View allAll Photos Tagged trusting
On Sat 16th April 2016 the Merseyside Transport Trust held it's West Lancs Classic Bus Day. A number of preserved vehicles operated 3 routes from Ormskirk, Burscough to Martin Mere and Parbold conveniently stopping at a variety of rural pubs..
Liverpool Corporation Bristol RE 2025 was allocated Route C, which was a run out to Parbold. Here it is seen in Burscough before it's first pick up at the Hop Vine pub
I stopped at a scenic overlook, and observed this couple. I ended up taking a photo of them both at this pretty spot for them with their phone.
"Motomo, unlike the other wolves at the UKWCT, was only hand-reared for the first two weeks of his life. While at first he was shy and wary his confidence with humans is growing and while he isn't comfortable, he isn't so timid of human attention either. One of our largest wolves, he has striking markings and is a most photogenic animal"
Taken from UK Wolf Conservation Trust site.
Definitely agree with him being the most photogenic. He was a really handsome guy
I begin to think of trust is a lot like a flower. Beautiful, unique & delicate. Once the petals fall, its hard to recreate that same exact flower. Like when a trust is broken its often difficult to repair. It can happen, but it takes time.
Also like a flower, trust takes time to grow. To gain roots, stems and leaves before it is in full bloom. And I think its okay for us to take the time to trust others - especially people that are close. We water the flowers, like we water our trust. Reassuring the other person and giving them reasons why they can trust us.
It can be a delicate journey - building trust between people, but when done right, it turns into something beautiful.
He agreed to a portrait but prefered not to look at the camera as he was not that comfortable being photographed. It's such a gift when people, who are camera shy do allow you to make a picture. That's trust. I liked his colourful outfit.
[1]
Hidcote - the most influential English garden of the 20th century - and Lawrence Johnston, the enigmatic genius behind it. Hidcote was the first garden ever taken on by the National Trust, who spent 3.5 million pounds in a major programme of restoration. This included researching Johnston's original vision, which in turn uncovered the compelling story of how Johnston created such an iconic garden.
Until recently, little was known about the secretive and self-taught Johnston. He kept few, if any, records on Hidcote's construction, but current head gardener Glyn Jones made it a personal mission to discover as much about the man as possible to reveal how, in the early 20th century, Johnston set about creating a garden that has inspired designers all over the world.
[2]
Hidcote is an Arts and Crafts garden in the north Cotswolds, a stone’s throw from Stratford-upon-Avon. Created by the talented American horticulturist, Major Lawrence Johnston its colourful and intricately designed outdoor ‘rooms’ are always full of surprises. It’s a must-see if you’re on holiday in the Cotswolds.
Explore the maze of narrow paved pathways and discover secret gardens, magnificent vistas and plants that burst with colour. Many of the plants found growing in the garden were collected from Johnston’s many plant hunting trips to far away places. It’s the perfect place if you’re in need of gardening inspiration.
Find a quiet spot and sit on one of the ornate benches and watch green woodpeckers search for their lunch or listen to the calls from the buzzards circling overhead. Time it right and you might catch a glimpse of the elusive hummingbird moth.
Meander through the intricate gardens and into the Wilderness. This secluded stretch of tall trees is just right for a picnic. Take a glimpse beyond the boundary and see the garden blend effortlessly into the countryside beyond.
The Monarch’s Way path runs close-by. Follow it for a brief time from the car park and into the chocolate-box Cotswold hamlet of Hidcote Bartrim. You’ll be treated to traditionally thatched stone cottages that were once home to Johnston’s gardeners.
[3]
Hidcote Manor Garden
Hidcote Manor Garden is a garden in Britain, located at Hidcote Bartrim village, near Chipping Campden, Gloucestershire. It is one of the best-known and most influential Arts and Crafts gardens in Britain, with its linked "rooms" of hedges, rare trees, shrubs and herbaceous borders. Created by Lawrence Johnston, it is owned by the National Trust and is open to the public.
History
The Americans, Lawrence Johnston and his mother, settled in Britain about 1900, and Lawrence immediately became a British citizen and fought in the British army during the Boer war. In 1907 Johnston's mother, Mrs Gertrude Winthrop (she had re-married), purchased the Hidcote Manor Estate. It was situated in a part of Britain with strong connections to the then-burgeoning Arts and Crafts movement and an Anglicized American artistic expatriate community centred nearby at Broadway, Worcestershire.
Johnston soon became interested in turning the fields around the house into a garden. By 1910 he had begun to lay out the key features of the garden, and by the 1920s he had twelve full-time gardeners working for him.
After World War II Johnston spent most of his time at Jardin Serre de la Madone, his garden in the south of France; and in 1947 he entrusted Hidcote to the National Trust.
Character of Hidcote garden
Lawrence Johnston was influenced in creating his garden at Hidcote by the work of Alfred Parsons and Gertrude Jekyll, who were designing gardens of hardy plants contained within sequences of outdoor "rooms". The theme was in the air: Vita Sackville-West and Harold Nicholson's Sissinghurst Castle Garden was laid out as a sequence of such spaces, without, it seems, direct connection with the reclusive and shy Major Johnston. Hidcote's outdoor "rooms" have various characters and themes, achieved by the use of box hedges, hornbeam and yew, and stone walls. These rooms, such as the 'White Garden' and 'Fuchsia Garden' are linked, some by vistas, and furnished with topiaries. Some have ponds and fountains, and all are planted with flowers in bedding schemes. They surround the 17th century manor house, and there are a number of outhouses and a kitchen garden.
Johnston's care in selecting the best plants is reflected in the narrow-leaved lavender, Lavandula angustifolia 'Hidcote', in the Penstemon 'Hidcote Pink' and in the hybrid Hypericum 'Hidcote Gold', acclaimed as the finest hardy St John's Wort, Alice Coats records.
Died 19 October 1952, aged 74 years
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These photographs were taken by Peter Gatoff. They were indexed and uploaded to Flickr as part of the Lahav Jewish Heritage project (a project funded by a bequest to Newcastle City Council by the Lahav Marital Trust in memory of Ron and Kath Lahav).
TWAM reference: CE.JW/6 - a collection of 4 CDs containing photographs of headstones at Elswick, Hazlerigg, Heaton, North Shields, North Shields Reform, South Shields and Whitley Bay.
(Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk.
my love is guiding you there
with me.. you'll never be lost <3
hope u like it..
model: lil sis =)
HATE VIEWERS!!
Artist: c0rporation #targetinflation #federalreserve #streetart #c0rporation
Janet Yellen, economist and Chair of the Board of Governors of the Federal Reserve System Google images: Janet Yellen
This image was captured at Inner Farne owned by the National Trust, off Seahouses in Northumberland.
IWe only had 1 hour on the Island to photograph the Puffins. I took 100's of images of which these are just a few of my favourite.
Thanks for taking the time to visit my Flickr page. Happy to receive feedback / comments.
Prince Harry The Prince of Wales meet Prince's Trust participants at the Larkfield Centre in Glasgow.
April 2006.
Early morning view over a field at Pennypack Ecological Restoration Trust, Montgomery county, Pennsylvania.
The Keighley & Worth Valley Railway's two-car Class 101 Metropolitan-Cammell DMU grinds uphill, away from Keighley station, whilst forming the 11.45 Keighley-Oxenhope working. Car Sc51803 leads M51189. @11.46
21st - 23rd Nov 1949 at the Empress Hall, London - the Nijinsky Gala Benefit Performance for the Nijinsky Trust Fund.
It is my junior year, 1978, when disco and Rocky movies are the cultural rage. We are in an unusual sociology class at Brandeis, something Morrie calls "Group Process." Each week we study the ways in which the students in the group interact with one another, how they respond to anger, jealousy, attention. We are human lab rats. More often than not, someone ends up crying. I refer to it as the "touchy-feely" course. Morrie says I should be more open-minded.
On this day, Morrie says he has an exercise for us to try. We are to stand, facing away from our classmates, and fall backward, relying on another student to catch us. Most of us are uncomfortable with this, and we cannot let go for more than a few inches before stopping ourselves. We laugh in embarrassment.
Finally, one student, a thin, quiet, dark-haired girl whom I notice almost always wears bulky white fisherman sweaters, crosses her arms over her chest, closes her eyes, leans back, and does not flinch, like one of those Lipton tea commercials where the model splashes into the pool.
For a moment, I am sure she is going to thump on the floor. At the last instant, her assigned partner grabs her head and shoulders and yanks her up harshly.
"Whoa!" several students yell. Some clap. Morrie finally smiles.
"You see," he says to the girl, "you closed your eyes. That was the difference.
Sometimes you cannot believe what you see, you have to believe what you feel. And if you are ever going to have other people trust you, you must feel that you can trust them, too--even when you're in the dark. Even when you're falling."
[ Tuesdays With Morrie ]
Petworth, West Sussex.
Petworth House (owned and managed by the National Trust) is a late 17th century Grade I listed country house, having been rebuilt in 1688 by Charles Seymour, 6th Duke of Somerset, and altered in the 1870s to the design of the architect Anthony Salvin. It is famous for the extensive art collection of George Wyndham, 3rd Earl of Egremont (1751-1837), and contains many works by his friend, J.M.W Turner.
Grade I listed on the Register of Historic Parks and Gardens, Petworth Park is owned and managed by the National Trust, and the wall around the 700 acre deer park is 14 miles long. The grounds are managed sustainably for wildlife and are protected under a Higher Level Stewardship agreement with Natural England. Petworth Park and Pleasure Grounds were transformed by Lancelot ‘Capability’ Brown throughout the 1750s, the formal gardens being replaced with the graceful curves and wide sweeping vistas of a perfect ‘natural’ looking landscape. The Park and Pleasure Grounds were one of Capability Brown’s earliest large-scale commissions and considered by many to be his masterpiece, taking 12 years and no less than five contracts to complete.
Tatton Park is a vast estate near Knutsford and hosts an annual RHS flower show. As parkland it is the lungs of Greater Manchester, and some important conservation work is undertaken, but as a garden concept, or design, overseen by the National Trust, it lacks character and appears rather municipal. This ancient topiary, near the walled vegetable garden, is the only really interesting area.
I Trust You
I trust you, on all the things, I trust you…
My trust is like child that in his or her mother’s breast lay down to sleep.
I trust you, I trust on the diamond in your loyalty.
I trust in the support that my restlessness offers the tree of your serenity…
I trust you, when you’re close to me, the same is you aren’t..
And continuing your hours, step by step, my thoughts go…
And I trust in the beauty trust from yourself, that teaches me to trust me…
In all of the moments, in all the moments….I Trust You!
Dallelys Avila Gerardino