View allAll Photos Tagged urbandevelopment
Blog | Instagram | Facebook | One crisp winter morning in 2014, I teamed up with a few other local photographers based in Tongyeong, South Korea to explore this abandoned house in a derelict zone of the city. The house still had much of its contents; sitting on a mantelpiece in a partially-collapsed back room, we found a portrait of this elderly woman. You have to wonder what happened to her amid the rapid replacement and re-development of the city's crumbling properties; it seems so strange that she'd willingly leave so much behind.
www.urbex.nl/machinefabriek-de-schelde/
www.zeeuwseankers.nl/verhaal/de-machinefabriek-in-vlissingen
a7rii + Voigtlander Heliar Hyper Wide 10mm F5.6 E
Tehran city skyline by Chamran highway going under the metropolis along the 3km long Towhid tunnel, Iran.
Despite an apparent animosity, a significant number amongst the Iranian elite conceal big reverence and admiration for the United States and in fact encourage their children and national talents to study there, as opposed to, for example, learning from Chinese success stories. One of many unfortunate results of this is the disastrous urban planning models that get forcefully injected into Iranian cities: e.g. instead of efficient and cheap public transportation systems working like clockworks (as those doing wonders for first and second-tier Chinese cities), Iranian municipalities insist on exclusively building ever larger and multi-layered urban highways, centering their models on expanding the usable surface for individual vehicles, rather than investing on smart public transportation systems. A completely unsustainable and failing model as witnessed in most large US cities. Meanwhile, the metro and bus systems tend to lag demand and/or the times by 5-10 and 10-20 years, respectively, at least in my personal observations.
My hope is more amongst the Iranian elite can give up their (often racial-based) prejudices and see through the negative propaganda against China, so they can get themselves to learn from systems that effectively turn cars into totally optional items.
Check out my albums:
---------------------------------
• Top 2%, with my best photos ever
• All my photos in Explore
• My best selling photos
• All my photos used on book covers
• My own wonders of the world
Visit me also in Facebook and Instagram
©2020 German Vogel - All rights reserved - No usage allowed in any form without the written consent of the photographer.
A Praça da República em Cabeceiras de Basto, outrora o terreiro dos frades, é o coração histórico e cultural da vila, refletindo a sua evolução arquitetónica dos séculos XVIII a XX. Rodeada por edifícios de traça tradicional do norte de Portugal, com fachadas graníticas e varandas de ferro forjado, a praça demonstra a influência da burguesia local e dos "brasileiros" regressados. Destaca-se um edifício revestido de azulejos azuis e brancos, um elemento decorativo característico da arquitetura portuguesa que alia estética e proteção contra a humidade, exibindo janelas em arco e uma cornija saliente. A praça não é apenas um conjunto habitacional, mas um espaço cívico onde se encontram marcos como o Mosteiro de São Miguel de Refojos e a estátua do "Basto", convidando ao convívio e à apreciação do património.
Praça da República in Cabeceiras de Basto, once the friars' courtyard, is the historical and cultural heart of the town, reflecting its architectural evolution from the 18th to the 20th centuries. Surrounded by traditional northern Portuguese buildings with granite facades and wrought iron balconies, the square shows the influence of the local bourgeoisie and returning “Brazilians.” A building covered in blue and white tiles stands out, a decorative element characteristic of Portuguese architecture that combines aesthetics and protection against humidity, featuring arched windows and a protruding cornice. The square is not just a housing complex, but a civic space where landmarks such as the Monastery of São Miguel de Refojos and the statue of “Basto” can be found, inviting people to socialize and appreciate the heritage.
TEHRAN, Iran — Wide city skyline of the Iranian capital Tehran from the Tabiat bridge, looking north toward the cloud covered Alborz mountains.
Check out my albums:
---------------------------------
• All my photos in Explore
• Curated stream of my best photos
• My best selling photos
• All my photos used in book covers
Follow my photos in Facebook and Instagram
©2019 German Vogel - All rights reserved - No usage allowed in any form without the written consent of the photographer.
Het Bouwhuis (translated The Building House) is a collective project for a large number of organizations in the building branch and construction industry. The design requirements have been directly translated into the three parts of the building: a parking garage as a plinth, eleven office floors in a T-shaped volume on top and, finally, a large 'roof plate' with collective public and meeting facilities. By locating the representative and collective facilities not on the ground floor but on the top layers, a panoramic view of the city, the motorway and the Groene Hart behind it is possible from these spaces. A robust steel construction provides stability and allows a "column-free" cantilever of the top layers. In the building, much attention has been paid to sustainability, partly due to the double glass skin and heat / cold storage in the soil.
Characteristic for the design is the double skin facade. This resulted in many transparent facades. The double skin principal is realized by applying only hardened glass at a distance of about 1 meter from the thermal facade of the building. This creates an enlarged and isolated cavity. At the second floor, this cavity is opened over the entire length. On the eleventh floor, a gap of 200 mm has been created over the entire length of the facade. Exterior sun protection has been installed in the cavity of the double skin facade.
Technical stuff
This is a daytime long exposure photo taken at 100ISO, f22 (just to prolong the exposure time), 12 secs and with 12.6 mils on the camera. I used a 10 stop ND filter. Due to the bright light I still could go beyond 12 secs. I haven’t found a good quality 16 stop ND filter for 72mm yet. Plus had no stacking compatibility at that time – although I now also have 6 stop 72mm filter.
Post-production was executed solely with Lightroom CC. I used several (inverted) radial filters, adjustment brushes and graduated filters. The latter addresses primarily the toning of the sky and clouds. Finally, I added some copyright signs (in PS, as it is still not possible to position a watermark anywhere you want like in PS – by simply adding text). The latter is, alas, there to stay due to the fact that my photos were frequently copied. So, don't bother commenting on that.
Storm light breaks dramatically over Iqaluit’s skyline, casting a golden glow on the Astro Hill complex and the new residential multiplex rising beside it.
In the middle ground, the Cathedral of the Arctic stands quietly resilient—its iconic dome and cross silhouetted against the brooding sky. A symbol of spiritual refuge and architectural grace, the cathedral anchors the scene with timeless presence.
This fleeting moment captures the tension between tradition and transformation in Nunavut’s capital.
A few months back, I snapped this photo while exploring the International Photobienale in Ostend. If you're not familiar with it, the event showcases images from both national and international photographers at various spots throughout the city. Our journey took us through a part of Ostend that's relatively new to us: Oosteroever. Nestled at the harbor mouth and amidst dunes, Oosteroever is renowned for landmarks like Fort Napoleon and the iconic white-blue lighthouse known as "Lange Nelle." Recently, it's been undergoing a transformation, with renovated quays breathing new life into the district. This revitalization has sparked debate, with some embracing the changes while others remain skeptical. Regardless of where you stand, it's hard to ignore the intriguing photo opportunities presented by some of the newly developed apartments – Oosteroever, Ostend, West Flanders, Belgium
photo rights reserved by B℮n
Tbilisi is the capital and largest city of Georgia, situated in the eastern part of the country on the banks of the Kura River. With a rich history spanning over 1,500 years, Tbilisi has been shaped by numerous cultures and civilizations over the centuries. The old part of Tbilisi, known for its charming architecture and unique atmosphere, is one of the most captivating areas of the city. In contrast, the Peace Bridge is a strikingly modern architectural marvel and one of Tbilisi’s most recognizable landmarks. Completed in 2010, the bridge was designed by Italian architect Michele de Lucchi, with lighting by French designer Philippe Martinaud. It spans the Kura River, connecting the old town with the newer districts, and serves as an important pedestrian route and a symbol of the city. The bridge’s design is particularly remarkable, featuring a glass canopy that curves gracefully over the walkway. Often compared to a giant glass wave or a sea creature, the canopy is made of steel and glass and is illuminated at night by thousands of LED lights. These lights create a breathtaking visual display and are programmed to transmit messages in Morse code, conveying universal symbols of life and peace. The Bridge of Peace is not only a functional structure but also a symbolic monument. It embodies the connection between the old and modern parts of Tbilisi and serves as a metaphor for the city’s progress toward peace and unity. The bridge is a popular spot for both locals and tourists, offering stunning views of the city, including the nearby Narikala Fortress, the Presidential Palace and air balloon.
The Peace Bridge in Tbilisi, Georgia, is located in the heart of the city, spanning the Kura River. Its futuristic design stands in sharp contrast to the surrounding historic architecture, making it a powerful symbol of Tbilisi’s dynamic blend of tradition and modernity. The air balloon in Tbilisi offers a unique way to view the city from above, providing passengers with panoramic views of the capital's historic and modern districts. Located near Rike Park, the balloon ascends to a height of around 150 meters, offering an unforgettable experience and stunning perspectives of iconic landmarks like the Narikala Fortress and the Peace Bridge. It’s a popular attraction for both tourists and locals looking to experience the beauty of Tbilisi from the sky.
Tbilisi is de hoofdstad en grootste stad van Georgië, gelegen in het oosten van het land aan de oevers van de rivier de Koera. De stad heeft een rijke geschiedenis die meer dan 1.500 jaar teruggaat en heeft door de eeuwen heen vele invloeden ondergaan van diverse culturen en beschavingen. Het oude gedeelte van Tbilisi, bekend om zijn charmante architectuur en unieke sfeer, is een van de meest fascinerende delen van de stad. De Vredesbrug is daar in tegen erg modern. Een modern architectonisch wonder en een van de meest herkenbare bezienswaardigheden van de stad. De brug, voltooid in 2010, is ontworpen door de Italiaanse architect Michele de Lucchi, met de verlichting ontworpen door de Franse lichtontwerper Philippe Martinaud. De brug overspant de rivier de Kura en verbindt de oude stad met de nieuwere wijken. Het is een voetgangersbrug en dient als een belangrijk symbool voor de stad. Het ontwerp van de brug is bijzonder opvallend, met een glazen overkapping die sierlijk over het wandelpad buigt. Deze overkapping, die vaak wordt vergeleken met een gigantische glazen golf of een zeewezen, is gemaakt van staal en glas en wordt 's nachts verlicht door duizenden LED-lichten. Deze verlichting creëert een adembenemend visueel spektakel en is zo geprogrammeerd dat het boodschappen in morsecode uitzendt, waarbij universele symbolen van leven en vrede worden weergegeven. De Vredesbrug is niet alleen een functioneel bouwwerk, maar ook een symbolisch monument. Het staat voor de verbinding tussen het oude en het moderne deel van Tbilisi en is een metafoor voor de vooruitgang van de stad naar vrede en eenheid. De brug is een populaire plek voor zowel de lokale bevolking als toeristen en biedt prachtige uitzichten over de stad, waaronder het nabijgelegen Narikala-fort, het presidentiële paleis en de luchtballon. Deze ballon biedt een unieke manier om de stad vanuit de lucht te bewonderen, waarbij passagiers een panoramisch uitzicht krijgen over de historische en moderne wijken van de hoofdstad. De ballon op tot een hoogte van ongeveer 150 meter, wat een onvergetelijke ervaring en een prachtig perspectief op iconische bezienswaardigheden. Het is een populaire attractie voor zowel toeristen als locals die de schoonheid van Tbilisi vanuit de lucht willen ervaren.
This is a photo I took in July 2015 during the construction of the Iceberg Project in Aarhus. Since then, the Iceberg has become a landmark in the city’s revitalized harbor area. Its sharp, angular design, resembling floating icebergs, was crafted to maximize sunlight and views of the waterfront. Today, it's an iconic example of modern Danish architecture, blending striking visuals with functionality, and perfectly reflecting the maritime vibe of its surroundings - Aarhus, Denmark
Vizcayne (formerly known as "Everglades on the Bay") is an urban development in the City of Miami, Florida, United States. It is located in northeastern Downtown. It consists of two residential skyscrapers, North Tower and the South Tower as well as a retail center. The buildings were topped out (reached full height) in 2007 and were completed in early 2008. They are located on Biscayne Boulevard between Northeast 2nd and 3rd Streets. The complex consists of two twin towers and the Everglades Plaza. Both towers are 538 ft (164 m) tall, and each has 49 floors. The Everglades Plaza is a retail and community center at the base of both towers, connecting both and occupying the entire city block. The main entrance to the plaza is on Biscayne Boulevard. The towers provide retail on the street level and the rest of the floors are used for residential units. Specifically, floors 2-7 are flats and lofts, and floors 8-49 are condo units. The architect of these buildings is Fullerton-Diaz Architects, Inc. The developer is Cabi Developers, a division of GICSA. The complex is located at the site of the former Everglades Hotel, which was closed in 2003 and imploded on January 23, 2005 to make room for the new towers.
Credit for the data above is given to the following websites:
en.wikipedia.org/wiki/Vizcayne
www.loopnet.com/Listing/244-Biscayne-Blvd-Miami-FL/31195559/
© All Rights Reserved - you may not use this image in any form without my prior permission.
As enthusiasts of Art Nouveau, Jugendstil, and Art Deco, our visit to Vienna felt like a journey through a treasure trove of architectural wonders. While a dedicated post for the iconic Secession building is in the works, today, I'd like to introduce you to the enchanting Majolikahaus, just a stone's throw away along Linke Wienzeile. Designed by Otto Wagner, the Majolikahaus is a magnificent exemplar of Art Nouveau. It was constructed between 1898 and 1899. In this photo, I offer a glimpse of the Majolikahaus's façade—a visual masterpiece adorned with vibrant floral motifs and intricate ceramic tiles, known as majolica, crafted by the talented artist Alois Ludwig. These decorative elements imbue the building with a unique and unmistakable character. Initially conceived as an apartment complex, the Majolikahaus continues to house residents today, with each unit boasting its own distinctive Art Nouveau features. It's a pity that we couldn't have a peek inside – Vienna, Austria.
bathed in the stark midday sun, the terrace of the penthouse in cala mayor reveals a carefully crafted play of light and shadow. angular shadows stretch across the clean, white tiles, cast by a metal railing that seems both delicate and deliberate in its design. beyond the geometric confinements, the mediterranean unfolds in boundless blue, dotted with the serene glide of sailboats. this is where the construction's rhythm slows, where workers pause in the silhouette of progress, gazing out to where the sea kisses the sky. each frame of the railing offers a different vignette of tranquility—a pause in the narrative of labor, a breath between the toils.