media Today - 371 34. Suchmaschine Journal - 340 35. Jeff Bullas Blog - 326 36. Die Kissmetrics-Marketing-Blog - 321 37. Michael Hyatt - 301 38. Small Business Trends - 300 39. Gehirn Nachlese - 295 40. Co.Design - 287 41. NYT - 287 42 Forbes Tech -. 278 43. Gizmodo - 268 44. Hacker News - 264 45. Buffer Open Blog - 263 46. MindBodyGreen - 252 47. zen Gewohnheiten - 250 48. The Daily Muse - 241 49. Forbes - Geschäft - 232 50. überzeugen und Rechnen - 226 51. ProBlogger - 218 52. Forbes - Leadership - 209 53. TEDTalks (Video) - 204 54. CNNMoney.com - 203 55. HubSpot Angebote Blog - 202 56. Apartment Therapy - 199 57. Digitale Trends - 191 58. Health.com - 188 59. Econsultancy -184 60. Unbounce -181 61. Forbes - Social Media -180 62. BBC News - Technik - 180 63. Marketo-Marketing-Blog - 175 64. BuzzFeed - 175 65 Sprout Social -1 72 66 Webdesignerin Depot - 171 67. Twitter Blog - 170 68 -169 Businessweek 69. 99U - 169 70. Online-Marketing-Blog - TopRank 168 71. Re / code - 167 72. Digiday - 167 73. PopSugar Fitness - 162 74. Forbes - Immobilien-162 75. CNN.com -158 76. Hootsuite Blog -158 77. der Blog von Autor Tim Ferriss -157 78. Die Stadt Calgary Newsroom - 157 79. Geschäfts 2 Community - 155 80. Der Smart Passive Income-Blog - 154 81. Jon Loomer - 152 82. Addicted 2 Erfolg - 147 83. Houzz- 145 84. Wählen Sie das Gehirn -142 85. {wachsen} -141 86. RazorSocial -139 87. NYT Technologie -135 88. Wall Street Journal News -129 89. Ars Technica -129 90. Peta Pixel -126 91. A List Apart -126 92. Shopify Blog -125 93. Die Positivität Blog -125 94. KeepInspiring.me -123 95. Simplifying der Markt -118 96. Feedly Blog - 117 97. CIO - 117 98. Mark und Angel Hack Life - 113 99. Huffington Post: Gesundes Leben - 113 100. Kleine Buddha - 113
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Top 100 Blogs (Video)
Originalversion
Looking for some fresh content to curate and share on social media?
It’s out there — in spades!
Almost too many spades, right? With so many blogs to choose from, the challenge can sometimes flip from finding content to share to choosing which content to share.
We’d love to help.
At Buffer, we’re lucky to have some data on the most popular blogs that are read, loved, and shared by social media power users. In the Buffer product, you can connect RSS feeds to your profile so that all the latest posts from your favorite blogs are pulled directly into your dashboard where you can pick and choose which to add to your queue.
Keen to hear which blogs are subscribed to most?
Here’s the complete list of the top 100 RSS feeds that have been connected in Buffer. Hope you find some fresh inspiration and ideas here!
The Top 100 Blogs to Curate for Social Media Power Users
Here’s the list of the top 100 feeds used by Buffer customers. It’s a great mix of marketing, technology, news, health, and a bit of fun, too!
If you’d be excited to add any of these to your Buffer profile or to try out Feeds for the first time, scroll to the bottom for some info on how it all works.
—
1. Buffer’s Social blog – 2,691 Feeds
2. Mashable – 2,620
3. Inc.com – 2,205
4. TechCrunch – 1,886
5. Social Media Examiner – 1,643
6. Entrepreneur – 1,230
7. Fast Company – 1,106
8. HubSpot’s marketing blog – 1,067
9. WIRED – 998
10. Lifehacker – 846
12. Copyblogger – 835
13. Seth Godin’s Blog – 796
14. VentureBeat – 699
15. Harvard Business Review– 691
16. Moz Blog – 672
17. Content Marketing Institute – 590
18. The Huffington Post – 572
19. Forbes – Entrepreneurs – 571
20. Search Engine Land – 551
21. Forbes Real Time – 512
22. Quick Sprout – 512
23. Business Insider – 505
24. The Verge – 474
25. Lifehack – 471
26. The Next Web – 469
27. Marketing Land – 445
28. Engadget – 421
29. Alltop –417
30. MarketingProfs – 394
31. WebMD Health – 376
32. Smashing Magazine – 372
33. Social Media Today – 371
34. Search Engine Journal – 340
35. Jeff Bullas’s Blog – 326
36. The Kissmetrics Marketing Blog – 321
37. Michael Hyatt – 301
38. Small Business Trends – 300
39. Brain Pickings – 295
40. Co.Design – 287
41. NYT – 287
42. Forbes Tech – 278
43. Gizmodo – 268
44. Hacker News – 264
45. Buffer’s Open blog – 263
46. MindBodyGreen – 252
47. zen habits – 250
48. The Daily Muse – 241
49. Forbes – Business – 232
50. Convince and Convert – 226
51. ProBlogger – 218
52. Forbes – Leadership – 209
53. TEDTalks (video)– 204
54. CNNMoney.com – 203
55. HubSpot Sales Blog – 202
56. Apartment Therapy – 199
57. Digital Trends – 191
58. Health.com – 188
59. Econsultancy –184
60. Unbounce –181
61. Forbes – Social Media –180
62. BBC News – Technology – 180
63. Marketo Marketing Blog – 175
64. BuzzFeed – 175
65. Sprout Social –1 72
66. Webdesigner Depot – 171
67. Twitter Blog – 170
68. Businessweek –169
69. 99U – 169
70. Online Marketing Blog – TopRank 168
71. Re/code – 167
72. Digiday – 167
73. POPSUGAR Fitness – 162
74. Forbes – Real Estate–162
75. CNN.com –158
76. Hootsuite Blog –158
77. The Blog of Author Tim Ferriss –157
78. The City of Calgary Newsroom – 157
79. Business 2 Community – 155
80. The Smart Passive Income Blog – 154
81. Jon Loomer – 152
82. Addicted 2 Success – 147
83. Houzz– 145
84. Pick the Brain –142
85. {grow} –141
86. RazorSocial –139
87. NYT Technology –135
88. Wall Street Journal News –129
89. Ars Technica –129
90. Peta Pixel –126
91. A List Apart –126
92. Shopify blog –125
93. The Positivity Blog –125
94. KeepInspiring.me –123
95. Simplifying the Market –118
96. Feedly Blog – 117
97. CIO – 117
98. Mark and Angel Hack Life – 113
99. Huffington Post: Healthy Living – 113
100. Tiny Buddha – 113
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“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws as well as contract laws.”
“The Eye Moment photos by Nolan H. Rhodes”
nrhodesphotos@yahoo.com
Quick sketch over coffee considering a different approach to displaying user research...
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Sony RX1 User Report.
I hesitate to write about gear. Tools are tools and the bitter truth is that a great craftsman rises above his tools to create a masterpiece whereas most of us try to improve our abominations by buying better or faster hammers to hit the same nails at the same awkward angles.
The internet is fairly flooded with reviews of this tiny marvel, and it isn’t my intention to compete with those articles. If you’re looking for a full-scale review of every feature or a down-to-Earth accounting of the RX1’s strengths and weaknesses, I recommend starting here.
Instead, I’d like to provide you with a flavor of how I’ve used the camera over the last six months. In short, this is a user report. To save yourself a few thousand words: I love the thing. As we go through this article, you’ll see this is a purpose built camera. The RX1 is not for everyone, but we will get to that and on the way, I’ll share a handful of images that I made with the camera.
It should be obvious to anyone reading this that I write this independently and have absolutely no relationship with Sony (other than having exchanged a large pile of cash for this camera at a retail outlet).
Before we get to anything else, I want to clear the air about two things: Price and Features
The Price
First things first: the price. The $2800+ cost of this camera is the elephant in the room and, given I purchased the thing, you may consider me a poor critic. That in mind, I want to offer you three thoughts:
Consumer goods cost what they cost, in the absence of a competitor (the Fuji X100s being the only one worth mention) there is no comparison and you simply have to decide for yourself if you are willing to pay or not.
Normalize the price per sensor area for all 35mm f/2 lens and camera alternatives and you’ll find the RX1 is an amazing value.
You are paying for the ability to take photographs, plain and simple. Ask yourself, “what are these photographs worth to me?”
In my case, #3 is very important. I have used the RX1 to take hundreds of photographs of my family that are immensely important to me. Moreover, I have made photographs (many appearing on this page) that are moving or beautiful and only happened because I had the RX1 in my bag or my pocket. Yes, of course I could have made these or very similar photographs with another camera, but that is immaterial.
35mm by 24mm by 35mm f/2
The killer feature of this camera is simple: it is a wafer of silicon 35mm by 24mm paired to a brilliantly, ridiculously, undeniably sharp, contrasty and bokehlicious 35mm f/2 Carl Zeiss lens. Image quality is king here and all other things take a back seat. This means the following: image quality is as good or better than your DSLR, but battery life, focus speed, and responsiveness are likely not as good as your DSLR. I say likely because, if you have an entry-level DSLR, the RX1 is comparable on these dimensions. If you want to change lenses, if you want an integrated viewfinder, if you want blindingly fast phase-detect autofocus then shoot with a DSLR. If you want the absolute best image quality in the smallest size possible, you’ve got it in the RX1.
While we are on the subject of interchangeable lenses and viewfinders...
I have an interchangeable lens DSLR and I love the thing. It’s basically a medium format camera in a 35mm camera body. It’s a powerhouse and it is the first camera I reach for when the goal is photography. For a long time, however, I’ve found myself in situations where photography was not the first goal, but where I nevertheless wanted to have a camera. I’m around the table with friends or at the park with my son and the DSLR is too big, too bulky, too intimidating. It comes between you and life. In this realm, mirrorless, interchangeable lens cameras seem to be king, but they have a major flaw: they are, for all intents and purposes, just little DSLRs.
As I mentioned above, I have an interchangeable lens system, why would I want another, smaller one? Clearly, I am not alone in feeling this way, as the market has produced a number of what I would call “professional point and shoots.” Here we are talking about the Fuji X100/X100s, Sigma DPm-series and the RX100 and RX1.
Design is about making choices
When the Fuji X100 came out, I was intrigued. Here was a cheap(er), baby Leica M. Quiet, small, unobtrusive. Had I waited to buy until the X100s had come out, perhaps this would be a different report. Perhaps, but probably not. I remember thinking to myself as I was looking at the X100, “I wish there was a digital Rollei 35, something with a fixed 28mm or 35mm lens that would fit in a coat pocket or a small bag.” Now of course, there is.
So, for those of you who said, “I would buy the RX1 if it had interchangeable lenses or an integrated viewfinder or faster autofocus,” I say the following: This is a purpose built camera. You would not want it as an interchangeable system, it can’t compete with DSLR speed. A viewfinder would make the thing bigger and ruin the magic ratio of body to sensor size—further, there is a 3-inch LCD viewfinder on the back! Autofocus is super fast, you just don’t realize it because the bar has been raised impossibly high by ultra-sonic magnet focusing rings on professional DSLR lenses. There’s a fantastic balance at work here between image quality and size—great tools are about the total experience, not about one or the other specification.
In short, design is about making choices. I think Sony has made some good ones with the RX1.
In use
So I’ve just written 1,000 words of a user report without, you know, reporting on use. In many ways the images on the page are my user report. These photographs, more than my words, should give you a flavor of what the RX1 is about. But, for the sake of variety, I intend to tell you a bit about the how and the why of shooting with the RX1.
Snapshots
As a beginning enthusiast, I often sneered at the idea of a snapshot. As I’ve matured, I’ve come to appreciate what a pocket camera and a snapshot can offer. The RX1 is the ultimate photographer’s snapshot camera.
I’ll pause here to properly define snapshot as a photograph taken quickly with a handheld camera.
To quote Ferris Bueller’s Day Off, “Life moves pretty fast. If you don't stop and look around once in a while, you could miss it.” So it is with photography. Beautiful photographs happen at the decisive moment—and to paraphrase Henri Cartier-Bresson further—the world is newly made and falling to pieces every instant. I think it is no coincidence that each revolution in the steady march of photography from the tortuously slow chemistry of tin-type and daguerreotype through 120 and 35mm formats to the hyper-sensitive CMOS of today has engendered new categories and concepts of photography.
Photography is a reflexive, reactionary activity. I see beautiful light or the unusual in an every day event and my reaction is a desire to make a photograph. It’s a bit like breathing and has been since I was a kid.
Rather than sneer at snapshots, nowadays I seek them out; and when I seek them out, I do so with the Sony RX1 in my hand.
How I shoot with the RX1
Despite much bluster from commenters on other reviews as to the price point and the purpose-built nature of this camera (see above), the RX1 is incredibly flexible. Have a peek at some of the linked reviews and you’ll see handheld portraits, long exposures, images taken with off-camera flash, etc.
Yet, I mentioned earlier that I reach for the D800 when photography is the primary goal and so the RX1 has become for me a handheld camera—something I use almost exclusively at f/2 (people, objects, shallow DoF) or f/8 (landscapes in abundant light, abstracts). The Auto-ISO setting allows the camera to choose in the range from ISO 50 and 6400 to reach a proper exposure at a given aperture with a 1/80 s shutter speed. I have found this shutter speed ensures a sharp image every time (although photographers with more jittery grips may wish there was the ability to select a different default shutter speed). This strategy works because the RX1 has a delightfully clicky exposure compensation dial just under your right thumb—allowing for fine adjustment to the camera’s metering decision.
So then, if you find me out with the RX1, you’re likely to see me on aperture priority, f/2 and auto ISO. Indeed, many of the photographs on this page were taken in that mode (including lots of the landscape shots!).
Working within constraints.
The RX1 is a wonderful camera to have when you have to work within constraints. When I say this, I mean it is great for photography within two different classes of constraints: 1) physical constraints of time and space and 2) intellectual/artistic constraints.
To speak to the first, as I said earlier, many of the photographs on this page were made possible by having a camera with me at a time that I otherwise would not have been lugging around a camera. For example, some of the images from the Grand Canyon you see were made in a pinch on my way to a Christmas dinner with my family. I didn’t have the larger camera with me and I just had a minute to make the image. Truth be told, these images could have been made with my cell phone, but that I could wring such great image quality out of something not much larger than my cell phone is just gravy. Be it jacket pocket, small bag, bike bag, saddle bag, even fannie pack—you have space for this camera anywhere you go.
Earlier I alluded to the obtrusiveness of a large camera. If you want to travel lightly and make photographs without announcing your presence, it’s easier to use a smaller camera. Here the RX1 excels. Moreover, the camera’s leaf shutter is virtually silent, so you can snap away without announcing your intention. In every sense, this camera is meant to work within physical constraints.
I cut my photographic teeth on film and I will always have an affection for it. There is a sense that one is playing within the rules when he uses film. That same feeling is here in the RX1. I never thought I’d say this about a camera, but I often like the JPEG images this thing produces more than I like what I can push with a RAW. Don’t get me wrong, for a landscape or a cityscape, the RAW processed carefully is FAR, FAR better than a JPEG.
But when I am taking snapshots or photos of friends and family, I find the JPEGs the camera produces (I’m shooting in RAW + JPEG) so beautiful. The camera’s computer corrects for the lens distortion and provides the perfect balance of contrast and saturation. The JPEG engine can be further tweaked to increase the amount of contrast, saturation or dynamic range optimization (shadow boost) used in writing those files. Add in the ability to rapidly compensate exposure or activate various creative modes and you’ve got this feeling you’re shooting film again. Instant, ultra-sensitive and customizable film.
Pro Tip: Focusing
Almost all cameras come shipped with what I consider to be the worst of the worst focus configurations. Even the Nikon D800 came to my hands set to focus when the shutter button was halfway depressed. This mode will ruin almost any photograph. Why? Because it requires you to perform legerdemain to place the autofocus point, depress the shutter halfway, recompose and press the shutter fully. In addition to the chance of accidentally refocusing after composing or missing the shot—this method absolutely ensures that one must focus before every single photograph. Absolutely impossible for action or portraiture.
Sensibly, most professional or prosumer cameras come with an AF-ON button near where the shooter’s right thumb rests. This separates the task of focusing and exposing, allowing the photographer to quickly focus and to capture the image even if focus is slightly off at the focus point. For portraits, kids, action, etc the camera has to have a hair-trigger. It has to be responsive. Manufacturer’s: stop shipping your cameras with this ham-fisted autofocus arrangement.
Now, the RX1 does not have an AF-ON button, but it does have an AEL button whose function can be changed to “MF/AF Control Hold” in the menu. Further, other buttons on the rear of the camera can also be programmed to toggle between AF and MF modes. What this all means is that you can work around the RX1’s buttons to make it’s focus work like a DSLR’s. (For those of you who are RX1 shooters, set the front switch to MF, the right control wheel button to MF/AF Toggle and the AEL button to MF/AF Control Hold and voila!) The end result is that, when powered on the camera is in manual focus mode, but the autofocus can be activated by pressing AEL, no matter what, however, the shutter is tripped by the shutter release. Want to switch to AF mode? Just push a button and you’re back to the standard modality.
Carrying.
I keep mine in a small, neoprene pouch with a semi-hard LCD cover and a circular polarizing filter on the front—perfect for buttoning up and throwing into a bag on my way out of the house. I have a soft release screwed into the threaded shutter release and a custom, red twill strap to replace the horrible plastic strap Sony provided. I plan to gaffer tape the top and the orange ring around the lens. Who knows, I may find an old Voigtlander optical viewfinder in future as well.
Chair of the Users Advisory Group, General Lester Lyles speaks at the National Space Council's Users' Advisory Group Meeting, Thursday, Feb. 23, 2023 at the JW Marriott Hotel in Washington DC. Photo Credit: (NASA/Aubrey Gemignani)
Created for dA Users Gallery Challenge #41 – Top Hat 3
Model with thanks to Cathleen Tarawhiti
Hair~Dezzan
Texture~skeletalmess
~~~~
Background and skulls from~.gfxtra.
Created for dA Users Gallery Challenge 91
MysticBeach Premade BG with thanks to little-spacey
With kind thanks to ~
Lightbrush from a Dear Friend.
Foreground and gulls~ Polyvore.
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on the bottom of the stand. of course what else would you be doing with your imac upside down, silly. this is the shit that gets apple into so many UX powerpoints. keep it up steve.
Tableau réalisé dans le cadre d'un projet professionnel. Regroupes les différentes autorisations en fonction du type d'utilisateur Wordpress
Volvo B8L 12m
2019
2019 (Brand new / Very early version):
V6B1, WA 4799
Original Size:
www.flickr.com/photos/kcr58drawings/50284069093/sizes/o/
Complete:
/
Last Update:
2023-12-31
This picture is also posted to:
/
Follow my Facebook Page for drawings update news.
KCR 58 (Drawings)
Madrid. Usera. Poblado Dirigido de Almendrales. Iglesia P. de Nª Sª de la Fuencisla. Arq.: José María García de Paredes. 1961-1962 (P) 1962-1965 (O). Interior
El Centro Parroquial, hito de la arquitectura religiosa de su tiempo, es el elemento de más significado del conjunto. El diseño, condicionado por un tendido eléctrico, la autopista y la previsión de superficie para la futura guardería, desglosa el programa en dos edificios: en uno la Iglesia y sus servicios, en el otro las dependencias parroquiales; enlazados por un porche de poca altura que asegura el paso bajo la línea eléctrica. Iglesia, Casa Rectoral y porche delimitan un claustro abierto hacia naciente que crea un ámbito previo al espacio religioso, arbolado de pinos. El espacio eclesial plantea la necesidad de superar el problema estructural con la máxima simplificación, mediante una solución que, sin impedir una visión suficiente, cree positivamente un espacio neutro, lugar de asamblea, respondiendo a un planteamiento económico acorde a las circunstancias -un bosque de sutiles columnas-. La iglesia se plantea como un recinto continuo, dentro del cual se integran los elementos que la constituyen: nártex, baptisterio, presbiterio y capilla penitencial. El espacio interno se subdivide en elementos modulares autónomos por una malla de 4,20 x 4,20 m, con delgadas columnas de acero que sostienen y descargan una cubierta muy ligera compuesta por elementos troncopiramidales que iluminan cenitalmente. La célula básica, que contiene todos los elementos funcionales que han de constituir el edificio, se repite 51 veces. Este elemento autónomo, que por yuxtaposición forma el recinto, permite, aparte de una exacta previsión económica, construir una iglesia tan grande o tan pequeña como se quiera, por fases o futuras ampliaciones. Satisfechas las funciones físicas por el elemento modular básico, la Iglesia puede envolverse en un cerramiento independiente sin aberturas. En la década de 1980 se demuele el porche, se modifica el patio abriéndolo a la Av de Córdoba, se eliminan pavimentos y se adosa una inadecuada caseta. Interiormente, desvirtuando la concepción original, se abren huecos en paramentos ciegos, se cierra el nártex para ser capilla de diario, modificando las condiciones de accesibilidad, se elimina la capilla penitencial para situar la pila bautismal, se modifica la posición del altar creando dos espacios para sacristía, con paramentos blancos, y se sustituye el solado de baldosa por terrazo. Recientemente se ha situado sobre un vértice el acceso de emergencia. Una propuesta de Parades-Pedrosa propone recuperar la esencia original del Templo.
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