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Pos la verdad es que tenía cierto miedo a que llegase este momento.
No hace mucho, que este día me parecía muy, muy lejano, pero como todo en
esta vida, al final llega.
Y como decía al principio, tenía un no se qué, como unas mariposas en el
estómago temiendo este momento.
Llegó, y la verdad es que no siento nada especial. Igual es que aún no me he
aclimatado y no soy totalmente consciente de ello. Pero sigo exactamente
igual que ayer.
Así que a toda la juventud que inunda FlickR os digo que no temáis llegar a
los 40 añitos. Todo lo que se dice por ahí es mentira cochina. Sigo sín
achaques (más que alguna jaquequilla de vez en cuando) y con la misma
sensación de jovialidad de ayer.....
Se admiten felicitaciones y regalos en forma de dedicatorias fotográficas.
Por mi parte os dedico a todos vosotros esta fotografía obtenida durante la
Mari-Kedada "A mi no me saques" en la Cartuja y el Puente de Triana en
Sevilla.
desde el port del comte
Vi este saliente subiendo el puerto, en cuanto pude dejar el coche volví para hacer la foto. La vista es espestacular.
Esta foto esté participando en la
IV Fotomisión - "Paisaje" del grupo
* Fotomisiones *
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Grand Canyon National Park is a national park of the United States located in northwestern Arizona, the 15th site to have been named as a national park. The park's central feature is the Grand Canyon, a gorge of the Colorado River, which is often considered one of the Wonders of the World. The park, which covers 1,217,262 acres (1,901.972 sq mi; 4,926.08 km2) of unincorporated area in Coconino and Mohave counties, received more than 4.7 million recreational visitors in 2023. The Grand Canyon was designated a World Heritage Site by UNESCO in 1979. The park celebrated its 100th anniversary on February 26, 2019.
The Grand Canyon became well known to Americans in the 1880s after railroads were built and pioneers developed infrastructure and early tourism. In 1903, President Theodore Roosevelt visited the site and said,
The Grand Canyon fills me with awe. It is beyond comparison—beyond description; absolutely unparalleled through-out the wide world ... Let this great wonder of nature remain as it now is. Do nothing to mar its grandeur, sublimity and loveliness. You cannot improve on it. But you can keep it for your children, your children's children, and all who come after you, as the one great sight which every American should see.
Despite Roosevelt's enthusiasm and strong interest in preserving land for public use, the Grand Canyon was not immediately designated as a national park. The first bill to establish Grand Canyon National Park was introduced in 1882 by then-Senator Benjamin Harrison, which would have established Grand Canyon as the third national park in the United States, after Yellowstone and Mackinac. Harrison unsuccessfully reintroduced his bill in 1883 and 1886; after his election to the presidency, he established the Grand Canyon Forest Reserve in 1893. Theodore Roosevelt created the Grand Canyon Game Preserve by proclamation on November 28, 1906, and the Grand Canyon National Monument on January 11, 1908. Further Senate bills to establish the site as a national park were introduced and defeated in 1910 and 1911, before the Grand Canyon National Park Act (Pub. L.Tooltip Public Law (United States) 65–277) was finally signed by President Woodrow Wilson on February 26, 1919. The National Park Service, established in 1916, assumed administration of the park.
The creation of the park was an early success of the conservation movement. Its national park status may have helped thwart proposals to dam the Colorado River within its boundaries. (Later, the Glen Canyon Dam would be built upriver.) A second Grand Canyon National Monument to the west was proclaimed in 1932. In 1975, that monument and Marble Canyon National Monument, which was established in 1969 and followed the Colorado River northeast from the Grand Canyon to Lees Ferry, were made part of Grand Canyon National Park. In 1979, UNESCO declared the park a World Heritage Site. The 1987 the National Parks Overflights Act found that "Noise associated with aircraft overflights at the Grand Canyon National Park is causing a significant adverse effect on the natural quiet and experience of the park and current aircraft operations at the Grand Canyon National Park have raised serious concerns regarding public safety, including concerns regarding the safety of park users."
In 2010, Grand Canyon National Park was honored with its own coin under the America the Beautiful Quarters program. On February 26, 2019, the Grand Canyon National Park commemorated 100 years since its designation as a national park.
The Grand Canyon had been part of the National Park Service's Intermountain Region until 2018. Today, the Grand Canyon is a part of Region 8, also known as the Lower Colorado Basin.
The Grand Canyon, including its extensive system of tributary canyons, is valued for its combination of size, depth, and exposed layers of colorful rocks dating back to Precambrian times. The canyon itself was created by the incision of the Colorado River and its tributaries after the Colorado Plateau was uplifted, causing the Colorado River system to develop along its present path.
The primary public areas of the park are the South and North Rims, and adjacent areas of the canyon itself. The rest of the park is extremely rugged and remote, although many places are accessible by pack trail and backcountry roads. The South Rim is more accessible than the North Rim and accounts for 90% of park visitation.
The park headquarters are at Grand Canyon Village, not far from the South Entrance to the park, near one of the most popular viewpoints.
Most visitors to the park come to the South Rim, arriving on Arizona State Route 64. The highway enters the park through the South Entrance, near Tusayan, Arizona, and heads eastward, leaving the park through the East Entrance. Interstate 40 provides access to the area from the south. From the north, U.S. Route 89 connects Utah, Colorado, and the North Rim to the South Rim. Overall, some 30 miles of the South Rim are accessible by road.
Grand Canyon Village is the primary visitor services area in the park. It is a full-service community, including lodging, fuel, food, souvenirs, a hospital, churches, and access to trails and guided walks and talks.
Several lodging facilities are available along the South Rim. Hotels and other lodging include El Tovar, Bright Angel Lodge, Kachina Lodge, Thunderbird Lodge, and Maswik Lodge, all of which are located in Grand Canyon Village, and Phantom Ranch, located on the canyon floor. There is also an RV Park named Trailer Village. All of these facilities are managed by Xanterra Parks & Resorts, while the Yavapai Lodge (also in the village area) is managed by Delaware North.
The North Rim area of the park is located on the Kaibab Plateau and Walhalla Plateau, directly across the Grand Canyon from the principal visitor areas on the South Rim. The North Rim's principal visitor areas are centered around Bright Angel Point. The North Rim is higher in elevation than the South Rim, at over 8,000 feet (2,400 m) of elevation. Because it is so much higher than the South Rim, it is closed from December 1 through May 15 each year, due to the enhanced snowfall at elevation. Visitor services are closed or limited in scope after October 15. Driving time from the South Rim to the North Rim is about 4.5 hours, over 220 miles (350 km).
On the North Rim is the historic Grand Canyon Lodge, managed by Forever Resorts, and a campground near the lodge managed by the national park staff.
Vistas desde lo alto de San Jose (Almería)
www.flickr.com/groups/lugaresconencanto/">www.fli...
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DaD Virtual Living :: The Courtyard Roman Swimming Pool ::
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LALOU Erotic Furniture :: IBIZA 3seats Daybed ::
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ariskea :: OLEKA CEILING LIGHTS ::
➻❥ 2 These lights feature a touch on/off script and are low impact. Only available in PBR
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[ SQUARE ] :: IRA WALL SCULPUTRES ::
➻❥ These exquisite, 3D forms carved and molded to perfection, capture the sensuality of the human form, poised and entwined, naked and vulnerable. In 4 PBR Materials - Gold, Silver, Iron & Stone. Will inspire awe, wonder and sublime to your spaces. 4 Li Each , C M NT
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LALOU Erotic Furniture :: BAR COUNTER MONACO ::
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{what next} :: WINE WALL RACK ::
{what next} :: PARADISE HOUSE PLANTS ::
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Crowded Homes :: SAVIOR SET ::
"Savior Set," Table & stool, black or red color. Available in both PG and Adult editions! The Adult Edition is compatible with V Bento and Physics, offering top-notch facial animations!
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SKVOST :: BALOON DOG CAKE ::
Introducing the extra cute Balloon Dog. Delight in a sponge cake and chocolate filling with hazelnuts, coated in mascarpone with marzipane brush strokes that you can customize!
Comes in two packs:
* Party Pack: Fun colors like blue, pink, green, yellow, and orange.
Glam Pack: Chic options like red, black, and three metallic shades - gold, rose gold, and silver.
• Upgrade to the Fatpack for an extra Balloon Dog! Display it at home, carry it in hand, or let it hover in the air!
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MyStory compatible with enabled redelivery and a holdable version included. Make your birthday party extra special!
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ARTÉ DECOR :: ELM COLLECTION :: Console Set
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Erfe Design :: WALL VELVET DECORATIVE :: Comes in White and Black
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Crowded Homes :: GLAMP HOUSE ::
Perfect for compact living or as a guest house addition to your Crowded Home.
Featuring:
PBR textures, PBR mirror, and PBR glass.
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Crowded Homes :: SOLO FENCE KIT (LIGHT) ::
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DaD Virtual Living :: VENETIAN BLINDS ::
Venetian Blinds completely redone. Wonderful decor items to make your homes stand out.
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Bildautomaten in der ganzen Welt ausdrucken, egal mit welchem Speichermedium !
Business card tooltip, you can print out this card at any image machine around the world, regardless of the storage medium !
Setze infach Deinen Text ein !
Simply insert your text!
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.:Tm:. Creations :: GM61 In the Primroses Garden :: (Primroses in front of Fence)
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**I AM NOT USING ANY ARTIFICIAL INTELLIGENCE TO ALTER THIS PICTURE. THIS IS THE REAL IMAGE OF SECOND LIFE USING ALCHEMY VIEWER AND THE WINDLIGHT MADE BY CROWDED HOMES (PBR SETTING NIGHT)**
Crowded Homes :: THE COZE SOFA ::
The Coze Sofa is your ideal spot for cozy hangouts with your loved ones or friends, packed with fun activities, custom animations and hi-quality adult options.
-Compatible with P&V
-HIgh Quality facial animations
-Includes HUD for easy customization
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[ SQUARE ] :: MYRA RELIEF WALL ARTS ::
Add some Wabi-Sabi Vibes to your spaces, with [ SQUARE ] - MYRA Relief wall arts
[ SQUARE ] :: IRISH COLLECTION DECOR ::
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APPLE FALL :: BRAMBLE PANELS ::
Enhance your decor with the Bramble Panel, featuring classic quatrefoil motifs in deep, rich tones. This sophisticated wall paneling blends traditional craftsmanship with modern style, complemented by an elegant sconce to illuminate your space with a warm, inviting glow. Perfect for adding a statement of heritage and artistry to any room.
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APPLE FALL :: LUNAR MOTH SCONE ::
Add an enchanting touch of nature to your walls with these elegant moth sconces, available in nickel, brass, and iron finishes. Each piece is carefully crafted to bring a refined yet whimsical element to your space, with a delicate shimmer that catches the light beautifully. Whether displayed individually or as a group, these sconces transform any room with their graceful presence and sophisticated charm—perfect for those looking to make a stylish statement with a hint of playfulness.
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The Design Firm Collection :: EPSOM TABLES ::
The Epsom Tables are comprised of four individual tables; Large Coffee Table, Small Coffee Table, Tall Side Table & Short Tide Table. Offered in four different materials; Concrete, Marble, Travertine & Wood. Each material contains between six and eight texture change options, with the Full Collection pack containing all materials and texture change options. Each tabletop and base are individually customizable.
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** Black Dragon viewer original photography. I'll never use Artificial Intelligence tools to alter the hard work and details of SL designers. What you see in that picture is the original product image, it is what you get when purchase. **
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ZADIG ::PARIS IN THE FALL SKYBOX::
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Crowded Homes :: BARISTA SET CABINET ::
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Chez Moi :: BRUMA CHAISE ::
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ARTÉ DECOR :: AURA DINING RUG ::
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Erfe Design :: DIAMOND LIVING ROOM SET ::
Crafted entirely from PBR (Poly Base Resin) materials, this set is also designed to be compatible with traditional systems for those who are new to using PBR. We hope you like our Newest living room set.
> Sofa (Have 2 Color options) 300+ HQ Animations
> Armchair
> Middle Table
> Side Table
> Luster
> Back wall with lights
> Carpet
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DaD Virtual Living :: VENETIAN BLINDS ::
Venetian Blinds completely redone. Wonderful decor items to make your homes stand out.
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Crowded Homes :: SHADOWOOD MANOR HOUSE ::
Latest enhancements to the Shadowood Manor, now fully compatible with MyStory! and PBR.
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** Black Dragon viewer original photography. I'll never use Artificial Intelligence tools to alter the hard work and details of SL designers. What you see in that picture is the original product image, it is what you get when purchase. **
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The Design Firm Collection :: INNISFIL BANQUETTE ::
TDFC Innisfil Modular Banquettes (your purchase includes five pieces; Single, Corner, Small, Medium & Large): The banquettes are available in three beautiful materials, leather, stripes & velvet.
The Design Firm Collection :: INNISFIL DINNING TABLE ::
TDFC Innisfil Dining Tables (your purchase includes a long, medium and short version of the table): The dining tables are available in five beautiful materials; Concrete, Granite, Marble, Travertine & Wood.
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.:Tm:. Creations :: GP69 Wall Flower Vase in frame ::
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[ SQUARE ] :: POLLAR COLLECTION CHANDELIER & DANDELION VASE ::
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_____________________________________________
TWELVE :: MINOTTA DINING ROOM SET ::
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LALOU Erotic Furniture :: BAR COUNTER MONACO ::
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ARTÉ DECOR :: BALI STOOL ::
Transform your living space with our newest release.
Features:
- 2 styles available
- 6 color options to choose from
- Copy/Mod
- 8 wood variations
FATPACK VERSION: Includes a texture menu for each corresponding piece. Easily customize and change colors of the cushion, wood and straps to suit any kitchen style.
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______________________________________________
CHAI. :: KINDNESS ::
This Wall Plant Holder is designed to cradle your favorite plants into any space. Bring a touch of nature and warmth to your walls. Available in both light and dark wood finishes. Eco-Friendly: Sustainably sourced materials ensure a minimal environmental footprint.
————————————
Why is Kindness Important in the Home?
Kindness transforms a house into a home, creating an environment where everyone feels valued and loved. It fosters a sense of safety and belonging, essential for emotional well-being. When kindness is practiced in the home, it radiates outward, positively impacting interactions with the broader community.
————————————
Tips to Cultivate Kindness at Home:
1. Practice Active Listening
2. Perform Random Acts of Kindness: Simple gestures like leaving a thoughtful note or making someone’s favorite meal can brighten their day.
5. Share Responsibilities: Distribute household tasks fairly to show respect and cooperation.
Available @ TRES CHIC EVENT!!
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The World War II Memorial is a national memorial in the United States dedicated to Americans who served in the armed forces and as civilians during World War II. It is located on the National Mall in Washington, D.C.
The memorial consists of 56 granite pillars, decorated with bronze laurel wreaths, representing U.S. states and territories, and a pair of small triumphal arches for the Atlantic and Pacific theaters, surrounding an oval plaza and fountain. On its short axis is a memorial wall of gold stars representing the fallen, and opposite, a sloped and stepped entrance plaza leading up to the oval from 17th Street. Its initial design was submitted by Austrian-American architect Friedrich St. Florian.
Opened on April 29, 2004, it replaced the Rainbow Pool at the eastern end of the Reflecting Pool, between the Lincoln Memorial and the Washington Monument. Dedicated by President George W. Bush on May 29, 2004, the memorial is administered by the National Park Service under its National Mall and Memorial Parks group. More than 4.6 million people visited the memorial in 2018.
The memorial consists of 56 granite pillars, each 17 feet (5.2 m) tall, arranged in a semicircle around a plaza with two 43-foot (13 m) triumphal arches on opposite sides. Two-thirds of the 7.4-acre (3.0 ha) site is landscaping and water. Each pillar is inscribed with the name of one of the 48 U.S. states of 1945, as well as the District of Columbia, the Alaska Territory and Territory of Hawaii, the Commonwealth of the Philippines, Puerto Rico, Guam, American Samoa, and the U.S. Virgin Islands. The northern arch is inscribed with "Atlantic"; the southern one, "Pacific." The plaza is 337 ft 10 in (102.97 m) long and 240 ft 2 in (73.20 m) wide, is sunk 6 feet (1.8 m) below grade, and contains a pool that is 246 feet 9 inches by 147 feet 8 inches (75.2 m × 45.0 m).
The memorial includes two inconspicuously located "Kilroy was here" engravings. Their inclusion in the memorial acknowledges the significance of the symbol to American soldiers during World War II and how it represented their presence and protection wherever it was inscribed.
On approaching the semicircle from the east, a visitor walks along one of two walls (right side wall and left side wall) picturing scenes of the war experience in bas relief. As one approaches on the left (toward the Pacific arch), the scenes begin with soon-to-be servicemen getting physical exams, taking the oath, and being issued military gear. The reliefs progress through several iconic scenes, including combat and burying the dead, ending in a homecoming scene. On the right-side wall (toward the Atlantic arch) there is a similar progression, but with scenes generally more typical of the European theatre. Some scenes take place in England, depicting the preparations for air and sea assaults. The last scene is of a handshake between the American and Russian armies when the western and eastern fronts met in Germany.
The Freedom Wall is on the west side of the plaza, with a view of the Reflecting Pool and Lincoln Memorial behind it. The wall has 4,048 gold stars, each representing 100 Americans who died in the war. In front of the wall lies the message "Here we mark the price of freedom".
In 1987, World War II veteran Roger Durbin approached Representative Marcy Kaptur, a Democrat from Ohio, to ask if a World War II memorial could be constructed. Kaptur introduced the World War II Memorial Act to the House of Representatives as HR 3742 on December 10. The resolution authorized the American Battle Monuments Commission (ABMC) to establish a World War II memorial in "Washington, D.C., or its environs", but the bill was not voted on before the end of the session. In 1989 and 1991, Rep. Kaptur introduced similar legislation, but these bills suffered the same fate as the first and did not become law.
Kaptur reintroduced legislation in the House a fourth time as HR 682 on January 27, 1993, one day after Senator Strom Thurmond (a Republican from South Carolina) introduced companion Senate legislation. On March 17, 1993, the Senate approved the act, and the House approved an amended version of the bill on May 4. On May 12, the Senate also approved the amended bill, and the World War II Memorial Act was signed into law by President Bill Clinton on May 25 of that year, becoming Pub. L.Tooltip Public Law (United States) 103–32.
On September 30, 1994, President Bill Clinton appointed a 12-member Memorial Advisory Board (MAB) to advise the ABMC in picking the site, designing the memorial, and raising money to build it.[10] A direct mail fundraising effort brought in millions of dollars from individual Americans. Additional large donations were made by veterans' groups, including the American Legion, the Veterans of Foreign Wars, and Veterans of the Battle of the Bulge. The majority of the corporate fundraising effort was led by co-chairmen Senator Bob Dole, a decorated World War II veteran and 1996 Republican nominee for president, and Frederick W. Smith, the president and chief executive officer of FedEx Corporation and a former U.S. Marine Corps officer. The U.S. federal government provided about $16 million; a total of $197 million was raised. Following his death in December 2021, Dole himself would have a memorial service held at the World War II Memorial.
On January 20, 1995, Colonel Kevin C. Kelley, project manager for the ABMC, organized the first meeting of the ABMC and the MAB, at which the project was discussed and initial plans made. The meeting was chaired by Commissioner F. Haydn Williams, chairman of ABMC's World War II Memorial Site and Design Committee, who would go on to guide the project through the site selection and approval process and the selection and approval of the Memorial's design. Representatives from the United States Commission of Fine Arts, the National Capital Planning Commission, the National Capital Memorial Commission, the U.S. Army Corps of Engineers, and the National Park Service attended the meeting. The selection of an appropriate site was taken on as the first action.
Over the next months, several sites were considered.Soon, 3 quickly gained favor:
U.S. Capitol Reflection Pool area – between 3rd Street and the Ulysses S. Grant Memorial
Constitution Gardens – east end, between Constitution Avenue and the Rainbow Pool
Freedom Plaza – on Pennsylvania Avenue between 14th and 15th Streets
Other sites considered but quickly rejected were:
Tidal Basin – northeast side, east of the Tidal Basin parking lot and west of the 14th Street Bridge access road
West Potomac Park – between Ohio Drive and the north shore of the Potomac River, northwest of the Franklin Delano Roosevelt Memorial
Grounds of the Washington Monument – at Constitution Avenue between 14th and 15th Streets, west of the National Museum of American History
Henderson Hall, adjacent to Arlington National Cemetery – dropped from consideration because of its unavailability
The selection of the Rainbow Pool site was announced on October 5, 1995. The design would incorporate the Rainbow Pool fountain, located across 17th Street from the Washington Monument and near the Constitution Gardens site.
The location, between the Washington Monument and the Lincoln Memorial, is the most prominent spot for a monument on the National Mall since the Lincoln Memorial opened in 1922. It is the first addition in more than 70 years to the grand corridor of open space that stretches from the Capitol 2.1 miles (3.4 km) west to the Potomac River.
A nationwide design competition drew 400 submissions from architects from around the country. Friedrich St. Florian's initial design was selected in 1997. St. Florian's design evokes a classical monument. Under each of the two memorial arches, the Pacific and Atlantic baldachinos, four eagles carry an oak laurel wreath. Each of the 56 pillars bear wreaths of oak symbolizing military and industrial strength, and of wheat, symbolizing agricultural production.
Over the next four years, St. Florian's design was altered during the review and approval process required of proposed memorials in Washington, D.C. Ambassador Haydn Williams guided the design development for ABMC.
Ground was broken in November 2000. The construction was managed by General Services Administration.
New England Stone Industries of Rhode Island was hired by the general contractor to fabricate the stone; it worked closely with St. Florian and the ABMC throughout the process.[citation needed] The triumphal arches were sub-contracted to and crafted by Rock of Ages Corporation. Sculptor Raymond Kaskey created the bronze eagles and two wreaths that were installed under the arches, as well as 24 bronze bas-relief panels that depict wartime scenes of combat and the home front.[17] The bronzes were cast over the course of two and a half years at Laran Bronze in Chester, Pennsylvania. The stainless-steel armature that holds up the eagles and wreaths was designed at Laran, in part by sculptor James Peniston, and fabricated by Apex Piping of Newport, Delaware. The twin bronze wreathes decorating the 56 granite pillars around the perimeter of the memorial – as well as the 4,048 gold-plated silver stars representing American military deaths in the war – were cast at Valley Bronze in Joseph, Oregon. "I'd see buckets full of the stars going through the foundry, and think that each stood for 100 men. The magnitude was overwhelming," Dave Jackman, former president of Valley Bronze, recalled in 2004.
The John Stevens Shop designed the lettering for the memorial and most of the inscriptions were hand-carved in situ.
The memorial opened to the public on April 29, 2004, and was dedicated in a May 29 ceremony attended by thousands of people. The memorial became a unit of the national park system on November 1, when authority over it was transferred to the National Park Service.
Critics such as the National Coalition to Save Our Mall opposed the location of the memorial. A major criticism of the location was that it would interrupt what had been an unbroken view between the Washington Monument and the Lincoln Memorial. The memorial was also criticized for taking up open space that had been historically used for major demonstrations and protests.
Critics were particularly bothered by the expedited approval process, which is considerably lengthy most of the time. The United States Congress, worried that World War II veterans were dying before an appropriate memorial could be built, passed legislation exempting the World War II Memorial from further site and design review. Congress also dismissed pending legal challenges to the memorial.
There were also aesthetic objections to the design. A critic from the Boston Herald described the monument as "vainglorious, demanding of attention and full of trite imagery." The Philadelphia Inquirer argued that "this pompous style was also favored by Hitler and Mussolini" The Washington Post described it as "overbearing", "bombastic", and a "hodgepodge of cliche and Soviet-style pomposity" with "the emotional impact of a slab of granite".
The monument was dismissed by one prominent architecture critic as "knee-jerk historicism".
The design unveiled by President Bill Clinton included 50 columns honoring the 48 states of the Union during World War II and two of the eight non-state jurisdictions at the time of the war: the territories of Alaska and Hawaii that subsequently were admitted into the Union. On June 2, 1997, the Puerto Rico Legislative Assembly approved a Concurrent Resolution requesting the addition of a column honoring the territory of Puerto Rico's participation in the war effort. Its author, Sen. Kenneth McClintock, began a lobbying campaign. Eventually, the number of columns was raised to 56, honoring the 48 states, the District of Columbia, and the seven U.S. territories at the time: Alaska, Hawaii, Puerto Rico, Guam, American Samoa, the Philippines, and the United States Virgin Islands.
On May 23, 2013, Senator Rob Portman introduced the World War II Memorial Prayer Act of 2013 (Pub. L.Tooltip Public Law (United States) 113–123 (text) (PDF)), which would direct the Secretary of the Interior to install at the World War II memorial a suitable plaque or an inscription with the words that President Franklin D. Roosevelt prayed with the United States on June 6, 1944, the morning of D-Day. The bill was opposed by the American Civil Liberties Union, the American Jewish Committee, Americans United for Separation of Church and State, the Hindu American Foundation, and the Interfaith Alliance. Together the organizations argued that the bill "endorses the false notion that all veterans will be honored by a war memorial that includes a prayer proponents characterize as reflecting our country's 'Christian heritage and values.'" The organizations argued that "the memorial, as it currently stands, appropriately honors those who served and encompasses the entirety of the war" and was carefully created, so no additional elements, such as FDR's prayer, need to be added. But, they said, "the effect of this bill, however, is to co-opt religion for political purposes, which harms the beliefs of everyone." The bill was signed into law on June 30, 2014, and the Commission of Fine Arts preferred a design at the Circle of Remembrance to the northwest of the memorial. With funding secured, it was initially intended to be dedicated on June 6, 2022, but was instead opened a year later on June 6, 2023 on the 79th anniversary of the Normandy landings.
The National Mall is a landscaped park near the downtown area of Washington, D.C., the capital city of the United States. It contains and borders a number of museums of the Smithsonian Institution, art galleries, cultural institutions, and various memorials, sculptures, and statues. It is administered by the National Park Service (NPS) of the United States Department of the Interior as part of the National Mall and Memorial Parks unit of the National Park System. The park receives approximately 24 million visitors each year.
The core area of the National Mall extends between the United States Capitol grounds to the east and the Washington Monument to the west and is lined to the north and south by several museums and a federal office building. The term National Mall may also include areas that are also officially part of neighboring West Potomac Park to the south and west and Constitution Gardens to the north, extending to the Lincoln Memorial on the west and Jefferson Memorial to the south.
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The World War II Memorial is a national memorial in the United States dedicated to Americans who served in the armed forces and as civilians during World War II. It is located on the National Mall in Washington, D.C.
The memorial consists of 56 granite pillars, decorated with bronze laurel wreaths, representing U.S. states and territories, and a pair of small triumphal arches for the Atlantic and Pacific theaters, surrounding an oval plaza and fountain. On its short axis is a memorial wall of gold stars representing the fallen, and opposite, a sloped and stepped entrance plaza leading up to the oval from 17th Street. Its initial design was submitted by Austrian-American architect Friedrich St. Florian.
Opened on April 29, 2004, it replaced the Rainbow Pool at the eastern end of the Reflecting Pool, between the Lincoln Memorial and the Washington Monument. Dedicated by President George W. Bush on May 29, 2004, the memorial is administered by the National Park Service under its National Mall and Memorial Parks group. More than 4.6 million people visited the memorial in 2018.
The memorial consists of 56 granite pillars, each 17 feet (5.2 m) tall, arranged in a semicircle around a plaza with two 43-foot (13 m) triumphal arches on opposite sides. Two-thirds of the 7.4-acre (3.0 ha) site is landscaping and water. Each pillar is inscribed with the name of one of the 48 U.S. states of 1945, as well as the District of Columbia, the Alaska Territory and Territory of Hawaii, the Commonwealth of the Philippines, Puerto Rico, Guam, American Samoa, and the U.S. Virgin Islands. The northern arch is inscribed with "Atlantic"; the southern one, "Pacific." The plaza is 337 ft 10 in (102.97 m) long and 240 ft 2 in (73.20 m) wide, is sunk 6 feet (1.8 m) below grade, and contains a pool that is 246 feet 9 inches by 147 feet 8 inches (75.2 m × 45.0 m).
The memorial includes two inconspicuously located "Kilroy was here" engravings. Their inclusion in the memorial acknowledges the significance of the symbol to American soldiers during World War II and how it represented their presence and protection wherever it was inscribed.
On approaching the semicircle from the east, a visitor walks along one of two walls (right side wall and left side wall) picturing scenes of the war experience in bas relief. As one approaches on the left (toward the Pacific arch), the scenes begin with soon-to-be servicemen getting physical exams, taking the oath, and being issued military gear. The reliefs progress through several iconic scenes, including combat and burying the dead, ending in a homecoming scene. On the right-side wall (toward the Atlantic arch) there is a similar progression, but with scenes generally more typical of the European theatre. Some scenes take place in England, depicting the preparations for air and sea assaults. The last scene is of a handshake between the American and Russian armies when the western and eastern fronts met in Germany.
The Freedom Wall is on the west side of the plaza, with a view of the Reflecting Pool and Lincoln Memorial behind it. The wall has 4,048 gold stars, each representing 100 Americans who died in the war. In front of the wall lies the message "Here we mark the price of freedom".
In 1987, World War II veteran Roger Durbin approached Representative Marcy Kaptur, a Democrat from Ohio, to ask if a World War II memorial could be constructed. Kaptur introduced the World War II Memorial Act to the House of Representatives as HR 3742 on December 10. The resolution authorized the American Battle Monuments Commission (ABMC) to establish a World War II memorial in "Washington, D.C., or its environs", but the bill was not voted on before the end of the session. In 1989 and 1991, Rep. Kaptur introduced similar legislation, but these bills suffered the same fate as the first and did not become law.
Kaptur reintroduced legislation in the House a fourth time as HR 682 on January 27, 1993, one day after Senator Strom Thurmond (a Republican from South Carolina) introduced companion Senate legislation. On March 17, 1993, the Senate approved the act, and the House approved an amended version of the bill on May 4. On May 12, the Senate also approved the amended bill, and the World War II Memorial Act was signed into law by President Bill Clinton on May 25 of that year, becoming Pub. L.Tooltip Public Law (United States) 103–32.
On September 30, 1994, President Bill Clinton appointed a 12-member Memorial Advisory Board (MAB) to advise the ABMC in picking the site, designing the memorial, and raising money to build it.[10] A direct mail fundraising effort brought in millions of dollars from individual Americans. Additional large donations were made by veterans' groups, including the American Legion, the Veterans of Foreign Wars, and Veterans of the Battle of the Bulge. The majority of the corporate fundraising effort was led by co-chairmen Senator Bob Dole, a decorated World War II veteran and 1996 Republican nominee for president, and Frederick W. Smith, the president and chief executive officer of FedEx Corporation and a former U.S. Marine Corps officer. The U.S. federal government provided about $16 million; a total of $197 million was raised. Following his death in December 2021, Dole himself would have a memorial service held at the World War II Memorial.
On January 20, 1995, Colonel Kevin C. Kelley, project manager for the ABMC, organized the first meeting of the ABMC and the MAB, at which the project was discussed and initial plans made. The meeting was chaired by Commissioner F. Haydn Williams, chairman of ABMC's World War II Memorial Site and Design Committee, who would go on to guide the project through the site selection and approval process and the selection and approval of the Memorial's design. Representatives from the United States Commission of Fine Arts, the National Capital Planning Commission, the National Capital Memorial Commission, the U.S. Army Corps of Engineers, and the National Park Service attended the meeting. The selection of an appropriate site was taken on as the first action.
Over the next months, several sites were considered.Soon, 3 quickly gained favor:
U.S. Capitol Reflection Pool area – between 3rd Street and the Ulysses S. Grant Memorial
Constitution Gardens – east end, between Constitution Avenue and the Rainbow Pool
Freedom Plaza – on Pennsylvania Avenue between 14th and 15th Streets
Other sites considered but quickly rejected were:
Tidal Basin – northeast side, east of the Tidal Basin parking lot and west of the 14th Street Bridge access road
West Potomac Park – between Ohio Drive and the north shore of the Potomac River, northwest of the Franklin Delano Roosevelt Memorial
Grounds of the Washington Monument – at Constitution Avenue between 14th and 15th Streets, west of the National Museum of American History
Henderson Hall, adjacent to Arlington National Cemetery – dropped from consideration because of its unavailability
The selection of the Rainbow Pool site was announced on October 5, 1995. The design would incorporate the Rainbow Pool fountain, located across 17th Street from the Washington Monument and near the Constitution Gardens site.
The location, between the Washington Monument and the Lincoln Memorial, is the most prominent spot for a monument on the National Mall since the Lincoln Memorial opened in 1922. It is the first addition in more than 70 years to the grand corridor of open space that stretches from the Capitol 2.1 miles (3.4 km) west to the Potomac River.
A nationwide design competition drew 400 submissions from architects from around the country. Friedrich St. Florian's initial design was selected in 1997. St. Florian's design evokes a classical monument. Under each of the two memorial arches, the Pacific and Atlantic baldachinos, four eagles carry an oak laurel wreath. Each of the 56 pillars bear wreaths of oak symbolizing military and industrial strength, and of wheat, symbolizing agricultural production.
Over the next four years, St. Florian's design was altered during the review and approval process required of proposed memorials in Washington, D.C. Ambassador Haydn Williams guided the design development for ABMC.
Ground was broken in November 2000. The construction was managed by General Services Administration.
New England Stone Industries of Rhode Island was hired by the general contractor to fabricate the stone; it worked closely with St. Florian and the ABMC throughout the process.[citation needed] The triumphal arches were sub-contracted to and crafted by Rock of Ages Corporation. Sculptor Raymond Kaskey created the bronze eagles and two wreaths that were installed under the arches, as well as 24 bronze bas-relief panels that depict wartime scenes of combat and the home front.[17] The bronzes were cast over the course of two and a half years at Laran Bronze in Chester, Pennsylvania. The stainless-steel armature that holds up the eagles and wreaths was designed at Laran, in part by sculptor James Peniston, and fabricated by Apex Piping of Newport, Delaware. The twin bronze wreathes decorating the 56 granite pillars around the perimeter of the memorial – as well as the 4,048 gold-plated silver stars representing American military deaths in the war – were cast at Valley Bronze in Joseph, Oregon. "I'd see buckets full of the stars going through the foundry, and think that each stood for 100 men. The magnitude was overwhelming," Dave Jackman, former president of Valley Bronze, recalled in 2004.
The John Stevens Shop designed the lettering for the memorial and most of the inscriptions were hand-carved in situ.
The memorial opened to the public on April 29, 2004, and was dedicated in a May 29 ceremony attended by thousands of people. The memorial became a unit of the national park system on November 1, when authority over it was transferred to the National Park Service.
Critics such as the National Coalition to Save Our Mall opposed the location of the memorial. A major criticism of the location was that it would interrupt what had been an unbroken view between the Washington Monument and the Lincoln Memorial. The memorial was also criticized for taking up open space that had been historically used for major demonstrations and protests.
Critics were particularly bothered by the expedited approval process, which is considerably lengthy most of the time. The United States Congress, worried that World War II veterans were dying before an appropriate memorial could be built, passed legislation exempting the World War II Memorial from further site and design review. Congress also dismissed pending legal challenges to the memorial.
There were also aesthetic objections to the design. A critic from the Boston Herald described the monument as "vainglorious, demanding of attention and full of trite imagery." The Philadelphia Inquirer argued that "this pompous style was also favored by Hitler and Mussolini" The Washington Post described it as "overbearing", "bombastic", and a "hodgepodge of cliche and Soviet-style pomposity" with "the emotional impact of a slab of granite".
The monument was dismissed by one prominent architecture critic as "knee-jerk historicism".
The design unveiled by President Bill Clinton included 50 columns honoring the 48 states of the Union during World War II and two of the eight non-state jurisdictions at the time of the war: the territories of Alaska and Hawaii that subsequently were admitted into the Union. On June 2, 1997, the Puerto Rico Legislative Assembly approved a Concurrent Resolution requesting the addition of a column honoring the territory of Puerto Rico's participation in the war effort. Its author, Sen. Kenneth McClintock, began a lobbying campaign. Eventually, the number of columns was raised to 56, honoring the 48 states, the District of Columbia, and the seven U.S. territories at the time: Alaska, Hawaii, Puerto Rico, Guam, American Samoa, the Philippines, and the United States Virgin Islands.
On May 23, 2013, Senator Rob Portman introduced the World War II Memorial Prayer Act of 2013 (Pub. L.Tooltip Public Law (United States) 113–123 (text) (PDF)), which would direct the Secretary of the Interior to install at the World War II memorial a suitable plaque or an inscription with the words that President Franklin D. Roosevelt prayed with the United States on June 6, 1944, the morning of D-Day. The bill was opposed by the American Civil Liberties Union, the American Jewish Committee, Americans United for Separation of Church and State, the Hindu American Foundation, and the Interfaith Alliance. Together the organizations argued that the bill "endorses the false notion that all veterans will be honored by a war memorial that includes a prayer proponents characterize as reflecting our country's 'Christian heritage and values.'" The organizations argued that "the memorial, as it currently stands, appropriately honors those who served and encompasses the entirety of the war" and was carefully created, so no additional elements, such as FDR's prayer, need to be added. But, they said, "the effect of this bill, however, is to co-opt religion for political purposes, which harms the beliefs of everyone." The bill was signed into law on June 30, 2014, and the Commission of Fine Arts preferred a design at the Circle of Remembrance to the northwest of the memorial. With funding secured, it was initially intended to be dedicated on June 6, 2022, but was instead opened a year later on June 6, 2023 on the 79th anniversary of the Normandy landings.
The National Mall is a landscaped park near the downtown area of Washington, D.C., the capital city of the United States. It contains and borders a number of museums of the Smithsonian Institution, art galleries, cultural institutions, and various memorials, sculptures, and statues. It is administered by the National Park Service (NPS) of the United States Department of the Interior as part of the National Mall and Memorial Parks unit of the National Park System. The park receives approximately 24 million visitors each year.
The core area of the National Mall extends between the United States Capitol grounds to the east and the Washington Monument to the west and is lined to the north and south by several museums and a federal office building. The term National Mall may also include areas that are also officially part of neighboring West Potomac Park to the south and west and Constitution Gardens to the north, extending to the Lincoln Memorial on the west and Jefferson Memorial to the south.
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Toggle a modal via JavaScript by clicking the button below. It will slide down and fade in from the top of the page.[/vc_column_text]Launch Demo Modal
Modal Box Title
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This trip is different from the Grand Canyon and a lot less crowed. Many of the views are accessible with a short hike.
Wikipedia
Canyonlands National Park is a national park of the United States located in southeastern Utah near the town of Moab. The park preserves a colorful landscape eroded into numerous canyons, mesas, and buttes by the Colorado River, the Green River, and their respective tributaries. Legislation creating the park was signed into law by President Lyndon B. Johnson on September 12, 1964.[4]
The park is divided into four districts: the Island in the Sky, the Needles, the Maze, and the combined rivers—the Green and Colorado—which carved two large canyons into the Colorado Plateau. While these areas share a primitive desert atmosphere, each retains its own character.[5] Author Edward Abbey, a frequent visitor, described the Canyonlands as "the most weird, wonderful, magical place on earth—there is nothing else like it anywhere."[6]
History
In the early 1950s, Bates Wilson, then superintendent of Arches National Monument, began exploring the area to the south and west of Moab, Utah. After seeing what is now known as the Needles District of Canyonlands National Park, Wilson began advocating for the establishment of a new national park that would include the Needles. Additional explorations by Wilson and others expanded the areas proposed for inclusion into the new national park to include the confluence of Green and Colorado rivers, the Maze District, and Horseshoe Canyon.[7]
In 1961, Secretary of the Interior Stewart Udall was scheduled to address a conference at Grand Canyon National Park. On his flight to the conference, he flew over the Confluence (where the Colorado and Green rivers meet). The view apparently sparked Udall's interest in Wilson's proposal for a new national park in that area and Udall began promoting the establishment of Canyonlands National Park.
Utah Senator Frank Moss first introduced legislation in Congress to create Canyonlands National Park. His legislation attempted to satisfy both nature preservationists' and commercial developers' interests. Over the next four years, his proposal was struck down, debated, revised, and reintroduced to Congress many times before being passed and signed into law.[8]
In September 1964, after several years of debate, President Lyndon B. Johnson signed Pub. L.Tooltip Public Law (United States) 88–590, which established Canyonlands National Park as a new national park. Bates Wilson became the first superintendent of the new park and is often referred to as the "Father of Canyonlands."[9]
Recreation
Canyonlands is a popular recreational destination. Since 2007, more than 400,000 people have visited the park each year with a record of 776,218 visitors in 2016, representing a 22 percent increase from the prior year.[3] The geography of the park is well suited to a number of different recreational uses. Hikers, mountain bikers, backpackers, and four-wheelers all enjoy traveling the rugged, remote trails within the Park. The White Rim Road traverses the White Rim Sandstone level of the park between the rivers and the Island in the Sky. Since 2015, day-use permits must be obtained before travelling on the White Rim Road due to the increasing popularity of driving and bicycling along it. The park service's intent is to provide a better wilderness experience for all visitors while minimizing impacts on the natural surroundings.[10][11] Canyonlands National Park upholds a strict no-hunting policy.
The Island in the Sky mesa and Junction Butte from the Needles district
As of 2016, the Island in the Sky district, with its proximity to the Moab, Utah area, attracts 76.7 percent of total park visitors. The Needles district is the second most visited, drawing 20.7 percent of visitors. The remote Maze district accounts for only about 1.5 percent of visitors, while river rafters and other river users account for the remaining 1.1 percent of total park visitation.[12]
Rafters and kayakers float the calm stretches of the Green River and Colorado River above the Confluence. Below the Confluence, Cataract Canyon contains powerful whitewater rapids, similar to those found in the Grand Canyon. However, since there is no large impoundment on the Colorado River above Canyonlands National Park, river flow through the Confluence is determined by snowmelt, not management. As a result, and in combination with Cataract Canyon's unique graben geology, this stretch of river offers the largest whitewater in North America in heavy snow years.
Political compromise at the time of the park's creation limited the protected area to an arbitrary portion of the Canyonlands basin. Conservationists hope to complete the park by bringing the boundaries up to the high sandstone rims that form the natural border of the Canyonlands landscape.[13]
On March 27, 2020, Canyonlands National Park was closed to help prevent the spread of COVID-19.[14]
Geography
Chesler Park in the Needles
The Colorado River and Green River combine within the park, dividing it into three districts called the Island in the Sky, the Needles, and the Maze. The Colorado River flows through Cataract Canyon below its confluence with the Green River.
The Island in the Sky district is a broad and level mesa in the northern section of the park, between the Colorado and Green rivers. The district has many viewpoints overlooking the White Rim, a sandstone bench 1,200 feet (370 m) below the Island, and the rivers, which are another 1,000 feet (300 m) below the White Rim.
The Needles district is located south of the Island in the Sky, on the east side of the Colorado River. The district is named for the red and white banded rock pinnacles which are a major feature of the area. Various other naturally sculpted rock formations are also within this district, including grabens, potholes, and arches. Unlike Arches National Park, where many arches are accessible by short to moderate hikes, most of the arches in the Needles district lie in backcountry canyons, requiring long hikes or four-wheel drive trips to reach them.
The Ancestral Puebloans inhabited this area and some of their stone and mud dwellings are well-preserved, although the items and tools they used were mostly removed by looters.[15] The Ancestral Puebloans also created rock art in the form of petroglyphs, most notably on Newspaper Rock along the Needles access road.
The Chocolate Drops buttes in the Maze district
The Maze district is located west of the Colorado and Green rivers. The Maze is the least accessible section of the park, and one of the most remote and inaccessible areas of the United States.[16][17]
A geographically detached section of the park located north of the Maze district, Horseshoe Canyon contains panels of rock art made by hunter-gatherers from the Late Archaic Period (2000-1000 BC) pre-dating the Ancestral Puebloans.[18][19][20] Originally called Barrier Canyon, Horseshoe's artifacts, dwellings, pictographs, and murals are some of the oldest in America.[19] The images depicting horses date from after 1540 AD, when the Spanish reintroduced horses to America.[19]
Since the 1950s, scientists have been studying an area of 200 acres (81 ha) completely surrounded by cliffs. The cliffs have prevented cattle from ever grazing on the area's 62 acres (25 ha) of grassland. According to the scientists, the site may contain the largest undisturbed grassland in the Four Corners region. Studies have continued biannually since the mid-1990s. The area has been closed to the public since 1993 to maintain the nearly pristine environment.[21]
Nature
Fauna
Pronghorns are colloquially referred to as antelope due to their resemblance, but are not closely related to Old World antelopes
Mammals that roam this park include black bears, coyotes, skunks, bats, elk, foxes, bobcats, badgers, ring-tailed cats, pronghorns, desert bighorn sheep, and cougars.[22] Desert cottontails, kangaroo rats and mule deer are commonly seen by visitors.[23]
At least 273 species of birds inhabit the park.[24] A variety of hawks and eagles are found, including the Cooper's hawk, the northern goshawk, the sharp-shinned hawk, the red-tailed hawk, the golden and bald eagles, the rough-legged hawk, the Swainson's hawk, and the northern harrier.[25] Several species of owls are found, including the great horned owl, the northern saw-whet owl, the western screech owl, and the Mexican spotted owl.[25] Grebes, woodpeckers, ravens, herons, flycatchers, crows, bluebirds, wrens, warblers, blackbirds, orioles, goldfinches, swallows, sparrows, ducks, quail, grouse, pheasants, hummingbirds, falcons, gulls, and ospreys are some of the other birds that can be found.[25]
Several reptiles can be found, including eleven species of lizards and eight species of snake (including the midget faded rattlesnake).[26] The common kingsnake and prairie rattlesnake have been reported in the park, but not confirmed by the National Park Service.[26]
The park is home to six confirmed amphibian species, including the red-spotted toad,[27] Woodhouse's toad,[28] American bullfrog,[29] northern leopard frog,[30] Great Basin spadefoot toad,[31] and tiger salamander.[32] The canyon tree frog was reported to be in the park in 2000, but was not confirmed during a study in 2004.[33]
Flora
Utah juniper
Canyonlands National Park contains a wide variety of plant life, including 11 cactus species,[34] 20 moss species,[35] liverworts,[35] grasses[36] and wildflowers.[37] Varieties of trees include netleaf hackberry, Russian olive, Utah juniper, pinyon pine, tamarisk, and Fremont's cottonwood.[38] Shrubs include Mormon tea, blackbrush, four-wing saltbush, cliffrose,[38] littleleaf mountain mahogany, and snakeweed[39]
Cryptobiotic soil is the foundation of life in Canyonlands, providing nitrogen fixation and moisture for plant seeds. One footprint can destroy decades of growth.[40]
Climate
According to the Köppen climate classification system, Canyonlands National Park has a cold semi-arid climate ("BSk").[41] The plant hardiness zones at the Island in the Sky and Needles District Visitor Centers are 7a with an average annual extreme minimum air temperature of 4.0 °F (-15.6 °C) and 2.9 °F (-16.2 °C), respectively.[42]
The National Weather Service has maintained two cooperative weather stations in the park since June 1965. Official data documents the desert climate with less than 10 inches (250 millimetres) of annual rainfall, as well as hot, mostly dry summers and cold, occasionally wet winters. Snowfall is generally light during the winter.[43]
The station in The Neck region reports an average January temperature of 29.6 °F and an average July temperature of 79.3 °F.[44] Average July temperatures range from a high of 90.8 °F (32.7 °C) to a low of 67.9 °F (19.9 °C). There are an average of 45.7 days with highs of 90 °F (32 °C) or higher and an average of 117.3 days with lows of 32 °F (0 °C) or lower. The highest recorded temperature was 105 °F (41 °C) on July 15, 2005, and the lowest recorded temperature was −13 °F (−25 °C) on February 6, 1989. Average annual precipitation is 9.33 inches (237 mm). There are an average of 59 days with measurable precipitation. The wettest year was 1984, with 13.66 in (347 mm), and the driest year was 1989, with 4.63 in (118 mm). The most precipitation in one month was 5.19 in (132 mm) in October 2006. The most precipitation in 24 hours was 1.76 in (45 mm) on April 9, 1978. Average annual snowfall is 22.8 in (58 cm). The most snowfall in one year was 47.4 in (120 cm) in 1975, and the most snowfall in one month was 27.0 in (69 cm) in January 1978.[45]
The station in The Needles region reports an average January temperature of 29.7 °F and an average July temperature of 79.1 °F.[44] Average July temperatures range from a high of 95.4 °F (35.2 °C) to a low of 62.4 °F (16.9 °C). There are an average of 75.4 days with highs of 90 °F (32 °C) or higher and an average of 143.6 days with lows of 32 °F (0 °C) or lower. The highest recorded temperature was 107 °F (42 °C) on July 13, 1971, and the lowest recorded temperature was −16 °F (−27 °C) on January 16, 1971. Average annual precipitation is 8.49 in (216 mm). There are an average of 56 days with measurable precipitation. The wettest year was 1969, with 11.19 in (284 mm), and the driest year was 1989, with 4.25 in (108 mm). The most precipitation in one month was 4.43 in (113 mm) in October 1972. The most precipitation in 24 hours was 1.56 in (40 mm) on September 17, 1999. Average annual snowfall is 14.4 in (37 cm). The most snowfall in one year was 39.3 in (100 cm) in 1975, and the most snowfall in one month was 24.0 in (61 cm) in March 1985.[46]
Climate data for Canyonlands – The Neck, Utah, 1991–2020 normals, extremes 1965–present
MonthJanFebMarAprMayJunJulAugSepOctNovDecYear
Record high °F (°C)58
(14)67
(19)78
(26)84
(29)97
(36)102
(39)105
(41)101
(38)98
(37)89
(32)72
(22)62
(17)105
(41)
Mean maximum °F (°C)48.0
(8.9)55.9
(13.3)68.5
(20.3)77.2
(25.1)86.5
(30.3)95.4
(35.2)98.8
(37.1)95.6
(35.3)89.9
(32.2)79.7
(26.5)63.1
(17.3)50.8
(10.4)99.4
(37.4)
Mean daily maximum °F (°C)36.8
(2.7)43.2
(6.2)54.2
(12.3)62.0
(16.7)72.4
(22.4)84.6
(29.2)90.8
(32.7)87.8
(31.0)79.0
(26.1)64.6
(18.1)49.1
(9.5)36.9
(2.7)63.5
(17.5)
Daily mean °F (°C)29.6
(−1.3)35.2
(1.8)44.5
(6.9)51.1
(10.6)61.3
(16.3)73.1
(22.8)79.3
(26.3)76.8
(24.9)68.0
(20.0)54.3
(12.4)40.8
(4.9)29.7
(−1.3)53.6
(12.0)
Mean daily minimum °F (°C)22.3
(−5.4)27.3
(−2.6)34.9
(1.6)40.1
(4.5)50.2
(10.1)61.7
(16.5)67.9
(19.9)65.7
(18.7)57.0
(13.9)43.9
(6.6)32.6
(0.3)22.6
(−5.2)43.8
(6.6)
Mean minimum °F (°C)10.2
(−12.1)14.2
(−9.9)20.7
(−6.3)25.8
(−3.4)34.0
(1.1)45.5
(7.5)56.5
(13.6)55.4
(13.0)42.3
(5.7)27.0
(−2.8)16.5
(−8.6)10.3
(−12.1)6.6
(−14.1)
Record low °F (°C)−7
(−22)−13
(−25)0
(−18)14
(−10)22
(−6)26
(−3)41
(5)41
(5)25
(−4)9
(−13)6
(−14)−10
(−23)−13
(−25)
Average precipitation inches (mm)0.55
(14)0.58
(15)0.75
(19)0.68
(17)0.87
(22)0.36
(9.1)0.91
(23)1.16
(29)1.00
(25)1.22
(31)0.55
(14)0.70
(18)9.33
(236.1)
Average snowfall inches (cm)6.1
(15)3.5
(8.9)3.0
(7.6)0.3
(0.76)0.1
(0.25)0.0
(0.0)0.0
(0.0)0.0
(0.0)0.0
(0.0)0.1
(0.25)3.2
(8.1)6.5
(17)22.8
(57.86)
Average extreme snow depth inches (cm)4.9
(12)4.0
(10)2.1
(5.3)0.6
(1.5)0.1
(0.25)0.0
(0.0)0.0
(0.0)0.0
(0.0)0.0
(0.0)0.4
(1.0)1.9
(4.8)4.6
(12)6.5
(17)
Average precipitation days (≥ 0.01 in)4.44.54.65.25.42.45.96.46.25.74.34.459.4
Average snowy days (≥ 0.1 in)3.82.51.70.50.10.00.00.00.00.31.73.614.2
Source: NOAA[47][48]
Climate data for Hans Flat Ranger Station, Utah, 1991–2020 normals, extremes 1980–present
MonthJanFebMarAprMayJunJulAugSepOctNovDecYear
Record high °F (°C)55
(13)66
(19)75
(24)82
(28)92
(33)98
(37)101
(38)98
(37)95
(35)88
(31)70
(21)62
(17)101
(38)
Mean maximum °F (°C)47.1
(8.4)53.8
(12.1)65.3
(18.5)73.8
(23.2)82.9
(28.3)92.1
(33.4)95.8
(35.4)93.2
(34.0)87.5
(30.8)76.7
(24.8)61.2
(16.2)49.3
(9.6)96.3
(35.7)
Mean daily maximum °F (°C)35.0
(1.7)40.3
(4.6)50.1
(10.1)57.3
(14.1)67.8
(19.9)80.2
(26.8)86.6
(30.3)83.7
(28.7)74.9
(23.8)60.9
(16.1)46.5
(8.1)35.1
(1.7)59.9
(15.5)
Daily mean °F (°C)28.2
(−2.1)32.8
(0.4)41.3
(5.2)47.3
(8.5)57.7
(14.3)69.5
(20.8)75.6
(24.2)73.1
(22.8)65.0
(18.3)51.6
(10.9)38.7
(3.7)28.2
(−2.1)50.8
(10.4)
Mean daily minimum °F (°C)21.4
(−5.9)25.2
(−3.8)32.4
(0.2)37.2
(2.9)47.5
(8.6)58.8
(14.9)64.5
(18.1)62.6
(17.0)55.0
(12.8)42.3
(5.7)30.8
(−0.7)21.3
(−5.9)41.6
(5.3)
Mean minimum °F (°C)9.1
(−12.7)12.5
(−10.8)19.1
(−7.2)23.8
(−4.6)32.1
(0.1)42.9
(6.1)54.9
(12.7)54.0
(12.2)40.5
(4.7)25.9
(−3.4)14.8
(−9.6)9.0
(−12.8)5.6
(−14.7)
Record low °F (°C)−5
(−21)−12
(−24)9
(−13)16
(−9)20
(−7)31
(−1)40
(4)41
(5)31
(−1)6
(−14)3
(−16)−10
(−23)−12
(−24)
Average precipitation inches (mm)0.70
(18)0.67
(17)0.84
(21)0.67
(17)0.72
(18)0.37
(9.4)0.87
(22)1.09
(28)0.96
(24)1.16
(29)0.76
(19)0.77
(20)9.58
(242.4)
Average snowfall inches (cm)9.2
(23)7.4
(19)5.2
(13)2.9
(7.4)0.3
(0.76)0.0
(0.0)0.0
(0.0)0.0
(0.0)0.0
(0.0)0.7
(1.8)4.5
(11)8.3
(21)38.5
(96.96)
Average extreme snow depth inches (cm)7.6
(19)6.6
(17)3.7
(9.4)1.5
(3.8)0.3
(0.76)0.0
(0.0)0.0
(0.0)0.0
(0.0)0.0
(0.0)0.6
(1.5)3.4
(8.6)5.7
(14)9.6
(24)
Average precipitation days (≥ 0.01 in)5.76.25.84.95.32.76.27.45.65.84.55.665.7
Average snowy days (≥ 0.1 in)4.84.92.81.90.20.00.00.00.00.42.74.622.3
Source 1: NOAA[49]
Source 2: National Weather Service[50]
Climate change
National parks in the Western United States are more affected by climate change than the country as a whole,[51][52] and the National Park Service has begun research into how exactly this will effect the ecosystem of Canyonlands National Park and the surrounding areas and ways to protect the park for the future.[53] The mean annual temperature of Canyonlands National Park increased by 2.6 °F (1.4 °C) from 1916 to 2018.[54] It is predicted that if current warming trends continue, the average highs in the park during the summer will be over 100 °F (40 °C) by 2100.[55] In addition to warming, the region has begun to see more severe and frequent droughts[52][53] which causes native grass cover to decrease[56] and a lower flow of the Colorado River.[57] The flows of the Upper Colorado Basin have decreased by 300,000 acre⋅ft (370,000,000 m3) per year, which has led to a decreased amount of sediment carried by the river and rockier rapids which are more frequently impassable to rafters.[57] The area has also begun to see an earlier spring, which will lead to changes in the timing of leaves and flowers blooming and migrational patterns of wildlife that could lead to food shortages for the wildlife, as well as a longer fire season.[58]
The National Park Service is currently closely monitoring the impacts of climate change in Canyonlands National Park in order to create management strategies that will best help conserve the park's landscapes and ecosystems for the long term.[59] Although the National Park Service's original goal was to preserve landscapes as they were before European colonization, they have now switched to a more adaptive management strategy with the ultimate goal of conserving the biodiversity of the park.[60] The NPS is collaborating with other organizations including the US Geological Survey, local indigenous tribes, and nearby universities in order to create a management plan for the national park.[59][53] Right now, there is a focus on research into which native plants will be most resistant to climate change so that the park can decide on what to prioritize in conservation efforts.[59] The Canyonlands Natural History Association has been giving money to the US Geological Survey to fund this and other climate related research. They gave $30,000 in 2019 and $61,000 in 2020.[53]
Geology
Upheaval Dome is an impact structure, the deeply eroded bottom-most remnants of an impact crater
Main article: Geology of the Canyonlands area
A subsiding basin and nearby uplifting mountain range (the Uncompahgre) existed in the area in Pennsylvanian time. Seawater trapped in the subsiding basin created thick evaporite deposits by Mid Pennsylvanian. This, along with eroded material from the nearby mountain range, became the Paradox Formation, itself a part of the Hermosa Group. Paradox salt beds started to flow later in the Pennsylvanian and probably continued to move until the end of the Jurassic.[61] Some scientists believe Upheaval Dome was created from Paradox salt bed movement, creating a salt dome, but more modern studies show that the meteorite theory is more likely to be correct.
A warm shallow sea again flooded the region near the end of the Pennsylvanian. Fossil-rich limestones, sandstones, and shales of the gray-colored Honaker Trail Formation resulted. A period of erosion then ensued, creating a break in the geologic record called an unconformity. Early in the Permian an advancing sea laid down the Halgaito Shale. Coastal lowlands later returned to the area, forming the Elephant Canyon Formation.
Large alluvial fans filled the basin where it met the Uncompahgre Mountains, creating the Cutler red beds of iron-rich arkose sandstone. Underwater sand bars and sand dunes on the coast inter-fingered with the red beds and later became the white-colored cliff-forming Cedar Mesa Sandstone. Brightly colored oxidized muds were then deposited, forming the Organ Rock Shale. Coastal sand dunes and marine sand bars once again became dominant, creating the White Rim Sandstone.
Rock formations in the Needles district
A second unconformity was created after the Permian sea retreated. Flood plains on an expansive lowland covered the eroded surface and mud built up in tidal flats, creating the Moenkopi Formation. Erosion returned, forming a third unconformity. The Chinle Formation was then laid down on top of this eroded surface.
Increasingly dry climates dominated the Triassic. Therefore, sand in the form of sand dunes invaded and became the Wingate Sandstone. For a time climatic conditions became wetter and streams cut channels through the sand dunes, forming the Kayenta Formation. Arid conditions returned to the region with a vengeance; a large desert spread over much of western North America and later became the Navajo Sandstone. A fourth unconformity was created by a period of erosion.
Mud flats returned, forming the Carmel Formation, and the Entrada Sandstone was laid down next. A long period of erosion stripped away most of the San Rafael Group in the area, along with any formations that may have been laid down in the Cretaceous period.
The Laramide orogeny started to uplift the Rocky Mountains 70 million years ago and with it, the Canyonlands region. Erosion intensified and when the Colorado River Canyon reached the salt beds of the Paradox Formation the overlying strata extended toward the river canyon, forming features such as The Grabens.[62] Increased precipitation during the ice ages of the Pleistocene quickened the rate of canyon excavation along with other erosion. Similar types of erosion are ongoing, but occur at a slower rate. Wikipedia
Portable Flicka 2.0.0.4 has just been released.
Main changes:
* Works again with Originals and Large
* Interface changes (more space)
Here is a detailedlist of the latest changes:
Version 2.0.0.4 - 8-march-2007
* BUGFIX: User groups were not being shown, but yours.
Version 2.0.0.3 - 7-march-2007
* New option: right clicking on the photo list, shows a menu that replaces the buttons All, None, Invert
* Browse for destination now updated to new UI, that handles New Folder button
* Now shows photo count on several ways and contact counts
* Tooltips for the removed captions
* New check for updates option
* Fixed uninstall
* Minor and cosmetic changes
Version 2.0.0.2
* Original format now downloads OK.
* User interface has been cleaned to support users with 800 by 600
* Thumbnails can be disabled, so that selecting photos from the list does not refreshes the thumbnails. This is for users with slow connection, or the ones like me that doesn’t want to wait to select a set of photos
Download it from Portable Flicka Page
Update: Latest version is 2.0.0.5, check it here
Working on another project, found this interesting pentagonal shape.
found it's counterpart which tiles well, and gives you and endlessly repeating pattern with multiple lines of tessellation, but only two lines of symmetry.
working on crease pattern for this- not too hard to fold, just a paper hog- uses up much pleat space.
It reminds me of Melisande's butterfly tessellation, which I spent some time on the other day trying to figure out... this one is similar, but tweaked to fit into a triangular grid. The same concept, anyway.
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September 2023 geben, an dem ich teilnehmen durfte. Dieser Tag war ein wahres Fest für Geschichtsbegeisterte und Freunde des Reenactments.Es war eine Freude, alte Freunde in Uniform wiederzusehen und gemeinsam in die Welt des Jahres 1813 einzutauchen. Die Schlacht an der Göhrde wurde mit beeindruckender Detailtreue nachgestellt und ich konnte nicht umhin, die Atmosphäre und die Hingabe der Teilnehmer zu bewundern.Währenddessen hatte ich die Gelegenheit, 4566 Fotos zu schießen, um die faszinierenden Momente dieses historischen Ereignisses festzuhalten. Die Reenactors, die Uniformen, die Waffen und das Lagerleben – all das fesselte mich und weckte die Vergangenheit zum Leben.Leider kann ich morgen nicht am letzten Tag der Veranstaltung teilnehmen, da private Verpflichtungen mich in Anspruch nehmen. Dennoch freue ich mich darauf, nach und nach meine Fotos auszuwerten und meine Eindrücke mit euch zu teilen. Es ist immer wieder erstaunlich, wie das Reenactment uns die Geschichte auf so lebendige Weise näherbringt.Ich hoffe, ihr hattet ebenfalls eine großartige Zeit und konntet diese einzigartige Erfahrung genießen. Bis bald, wenn ich meine Werke mit euch teilen werde!Historische Grüße Marco Federmann\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t","editSettings":{"defaultEditRoute":"content","panel":{"activeTab":"content","activeSection":"section_editor"}}}]}
Download and preview here Creative WordPress Theme - 9 in 1
by Brankic1979
Creative template is a clean and professional theme, perfect for all types of business, companies and personal web sites. This template is tested in all common browsers: Firefox, Chrome, Safari, Opera, IE6 , IE7 and IE8 .
HTML /CSS validate.
Creative template has 9 color variations
Creative template contains 2 different homepage:
* Only 1 kb Horizontal Accordion Slider easy customizable
* Stefan Kovac Cub3r 3D FLASH Slider no Flash needed for customization
Creative template has 12 different pages
* 2 x Homepage
* About
* News
* Services
* Portfolio
* Portfolio single page
* Blog
* Blog single page with form
* Gallery
* Contact page with fully working contact form
* Send page
Features you can find in Creative template
* Color hover animation
* Smooth sliding tabs
* Jquery dropdown menu
* Cycle text slideshows with numerous transition options
* Filterable effect on portfolio and gallery page
* Sliding boxes on gallery page
* 1 kb Horizontal accordion slider
* Image view with Highslide
* Fully working PHP contact form
* Cufon font image replacement
* Cool transparent tooltip
* support png24
* easy to customize
* supported by all browsers
* 2 different widgets
* pagination system
Files included
* Help html file
* Help url file
* 2 psd Dark and Light
Enjoy!
Download and preview here Creative WordPress Theme - 9 in 1
#page_title {
opacity:0; width: 0;
}
html {
background: url(www.widewallpapers.net/mod/love/1680x1050/love-wide-wallp...);
background-position: center;
background-attachment: fixed;
background-repeat: repeat;
}
body {
background: none;
padding-left: 210px;
padding-right: 215px;
overflow-x:hidden;
font-family: "Trebuchet MS", Helvetica, sans-serif;
font-size: 10pt;
}
#top_login {
padding: 2px 10px 0px 0px !important;
border: 1px solid #CCCCCC;
margin: 0px 0px 0px 0px;
background-image: url(i47.tinypic.com/mhx5d0.jpg);
background-color: transparent;
background-repeat: repeat;
color: black !important;
-webkit-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-moz-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-o-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-khtml-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-moz-border-radius:4px;
-webkit-border-radius:4px;
-khtml-border-radius:4px;
}
#sign_up {
padding: 0px 3px 0px 3px !important;
margin: 0px 0px 0px 0px !important;
position: relative !important;
}
#dash-stats h3 {
font-size: 24px;
}
#alert_beacon {
text-shadow: 1px 1px 1px white;
color: black !important;
}
h1 {
font-weight: bold;
text-shadow: 1px 1px 1px black;
color: #99FF33 !important;
}
table, td {
color: black !important;
text-shadow: 1px 1px 1px white;
}
#plurk-dashboard a, #footer a, #top_login a, #top_bar a {
font-family: "Trebuchet MS", Helvetica, sans-serif;
text-shadow: 1px 1px 1px white;
color: black !important;
}
#karma, .karma_hover {
font-family: "Trebuchet MS", Helvetica, sans-serif;
text-shadow: 2px 2px 2px black;
color: #99FF33;
font-weight:bold;
}
.browse_button {
top: 300px !important;
padding-right: 215px;
margin-left: 0px !important;
}
.tooltip_cnt {
background: #003300;
text-shadow: 1px 1px 1px black;
}
/* ----- TIMELINE ------ */
#timeline_cnt {
background: url() no-repeat;
background-color: transparent;
}
#timeline_holder {
background: url() repeat-x;
padding-left: 210px;
padding-right: 215px;
position: relative;
-webkit-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-moz-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-o-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-khtml-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
border: 1px solid #CCCCCC;
-moz-border-radius:8px;
-webkit-border-radius:8px;
-khtml-border-radius:8px;
}
#bottom_line {
color : black;
text-shadow: 1px 1px 1px white;
position: relative;
top: 365px !important;
right: 215px;
left: 0px;
-moz-border-bottom-left-radius:8px;
-webkit-border-bottom-left-radius:8px;
-khtml-border-bottom-left-radius:8px;
-moz-border-bottom-right-radius:8px;
-webkit-border-bottom-right-radius:8px;
-khtml-border-bottom-right-radius:8px;
}
div#updater {
left: 18em; right: auto;
-moz-border-radius:12px;
-webkit-border-radius:12px;
-khtml-border-radius:12px;
}
#filter_tab .off_tab {
color : black;
text-shadow: 1px 1px 1px white;
background-image: url(i47.tinypic.com/mhx5d0.jpg);
background-color: transparent;
background-repeat: repeat;
border: 2px solid white;
-moz-border-bottom-left-radius:6px;
-webkit-border-bottom-left-radius:6px;
-khtml-border-bottom-left-radius:6px;
-moz-border-bottom-right-radius:6px;
-webkit-border-bottom-right-radius:6px;
-khtml-border-bottom-right-radius:6px;
}
/* ***************************** */
/* Indonesian Plurk Layouter */
/* ***************************** */
/* Layout Founder : Haerul Rijal */
/* eMail : the.trojan.x@gmail.com */
/* Layout editing1 : blackmask */
/* eMail : blackmask@gmail.com */
/* Layout editing2 : ardhedefourteenz */
/* eMail : ardhea014defourteenz@gmail.com */
/* ***************************** */
/* Thanks For Downloading :) */
/* ********************************* */
/* -------plurk--------- */
.p_img img {
border: 2px solid white;
background: white
-webkit-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-moz-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-o-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-khtml-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-moz-border-radius:2px;
-webkit-border-radius:2px;
-khtml-border-radius:2px;
}
.response_count {
padding: 2px 2px 2px 2px;
-moz-border-radius:3px;
-webkit-border-radius:3px;
-khtml-border-radius:3px;
}
textarea#input_small, textarea#input_big {
-moz-border-radius:10px;
-webkit-border-radius:10px;
-khtml-border-radius:10px;
}
.mini_form {
color: black;
font-weight: bold;
text-shadow: 1px 1px 1px white;
-moz-border-top-left-radius: 10px 10px;
-webkit-border-top-left-radius: 10px 10px;
-khtml-border-top-left-radius: 10px 10px;
-moz-border-top-right-radius: 10px 10px;
-webkit-border-top-right-radius: 10px 10px;
-khtml-border-top-right-radius: 10px 10px;
}
.plurk_box .list .empty {
text-shadow: 1px 1px 1px white;
}
.plurk_box .list {
color : white;
text-shadow: 1px 1px 1px black;
-moz-border-radius:10px;
-webkit-border-radius:10px;
-khtml-border-radius:10px;
}
.qualifier {
text-shadow: 1px 1px 1px black;
color: white;
padding: 0px 1px 0px 1px;
-moz-border-radius:2px;
-webkit-border-radius:2px;
-khtml-border-radius:2px;
}
#emoticons_show img {
border: 0px !important;
}
#emoticons_show, #emoticons_tabs ul li {
border: 1px solid grey;
padding: 2px 2px 2px 2px !important;
-moz-border-radius: 4px;
-webkit-border-radius: 4px;
-khtml-border-radius: 4px;
}
.plurk_cnt {
text-shadow: 1px 1px 1px grey;
font-size: 9pt;
border: 1px solid #CCCCCC;
-moz-border-radius:10px;
-webkit-border-radius:10px;
-khtml-border-radius:10px;
}
.dots .inner {
background: white;
text-shadow: 1px 1px 1px white;
padding: 0px 1px 1px 0px !important;
border: 1px solid #CCCCCC;
-moz-border-radius:4px;
-webkit-border-radius:4px;
-khtml-border-radius:4px;
}
.plurk_cnt table {
-moz-border-radius:10px;
-webkit-border-radius:10px;
-khtml-border-radius:10px;
}
.plurk_cnt {
opacity: .9;
padding: 2.5px 9px;
background: white;
margin-left: 5px;
-webkit-border-radius: 6px;
-khtml-border-radius: 6px;
-moz-border-radius: 6px;
-o-border-radius: 6px;
border-radius: 6px;
}
.plurk_box .caption {
background: rgb(72,72,72);
color: red;
-moz-border-radius:10px;
-webkit-border-radius:10px;
-khtml-border-radius:10px;
}
.info_box {
-moz-border-bottom-left-radius: 10px 10px;
-webkit-border-bottom-left-radius: 10px 10px;
-khtml-border-bottom-left-radius: 10px 10px;
-moz-border-bottom-right-radius: 10px 10px;
-webkit-border-bottom-right-radius: 10px 10px;
-khtml-border-bottom-right-radius: 10px 10px;
}
.plurkaction .qual_holder {
text-shadow: 1px 1px 1px white;
font-weight: bold;
color: #FFFFFF;
}
.emoticon, .p_img {
-webkit-transition-duration: 500ms;
-moz-transition-duration: 500ms;
-khtml-transition-duration: 500ms;
}
.emoticon:hover, .p_img:hover, .friend_holder img:hover, .award_bar img:hover {
-webkit-transform: rotate(390deg) scale(1.2);
-moz-transform: rotate(390deg) scale(1.2);
-khtml-transform: rotate(390deg) scale(1.2);
}
/* ----- DASHBOARD ------ */
#dash-profile {
background: url() repeat;
-webkit-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-moz-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-o-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-khtml-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-moz-border-radius:8px;
-webkit-border-radius:8px;
-khtml-border-radius:8px;
position: fixed !important;
opacity : 1 !important;
text-align: center;
color: white;
text-shadow: 1px 1px 1px black;
margin: 0px 0px 0px 20px;
padding: 3px 3px 3px 3px;
border: 1px solid #CCCCCC;
right: 5px;
top: 5px;
height:130px;
width:195px;
}
#dash-additional-info {
-moz-border-radius:8px;
-webkit-border-radius:8px;
-khtml-border-radius:8px;
position: fixed !important;
opacity : 1 !important;
text-align: center;
color: white;
text-shadow: 1px 1px 1px black;
margin: 0px 0px 0px 20px;
padding: 35px 3px 3px 3px;
right: 5px;
top: 10px;
width:190px;
}
div#private_plurk {
margin: 50px 0px 10px 0px !important;
}
#profile_pic {
-webkit-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-moz-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-o-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-khtml-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
position: fixed !important;
opacity: 1 !important;
margin: 0px 0px 0px 0px;
background-color: white;
left: 5px;
top:5px;
width:195px;
height:195px;
border: 1px solid #CCCCCC;
-webkit-border-radius: 8px;
-khtml-border-radius: 8px;
-moz-border-radius: 8px;
}
p#about_me:hover {
opacity: 1 !important;
}
p#about_me {
position: fixed !important;
opacity: .5 !important;
margin: 0px 00px 0px 0px;
text-shadow: 1px 2px 2px black;
color: white;
left: 5px;
text-align : center;
top: 205px;
width:195px;
}
.award_bar div {
padding: 5px 5px 5px 5px;
margin: 0px 0px 0px 0px;
height: 22px;
width: 20px;
}
.award_bar img {
-moz-transform: scale(0.5);
-khtml-transform: scale(0.6);
-webkit-transform: scale(0.6);
-o-transform: scale(0.7);
}
.award_bar {
position: fixed !important;
background: url() repeat-x;
-webkit-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-moz-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-o-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-khtml-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
padding: 0px 0px 13px 0px;
border: 1px solid #CCCCCC;
left: 0px;
opacity: 1 !important;
text-align : right;
top: 260px;
width:180px;
-moz-border-radius: 8px;
-webkit-border-radius: 8px;
-khtml-border-radius: 8px;
}
#dash-friends {
position: fixed !important;
background: url() repeat;
-webkit-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-moz-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-o-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-khtml-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
padding: 0px 0px 5px 0px;
border: 1px solid #CCCCCC;
left: 5px;
opacity: 1 !important;
text-align : center;
text-color : black;
top: 320px;
width:190px;
-moz-border-radius: 8px;
-webkit-border-radius: 8px;
-khtml-border-radius: 8px;
}
#dash-fans {
-moz-border-radius:8px;
-webkit-border-radius:8px;
-khtml-border-radius:8px;
position: fixed !important;
background: url() repeat-x;
-webkit-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-moz-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-o-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-khtml-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
opacity : 1 !important;
text-align: center;
margin: 0px 0px 0px 0px;
padding: 3px 3px 3px 3px;
border: 1px solid #CCCCCC;
right: 5px;
top: 410px;
width:195px;
}
.friend_holder td {
padding: 0px 0px 3px 3px;
}
.friend_holder img {
-webkit-box-shadow: 1px 1px 2px rgba(0, 0, 0, 0.6);
-moz-box-shadow: 1px 1px 2px rgba(0, 0, 0, 0.6);
box-shadow: 2px 2px 2px rgba(0, 0, 0, 0.6);
-o-box-shadow: 2px 2px 2px rgba(0, 0, 0, 0.6);
-khtml-box-shadow: 2px 2px 2px rgba(0, 0, 0, 0.6);
}
#dashboard-invite, #sharePlurk {
width: 0; height: 0 !important;
opacity: 0 !important;
padding: 0px !important;
overflow: hidden !important;
}
#dash-stats {
-moz-border-radius:8px;
-webkit-border-radius:8px;
-khtml-border-radius:8px;
position: fixed !important;
background: url() repeat-x;
-webkit-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-moz-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-o-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-khtml-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
opacity : 1 !important;
text-align: center;
margin: 0px 0px 0px 0px;
padding: 3px 3px 3px 3px;
border: 1px solid #CCCCCC;
right: 5px;
top: 150px;
width:195px;
}
#plurk-dashboard table, #plurk-dashboard td {
color: white !important;
text-shadow: 1px 1px 1px black;
}
#plurk-dashboard {
-moz-border-radius:8px;
-webkit-border-radius:8px;
-khtml-border-radius:8px;
border: 1px solid #CCCCCC;
background: url(i47.tinypic.com/mhx5d0.jpg) repeat-x;
-webkit-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-moz-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-o-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-khtml-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
background-color: transparent;
}
.dash-segment {
min-height : 60px;
}
/*----- PANE PLURK ----*/
#dashboard_holder {
top: 0px;
position: relative;
width:100% !important;
}
#toggle_tab li {
background: url() repeat-x;
text-shadow: 1px 1px 1px black;
-moz-border-top-left-radius:8px;
-webkit-border-top-left-radius:8px;
-khtml-border-top-left-radius:8px;
-moz-border-top-right-radius:8px;
-webkit-border-top-right-radius:8px;
-khtml-border-top-right-radius:8px;
color: white;
border: 1px solid #CCCCCC;
background-color: #E0E0E0;
background-color: transparent;
}
#toggle_tab li.tt_selected {
background: url(i47.tinypic.com/mhx5d0.jpg) repeat-x;
text-shadow: 1px 1px 1px white;
color: black;
-moz-border-top-left-radius:8px;
-webkit-border-top-left-radius:8px;
-khtml-border-top-left-radius:8px;
-moz-border-top-right-radius:8px;
-webkit-border-top-right-radius:8px;
-khtml-border-top-right-radius:8px;
border: 1px solid #E0E0E0;
background-color: transparent;
}
.plurkaction {
background: url(i47.tinypic.com/mhx5d0.jpg) repeat-x;
-webkit-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-moz-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-o-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-khtml-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-moz-border-radius:8px;
-webkit-border-radius:8px;
-khtml-border-radius:8px;
border: 1px solid #E0E0E0;
background-color: transparent;
}
.share_search {
position:relative;
bottom: 5px;
padding-right: 50%;
}
#reply_box {
background-image: url(i38.tinypic.com/dfd9wz.png);
background-repeat: repeat;
background-color: transparent;
}
/*--- FOOTER ---*/
#footer {
top: -85px;
width: 100% !important;
color: black;
padding: 3px 10px 3px 10px;
}
#languge_selector, #footer p {
padding: 3px 25px 3px 25px;
}
.day_bg .div_inner {
background: url(hhttp://i763.photobucket.com/albums/xx275/BerserKFuhrer/Bleach/Ichigo.gif) no-repeat Bottom;
width: 80px; border: none;
}
/* -------LOADING------- */
.list .loading {
position:absolute;
height:120px; /* jarak dari atas */
background:transparent url(nartzco.com/blog/wp-content/plugins/kaskus-emoticons/emot...) no-repeat 50% 50%;
}
.loading img {
filter:alpha(opacity=0);
opacity:.0;
}
/* --------------------- */
A snapshot of the two main views we currently use to monitor flagging on Metafilter. 99% of the time we're interested in where the flags are piling up, not who is doing the flagging.
The top bit is what we see in the upper right corner of the main admin page on mefi; it lists flags sorted by volume and then by date for equally-flagged items. One recent change pb has made for us is the addition of subsite filters (see "all | ask | mefi | other") to make it simpler to keep an eye on major subsites independently if there's a lot of flagging activity on one that's obscuring lower-volume but still important flags on another.
We also use that "good spots" bit to keep an eye on "flagged as fantastic" stuff, since that flag carries a very different payload than most of the "there's a problem" choices. We will often notice sidebar-worthy comments because they show up here.
Down below is the inline flag info, something we've had for maybe a year now; it just lists flag count on individual items, which can be helpful for us when we're trying to figure out what's going on within a given thread. It used to be that we'd have to navigate comment-by-comment from the admin flag queue above, which worked but was tedious. This way, if a dozen things ended up flagged in a thread, we can tell what they are at a glance.
The blue pop-up is what we get if we hover over the "x times" link on the inline flag message. We don't need to use this much, but it's handy for the now-and-then occasion where we're not sure *why* a comment was flagged, as well as for the blue-moon situation where *who* flagged might help explain what's going on in a specific circumstance.
Other details not pictured here:
- Hovering over an item in the admin flag queue provides an abbreviated tooltip of the start of the comment or post flagged, which can help with quickly orienting or re-orienting us to what still needs attention before we even click through.
- There's a summary of flagging behavior in and on a thread at the top of each thread, to go with the per-comment inline flagging info. It tells us how many flags a post has gotten, as well as how many distinct comments have been flagged and how many total comment flags have accrued. We mirror the same information on the front page below every post. It's useful for telling at a glance if something looks like trouble without having to go to the admin interface first, which can help us notice things quicker if we're just casually browsing the site at the time.
Summary
Where I look at the relationship between objects and the instructions to make them, introduce the idea of the "printout" and how in a world where new manufacturing technologies will force us to re-evaluate where the true value lies: The one off object or the instructions to make it?
Yesterday I spent some time listening from my extensive collection of music and talks. [0] I like music. I listen to it a lot but today instead of music I chose to listen to Bruce Stirling's excellent talk at Reboot in Copenhagen last year. [1] [2] I suspect Bruce Stirling makes compelling listening due to the quality of his ideas, no doubt, due to his writing background. He thinks carefully before he speaks. A rare commodity indeed.
Stuff
One particular idea that caught my imagination is the idea of objects should be thought of as "printouts". It's a compelling idea because it a) makes you think about physical objects and their properties and b) how you relate to the stuff you have now or might get in the future. There are a number of reasons you might want to think about the objects you collect around you. If you live in the first world you suffer the dilemma of too much stuff. [3] An unfortunate consequence of the Industrial and consumer revolution.
We can accumulate objects cheaply even if there is no apparent need. Stirling went on to explain the properties of objects, how to think of them in terms of "space and time" and ways to classify objects. All of this with the end goal in mind of reducing the amount of stuff we own. But this is where I'm going to diverge from Stirling. I want to think about how we deal with new objects. Stuff we are going to accumulate in the future that hasn't been created yet.
Objects
We intuitively understand what objects are. Objects take up space. Objects exist in time. Objects also can have social meaning. Objects have to be cared for, repaired and if they are no longer working or are unwanted, thrown out. Discarded. We have a profound relationship with the objects we use. Now I would like you to think beyond the use of objects to their improvement. It's not hard. I'm not asking you to consider design of objects just improvement.
Consider a cooking recipe for your favourite cake for instance. If the recipe is in your favourite cook book it's possible to annotate the recipe to your own taste. A substitution of your special supply of ground whole wheat and baking powder for self-raising flour in that Chocolate cake for instance. Real dark Chocolate instead of the compound stuff. This of course means a few additional lines in the recipe to make sure you don't burn the chocolate over a raw flame, heating water then placing the bowl of broken pieces instead. The recipe is really just a set of instructions to build an object, not just any object by the way but a edible cake modified to your taste. You can do this with cook books.
What would a world look like if you could do this with other everyday objects that you might have in the future?
Printout
What exactly is a printout? The term "printout" is computer slang for "instructions" or a print out of the instructions programmers write to control computers. Programmers write these instructions using human understandable languages, which when translated into machine understandable instructions, instruct a computer to do things. A printout is really a set of tasks to do something. So the best way to think of a printout is a design to do things. A recipe is a print out. You follow the instructions to build your cake. Of course it's not the stock standard cake in your favourite cookbook but a modified version suited to your taste. This is another way to think about objects. Objects as instructions. If Objects are printouts, the printouts can be modified and improved over time. The value has now shifted from the object to the instructions to build the object.
NewFab
Why are we talking about computers, computer slang and printouts? What do they have to do with real world objects? In the not too distant future we will have the capacity to use printouts to modify and create new stuff. Objects created from raw materials. We already have a hint of this. The quality of the objects at the moment would be considered toy-like but that's not necessarily bad if you are a kid. [4] What kid wouldn't love to create one hundred copies of their favourite Tyrinad to build their own Warhammer army? [5]
But for us grown-ups, new forms of fabrication are still not up to the job. While the current crops of Gothic high-tech corporations spit out shiny seamless experiences, we will gobble them up no matter how many slaves die in the process. This will change though. The new revolution in manufacturing will be just as profound as the Industrial revolution. Another tweak in the creation of objects - the ability of personal customisation. "Me" objects. But I'm getting a bit ahead of myself. It hasn't happened yet. Until NewFab technologies are adopted our ability to customise and improve our everyday objects are limited. Possible, but limited.
Continual improvement
But as I've shown, I can improve the quality of my everyday objects like me my favourite Chocolate cake. What makes this possible is the idea of the printout and continual improvement. The printout is the instructions needed to build the object. The real value is in the ability to make continual improvements that let us increase the quality and usefulness of our objects. [6] This can only be possible if we have access to the printout.
Sharing
It's no good making improvements if we can't share them. If there is any lesson to learn about the Internet, it's a place that lets you share your printouts. Sharing begets use. Usage begets improvement. Programmers who share their code notice that not only does the usage of their software objects increase when they share but there is a benefit in the quality of their printout (code) improves as well. [7] So if we think of objects as printouts, if we share them the likelihood of improvement is higher than by not sharing.
Thinking about stuff as printouts instead of objects is useful for creators. Printouts are the instructions to make things. The object is result of following the instructions. I think too often the value is seen in the object but not the printout. We value hand made objects because they are made and designed by people. They have social significance. There is a story behind them. They can be things of beauty and may also have practical use. There is nothing wrong valuing objects in this way. But in doing so we have forgotten the importance of the process, the instructions to build objects, the printout.
I suspect as the revolution in fabrication approaches and the resolution of the fabrication tools increases we will wonder if the real value of our stuff is not in the object but the printout.
Reference
[0] All 1339 items, 15Gb or 13 days, 9 hours and thirteen minutes worth. All are legally mine.
[1] Dave Winer, Scripting.com, "Bruce Sterling at Reboot" [Accessed Tuesday June 15th, 2010] http://www.scripting.com/stories/2009/10/21/brucesterlingatreboot.html
[2] You can also watch the talk. It goes for about 43 minutes and is a 155Mb download in mp4 format. "Bruce Sterling - reboot 11 closing talk", 43 min, mp4. [Accessed Tuesday June 15th, 2010] video.reboot.dk/video/486788/bruce-sterling-reboot-11
[3] Paul Graham, paulgraham.com, "Stuff: I have too much stuff. Most people in America do. In fact, the poorer people are, the more stuff they seem to have... It wasn't always this way. Stuff used to be rare and valuable." [Accessed Tuesday June 15th, 2010] paulgraham.com/stuff.html
[4] bootload, flickr, "2009MAY052009: At Trampoline 1 held in Melbourne, Saturday 28th of March, 2009, Pete Yandell (@notahat) talked about open source fabbers, 3d fabrication, 3D printers and materials to rapidly prototype stuff. An exciting idea because with the right type of materials and blueprints you can reproduce complex products that could not easly by reproduced. Three dimensional objects can be recreated from digital designs by a photocopy like process where layers of material are deposited until the entire object is created. Pete also specifically mentioned making copies of kids toys.", [Accessed Tuesday June 15th, 2010] www.flickr.com/photos/bootload/3503485267
[5] Tyrinads, wikipedia.org, "Tyrinads are a fictional race of warrior creatures from the Warhammer 40K board game." [Accessed Tuesday June 15th, 2010] en.wikipedia.org/wiki/Tyranids
[6] As I was writing this article I stumbled on a quick example of this kind of improvement. The master of Gothic high-tech corporations has released a new product that doesn't handle one particular edge case viewing an object. The author decided to modify the recipe to view the object and released a copy for other people to benefit from. An improvement of the object experience using the printout: @tlrobinson, Tom Robinson, "Worst part of lack of hover events etc on iPad: I can't read the XKCD tooltips. Solution: gist.github.com/438642" [Accessed Tuesday June 15th, 2010] twitter.com/tlrobinson/status/16196920383
[7] Pete Warden, petewarden.typepad.com, "There's still going to be some tumbleweed blowing through the long tail of open-source projects, but Github is a massive step forward. I'm eagerly anticipating lots more people pointing out my mistakes, the world of open-source will be a lot more productive with that sort of collaboration." [Accessed Tuesday June 15th, 2010] petewarden.typepad.com/searchbrowser/2010/06/an-end-to-th...
Today's freebie is a semitransparent Tool Tips Set inspired to Mozilla Firefox style. A PSD file realized with vector shapes. Fell free to use it with jQuery code or for your UI/UX projects!
You can download the PSD file here: opendept.net/photoshop-freebies/firefox-style-transparent...
graph G {
overlap=false; //scale; //false; //
directed=false;
pack=true; // put unconnected subgraphs as close as possible;
center=true; // center on page
//minsep=0.2;
size="7,10"; //"6,9";
ratio=0.6; // aspect ratio
fontsize=14;
// outputorder=edgesfirst; // make nodes come out on top;
// set up default shape for nodes;
node [ shape=rectangle, style=filled,
fillcolor=gray80, color=gray80,
fixedsize=true, height=0.25, width=1,
fontcolor=black, fontsize=14];
// Default edge characteristics
edge [color="blue", len=0.1, fontsize=16, arrowhead="dot", arrowtail="dot", arrowsize=0.4];
"S0001126" [URL="javascript:ShowNodeContents('\N')", tooltip="STE12/YHR084W/S0001126", fillcolor="red", color="red", label="STE12"];
label = "Query genes: STE12 (YHR084W/S0001126)\lThis graph produced by BioTrawler,\la BioMOBY (web-service)-based application for viewing distributed gene/protein interaction data,\lpart of the BioGraphNet initiative at the Roth Lab, Harvard Medical School.\l\l";
"Legend here" [fixedsize=false, fontsize=14, shape="rectangle", label=<InteractionColorCorrelatedCoexpression GavinSpoke getKnownRegulatorsAndTargets Homology SyntheticLethal >];
"S0001126" -- "S0003268" [color="green", style="setlinewidth(1)", len=1, URL="", label=""];
"S0001126" -- "S0003057" [color="blue", style="setlinewidth(1)", len=1, arrowsize="1", arrowhead="vee", arrowtail="none" , URL="", label=""];
"S0001126" -- "S0001868" [color="blue", style="setlinewidth(1)", len=1, arrowsize="1", arrowhead="vee", arrowtail="none" , URL="", label=""];
"S0001126" -- "S0000532" [color="blue", style="setlinewidth(1)", len=1, arrowsize="1", arrowhead="vee", arrowtail="none" , URL="", label=""];
"S0001868" [URL="javascript:ShowNodeContents('\N')", tooltip="STE2/YFL026W/S0001868", fillcolor="gray80", color="gray80", label="STE2"];
"S0003057" [URL="javascript:ShowNodeContents('\N')", tooltip="MF(ALPHA)2/YGL089C/S0003057", fillcolor="gray80", color="gray80", label="MF(ALPHA)2"];
"S0003268" [URL="javascript:ShowNodeContents('\N')", tooltip="CAX4/YGR036C/S0003268 (CWH8)", fillcolor="gray80", color="gray80", label="CAX4"];
"S0000532" [URL="javascript:ShowNodeContents('\N')", tooltip="FUS1/YCL027W/S0000532", fillcolor="gray80", color="gray80", label="FUS1"];
// Use epsilon, maxiter to make sure the graph renders quickly,
// no matter how many nodes are present.
// If there are few, the rendering will be good even with loose parameters
// If there are many, it won't matter too much how good the layout is,
// the user won't be able to read it anyway.
// The important thing is to give a quick response.
epsilon=0.0004;
maxiter=10000;
overlap=scale;
};
La última de la fageda. Es la que más me gusta de esa kdd
Esta foto participa en el www.flickr.com/groups/fotografia_aprendamos_juntos/discus...
Y para todos los participantes, ¡Un 5% de descuento en hoteles!
Twitter users who mentioned "CHI2010" on April 12, 2010 scaled by number of followers. X = log(followers), y =log(tweets). Please ignore the axes labels, which are inaccurate.
NodeXL is available from www.codeplex.com/nodexl
www.connectedaction.net/2010/04/11/conference-nodexl-and-...
The book, Analyzing social media networks with NodeXL: Insights from a connected world, is available from Morgan Kaufmann and from Amazon.
Twitter users who mentioned "ashcloud" on April 18, 2010 scaled by number of followers.
Note the multi-line tooltip created with &CHAR(10)&
NodeXL is available from www.codeplex.com/nodexl
www.connectedaction.net/2010/04/11/conference-nodexl-and-...
The book, Analyzing social media networks with NodeXL: Insights from a connected world, is available from Morgan Kaufmann and from Amazon.
Some handy tips for handling your faceup project. Tips on my blog: madwifeintheattic.com/posts/
The doll in this photo will be auctioned on 10/04/15 and ALL the proceeds will go to St. Jude's Children's hospital. You can learn more and submit an online bid at: metrodolls.blogspot.com/p/proxy.html The deadline is 10/02!!! Check out the link to see all the AMAZING dolls donated for this cause.
Displays a tooltip over a known Lego set number on any webpage! Download BrickTip! Chrome extension in the chrome webstore