View allAll Photos Tagged unsigned
Unsigned sketches attributed to William Buelow Gould
Inscribed on the UNESCO Australian Memory of the World Register on 1 April 2011
Tasmanian Archives and Heritage Office: Allport Library & Museum of Fine Arts
Images from the TAHO collection that are part of The Commons have ‘no known copyright restrictions’, which means TAHO is unaware of any current copyright restrictions on these works. This can be because the term of copyright for these works may have expired or that the copyright was held and waived by TAHO. The material may be freely used provided TAHO is acknowledged; however TAHO does not endorse any inappropriate or derogatory use.
Found this today, unsigned and simply says on the back Grampa from Jocelyn and Catherine. I think the horses are done well. I am assuming the date from the little calendar stuck underneath so 1930 or 31. Sort of thing I would have done for aunts and uncles in the past !
Size is 12cm x 10 cm with a monogram of CAM or AMC.
I think this was a popular subject of the time.
ps technically they are harrowing as that is a spike harrow!
Dorothea McCoy (1897-1967) was an Oakland artist. Her work was generally landscapes, focusing on East Bay and Contra Costa scenes. These works are some of her unsigned art from her studio at the time of her death.
Unsigned sketches attributed to William Buelow Gould
Inscribed on the UNESCO Australian Memory of the World Register on 1 April 2011
Tasmanian Archives and Heritage Office: Allport Library & Museum of Fine Arts
Images from the TAHO collection that are part of The Commons have ‘no known copyright restrictions’, which means TAHO is unaware of any current copyright restrictions on these works. This can be because the term of copyright for these works may have expired or that the copyright was held and waived by TAHO. The material may be freely used provided TAHO is acknowledged; however TAHO does not endorse any inappropriate or derogatory use.
Unsigned sketches attributed to William Buelow Gould
Inscribed on the UNESCO Australian Memory of the World Register on 1 April 2011
Tasmanian Archives and Heritage Office: Allport Library & Museum of Fine Arts
Images from the TAHO collection that are part of The Commons have ‘no known copyright restrictions’, which means TAHO is unaware of any current copyright restrictions on these works. This can be because the term of copyright for these works may have expired or that the copyright was held and waived by TAHO. The material may be freely used provided TAHO is acknowledged; however TAHO does not endorse any inappropriate or derogatory use.
On Thursday 25th Sept I did a shoot for two Chester based Musicians, Matt Moorey and Chris Barnes. For more information about Matt and Chris see their facebook pages:
Matt Moorey:
Facebook: www.facebook.com/MattMooreyMusic
Chris Barnes
Facebook: www.facebook.com/chrisbarnesofficial
Unsigned sketches attributed to William Buelow Gould
Inscribed on the UNESCO Australian Memory of the World Register on 1 April 2011
Tasmanian Archives and Heritage Office: Allport Library & Museum of Fine Arts
Images from the TAHO collection that are part of The Commons have ‘no known copyright restrictions’, which means TAHO is unaware of any current copyright restrictions on these works. This can be because the term of copyright for these works may have expired or that the copyright was held and waived by TAHO. The material may be freely used provided TAHO is acknowledged; however TAHO does not endorse any inappropriate or derogatory use.
Unsigned sketches attributed to William Buelow Gould
Inscribed on the UNESCO Australian Memory of the World Register on 1 April 2011
Tasmanian Archives and Heritage Office: Allport Library & Museum of Fine Arts
Images from the TAHO collection that are part of The Commons have ‘no known copyright restrictions’, which means TAHO is unaware of any current copyright restrictions on these works. This can be because the term of copyright for these works may have expired or that the copyright was held and waived by TAHO. The material may be freely used provided TAHO is acknowledged; however TAHO does not endorse any inappropriate or derogatory use.
Marking the outbreak of the First World War, and commemorating the British and Colonial servicemen killed during its course.
The installation consisted of one ceramic poppy for each of the 888,246 serviceman. It was installed at the Tower of London with poppies added each day from 17 July, concluding 11 November.
The project was conceived by artist was Paul Cummins, with setting by Tom Piper, and was designed to appear as a sea of blood spilling out.
The title of the piece comes from a poem in the unsigned will of an unknown soldier who died in the war: "The blood swept lands and seas of red, / Where angels dare to tread"
Unsigned mural on the Isaac Minor Alley side of the AMPT Skate Shop, Arcata. There are suggestions that it was painted by Yurok artist Alme Allen, but that needs to be confirmed.
1040 H St, Arcata
IMG_1508_SOOC
Unsigned traditional painting, early 20th century, Museum of International Folk Art, on Museum Hill - Santa Fe, New Mexico.
Info: The core collection, donated by museum founder Florence Dibell Bartlett, from 34 countries has grown to over 130,000 objects from more than 100 countries. > www.internationalfolkart.org/
Unsigned sketches attributed to William Buelow Gould
Inscribed on the UNESCO Australian Memory of the World Register on 1 April 2011
Tasmanian Archives and Heritage Office: Allport Library & Museum of Fine Arts
Images from the TAHO collection that are part of The Commons have ‘no known copyright restrictions’, which means TAHO is unaware of any current copyright restrictions on these works. This can be because the term of copyright for these works may have expired or that the copyright was held and waived by TAHO. The material may be freely used provided TAHO is acknowledged; however TAHO does not endorse any inappropriate or derogatory use.
Unsigned sketches attributed to William Buelow Gould
Inscribed on the UNESCO Australian Memory of the World Register on 1 April 2011
Tasmanian Archives and Heritage Office: Allport Library & Museum of Fine Arts
Images from the TAHO collection that are part of The Commons have ‘no known copyright restrictions’, which means TAHO is unaware of any current copyright restrictions on these works. This can be because the term of copyright for these works may have expired or that the copyright was held and waived by TAHO. The material may be freely used provided TAHO is acknowledged; however TAHO does not endorse any inappropriate or derogatory use.
Unsigned sketches attributed to William Buelow Gould
Inscribed on the UNESCO Australian Memory of the World Register on 1 April 2011
Tasmanian Archives and Heritage Office: Allport Library & Museum of Fine Arts
Images from the TAHO collection that are part of The Commons have ‘no known copyright restrictions’, which means TAHO is unaware of any current copyright restrictions on these works. This can be because the term of copyright for these works may have expired or that the copyright was held and waived by TAHO. The material may be freely used provided TAHO is acknowledged; however TAHO does not endorse any inappropriate or derogatory use.
Unsigned sketches attributed to William Buelow Gould
Inscribed on the UNESCO Australian Memory of the World Register on 1 April 2011
Tasmanian Archives and Heritage Office: Allport Library & Museum of Fine Arts
Images from the TAHO collection that are part of The Commons have ‘no known copyright restrictions’, which means TAHO is unaware of any current copyright restrictions on these works. This can be because the term of copyright for these works may have expired or that the copyright was held and waived by TAHO. The material may be freely used provided TAHO is acknowledged; however TAHO does not endorse any inappropriate or derogatory use.
A collection of photos from the Black Music Festivals Annual "Unsigned" concert for 2016 at the TJ's Club in Leeds
Unsigned sketches attributed to William Buelow Gould
Inscribed on the UNESCO Australian Memory of the World Register on 1 April 2011
Tasmanian Archives and Heritage Office: Allport Library & Museum of Fine Arts
Images from the TAHO collection that are part of The Commons have ‘no known copyright restrictions’, which means TAHO is unaware of any current copyright restrictions on these works. This can be because the term of copyright for these works may have expired or that the copyright was held and waived by TAHO. The material may be freely used provided TAHO is acknowledged; however TAHO does not endorse any inappropriate or derogatory use.
Unsigned sketches attributed to William Buelow Gould
Inscribed on the UNESCO Australian Memory of the World Register on 1 April 2011
Tasmanian Archives and Heritage Office: Allport Library & Museum of Fine Arts
Images from the TAHO collection that are part of The Commons have ‘no known copyright restrictions’, which means TAHO is unaware of any current copyright restrictions on these works. This can be because the term of copyright for these works may have expired or that the copyright was held and waived by TAHO. The material may be freely used provided TAHO is acknowledged; however TAHO does not endorse any inappropriate or derogatory use.
Unsigned sketches attributed to William Buelow Gould
Inscribed on the UNESCO Australian Memory of the World Register on 1 April 2011
Tasmanian Archives and Heritage Office: Allport Library & Museum of Fine Arts
Images from the TAHO collection that are part of The Commons have ‘no known copyright restrictions’, which means TAHO is unaware of any current copyright restrictions on these works. This can be because the term of copyright for these works may have expired or that the copyright was held and waived by TAHO. The material may be freely used provided TAHO is acknowledged; however TAHO does not endorse any inappropriate or derogatory use.
Caption Contest: Name This Unsigned SXSW Band
photo by Scott Beale / Laughing Squid
This photo is licensed under a Creative Commons license. If you use this photo within the terms of the license or make special arrangements to use the photo, please list the photo credit as "Scott Beale / Laughing Squid" and link the credit to laughingsquid.com.
Unsigned sketches attributed to William Buelow Gould
Inscribed on the UNESCO Australian Memory of the World Register on 1 April 2011
Tasmanian Archives and Heritage Office: Allport Library & Museum of Fine Arts
Images from the TAHO collection that are part of The Commons have ‘no known copyright restrictions’, which means TAHO is unaware of any current copyright restrictions on these works. This can be because the term of copyright for these works may have expired or that the copyright was held and waived by TAHO. The material may be freely used provided TAHO is acknowledged; however TAHO does not endorse any inappropriate or derogatory use.
Unsigned sketches attributed to William Buelow Gould
Inscribed on the UNESCO Australian Memory of the World Register on 1 April 2011
Tasmanian Archives and Heritage Office: Allport Library & Museum of Fine Arts
Images from the TAHO collection that are part of The Commons have ‘no known copyright restrictions’, which means TAHO is unaware of any current copyright restrictions on these works. This can be because the term of copyright for these works may have expired or that the copyright was held and waived by TAHO. The material may be freely used provided TAHO is acknowledged; however TAHO does not endorse any inappropriate or derogatory use.
Unsigned sketches attributed to William Buelow Gould
Inscribed on the UNESCO Australian Memory of the World Register on 1 April 2011
Tasmanian Archives and Heritage Office: Allport Library & Museum of Fine Arts
Images from the TAHO collection that are part of The Commons have ‘no known copyright restrictions’, which means TAHO is unaware of any current copyright restrictions on these works. This can be because the term of copyright for these works may have expired or that the copyright was held and waived by TAHO. The material may be freely used provided TAHO is acknowledged; however TAHO does not endorse any inappropriate or derogatory use.
Unsigned sketches attributed to William Buelow Gould
Inscribed on the UNESCO Australian Memory of the World Register on 1 April 2011
Tasmanian Archives and Heritage Office: Allport Library & Museum of Fine Arts
Images from the TAHO collection that are part of The Commons have ‘no known copyright restrictions’, which means TAHO is unaware of any current copyright restrictions on these works. This can be because the term of copyright for these works may have expired or that the copyright was held and waived by TAHO. The material may be freely used provided TAHO is acknowledged; however TAHO does not endorse any inappropriate or derogatory use.
This unsigned floral artwork is thought to be noted botanical artist Clarissa Munger Badger's early work. Learn more about Clarissa at madisonhistory.org/key-figures/clarissa-munger-badger/. It was displayed on the wall of the East River Reading Room, which was co-founded by the artist's sister Caroline Munger Washburn.
2018.016.003b
See more of Clarissa's artwork at flic.kr/s/aHskGqv2x4.
See other Reading Room images at flic.kr/s/aHskEtnmBa.
(Photo credit Bob Gundersen www.flickr.com/photos/bobphoto51/albums)
Unsigned sketches attributed to William Buelow Gould
Inscribed on the UNESCO Australian Memory of the World Register on 1 April 2011
Tasmanian Archives and Heritage Office: Allport Library & Museum of Fine Arts
Images from the TAHO collection that are part of The Commons have ‘no known copyright restrictions’, which means TAHO is unaware of any current copyright restrictions on these works. This can be because the term of copyright for these works may have expired or that the copyright was held and waived by TAHO. The material may be freely used provided TAHO is acknowledged; however TAHO does not endorse any inappropriate or derogatory use.
Syracuse. Decadrachm unsigned work by Kimon circa 404-400, AR 43.42 g. Fast quadriga driven l. by charioteer, holding reins and kentron; in field above, Nike flying r. to crown him. In exergue, display of military harness set on two steps and beneath, ΑΘΛΑ. Rev. ΣΥΡΑ[ΚΟΣΙ]ΩN Head of Arethusa l., wearing earring with pendant and beaded necklace; wavy hair bound in front with ampyx and caught up behind by net. Around three dolphins, while a fourth makes dorsal contact with neck truncation. Regling, Syrakus 11c (this coin). Seltman, Greek Coins, pl. 24, 1 (this coin). Rizzo pl. L, 6 (this obverse die). Gulbenkian 307 (these dies). Mildenberg, Essays Kraay-Mørkholm, pl. XLIV, 11 (these dies). Jongkees 11c (this coin).
Very rare. A spectacular specimen of this important and desirable issue. Struck on
a very broad flan and exceptionally complete. Of superb Classical style
and with an enchanting old cabinet tone. Good extremely fine
Ex Hirsch XXXIV, 1914, 196; Naville V, 1923, 112; Ars Classica XIII, 1928, 337; CNG 50, 1999, 509 sales and Nomos FPL 2012, 5.
NAC100, 100
Vue stéréoscopique (...) produite vers 1858, probablement par Alfred Silvester - Unsigned stereoview (but probably by A. Silvester).
stereoscope.canalblog.com/archives/2014/01/01/28804859.html
Comme toujours avec A. Silvester aucune réelle information.
Cela ne pouvait être LEFORT, lui avec ces délires, on aurait trouvé poissons et autres monstres marins géants...
(cela n'aurait pas manqué de charme ! )
Référence évidente au radeau de la Méduse de Géricault, avec ce magnifique dégradé violet marron noir dans ce ciel de tempête réalisé par les petites mains…
La mer, les vagues sont un peu décevantes, justes en toile formée.
Le décor d’ailleurs s’arrête à 20 ou 30 cm du bord du cadre de la photo côté droit !
Un peu de la saine folie de Lefort manque à cette stéréo !
Existe-t-il d'autres versions par d'autres photographes en stéréo du radeau de la Méduse ?
On imagine le travail pour tout installer... Et clic-clac !
Ce qui pourrait me faire penser à un travail équivalent aujourd'hui de ces photographes de l'avant sont certaines mises en scène du duo Parisien PIERRE & GILLES.
Si vous en avez l’occasion, et ce n'est pas un tableau format carte postale comme la Joconde, aller voir l'originale au Louvre, c'est un tableau immense par son format, très sombre ; l'image d'un désastre !
Vue stéréoscopique (...) produite vers 1858, probablement par Alfred Silvester - Unsigned stereoview (but probably by A. Silvester).
stereoscope.canalblog.com/archives/2014/01/01/28804859.html
As always with A. Silvester no real information.
It could not be LEFORT, he with these delusions one would have found fish and other giant marine monsters...
(it would not have lacked charm! )
Obvious reference to the raft of the Medusa of Géricault, with this magnificent brown purple black gradient in this storm sky realized by the small hands....
The sea, the waves are a little disappointing, just in formed canvas.
The decor stops 20 or 30 cm from the edge of the picture frame on the right side!
A bit of the healthy madness of Lefort is missing from this stereo!
Are there other versions by other stereo photographers of the Medusa raft?
Imagine working to install everything... And click clack!
What might make me think of an equivalent work today of these front photographers are some productions of the Parisian duo PIERRE & GILLES.
If you have the opportunity, and it is not a postcard format table like the Mona Lisa, go see the original at the Louvre, it is an immense table by its size, very dark; the image of a disaster!
Unsigned sketches attributed to William Buelow Gould
Inscribed on the UNESCO Australian Memory of the World Register on 1 April 2011
Tasmanian Archives and Heritage Office: Allport Library & Museum of Fine Arts
Images from the TAHO collection that are part of The Commons have ‘no known copyright restrictions’, which means TAHO is unaware of any current copyright restrictions on these works. This can be because the term of copyright for these works may have expired or that the copyright was held and waived by TAHO. The material may be freely used provided TAHO is acknowledged; however TAHO does not endorse any inappropriate or derogatory use.
Unsigned sketches attributed to William Buelow Gould
Inscribed on the UNESCO Australian Memory of the World Register on 1 April 2011
Tasmanian Archives and Heritage Office: Allport Library & Museum of Fine Arts
Images from the TAHO collection that are part of The Commons have ‘no known copyright restrictions’, which means TAHO is unaware of any current copyright restrictions on these works. This can be because the term of copyright for these works may have expired or that the copyright was held and waived by TAHO. The material may be freely used provided TAHO is acknowledged; however TAHO does not endorse any inappropriate or derogatory use.
Unsigned sketches attributed to William Buelow Gould
Inscribed on the UNESCO Australian Memory of the World Register on 1 April 2011
Tasmanian Archives and Heritage Office: Allport Library & Museum of Fine Arts
Images from the TAHO collection that are part of The Commons have ‘no known copyright restrictions’, which means TAHO is unaware of any current copyright restrictions on these works. This can be because the term of copyright for these works may have expired or that the copyright was held and waived by TAHO. The material may be freely used provided TAHO is acknowledged; however TAHO does not endorse any inappropriate or derogatory use.
Unsigned sketches attributed to William Buelow Gould
Inscribed on the UNESCO Australian Memory of the World Register on 1 April 2011
Tasmanian Archives and Heritage Office: Allport Library & Museum of Fine Arts
Images from the TAHO collection that are part of The Commons have ‘no known copyright restrictions’, which means TAHO is unaware of any current copyright restrictions on these works. This can be because the term of copyright for these works may have expired or that the copyright was held and waived by TAHO. The material may be freely used provided TAHO is acknowledged; however TAHO does not endorse any inappropriate or derogatory use.
Unsigned sketches attributed to William Buelow Gould
Inscribed on the UNESCO Australian Memory of the World Register on 1 April 2011
Tasmanian Archives and Heritage Office: Allport Library & Museum of Fine Arts
Images from the TAHO collection that are part of The Commons have ‘no known copyright restrictions’, which means TAHO is unaware of any current copyright restrictions on these works. This can be because the term of copyright for these works may have expired or that the copyright was held and waived by TAHO. The material may be freely used provided TAHO is acknowledged; however TAHO does not endorse any inappropriate or derogatory use.
Unsigned humble copy of dutch artist Carel Fabritius - just for my own study. There are some paintings in history that fascinate me. Goldfinches were often kept and trained as household pets and I believe this was the case for this one, as he was chained to the mailbox. This work may have been in Carel Fabritius's home in Delft at the time of a gunpowder explosion that killed him and destroyed much of the city (I am reading more about that now). After this, the painting was lost for more than two centuries before its rediscovery in Brussels. It is now in the collection of the Mauritshuis in The Hague, Netherlands. It was restored in 2003. I had a few hours today before the holiday whirlwind begins, so I painted this for myself. Apparently, gunpowder was stored in barrels in a former convent and the cause of the explosion is unknown.