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This model is my example piece for a new tutorial on designing pleated forms. This tutorial focuses on figuring out the dimensions. It's a follow-up to my tutorial on how pleated folding works.
This is the method I currently use to pierce dolls. I developed this method with trial and error throughout the years. It works for me and I hope it works for all of you. Sorry that tip 2 is so long and hard to read. Ask questions and also if there's any other tutorials that you would like for me to do just comment below.
A tutorial that I've created for the hair frogs that I'll be carrying in my store... If you're interested in one follow the linky-do in my profile and I'll make one for your queen! :)
I finally finished it! It was about 3 weeks of writing bits here and there; but am finnalllly finished my tutorial on decorating butterfly cookies with royal icing.
It's at www.sweetopia.net if you'd like to check it out.
Olá! Demorei, mas fiz finalmente! Eu sempre faço marbles aqui, e vcs, meninas lindas e gentis, estão sempre elogiando e perguntando como que fica certinho. Vou explicar como faço, geralmente eu esmalto com um branco, uso muito o Pétala Branca da Colorama, ou um neutro que combine com os da marble e depois faço como na foto. O esmalte precisa estar novo, ou ser bastante pigmentado e ralo pra abrir na água. Geralmente, quando é a primeira vez com um esmalte, eu testo antes. Vou pingando as gotinhas beem perto da água pra não afundar. Depois faço o desenho e depois de mergulhar os dedos na água, eu puxo o excesso com um outro palito, e depois ta quase pronto. Só limpar a baguncinha! haha Qualquer dúvida, perguntem :D beijão.
Time for a test stamp. This will show you what pieces still need to be carved away, and any places where corrections should be made.
Make any corrections and...you're done! Don't worry if there are a few wonky bits, it adds to the charm of hand-carved stamps :)
(See the full series of instructions here.)
For a German version of this tutorial, please visit www.expli.de/anleitung/stempel-selber-machen-stempel-schn....
Design: Xander Perrott
6 units, Ratio: 1:√3
YT Tutorial: youtu.be/s61vu1sZGjA
Article to this design: origamitutorials.com/15-chameleon-origami-stars-tutorial/
Thank you again, Xander, for giving me permission to post this tutorial video of your amazing Origami work!!
Tutorial available here: jednoiglec.blogspot.com/2011/08/memory-board-quilt-tutori...
I must read it tomorrow once again and see if everything is ok:)
This is some sort of tutorial on how I do my brick wall backgrounds. Though scrapbooking papers can give you a very realistic and easy brick background, sometimes I love to make a "real" wall with texture and color.
The wall is made out of styrofoam, the window is made of foamboard.
Close up of the window cut out. I haven't decided yet how the other side of the window shall look like. In my mind this brick wall with a window is part of an old factory building, with concrete floor perhaps, a lot of dirt and rusty things. The outside wall might just be painted grey or light cream with lots of dirt and weathered, too.
Oh, and look at the "pores" of the bricks here, isn't this beautiful?
Depois que gravei o primeiro vídeo, choveu de gente perguntando como eu faço para jogar The Sims em modo janela. Então, fiz um tutorial rapidinho mostrando o passo-a-passo. O processo é bem simples, espero que gostem!
Tutorial for these and two more openwork bracelets is available in my shop polymerclaytutorials.etsy.com
La regla de los tercios es una de las más nombradas en fotografía a la hora de componer.
En este vídeo analizo su origen, las ventajas de su uso y las limitaciones que le encuentro.
El tutorial forma parte de un curso sobre composición de más de hora y media de duración que puedes adquirir en mi web: frannieto.es/libros
Si tienes alguna duda o sugerencia será bienvenida.
This was meant for Xmas, but it took a little longer to edit it than planned. Anyway, I think that it will work nicely for Valentine's
For the tutorial video, please go to www.carlosNmolina.com, select "tutorials/videos" and then the purses button.
Hope you enjoy it!,
Carlos N.
Aqui tenéis el tutorial para hacer las piezas de arcilla polimérica con la tecnica de la falsa cerámica. Espero que os sea útil :o)
kate-beautiful.blogspot.com/2007/08/butterfly-tutorial.html
Make one of your own!
***For your personal use only.***
(I know, goes without saying!)
So i´ve been asked to talk about how do i render my LDD models and im pretty comfortable now whit the results so i decided to record a tutorial explaining how to render easily.
for this i would like to know what may be your questions on the matter, i will try to answer them all, whit my best acknowledge so that it helps as a guide for future renderings
yes, i know, the damn software is way expensive ($200 US dollars for the minimal license needed to render) but its so awesome!!! its worth the try
Choose your fabric and your zipper. The colors can be whatever you want them to be! Also, your thread should complement your colors, as your top thread is going to show on part of the project.
Hier seht Ihr meine Wochenendbeschäftigung. Für meinen nächsten Kreativmarkt stelle ich aus Gipsbinden Büsten her, für meinen Schmuck!!
Here you can see my weekend employment. For my next creative market I create from plaster bandages busts, for my jewelry!
Love all these colours together!
Blogged:
bugsandfishes.blogspot.com/2009/09/how-to-quick-and-easy-...
Instruções nos links abaixo(Francês)/ French instructions, click links:
Tutorial and PSD available here: www.psdbox.com/tutorials/how-to-create-a-light-dancer-in-...
Join the PSD Box group www.flickr.com/groups/1360497@N23/ and share your work on our website www.psdbox.com
Tutorial Tuesday……Making a composite shot using pieces and parts.
One of the great benefits of night shooting stars in Rocky Mountain National Park is the ability to catch a sunrise amongst some of nature’s most beautiful backdrops. There is just no shortage of foregrounds no matter where you are once you’re there. In this case (as usual) we chose the wrong spot for a colorful sky as the clouds were not cooperating, but that didn’t stop this scene from unfolding. Thanks to Brad for pointing out these wildflowers which made a more interesting foreground than the reflection I was originally going for.
This scene was shot in Moraine Park along the Big Thompson River very close to the rental cabins and last oxbow before leaving this part of the park. Stones Peak is the tall mountain basking in the rising sun. The shot is a blend of three images, two hand held shots taken moments apart capturing the terrain and another for the sky. I knew that there was too little light and too much wind to capture the flowers properly in one shot with acceptable noise, so I chose the easier route of breaking it up into two shots which allowed me to use a lower ISO and while keeping a fast (enough) shutter and aperture for the scene. The first ground shot was focused about 1/3 into the flowers and the other about 1/3 into the brush behind the river.
Blending of the foreground shots was performed in Photoshop using selection/color range from the menus to add a selection set and I carefully zoomed around and added the foreground grass while deselecting the background water and far grass. Once selected I manually brushed in the layer mask. The flat cloudless sky was replaced with another shot I took a few weeks ago near the same time of morning and direction so that it fit the scene. This was masked in by using another selection of the blue sky and refining the mask edge to ensure that the seam between the two shots transitioned correctly. Once combined, I kicked up the saturation on all but green and added a little contrast.
If you're new to photography or Photoshop I realize I glanced over that last section pretty fast. I'll get into more depth in a future post or perhaps kick the dust off my blog and provide a thorough description. Also, it should be noted that I did all this to illustrate the point that often times it's advantageous to create the whole from the sum of the parts, though there are purists out there who the mere mention of Photoshopping something into a scene is a cardinal sin punishable by death. I personally feel that as an art form I'm entitled to modify any photograph as I see fit. It's only an issue when I do so and lie about it or try to hide the fact.
As always I encourage your feedback on my photography whether favorable or constructive and if you have any questions or feedback about my processing techniques I'd like to hear them too.
I´ve been askes many times to make a tutorial about how I repaint my dolls and I finally started to make one.
The first part is done and you can see it here:
www.lulemee.com/2014/08/13/how…
The first part is about the supplies I use for my repaints. Have fun reading! The next part will be made soon!