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The cloth at the bottom can be detached from the middle, allowing access to the two other compartments.
Of all the Bangle Butts, this one is my favorite. There's still the dichotomy of low greenhouse to deeper trunk space, as evidenced by the compe dual character lines in the high rear fender area: The top one fades in as it moves toward the trunk, eventually defining the trunk lid lip. The lower one is a character line that runs around the car, and is carried nicely through the lamp cluster around the back license plate area as the lower trunk lid lip. The transition from fender wall to trunk lid is more progressive, not as jarring as in the E65 7 series. The only unfortunate design artifact is the trunk lid cut line, but at least it follows from the lamp cluster edge.
Next up, Bangle & Co. tackle the E63 6 series.
Visit Johanna Parker & collect her Halloween treasures at the 8th Annual Halloween Trunk Show in Denver! halloweentrunkshow.com/
Free texture/background for you! I would appreciate a credit link if you choose to include it in your creation :) www.flickr.com/photos/triciabreidenthal/sets/721576085212...
Ideal for Trunking applications combine Z-MAX trunk assemblies (with panel outlets) and empty Z-MAX panels for rapid data center deployment
The Elephant Trunk Nebula (IC1396) in the "Hubble Palette"
S: (synthetic, mix from 50% Ha and 50% Oiii)
H: 1h30m Ha
O: 1h30m Oiii
Electronic trunk pulldown repair and working demonstration. It took much more time than I expected to bring back life into my trunk pull down device. But finally it is working again.
David dressed up as Moses. The car was the Red Sea Parting, and then you see the big Ten Commandment's Tablets on either side.
The trunk of doll body, suitable for all 1/3 girl heads. The frame and the little angel in her stomach are demountable. There is also a 3D wings tattoo on her back.
#ordoll #bjd
The trunk of a Jelly Palm tree (Butia Capitata) at the New York Botanical Garden (Bronx, New York). The jelly palm grows in southern Brazil and Uruguay--August 15, 2009
I started to pack my leavin' trunk today...but I'm stuck...looking back on my life or lives, I've accumulated a hoarder's goldmine of possessions...and my leavin' trunk is only so big...how much of my life do I pack...and from which life...which of my past lives has afforded me the greatest pleasures, which the greatest pains...that one for sure I don't want...or maybe I do...
of course I want all of the pleasures I've experienced but also some of the pain...for without the pain how would we measure the pleasures...or even know there are pleasures...
most of my greatest pleasures stem from relationships...interaction with people...female people...girls...women...there's not just one, but many...there are stories written about these women, these relationships...as a matter of fact I've written some of these stories myself...Brenda and Stanley come to mind...and of course Ginger, how could I forget...
and I've published books containing the stories...with photographs too...
but alas, these are all in my head...they are my fantasies...
so with that in mind, maybe my leavin' trunk is already packed...
if I don't meet you no more in this world then
i'll meet you in the next one
and don't be late
voodoo child...slight return
jimi hendrix
We do not often see images using selective focus, as the point-and-shoot type cameras and cameras on automatic mode generally tend towards creating as much depth of field as possible. However, sometimes it is best to focus on a single element and allow the background to fall out of focus - observable but not informational.
This image was taken in Charleston, SC, where they have an interesting type of tree where the bark tends to peel off in large chunks. In this particular case I was less interested in showing the bark, and more interested in showing the trunk in relation to the blurred background - blurred to allow for an understanding of what was there and balance the trunk.
This infrared image was captured using my Nikon FM2N. This “old manual camera” has a part that certainly costs less than a dollar and is missing on current cameras - a depth of field preview button. This little lever allows the photographer to actually see the depth of field that will result with the selected aperture setting. There is no way to do this with a digital camera, that is, unless one thinks that the information can be gleaned through examination on a two inch screen. If the camera makes many of the creative decisions then how much control does the artist have over their image?