View allAll Photos Tagged unsigned
Unsigned sketches attributed to William Buelow Gould
Inscribed on the UNESCO Australian Memory of the World Register on 1 April 2011
Tasmanian Archives and Heritage Office: Allport Library & Museum of Fine Arts
Images from the TAHO collection that are part of The Commons have ‘no known copyright restrictions’, which means TAHO is unaware of any current copyright restrictions on these works. This can be because the term of copyright for these works may have expired or that the copyright was held and waived by TAHO. The material may be freely used provided TAHO is acknowledged; however TAHO does not endorse any inappropriate or derogatory use.
Unsigned, not attributing this to anyone...MINT CONDITION & FABULOUS for every fine 70's interior. Don't miss out!
Unsigned, but with an attribution written by his daughter Muriel on the reverse.
Martin Harvey has written on the window "Ye Olde Curiosities Shop". This reversed copy shows that he didn't get the letter "S" quite right.
In 1885 Martin Harvey was setting up his own home in London for the first time. He wrote to my great-grandfather (his nephew) asking him to "see what your old boys in Poplar can do and drop me a line" about obtaining some items of furniture.
Included in the list of furniture - and visible in this picture - is a brass fender for which he was prepared to pay fifteen shillings.
If you can identify the scene from Dickens' book, please let me know.
An unsigned and undated flyer (circa April 1970 and probably published by the Panthers) is addressed primarily to the black community and calls for rallying around the Black Panther Party New Haven 9 that included Panther chair Bobby Seale.
The flyer specifically addresses criticism from some sectors of the black community over the support of the Panthers’ white allies and is published just before a mass rally to coincide with the opening of the trial of Seale and Ericka Huggins.
Ericka Huggins, a D.C. native who was a New Haven, Ct. Panther leader, and Seale were charged with the murder and kidnapping of an alleged police informant, Alex Rackley.
Huggins spent two years on jail awaiting trial that included time spent in solitary confinement.
Seale was one of the Chicago 8 conspiracy defendants charged with fomenting disorders at the 1968 Democratic Convention. Seale was bound and gagged during the trial after Judge Julius Hobson repeatedly denied his requests to select his own counsel.
On November 5, 1969, Judge Julius Hoffman sentenced him to four years in prison for 16 counts of contempt, each count for three months of his imprisonment because of his outbursts during the trial, and eventually ordered Seale severed from the case, leading to the proceedings against the remaining defendants being renamed the "Chicago Seven
While serving his four-year contempt sentence, Seale was put on trial again in 1970 in the New Haven Black Panther trials.
A nationwide campaign to free the two Panther leaders was carried out after their arrests sparking the cry “Free Bobby, Free Ericka; Stop the War Against Black America!” More than 15,000 rallied May 1, 1970 in support of the Panthers surrounded by police and U.S. military forces.
The origins of the case began In 1969 when some members of the New Haven Black Panthers killed Alex Rackley, whom they suspected of being an informant. Huggins, along with Black Panther Party co-founder Bobby Seale, was charged with murder, kidnapping, and conspiracy.
The trial sparked protests across the country about whether the Panthers would receive a fair trial and the jury selection would become the longest in state history. In May 1971 the jury deadlocked 11 to 1 for Seale’s acquittal and 10 to 2 for Huggins' acquittal. Prosecutors dropped the charges shortly afterward.
Seale was cleared on appeal in 1972 of the contempt charges in the Chicago Conspiracy trial and the appeals court criticized Judge Hoffman for denying Seale the right to choose his own counsel.
For a PDF of this two-sided, 8 ½ x 11 flyer, see washingtonspark.files.wordpress.com/2020/04/1970-new-have...
For more information and related images, see flic.kr/s/aHsjBUuu3J
Donated by Robert “Bob” Simpson
Port Richmond, Staten Island, New York City, New York, United States
This Greek Revival style church was erected in 1844 to the designs of Staten Island builder James G. Burger and was enlarged in 1898 with a Colonial Revival Sunday School addition designed by architect Oscar S. Teale. The church's congregation is the oldest in Staten Island and its first church building was erected on this site in 1715. The present church is the congregation's third; it is the oldest church building on the North Shore and one of the oldest churches on Staten Island. The church's graveyard is the oldest non-private cemetery in Staten Island.
During the last thirty years there have been a few changes to the exterior of the church. In 1972, the old wood enclosures, which used to serve as wind blocks for the doors on the front porch, were replaced by the present one-story brick vestibule. More recently the church's denticulated wood cornices were covered with vinyl siding . In the 1990s, a wrought-iron fence was installed along Port Richmond Avenue on either side of the stairs to the 1844 building. More recently, the "new cemetery," which had become overgrown and inaccessible, was cleared of brush providing access to the rear part of the graveyard.
In the 1970s, the formerly thriving shopping area on Port Richmond Avenue began to decline due to the closing of the Bergen Point ferry and construction of several neighboring small shopping centers and the Staten Island Mall . There have been changes to the demographics of the neighborhood and the congregation's membership has declined. The congregation remains proud of its rich heritage and over the years has participated in historic walking tours of Staten Island and other events highlighting its history. In 2004 it sponsored the listing of the Reformed Church on Staten Island, its Sunday School Building, and cemetery on the National Register of Historic Places. Speaking on behalf of the congregation at the public hearing in regard to this designation, Consistory President Warren Mac Kenzie said that "our congregation intends to use this designation as a tool to educate our community to the importance of preserving that sense of place envisioned by generations of those who have gone this way before us."
Cemetery
The graveyard of the Reformed Church is the oldest non-private cemetery in Staten Island and incorporates a number of gravestones that have been ascribed to the workshops of noted New Jersey stone carvers.
As indicated above, the graveyard probably began as a private burying ground for the Corson family in the 1690s. When the first hexagonal church was built in 1715, or perhaps even before, since it was referred to in official documents as the "burying place" as early as 1705, the churchyard became the burial grounds for most families on the North Shore. As Royden Vosburgh wrote in his 1923 history of the cemetery, "there is little evidence available to determine its dimensions in the 1700s." A Revolutionary War map shows that the first church was located near the present-day intersection of Richmond Terrace and Port Richmond Avenue on what became the site of the Port Richmond National Bank Building. Vosburgh believed the oldest section of the burying place was probably just southwest of the church. The church yard was encroached on beginning in 1810 when the Rev. Van Pelt's Academy Building was constructed. It was sold in 1826 and in the 1870 the present building was erected on the site. In 1871, a triangular gore from the burying grounds, measuring 10 feet on Port Richmond Avenue and 30 feet at the rear, was sold to the owner of the Academy lot and has been partially developed. In addition, portions of the cemetery fronting on Port Richmond Avenue were also taken for street widenings in the 1860s and 20th century.
First Section
Presently, the first section of the cemetery, lying north of the church extends for approximately 120 feet along Port Richmond Avenue and is approximately 80 feet deep. There are 224 gravestones, arranged in 11 rows. It seems likely that the earliest grave markers were made of wood and have been lost. The earliest surviving gravestone with a legible inscription is that of Mary Van Pelt, daughter of John Van Pelt, who died in 1746 at age 15. This red sandstone gravestone is topped by a curved tympanum, carved in low relief with a winged grinning death's head with empty eye-sockets, thought to symbolize the soul's triumph over death. It is one of seven carved sandstone gravestones with tympanum tops dating between 1746 and 1760 in the Reformed Church graveyard that employ the same mortality motif. Art historian John Zielenski has suggested that at least five of these stones are attributable to the "Common Jersey Carver," an anonymous artisan, who worked extensively in the Northern New Jersey communities of Elizabeth and Woodbridge and whose work is characterized by its "well-proportioned mortality figures with rows of neat teeth."
In the period following the "Great Awakening," with its emphasis on personal redemption, the iconography of gravestones changed. One new option was the use of tulips to mark the graves of unmarried women and girls. The Reformed Church has three examples - the markers of Nelly Corsen, died 1767; Mary Mercereau, died 1766; and Mary Prall, died 1775. All three of these red sandstone markers have been attributed to carver Ebenezer Price . The most prominent and artistically gifted of the stone cutters in the New York-New Jersey region, Price operated a large workshop in Elizabeth, New Jersey, from the 1750s onward. In addition to his tulip markers, Price was well known for his effigies of the soul, realistic, puffy- cheeked winged cherubs with deep-set eyes, oval braided hair, beautifully modeled features, and cleft chins. Price often carved a cloudlike "spirit image" above the cherubs. Five of the winged- cherub gravestones in the cemetery are signed Price works, the Abraham Kruse , Doctor Ernest Linde , James Duffee , Johanna Housman , and Fytie Mersereau , gravestones. The Kruse and Linde grave markers also feature low-relief carvings of crossed bones, a memento mori Price used elsewhere, including on the Mary Read gravestone at Bound Brook. Three other gravestones - Joshua Mersereau , Cornelia Corsen , and Mary Mersereau - though unsigned, seem to be high enough in quality and similar enough in style to known works by Price to be attributed to him. Two other soul effigy gravestones in the first section - David Mersereau and Mary Mersereau - have been ascribed to William Grant, a New England carver who relocated to New Jersey by 1760. These have simpler carvings, with characteristic egg-shaped heads that narrow at the bottom, downturned mouths, and separated corkscrew curls. In addition to these artistically significant gravestones, several Colonial-era headstones are of note because they are inscribed in Dutch. These include the tombstones of Jannetie Veghte, died 1749/50, and Cornelius Corsen, Esq., the youngest son of Captain Cornelius Corsen, who died in 1755, at the age of 53.
In the Federalist period, the tympanums of tombstones began to take more elaborate forms and new iconographic elements were adopted, reflecting the growing interest in Neo- Classicism. One of the most popular forms was the urn, which has classical funerary associations. Urns appear on a number of gravestones including that of Elizabeth Corson . Another form, the willow tree, which is both an ancient symbol of mourning and has biblical associations with the Tree of Life, was also extremely popular. Among the noteworthy examples is the tombstone of Captain John Daniels, Master of the Schooner Margaret Ann, who, together with his crew, died in a shipwreck on Middletown Beach in 1823. Another stone with both a finely carved urn and representation of a tree, commemorating Closha Corsen , is signed by the New York City stone carvers P.D. and G. Braisted. By the 1820s, marble began to replace sandstone as the material of choice for gravestones, and predominated by the 1830s. Other notable grave markers from this period include the slab tombstone of Dr. Isaac Ledyard, Health Officer of the Port of New York, whose epitaph notes that he was one of the electors for New York State in the presidential election of 1800 and perished in 1803 of Yellow Fever.
Second Section
The second section of the cemetery was established in 1816 when Daniel D. Tompkins donated a strip of land measuring 32 feet by 110 feet immediately to the north of the second church to provide for a new entrance and entrance path to the steeple. The lot was almost immediately put into use as a burial grounds. In 1898, when the Sunday School addition was constructed, six graves were moved to accommodate foundation piers. Three other rows of graves remained in the crawl space beneath the wing, with their grave markers simply laid flat. The second section has also been reduced in size because of the periodic widenings of Port Richmond Avenue and by the sale of the southernmost portion of the lot in the early 20th century.
At present the second section contains 105 markers, including two sarcophagi, dating between 1816 and 1896. Most of the markers are marble and neo-Classical or Renaissance Revival in style; many are illegible because of weathering and many are now broken. Among the most notable is the marble obelisk and pedestal monument surmounted by an orb, the double- arch stone memorial commemorating Helen and William Jacques, and the paired marble headstones with incised representations of fabric and tulips memorializing Mary Tyson and Richard Tyson . In addition to the Tysons, Mersereaus, and Jacques, such leading families as the Sinclairs, Haughwouts, Crocherons, Housmans, and Posts have graves in this section of the cemetery.
Third Section
In 1833, the Consistory of the Reformed Church provided for future needs by purchasing an irregular lot with a frontage of about 33 feet on Port Richmond Avenue that extended westward for about 275 feet. At the beginning of the 20th century, the church sold the southernmost portion of its property fronting on Port Richmond Avenue combining portions of the Tompkins tract and the 1833 tract to create a lot that extended for 75 feet along Port
Richmond Avenue and was 100 feet deep. This left a narrow strip of land between the Sunday School wing and the stores that were being built on the new lot for access to the third section of cemetery, which was also known as the "new burying ground." In the 1870s additional land was acquired at the rear of the third section for private family plots. As burials and/or gravestones were relocated to accommodate new construction and street widenings, they were moved to this section of the cemetery.
Presently, the third section has "363 markers distributed among 20 rows and family plots" dating from 1834 to 1916. Most of the markers are marble or granite. The earliest stones dating from the 1830s through the 1850s are simple shaped stones, most having only inscriptions. A few have relief decorations featuring urns and Tree of Life motifs or Gothic arches and foliate decorations. There are also some notable mid-19th-century Renaissance Revival-inspired marble markers including the Anna Sharrett tombstone and the Louis Muir tombstone . One mid-Victorian child's memorial to Lila Henrietta Hubbard features an upward-pointing hand carved in high relief. Later tombstones from the 1880s and 1890s, such as the paired tombstones of Patrick O'Rorke and Elizabeth Housman O'Rorke, or the Drake family cenotaph have elaborate sculptural forms. Among the notable individuals buried in this section of the cemetery is Judge Jacob Tysen , who had a long and distinguished public career, serving as a congressman and as a judge of the Court of Common Pleas . There are also family plots for the Van Name, Housman, Drake, Kohler, and Post families.
Cemetery
The cemetery is divided into three sections, two of which are visible from the street. First Section: The oldest section of the cemetery extends north from the church along Port Richmond Avenue. It is trapezoidal in shape, and extends for about 120 feet along the street, is approximately 85 feet deep, and is about 106 feet wide at the rear . A non-historic iron picket fence resting on a concrete foundation extends along the streetfront attaching to the north wall of the church behind a basement entrance. The northern boundary is defined by the rear elevations of a group of late-19th- and early-20th-century commercial buildings fronting on Richmond Terrace. To the west is a lumberyard, which is separated from the cemetery by a non- historic chain-link fence. The southern boundary is the north wall of the church and a non- historic concrete path which extends along the side and rear of the church. Just west of the fence, near the center of the burial grounds, there is a historic metal sign installed in 1932 by the New York State Education Department noting the historical significance of the cemetery as a "Burial Place of the Dutch Settlers of the North Shore Until 1866." A non-historic pre-fabricated garden shed is located near the western boundary of the cemetery.
There are 224 grave markers, arranged into 11 rows. They range in date from 1746 to 1882. Because the graves are arranged in family groups, mid-to-late- 19th-century stones are interspersed amidst historically and artistically significant markers from the 18th and early 19th centuries. The headstones dating from prior to 1800 are almost all red sandstone and exhibit a variety of rounded and curved tops and decoration typical of New Jersey carving traditions in the Colonial and Federal periods. There are a number of signed stones by the noted carver Ebenezer Price. Most of the headstones from the post-1820s period are marble and have forms and decoration typical of the neo-Classical period. Several stones have cursive initials, or feature representations of urns and willows. There are also a number of footstones and two Federal-era brownstone sarcophagi with flat marble tablet lids. The bottom-left corner of marble lid of the Ledyard sarcophagus has broken off.
Due to weathering and vandalism, a number of stones have been broken or become unseated. At present, several unseated stones and many fragments are propped against other stones. One tombstone and footstones are lying flat on the ground.
Second Section: This section of the burial grounds was put into use in 1816. In 1898, when the Sunday School addition was constructed, several graves were moved. Three rows of graves remained in the crawl space beneath the wing, with their grave markers simply laid flat. The second section was also reduced in size due to the periodic widenings of Port Richmond Avenue and through the sale of the southeast corner of the lot in the early twentieth century.
At present the second section of the cemetery is a rectangle measuring 75 feet by 53 feet. It is bounded on the east by the non-historic wrought-iron fence that extends along Port Richmond Avenue, on the south by the same fence and the north wall of the church, on the west by the Sunday School, and on the south by a non-historic chain link fence. A non-historic concrete path next to the south wall of the church leads to the entrance to the Sunday School wing. Another non-historic path extends in front of the Sunday School providing access to a now closed gallery entrance.
Currently there are 105 markers, including two sarcophagi, which are arranged more or less into eight rows. Dating between 1816 and 1869, most of the markers are marble. Many are illegible because of weathering. Over the years, due to weathering and vandalism, many markers have been broken and/or have become unseated. In some cases footstones have been inserted into the rows in place of missing headstones. Among the most notable markers is the marble obelisk and pedestal monument located in the second row at the north end of the cemetery which is topped by a wood finial.
Third Section: The third section of the cemetery was acquired in 1833. It originally extended to Port Richmond Avenue, but the front portion of the lot was sold in the early 20th century. In the 1870s, additional land was acquired from the owners of the house lots fronting Maple Street to create private family burial plots at the rear of the third section. This accounts for the odd shape of this portion of the cemetery. It comprises a rectangle of about 100 feet by 120 feet with a second rectangle of roughly 100 feet by 45 feet set at a 40-degree angle from the first rectangle. Access to this section of the cemetery is provided by a grassy passage between the Sunday School wing and the stores on Port Richmond Avenue that were erected on a portion of the former church lands. This portion of the cemetery is partially visible to passersby on Port Richmond Avenue. Glimpses are available from Richmond Terrace and Maple Street and the burial ground is, of course, highly visible from the surrounding buildings.
The third section is currently bounded on the west by chain-link fences, to the north by the buildings and chain-link fences of the neighboring lumberyard, to the south by a non-historic wood fence and the brick walls of a neighboring building, and on the east by the Sunday School, grass passage, and the commercial buildings on Port Richmond Avenue. A drainage ditch runs just behind the Port Richmond Avenue commercial building. It is a remnant of the brook that once ran behind the church property in the 18th century. The ditch empties into a pipe which extends under a slab of bluestone and then continues under the rear of the church.
Presently the third section has 363 markers distributed among 20 rows and family plots, dating from 1834 to 1916. Most of the markers are marble or granite. The earliest stones, dating from the 1830s through the 1850s, are simple shaped stones, most having only inscriptions. A few headstones have relief decorations featuring urns and Tree of Life motifs or Gothic arches and foliate decorations. There are also some notable mid-19th-century Renaissance Revival headstones and some impressive late Victorian headstones and monuments. Many stones have been broken or have become unseated. The family plots located at the rear of the third section are set off by fences with granite posts and iron rails and decorative gates.
- From the 2010 NYCLPC Landmark Designation Report
An unsigned and undated flyer following the Black Panther Party sponsored Philadelphia plenary session of the Revolutionary People's Constitutional Convention in September 1970.
Thousands had rallied in Philadelphia and it was expected that the Washington, DC convention would be the culmination of an effort to forge a revolutionary program and unite many of the disparate sections of the American left under one banner.
For information and additional photos of Black Panther activity in the Washington, DC area, see flic.kr/s/aHsjBUuu3J
This Unsigned Music Awards 2016 was such great event. Bands were spectacular and full of energy.
It was great to team up with a Dayle for a music article. Well done Unsigned Music Awards team & sponsored
Every photography are available on AntoineLphotos.com
My Instagram : AntoineLphotos
My email : AntoineLphotos@gmail.com
BEST EP / ALBUM / RECORD
Chariots (Chariots EP)
Brother & Bones
AKS (Train of Thought)
Rothwell (Two EP)
Jerry Williams (Let's Just Forget It)
BEST MUSIC VIDEO
Only Shadows (Too Late)
Gunship (Revel In Your Time)
The Kings Parade (Bunched Up Letters)
Room 94 (So What)
BEST LIVE ACT
Only Shadows
Broken Witt Rebels
Brother & Bones
Saint Agnes
Too Many T's
BEST PRODUCED / ENGINEERED RECORD
Shields (How Can We Fix This?)
Wennink (Dissolve)
Shakedown Stockholm (The Reality of Truth)
Jerry Williams (Let's Just Forget It)
BEST INTERNATIONAL EP / ALBUM / RECORD
Eriel Indigo (Elevate EP)
Gosto (Coloured Silhouettes)
Madyx (Worth The Risk Ep)
Cat Cldye (Like A Wave EP)
Donica knight (Can't Buy A Southern Girl)
BEST INTERNATIONAL MUSIC VIDEO
Burn The Ballroom (Crazy)
Bebe Cool (Love You Everyday)
Madyx (Some Kisses)
Lion In The Mane (Waiting)
BEST SONGWRITER
Cat Delphi
Dani Sylvia
The Scheme
Anna Pancaldi
MUSICPRENEUR
Room 94
The Daydream Club
Cadell
Anno Domini
BEST MALE SOLO ACT
Mullally
Rich Lown
Jordan Mackampa
Grumble Bee
BEST FEMALE SOLO ACT
Elle Exxe
Cat Delphi
Rothwell
Anna Pancaldi
BEST URBAN ACT
Nyne
J-Sol
AKS
Mugun
BEST ELECTRONIC / DANCE ACT
Gunship
MAJIK
MAJ
UHURU
BEST ROCK ACT
Brother & Bones
DIV/DES
Tiny Folds
Broken Witt Rebels
BEST COUNTRY / FOLK ACT
Westerman
August and After
Mia and the Moon
Narrow Plains
Hanging Valleys
BEST JAZZ / BLUES ACT
Kat Eaton
Malaika
Brother Zulu
David Kofi
YOUTH MUSIC AWARD
Natalie Shay
Momac
Zoe Unsworth
Tai Isabella
Accepted ROUGH, pencil on paper draftwork for BA/MF, BH Records, BOC & Hot Topic.
This is going be a compilation CD featuring a few big, unsigned and independent artists such "Kut U Up" who were featured with blink-182 in "Riding in Vans with Boys" and Mike Felumlee of Alkaline Trio.
These CDs will be professionally pressed by Broken Heart Records and sold online at Hot Topic. All profits will go to charity.
Syracuse
Drachm unsigned work by Eucleidas circa 405-400, AR 4.11 g. [ΣΥ − Ρ − Α − Κ] − ΟΣΙ ??- WN Head of Athena facing three-quarters l., wearing double hook earring and necklace of pendant acorns with central medallion and triple-crested Attic helmet. On either side, a couple of dolphins snout to snout. Rev. [ΣΥ − Ρ −Α − Κ − ΟΣΙ] − ΩΝ ??Naked Leukaspis advancing r., wearing crested helmet and holding spear in r. hand and oval shield in l.; sword suspended by strap over r. shoulder. In background l., square altar ornamented with garland, and to r., forepart of slain ram on its back. In exergue, [ΛΕΥΚΑΣΠΙΣ]. ??Rizzo pl. XLVII, 1 (this obverse die). Jameson 810. SNG ANS 310 (this obverse die). Kunstfreund 121 (this coin). Boehringer, Essays Thompson pl. 38, 6. Lacroix, Travaux Le Rider pl. 19, 10 (this coin).
Very rare and among the finest specimens known. A magnificent portrait in the finest
style of the period, lightly toned and extremely fine
Ex Leu-M&M sale 1974, Kunstfreund, 121. The influence of the facing, helmeted head of Athena engraved by Eucleidas for tetradrachms at Syracuse (Rizzo pl. 43, 21-22; an example of which is lot 49 in this sale) is demonstrated by the fact that it was the model for this drachm struck from unsigned dies. The composition is identical, differing only in the fine details due to the smaller scale of the work. The Eucleidas portrait was also used for hemidrachms of the same emission, which are paired with a reverse showing a chariot scene. The advancing warrior on this drachm is identified as the hero Leukaspis based upon an inscription in the exergue which rarely is visible on the known examples. The reason for the selection of this type may be historical, as Diodorus informs us that Leukaspis was a Sican who was killed in battle by Heracles. During the turbulent age when this drachm was struck, Syracuse needed every ally it could muster, and an overture like this might have been meant to curry support among the indigenous Sican population.
NAC48, 49
...on a car parked in front of the owner's house. Hmm. Selfish, much? (Camera phone shot)
(n.b. for those not residents of the Boston area: in many towns around here, once one shovels out an on-street parking spot after a snowstorm, one "marks" it with something to indicate that you shoveled the spot and you fully intend it to be available for parking when you return. Supposedly this custom is acceptable for up to 48 hours after the storm, though I've seen spots "claimed" for as much as a week, even though the cleared snow was probably shoveled into another nearby spot. The "less friendly" methods of revenge for "stealing" such marked spots include scratching the paint of the car with a key or letting the air out of tires.)
This Unsigned Music Awards 2016 was such great event. Bands were spectacular and full of energy.
It was great to team up with a Dayle for a music article. Well done Unsigned Music Awards team & sponsored
Every photography are available on AntoineLphotos.com
My Instagram : AntoineLphotos
My email : AntoineLphotos@gmail.com
BEST EP / ALBUM / RECORD
Chariots (Chariots EP)
Brother & Bones
AKS (Train of Thought)
Rothwell (Two EP)
Jerry Williams (Let's Just Forget It)
BEST MUSIC VIDEO
Only Shadows (Too Late)
Gunship (Revel In Your Time)
The Kings Parade (Bunched Up Letters)
Room 94 (So What)
BEST LIVE ACT
Only Shadows
Broken Witt Rebels
Brother & Bones
Saint Agnes
Too Many T's
BEST PRODUCED / ENGINEERED RECORD
Shields (How Can We Fix This?)
Wennink (Dissolve)
Shakedown Stockholm (The Reality of Truth)
Jerry Williams (Let's Just Forget It)
BEST INTERNATIONAL EP / ALBUM / RECORD
Eriel Indigo (Elevate EP)
Gosto (Coloured Silhouettes)
Madyx (Worth The Risk Ep)
Cat Cldye (Like A Wave EP)
Donica knight (Can't Buy A Southern Girl)
BEST INTERNATIONAL MUSIC VIDEO
Burn The Ballroom (Crazy)
Bebe Cool (Love You Everyday)
Madyx (Some Kisses)
Lion In The Mane (Waiting)
BEST SONGWRITER
Cat Delphi
Dani Sylvia
The Scheme
Anna Pancaldi
MUSICPRENEUR
Room 94
The Daydream Club
Cadell
Anno Domini
BEST MALE SOLO ACT
Mullally
Rich Lown
Jordan Mackampa
Grumble Bee
BEST FEMALE SOLO ACT
Elle Exxe
Cat Delphi
Rothwell
Anna Pancaldi
BEST URBAN ACT
Nyne
J-Sol
AKS
Mugun
BEST ELECTRONIC / DANCE ACT
Gunship
MAJIK
MAJ
UHURU
BEST ROCK ACT
Brother & Bones
DIV/DES
Tiny Folds
Broken Witt Rebels
BEST COUNTRY / FOLK ACT
Westerman
August and After
Mia and the Moon
Narrow Plains
Hanging Valleys
BEST JAZZ / BLUES ACT
Kat Eaton
Malaika
Brother Zulu
David Kofi
YOUTH MUSIC AWARD
Natalie Shay
Momac
Zoe Unsworth
Tai Isabella
This Unsigned Music Awards 2016 was such great event. Bands were spectacular and full of energy.
It was great to team up with a Dayle for a music article. Well done Unsigned Music Awards team & sponsored
Every photography are available on AntoineLphotos.com
My Instagram : AntoineLphotos
My email : AntoineLphotos@gmail.com
BEST EP / ALBUM / RECORD
Chariots (Chariots EP)
Brother & Bones
AKS (Train of Thought)
Rothwell (Two EP)
Jerry Williams (Let's Just Forget It)
BEST MUSIC VIDEO
Only Shadows (Too Late)
Gunship (Revel In Your Time)
The Kings Parade (Bunched Up Letters)
Room 94 (So What)
BEST LIVE ACT
Only Shadows
Broken Witt Rebels
Brother & Bones
Saint Agnes
Too Many T's
BEST PRODUCED / ENGINEERED RECORD
Shields (How Can We Fix This?)
Wennink (Dissolve)
Shakedown Stockholm (The Reality of Truth)
Jerry Williams (Let's Just Forget It)
BEST INTERNATIONAL EP / ALBUM / RECORD
Eriel Indigo (Elevate EP)
Gosto (Coloured Silhouettes)
Madyx (Worth The Risk Ep)
Cat Cldye (Like A Wave EP)
Donica knight (Can't Buy A Southern Girl)
BEST INTERNATIONAL MUSIC VIDEO
Burn The Ballroom (Crazy)
Bebe Cool (Love You Everyday)
Madyx (Some Kisses)
Lion In The Mane (Waiting)
BEST SONGWRITER
Cat Delphi
Dani Sylvia
The Scheme
Anna Pancaldi
MUSICPRENEUR
Room 94
The Daydream Club
Cadell
Anno Domini
BEST MALE SOLO ACT
Mullally
Rich Lown
Jordan Mackampa
Grumble Bee
BEST FEMALE SOLO ACT
Elle Exxe
Cat Delphi
Rothwell
Anna Pancaldi
BEST URBAN ACT
Nyne
J-Sol
AKS
Mugun
BEST ELECTRONIC / DANCE ACT
Gunship
MAJIK
MAJ
UHURU
BEST ROCK ACT
Brother & Bones
DIV/DES
Tiny Folds
Broken Witt Rebels
BEST COUNTRY / FOLK ACT
Westerman
August and After
Mia and the Moon
Narrow Plains
Hanging Valleys
BEST JAZZ / BLUES ACT
Kat Eaton
Malaika
Brother Zulu
David Kofi
YOUTH MUSIC AWARD
Natalie Shay
Momac
Zoe Unsworth
Tai Isabella
A unsigned, undated three-page flyer (issued between May 8 and 10, 1970 and confirmed to have been issued by members of the student strike committee) dubbed “Commuter’s Newsletter” recounts a faculty assembly vote at the University of Maryland College Park to endorse an immediate end to the war in Vietnam, opposing repression against the Black Panther Party and urging the school administration to keep the school facilities open during the student strike.
Demonstrations against the Vietnam War and a student strike began at the school May 1, 1970 after President Richard Nixon ordered U.S. troops to invade Cambodia-widening the war. A national student strike was called May 4, 1970, the same day that the Ohio National Guard gunned down four students and wounded nine others at Kent State University in Ohio.
Students were asked to attend a meeting scheduled for May 11, 1970. The flyer also calls for students to support a liberal grading plan for classes of those engaged in the student strike.
The last page of the flyer reprints the faculty resolutions adopted at an assembly of 1,000 faculty members at Cole Field House May 7, 1970. The assembly was watched by 7,000 students in the stands.
The grading proposal advocated by the student strike committee was called the Chapeles proposal--so named for the government and politics professor who introduced it to the faculty assembly.
The alternative proposal was called the Alyward proposal named after a speech professor who chaired an ad hoc committee that developed it.
Both proposals protected striking students by offering options to complete their classes. The strikers’ proposal was more liberal and contained more safeguards against right-wing professors who may seek to punish strikers.
At a faculty assembly meeting, the more conservative Alyward proposal was adopted by the faculty 1583-698.
The strike, mass demonstrations and confrontations with the police and National Guard continued until May 22, 1970. The Guard occupied the campus until spring classes and exams were officially over.
For a PDF of this three-page, 8 ½ x 11 flyer, see washingtonspark.files.wordpress.com/2020/04/1970-05-umd-s...
For a PDF that contains an account of the student strike in 1970, see washingtonspark.files.wordpress.com/2013/05/radical-guide...
For more information and related images of the 1970 UMD student protests, see flic.kr/s/aHsjBzxn3w
For more information and related images of the 1971 UMD student protests, see flic.kr/s/aHsjBAJp9G
For more information and related images of the 1972 UMD student protests, see flic.kr/s/aHsjBBYBW1
Donated by Robert “Bob” Simpson
Blinder are an unsigned three-piece grunge band from Brighton who put on a dynamic live performance. Guitarist and singer Schosti constantly struts around the stage and so I wanted to capture some of that movement. I was particularly pleased with this shot because I was trying out the effect of combining a slow shutter speed together with zooming out rapidly to produce the motion-artefact.
For more info on Blinder: www.facebook.com/weraeblinder
Strobist info:
This shot was taken at stage right.
Main light was a speedlight pointing at the front of the stage
Two other speedlights were positioned at the back of the stage on the left and the right, gelled red and magenta
Triggered wirelessly by Commlite Comtrig T320's
Shutter speed was 1/25
An unsigned, short pamphlet lists a calendar of planned anti-Vietnam War events in the greater Washington, D.C. area for a spring 1972 “People’s Offensive.”
Given the list of non-violent civil disobedience activities and the recognition of Ho Chi Minh’s birthday, it was probably published by the People’s Coalition for Peace and Justice (PCPJ) or one of its affiliates.
The antiwar movement had broken into two major coalitions at this point—PCPJ which raised issues besides ending the war in its demands (such as justice for black Americans and an end to poverty) and sponsored civil disobedience and the National Peace Action Coalition (NPAC) for which the Vietnam War was its single issue and did not support civil disobedience.
The two groups’ slogans differed also.
PCPJ favored “Sign the Treaty”—the People’s Peace Treaty negotiated between North and South Vietnamese and American students and supported by Provisional Revolutionary Government leaders.
Whereas NPAC favored “Out Now.”
Two historically rival groups also split between the two coalitions—The Communist Party USA supporting the PCPJ and the Trotskyist Socialist Workers Party favoring NPAC.
For a PDF of this 5 ½ x 8 ½, four-page pamphlet, see washingtonspark.files.wordpress.com/2019/12/1972-peoples-...
For more information and related images, see flic.kr/s/aHsjw6vLke
Donated by Robert “Bob” Simpson
An unsigned flyer unveils a calendar of events surrounding a week of celebrating women’s suffrage August 22-29, 1975.
Advertised events include a National Organization for Women fair; dinner with Andrea Dworkin; a concert with Cassie Culver, Willie Tyson and Barbara Cobb; a dance; a film festival; live and taped music produced by Womansound; the theatre production Approaching Simone; and a performance by the National Symphony.
August 26th each year marks the date the 19th Amendment became effective--granting women the right to vote nationwide.
For a PDF of this one-sided, 8 ½ x 14 flyer, see washingtonareaspark.com/wp-content/uploads/2022/02/1969-0...
For more information and related images, see flic.kr/s/aHsjDVEVCy
Original held in the Bonnie Atwood papers, 1965-2005, Collection, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.
4 August 2013. In the grounds of Charles House, near the corner of White Hart Lane and Love Lane, Tottenham.
I guess every city has signs which are old and faded. Or those with some of the lettering or other parts missing — perhaps fallen off, or recycled by metal dealers. Plus some former signs which are now just bare posts with the original signboard missing.
To me, this Tottenham non-sign has a rusty, wooded charm. Although tucked behind a metal fence, the sign has no information to give; nothing to tell. A nearly invisible notice which almost nobody notices.
Unsigned, has a felt back, but surely by Ann Wynn Reeves, 1960's or 1970's. Note there are a couple of edge chips on the tile which have disappeared with the miracle of Photoshop.
This unsigned floral artwork is thought to be noted botanical artist Clarissa Munger Badger's early work. Learn more about Clarissa at madisonhistory.org/key-figures/clarissa-munger-badger/. It was displayed on the wall of the East River Reading Room, which was founded by the artist's sister Caroline Munger Washburn.
ACC# 2018.016.003a
See more of Clarissa's artwork at flic.kr/s/aHskGqv2x4.
See other Reading Room images at flic.kr/s/aHskEtnmBa.
(Photo credit Bob Gundersen www.flickr.com/photos/bobphoto51/albums)
An unsigned, undated flyer calling on supporters of the Black Panther Party to protect the Party organizing headquarters in Washington, D.C. and to attend the May 1, 1970 rally in New Haven, Ct. in support of Panther chair Bobby Seale and New Haven Panther leader Ericka Huggins.
For a period of days, white supporters sat outside the National Committee to Combat Fascism, the Panther organizing office, on 18th Street NW as a buffer against possible police action until the immediate threat subsided.
Carpools were organized from Washington, D.C. to New Haven where 15,000 demonstrated for the Panther leaders’ freedom. They had been charged with murder, but the trial resulted in a hung jury and charges were dropped thereafter.
The D.C. police did raid the Panther’s on July 4, 1970 while they were celebrating on the holiday with community members.
The flyer was probably published in late April 1970.
For a PDF of this 8 ½ x 11 one-sided flyer, see washingtonspark.files.wordpress.com/2019/12/1970-05-ca-dc...
For more information and related images, see flic.kr/s/aHsjBUuu3J
Donated by Robert “Bob” Simpson
The unsigned card reads, "How is old Myersville these cold days. She looks good to me. You ought to be here now. Skating is just fine. Oh you Feb 22nd. I wonder where I will spend it this year. Best Regards. 4-12-11."
Nellie Pettingall lived on Main Street, Myersville, in 1911. Born in 1888, she was the daughter of Samuel H. Pettingall (1848-1929) and Amanda C. Poffenberger (1850-1931). She married steel mill worker W. Clyde Raines, who may well have been the author of this postcard. She was a graduate of Hood College and taught in Frederick County schools for a number of years. Nellie and Clyde had one son, William P. Raines. Nellie died in Pittsburgh, Pennsylvania, 18 Feb 1970. Clyde died in 1976. Both are buried at Mt. Zion Methodist Church Cemetery.
An unsigned flyer advertises and teach-in and rally May 27, 1969 at Georgetown University to support the D.C. Nine who were charged with breaking in and destroying records in the Dow Chemical office in Washington, D.C. March 22, 1969.
The nine protesters smashed glass, hurled files out a fourth floor window and poured blood on the remaining files and furniture at the Dow Chemical offices at 15th & L Streets NW Washington, DC and awaited police to arrive for their arrest.
In a prepared statement, the nine noted that Dow seeks “profit in the production of napalm, defoliants and nerve gas.”
The nine acted because of Dow’s “refusal to accept responsibility for programmed destruction of human life.”
The actions were similar to those of the Catholic activist Berrigan brothers who used civil disobedience to disrupt the selective service system. A number of similar actions across the country were held and came to be called “hit and stay.”
On May 7, 1970, the nine were sentenced to terms ranging from three months to six years in jail. Their lawyer, Phillip J. Hirschkop was censured and sentenced to 30 days in jail for his trial conduct.
Seven of the nine appealed and won a reversal of their convictions at the U.S Court of Appeals in June 1972 that ruled that Judge John H. Pratt had erred when he denied the defendants the right to represent themselves. Hirschkop was cleared of contempt in a separate ruling in July 1972.
For a PDF of this one-sided 8 ½ x 11 flyer, see washingtonareaspark.com/wp-content/uploads/2021/10/1971-0...
For more information and related images, see www.flickr.com/gp/washington_area_spark/eVj6DB
Original held in the Bonnie Atwood papers, 1965-2005, Collection, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.
An unsigned flyer urges Washington, D.C. area Christians to participate in the October 15, 1969 Moratorium against the Vietnam War.
The D.C. actions of the first Moratorium to End the War in Vietnam featured Coretta Scott King, are advertised in this leaflet.
King held a candle and led a night march from the Washington Monument grounds to the White House. A crowd estimated at 15-20,000 participated in the Washington, D.C. demonstration.
The moratorium was a soft approach to a nationwide strike against the war in Vietnam and involved upwards of two million people across the U.S.
Events were held at campuses and churches across the greater Washington, D.C. area during the day and were capped by the march led by Coretta Scott King.
A second moratorium was held the following month where upwards of 500,000 staged a massive march on Washington demanding an end to the war in Vietnam.
For a PDF of this 8 12 x 11, one-sided flyer, see washingtonareaspark.com/wp-content/uploads/2022/02/1969-1...
For more information and related images to the October 1969 Moratorium, see www.flickr.com/gp/washington_area_spark/T125C7
For more information and related images to the November 1969 Moratorium, see flic.kr/s/aHskaFJjgQ
Original held in the Bonnie Atwood papers, 1965-2005, Collection, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.
This Unsigned Music Awards 2016 was such great event. Bands were spectacular and full of energy.
It was great to team up with a Dayle for a music article. Well done Unsigned Music Awards team & sponsored
Every photography are available on AntoineLphotos.com
My Instagram : AntoineLphotos
My email : AntoineLphotos@gmail.com
BEST EP / ALBUM / RECORD
Chariots (Chariots EP)
Brother & Bones
AKS (Train of Thought)
Rothwell (Two EP)
Jerry Williams (Let's Just Forget It)
BEST MUSIC VIDEO
Only Shadows (Too Late)
Gunship (Revel In Your Time)
The Kings Parade (Bunched Up Letters)
Room 94 (So What)
BEST LIVE ACT
Only Shadows
Broken Witt Rebels
Brother & Bones
Saint Agnes
Too Many T's
BEST PRODUCED / ENGINEERED RECORD
Shields (How Can We Fix This?)
Wennink (Dissolve)
Shakedown Stockholm (The Reality of Truth)
Jerry Williams (Let's Just Forget It)
BEST INTERNATIONAL EP / ALBUM / RECORD
Eriel Indigo (Elevate EP)
Gosto (Coloured Silhouettes)
Madyx (Worth The Risk Ep)
Cat Cldye (Like A Wave EP)
Donica knight (Can't Buy A Southern Girl)
BEST INTERNATIONAL MUSIC VIDEO
Burn The Ballroom (Crazy)
Bebe Cool (Love You Everyday)
Madyx (Some Kisses)
Lion In The Mane (Waiting)
BEST SONGWRITER
Cat Delphi
Dani Sylvia
The Scheme
Anna Pancaldi
MUSICPRENEUR
Room 94
The Daydream Club
Cadell
Anno Domini
BEST MALE SOLO ACT
Mullally
Rich Lown
Jordan Mackampa
Grumble Bee
BEST FEMALE SOLO ACT
Elle Exxe
Cat Delphi
Rothwell
Anna Pancaldi
BEST URBAN ACT
Nyne
J-Sol
AKS
Mugun
BEST ELECTRONIC / DANCE ACT
Gunship
MAJIK
MAJ
UHURU
BEST ROCK ACT
Brother & Bones
DIV/DES
Tiny Folds
Broken Witt Rebels
BEST COUNTRY / FOLK ACT
Westerman
August and After
Mia and the Moon
Narrow Plains
Hanging Valleys
BEST JAZZ / BLUES ACT
Kat Eaton
Malaika
Brother Zulu
David Kofi
YOUTH MUSIC AWARD
Natalie Shay
Momac
Zoe Unsworth
Tai Isabella
This Unsigned Music Awards 2016 was such great event. Bands were spectacular and full of energy.
It was great to team up with a Dayle for a music article. Well done Unsigned Music Awards team & sponsored
Every photography are available on AntoineLphotos.com
My Instagram : AntoineLphotos
My email : AntoineLphotos@gmail.com
BEST EP / ALBUM / RECORD
Chariots (Chariots EP)
Brother & Bones
AKS (Train of Thought)
Rothwell (Two EP)
Jerry Williams (Let's Just Forget It)
BEST MUSIC VIDEO
Only Shadows (Too Late)
Gunship (Revel In Your Time)
The Kings Parade (Bunched Up Letters)
Room 94 (So What)
BEST LIVE ACT
Only Shadows
Broken Witt Rebels
Brother & Bones
Saint Agnes
Too Many T's
BEST PRODUCED / ENGINEERED RECORD
Shields (How Can We Fix This?)
Wennink (Dissolve)
Shakedown Stockholm (The Reality of Truth)
Jerry Williams (Let's Just Forget It)
BEST INTERNATIONAL EP / ALBUM / RECORD
Eriel Indigo (Elevate EP)
Gosto (Coloured Silhouettes)
Madyx (Worth The Risk Ep)
Cat Cldye (Like A Wave EP)
Donica knight (Can't Buy A Southern Girl)
BEST INTERNATIONAL MUSIC VIDEO
Burn The Ballroom (Crazy)
Bebe Cool (Love You Everyday)
Madyx (Some Kisses)
Lion In The Mane (Waiting)
BEST SONGWRITER
Cat Delphi
Dani Sylvia
The Scheme
Anna Pancaldi
MUSICPRENEUR
Room 94
The Daydream Club
Cadell
Anno Domini
BEST MALE SOLO ACT
Mullally
Rich Lown
Jordan Mackampa
Grumble Bee
BEST FEMALE SOLO ACT
Elle Exxe
Cat Delphi
Rothwell
Anna Pancaldi
BEST URBAN ACT
Nyne
J-Sol
AKS
Mugun
BEST ELECTRONIC / DANCE ACT
Gunship
MAJIK
MAJ
UHURU
BEST ROCK ACT
Brother & Bones
DIV/DES
Tiny Folds
Broken Witt Rebels
BEST COUNTRY / FOLK ACT
Westerman
August and After
Mia and the Moon
Narrow Plains
Hanging Valleys
BEST JAZZ / BLUES ACT
Kat Eaton
Malaika
Brother Zulu
David Kofi
YOUTH MUSIC AWARD
Natalie Shay
Momac
Zoe Unsworth
Tai Isabella
This Unsigned Music Awards 2016 was such great event. Bands were spectacular and full of energy.
It was great to team up with a Dayle for a music article. Well done Unsigned Music Awards team & sponsored
Every photography are available on AntoineLphotos.com
My Instagram : AntoineLphotos
My email : AntoineLphotos@gmail.com
BEST EP / ALBUM / RECORD
Chariots (Chariots EP)
Brother & Bones
AKS (Train of Thought)
Rothwell (Two EP)
Jerry Williams (Let's Just Forget It)
BEST MUSIC VIDEO
Only Shadows (Too Late)
Gunship (Revel In Your Time)
The Kings Parade (Bunched Up Letters)
Room 94 (So What)
BEST LIVE ACT
Only Shadows
Broken Witt Rebels
Brother & Bones
Saint Agnes
Too Many T's
BEST PRODUCED / ENGINEERED RECORD
Shields (How Can We Fix This?)
Wennink (Dissolve)
Shakedown Stockholm (The Reality of Truth)
Jerry Williams (Let's Just Forget It)
BEST INTERNATIONAL EP / ALBUM / RECORD
Eriel Indigo (Elevate EP)
Gosto (Coloured Silhouettes)
Madyx (Worth The Risk Ep)
Cat Cldye (Like A Wave EP)
Donica knight (Can't Buy A Southern Girl)
BEST INTERNATIONAL MUSIC VIDEO
Burn The Ballroom (Crazy)
Bebe Cool (Love You Everyday)
Madyx (Some Kisses)
Lion In The Mane (Waiting)
BEST SONGWRITER
Cat Delphi
Dani Sylvia
The Scheme
Anna Pancaldi
MUSICPRENEUR
Room 94
The Daydream Club
Cadell
Anno Domini
BEST MALE SOLO ACT
Mullally
Rich Lown
Jordan Mackampa
Grumble Bee
BEST FEMALE SOLO ACT
Elle Exxe
Cat Delphi
Rothwell
Anna Pancaldi
BEST URBAN ACT
Nyne
J-Sol
AKS
Mugun
BEST ELECTRONIC / DANCE ACT
Gunship
MAJIK
MAJ
UHURU
BEST ROCK ACT
Brother & Bones
DIV/DES
Tiny Folds
Broken Witt Rebels
BEST COUNTRY / FOLK ACT
Westerman
August and After
Mia and the Moon
Narrow Plains
Hanging Valleys
BEST JAZZ / BLUES ACT
Kat Eaton
Malaika
Brother Zulu
David Kofi
YOUTH MUSIC AWARD
Natalie Shay
Momac
Zoe Unsworth
Tai Isabella
This Unsigned Music Awards 2016 was such great event. Bands were spectacular and full of energy.
It was great to team up with a Dayle for a music article. Well done Unsigned Music Awards team & sponsored
Every photography are available on AntoineLphotos.com
My Instagram : AntoineLphotos
My email : AntoineLphotos@gmail.com
BEST EP / ALBUM / RECORD
Chariots (Chariots EP)
Brother & Bones
AKS (Train of Thought)
Rothwell (Two EP)
Jerry Williams (Let's Just Forget It)
BEST MUSIC VIDEO
Only Shadows (Too Late)
Gunship (Revel In Your Time)
The Kings Parade (Bunched Up Letters)
Room 94 (So What)
BEST LIVE ACT
Only Shadows
Broken Witt Rebels
Brother & Bones
Saint Agnes
Too Many T's
BEST PRODUCED / ENGINEERED RECORD
Shields (How Can We Fix This?)
Wennink (Dissolve)
Shakedown Stockholm (The Reality of Truth)
Jerry Williams (Let's Just Forget It)
BEST INTERNATIONAL EP / ALBUM / RECORD
Eriel Indigo (Elevate EP)
Gosto (Coloured Silhouettes)
Madyx (Worth The Risk Ep)
Cat Cldye (Like A Wave EP)
Donica knight (Can't Buy A Southern Girl)
BEST INTERNATIONAL MUSIC VIDEO
Burn The Ballroom (Crazy)
Bebe Cool (Love You Everyday)
Madyx (Some Kisses)
Lion In The Mane (Waiting)
BEST SONGWRITER
Cat Delphi
Dani Sylvia
The Scheme
Anna Pancaldi
MUSICPRENEUR
Room 94
The Daydream Club
Cadell
Anno Domini
BEST MALE SOLO ACT
Mullally
Rich Lown
Jordan Mackampa
Grumble Bee
BEST FEMALE SOLO ACT
Elle Exxe
Cat Delphi
Rothwell
Anna Pancaldi
BEST URBAN ACT
Nyne
J-Sol
AKS
Mugun
BEST ELECTRONIC / DANCE ACT
Gunship
MAJIK
MAJ
UHURU
BEST ROCK ACT
Brother & Bones
DIV/DES
Tiny Folds
Broken Witt Rebels
BEST COUNTRY / FOLK ACT
Westerman
August and After
Mia and the Moon
Narrow Plains
Hanging Valleys
BEST JAZZ / BLUES ACT
Kat Eaton
Malaika
Brother Zulu
David Kofi
YOUTH MUSIC AWARD
Natalie Shay
Momac
Zoe Unsworth
Tai Isabella
This Unsigned Music Awards 2016 was such great event. Bands were spectacular and full of energy.
It was great to team up with a Dayle for a music article. Well done Unsigned Music Awards team & sponsored
Every photography are available on AntoineLphotos.com
My Instagram : AntoineLphotos
My email : AntoineLphotos@gmail.com
BEST EP / ALBUM / RECORD
Chariots (Chariots EP)
Brother & Bones
AKS (Train of Thought)
Rothwell (Two EP)
Jerry Williams (Let's Just Forget It)
BEST MUSIC VIDEO
Only Shadows (Too Late)
Gunship (Revel In Your Time)
The Kings Parade (Bunched Up Letters)
Room 94 (So What)
BEST LIVE ACT
Only Shadows
Broken Witt Rebels
Brother & Bones
Saint Agnes
Too Many T's
BEST PRODUCED / ENGINEERED RECORD
Shields (How Can We Fix This?)
Wennink (Dissolve)
Shakedown Stockholm (The Reality of Truth)
Jerry Williams (Let's Just Forget It)
BEST INTERNATIONAL EP / ALBUM / RECORD
Eriel Indigo (Elevate EP)
Gosto (Coloured Silhouettes)
Madyx (Worth The Risk Ep)
Cat Cldye (Like A Wave EP)
Donica knight (Can't Buy A Southern Girl)
BEST INTERNATIONAL MUSIC VIDEO
Burn The Ballroom (Crazy)
Bebe Cool (Love You Everyday)
Madyx (Some Kisses)
Lion In The Mane (Waiting)
BEST SONGWRITER
Cat Delphi
Dani Sylvia
The Scheme
Anna Pancaldi
MUSICPRENEUR
Room 94
The Daydream Club
Cadell
Anno Domini
BEST MALE SOLO ACT
Mullally
Rich Lown
Jordan Mackampa
Grumble Bee
BEST FEMALE SOLO ACT
Elle Exxe
Cat Delphi
Rothwell
Anna Pancaldi
BEST URBAN ACT
Nyne
J-Sol
AKS
Mugun
BEST ELECTRONIC / DANCE ACT
Gunship
MAJIK
MAJ
UHURU
BEST ROCK ACT
Brother & Bones
DIV/DES
Tiny Folds
Broken Witt Rebels
BEST COUNTRY / FOLK ACT
Westerman
August and After
Mia and the Moon
Narrow Plains
Hanging Valleys
BEST JAZZ / BLUES ACT
Kat Eaton
Malaika
Brother Zulu
David Kofi
YOUTH MUSIC AWARD
Natalie Shay
Momac
Zoe Unsworth
Tai Isabella
This Unsigned Music Awards 2016 was such great event. Bands were spectacular and full of energy.
It was great to team up with a Dayle for a music article. Well done Unsigned Music Awards team & sponsored
Every photography are available on AntoineLphotos.com
My Instagram : AntoineLphotos
My email : AntoineLphotos@gmail.com
BEST EP / ALBUM / RECORD
Chariots (Chariots EP)
Brother & Bones
AKS (Train of Thought)
Rothwell (Two EP)
Jerry Williams (Let's Just Forget It)
BEST MUSIC VIDEO
Only Shadows (Too Late)
Gunship (Revel In Your Time)
The Kings Parade (Bunched Up Letters)
Room 94 (So What)
BEST LIVE ACT
Only Shadows
Broken Witt Rebels
Brother & Bones
Saint Agnes
Too Many T's
BEST PRODUCED / ENGINEERED RECORD
Shields (How Can We Fix This?)
Wennink (Dissolve)
Shakedown Stockholm (The Reality of Truth)
Jerry Williams (Let's Just Forget It)
BEST INTERNATIONAL EP / ALBUM / RECORD
Eriel Indigo (Elevate EP)
Gosto (Coloured Silhouettes)
Madyx (Worth The Risk Ep)
Cat Cldye (Like A Wave EP)
Donica knight (Can't Buy A Southern Girl)
BEST INTERNATIONAL MUSIC VIDEO
Burn The Ballroom (Crazy)
Bebe Cool (Love You Everyday)
Madyx (Some Kisses)
Lion In The Mane (Waiting)
BEST SONGWRITER
Cat Delphi
Dani Sylvia
The Scheme
Anna Pancaldi
MUSICPRENEUR
Room 94
The Daydream Club
Cadell
Anno Domini
BEST MALE SOLO ACT
Mullally
Rich Lown
Jordan Mackampa
Grumble Bee
BEST FEMALE SOLO ACT
Elle Exxe
Cat Delphi
Rothwell
Anna Pancaldi
BEST URBAN ACT
Nyne
J-Sol
AKS
Mugun
BEST ELECTRONIC / DANCE ACT
Gunship
MAJIK
MAJ
UHURU
BEST ROCK ACT
Brother & Bones
DIV/DES
Tiny Folds
Broken Witt Rebels
BEST COUNTRY / FOLK ACT
Westerman
August and After
Mia and the Moon
Narrow Plains
Hanging Valleys
BEST JAZZ / BLUES ACT
Kat Eaton
Malaika
Brother Zulu
David Kofi
YOUTH MUSIC AWARD
Natalie Shay
Momac
Zoe Unsworth
Tai Isabella
Gorgeous unsigned professional beach scene with bathers, Puerto Rico
Undated 3-1/2 X 4-3/4 inch print
Marked on the back in my mother's handwriting, "What much of Puerto Rico's shores used to look like. Pre-1950 building boom."
This Unsigned Music Awards 2016 was such great event. Bands were spectacular and full of energy.
It was great to team up with a Dayle for a music article. Well done Unsigned Music Awards team & sponsored
Every photography are available on AntoineLphotos.com
My Instagram : AntoineLphotos
My email : AntoineLphotos@gmail.com
BEST EP / ALBUM / RECORD
Chariots (Chariots EP)
Brother & Bones
AKS (Train of Thought)
Rothwell (Two EP)
Jerry Williams (Let's Just Forget It)
BEST MUSIC VIDEO
Only Shadows (Too Late)
Gunship (Revel In Your Time)
The Kings Parade (Bunched Up Letters)
Room 94 (So What)
BEST LIVE ACT
Only Shadows
Broken Witt Rebels
Brother & Bones
Saint Agnes
Too Many T's
BEST PRODUCED / ENGINEERED RECORD
Shields (How Can We Fix This?)
Wennink (Dissolve)
Shakedown Stockholm (The Reality of Truth)
Jerry Williams (Let's Just Forget It)
BEST INTERNATIONAL EP / ALBUM / RECORD
Eriel Indigo (Elevate EP)
Gosto (Coloured Silhouettes)
Madyx (Worth The Risk Ep)
Cat Cldye (Like A Wave EP)
Donica knight (Can't Buy A Southern Girl)
BEST INTERNATIONAL MUSIC VIDEO
Burn The Ballroom (Crazy)
Bebe Cool (Love You Everyday)
Madyx (Some Kisses)
Lion In The Mane (Waiting)
BEST SONGWRITER
Cat Delphi
Dani Sylvia
The Scheme
Anna Pancaldi
MUSICPRENEUR
Room 94
The Daydream Club
Cadell
Anno Domini
BEST MALE SOLO ACT
Mullally
Rich Lown
Jordan Mackampa
Grumble Bee
BEST FEMALE SOLO ACT
Elle Exxe
Cat Delphi
Rothwell
Anna Pancaldi
BEST URBAN ACT
Nyne
J-Sol
AKS
Mugun
BEST ELECTRONIC / DANCE ACT
Gunship
MAJIK
MAJ
UHURU
BEST ROCK ACT
Brother & Bones
DIV/DES
Tiny Folds
Broken Witt Rebels
BEST COUNTRY / FOLK ACT
Westerman
August and After
Mia and the Moon
Narrow Plains
Hanging Valleys
BEST JAZZ / BLUES ACT
Kat Eaton
Malaika
Brother Zulu
David Kofi
YOUTH MUSIC AWARD
Natalie Shay
Momac
Zoe Unsworth
Tai Isabella
Syracuse
Decadrachm unsigned work by Kimon circa 404-400, AR 43.20 g. Quadriga at speed with prancing horses driven l. by female charioteer leaning forward with kentron in r. hand, holding reins in l.; above, Nike flying r. to crown her. Beneath heavy exergual line, display of military harness set on two steps: shield and crested helmet, cuirass between greaves; below to l., on the horizontal surface of the exergual line, AQLA. Rev. SYPAKOSIWN Head of Arethusa l., wearing earring with pendant and beaded necklace; wavy hair bound in front with ampyx and caught up behind by net. Around, three dolphins swimming, while a fourth makes dorsal contact with neck truncation. McClean 2732 (these dies). Jameson 1921 (these dies). Dewing 872 (these dies). Jongkees 10d (this coin).
Very rare. A very fascinating specimen of this important and a desirable issue struck on an
extremely broad flan. A very well accomplished portrait and a spectacular obverse,
wonderful old cabinet tone. Die-break on reverse, otherwise extremely fine
Ex Munzhandlung Basel 4, 1935, Prinz zu Waldeck, 514 and Leu 53, 1997, 34 sales.Scholars have long attempted to ascribe Kimon’s decadrachms to an historical event as they seem in every way to be commemorative medallions. The Syracusan defeat of the Athenian navy in 413 at first seems an ideal choice, though current thought on the dating of this issue favours the victorious actions of Syracuse in the otherwise devastating invasion of Sicily by the Carthaginians from 406 to 405 B.C. The most compelling reason to associate the Kimonian decadrachms with a military victory is the display of armour and weaponry that appears in the exergue along with the inscription ATLA, which indicates 'prizes', or at least 'agonistic contests'. Since it was a common practice of Greek soldiers to engrave dedicatory inscriptions on captured armour, a connection might be drawn between that practice and what we observe here. The obverse scene of a charioteer guiding his team through a bend is devoted entirely to victory. Despite their inherent dissimilarities, the four elements of the scene exist in harmony: the driver is calm and composed, the horses toss their heads wildly as they charge forward, Nike floats above as if undisturbed by the great contest below, and the display of arms and armour is fixed, as if monumental.
NAC82, 63
This Unsigned Music Awards 2016 was such great event. Bands were spectacular and full of energy.
It was great to team up with a Dayle for a music article. Well done Unsigned Music Awards team & sponsored
Every photography are available on AntoineLphotos.com
My Instagram : AntoineLphotos
My email : AntoineLphotos@gmail.com
BEST EP / ALBUM / RECORD
Chariots (Chariots EP)
Brother & Bones
AKS (Train of Thought)
Rothwell (Two EP)
Jerry Williams (Let's Just Forget It)
BEST MUSIC VIDEO
Only Shadows (Too Late)
Gunship (Revel In Your Time)
The Kings Parade (Bunched Up Letters)
Room 94 (So What)
BEST LIVE ACT
Only Shadows
Broken Witt Rebels
Brother & Bones
Saint Agnes
Too Many T's
BEST PRODUCED / ENGINEERED RECORD
Shields (How Can We Fix This?)
Wennink (Dissolve)
Shakedown Stockholm (The Reality of Truth)
Jerry Williams (Let's Just Forget It)
BEST INTERNATIONAL EP / ALBUM / RECORD
Eriel Indigo (Elevate EP)
Gosto (Coloured Silhouettes)
Madyx (Worth The Risk Ep)
Cat Cldye (Like A Wave EP)
Donica knight (Can't Buy A Southern Girl)
BEST INTERNATIONAL MUSIC VIDEO
Burn The Ballroom (Crazy)
Bebe Cool (Love You Everyday)
Madyx (Some Kisses)
Lion In The Mane (Waiting)
BEST SONGWRITER
Cat Delphi
Dani Sylvia
The Scheme
Anna Pancaldi
MUSICPRENEUR
Room 94
The Daydream Club
Cadell
Anno Domini
BEST MALE SOLO ACT
Mullally
Rich Lown
Jordan Mackampa
Grumble Bee
BEST FEMALE SOLO ACT
Elle Exxe
Cat Delphi
Rothwell
Anna Pancaldi
BEST URBAN ACT
Nyne
J-Sol
AKS
Mugun
BEST ELECTRONIC / DANCE ACT
Gunship
MAJIK
MAJ
UHURU
BEST ROCK ACT
Brother & Bones
DIV/DES
Tiny Folds
Broken Witt Rebels
BEST COUNTRY / FOLK ACT
Westerman
August and After
Mia and the Moon
Narrow Plains
Hanging Valleys
BEST JAZZ / BLUES ACT
Kat Eaton
Malaika
Brother Zulu
David Kofi
YOUTH MUSIC AWARD
Natalie Shay
Momac
Zoe Unsworth
Tai Isabella
This Unsigned Music Awards 2016 was such great event. Bands were spectacular and full of energy.
It was great to team up with a Dayle for a music article. Well done Unsigned Music Awards team & sponsored
Every photography are available on AntoineLphotos.com
My Instagram : AntoineLphotos
My email : AntoineLphotos@gmail.com
BEST EP / ALBUM / RECORD
Chariots (Chariots EP)
Brother & Bones
AKS (Train of Thought)
Rothwell (Two EP)
Jerry Williams (Let's Just Forget It)
BEST MUSIC VIDEO
Only Shadows (Too Late)
Gunship (Revel In Your Time)
The Kings Parade (Bunched Up Letters)
Room 94 (So What)
BEST LIVE ACT
Only Shadows
Broken Witt Rebels
Brother & Bones
Saint Agnes
Too Many T's
BEST PRODUCED / ENGINEERED RECORD
Shields (How Can We Fix This?)
Wennink (Dissolve)
Shakedown Stockholm (The Reality of Truth)
Jerry Williams (Let's Just Forget It)
BEST INTERNATIONAL EP / ALBUM / RECORD
Eriel Indigo (Elevate EP)
Gosto (Coloured Silhouettes)
Madyx (Worth The Risk Ep)
Cat Cldye (Like A Wave EP)
Donica knight (Can't Buy A Southern Girl)
BEST INTERNATIONAL MUSIC VIDEO
Burn The Ballroom (Crazy)
Bebe Cool (Love You Everyday)
Madyx (Some Kisses)
Lion In The Mane (Waiting)
BEST SONGWRITER
Cat Delphi
Dani Sylvia
The Scheme
Anna Pancaldi
MUSICPRENEUR
Room 94
The Daydream Club
Cadell
Anno Domini
BEST MALE SOLO ACT
Mullally
Rich Lown
Jordan Mackampa
Grumble Bee
BEST FEMALE SOLO ACT
Elle Exxe
Cat Delphi
Rothwell
Anna Pancaldi
BEST URBAN ACT
Nyne
J-Sol
AKS
Mugun
BEST ELECTRONIC / DANCE ACT
Gunship
MAJIK
MAJ
UHURU
BEST ROCK ACT
Brother & Bones
DIV/DES
Tiny Folds
Broken Witt Rebels
BEST COUNTRY / FOLK ACT
Westerman
August and After
Mia and the Moon
Narrow Plains
Hanging Valleys
BEST JAZZ / BLUES ACT
Kat Eaton
Malaika
Brother Zulu
David Kofi
YOUTH MUSIC AWARD
Natalie Shay
Momac
Zoe Unsworth
Tai Isabella