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In preparation for the battle ahead, Sir Tharkin has briefed the men on their battle strategy. The Garhim Soldiers are eager to fight as they line up to receive their arms....
This is my entry to Phase 1 of the LCC Global Challenge 3 on Classic Castle. Hope you like it!
I tracked the Expedition Instructor cadets down this morning just as they were crawling out of their tents. These cadets didn't seem fazed to see me in the least.
Marco Abud Fotografia | www.facebook.com/marcoabudfotografia
Copyright © 2014 - Marco Abud - All Rights Reserved. Reprodução Proibida - ® Todos os direitos reservados.
© All photos in this site are under the The Copyright Law No. 9610 of February 19, 1998.
© Todas as fotos incluídas neste site, estão sob a Lei do Direito Autoral nº 9.610, de 19 de Fevereiro de 1998.
ive had my first picture (that i know of) on explore so happy! thanks guys for all the views :) ok in actuall fact wasa my second picture on explore the first being: www.flickr.com/photos/25032966@N06/2710692451/
A few days ago the police department of Pasadena, CA was training French police on how to ride their bikes. Meanwhile they made a great show lining up the “horses” along the street.
strobist info: no backdrop
2 600ex-rt's left and right of glass and above. blue gel left green gel right 1/64th power.
www.emergencyrooms.org/biennalist.html
Emergency Artists involved in the Penetration format at Venice Biennale 2009 :
Rosaria Iazzetta/Sebastiano Delva / Kristian von Hornselth / 2/4our / Marta Orlando / Kim Dessault / Christian Costa / Jussi Kivi / Åsmund Boye Kneverland / Valentina Maggi
Instead of "making worlds " topic of the Biennale we were looking at the one we have allready
and expressed on it s emergencies the same day .
with some of the sharper artists from emergency room .
We exhibited about emergencies of today
today before it is too late .
For that purpose Biennalist opened some spaces in the Biennale national pavillons .
with the invitation and welcome from their artists and curators
( artist Daniel Medina for Venezuela pavillon /curator María Luz Cárdenas / artist Jussi Kivi for the finnish pavillon / artist Jacques Charlier and curator Enrico Lunghi for the belgium boat )
www.emergencyrooms.org/biennalist.html
the format PENETRATION has been activated at the Venice Biennale since 2007
www.emergencyrooms.org/penetration.html
In 2011 The Biennale Curator Bice Curiger is testing the "PENETRATION FORMAT" at Venice Biennale and adapt the name to "parapavilion " ( or "para pavilions ")
( the small difference with the original format is that she want to keep the role of the inbeetween person ,not sure if artists are left alone in the negotiations , without her beeing controling
here the orginal format www.emergencyrooms.org/penetration.html
from intervieuw by Coline Milliard, ARTINFO UK Curator Bice Curiger says :
You've asked four artists (Monika Sosnowska, Franz West, Song Dong, and Oscar Tuazon) to create "parapavilions," which will host other artists' works. How did this idea come about?
In Venice, the big curated shows tend to be compilations of works displayed one after the other — particularly in the long space of the Arsenale. I was trying to find a way for artworks to be more closely intertwined, and this seems to be an interesting solution. With the "parapavilions," the questions of identity and nationality are getting a bit mixed up. Oscar Tuazon is creating a pavilion that will showcase the work of Asier Mendizabal. They are communicating a lot about it, but since Oscar is still changing the space it might be that, at some point, Asier will say, "I cannot work in the space like this." The parapavilions are about the negotiation between two artists, and that's very different from just me saying this goes here and that goes there.
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Scanned 35mm Print
Photo from the collection of my Dad, Jay T. Thomson; Max Miller Photo
UP GTEL (Gas Turbine Electric Locomotive) #1 resting at Council Bluffs, Iowa on February 5, 1967.
This one is for my wife's friend. She says I don't post enough pictures of my wife, probably true.
Canon 580 EX II through an umbrella, camera right. Nikon SB-26 with 1/2 CTO just on the other side of the fence, camera right. White reflector for fill, camera left.
When I saw these were up I was thinking a freak one-off because they NEVER come up this early, and I hadn't seen any Daffodils. I decided to look around a little more.