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Tools are very useful. If you have any good quality tools either new or secondhand that you do not need, then please contact Brass Tacks, as they can be put to good use.
By Tony Cragg
Tony Cragg (born 1949, UK) is one of the world’s foremost sculptors, constantly pushing to find new relations between people and the material world. In the 1980s, Cragg began to make sculptures suggestive of architecture...
These totemic piles of found objects and machined parts suggest an industrial counterpoint to the history of man-made achievements, while his other work nearby, Tools, made from sandstone, conveys the opposite, being hand wrought versions of mechanical aids, such as screwdrivers and mallets. Cragg sees no difference between the natural and the artificial, preferring to acknowledge the bridges between the two, the synthetic here acquiring figurative qualities in some of the bust-like tools, while his stacked turrets of spacers, washers and engine spares travel back through time to suggest archaeological accretions and geological strata.
[everythingatonce.com]
Part of Everything at Once
Presented by Lisson Gallery and The Vinyl Factory at the Store Studios, 180 The Strand
October-December 2017
Lisson Gallery opened on Bell Street in 1967, a year after John Cage’s pronouncement on the changing conditions of contemporary existence. In celebration of this anniversary, the gallery is partnering with The Vinyl Factory to stage ‘EVERYTHING AT ONCE’, an ambitious group exhibition inspired by these words, which could very well apply to our current anxiety-ridden age of ceaseless communication. Through new and historical works by 24 of the artists currently shown by Lisson Gallery (out of more than 150 to have had solo shows over the past 50 years), this extensive presentation aims to collapse half a century of artistic endeavour under one roof, while telescoping its original aims into an unknowable future.
As Cage predicted, we increasingly live in an all-at-once age, in which time and space are no longer rational or linear concepts and great distances can be traversed with an instantaneous click. More than ever before, contemporary art, like life, assaults us simultaneously from all angles and from anywhere on the globe, existing also as multisensory visions of an accelerated world.
In response, ‘EVERYTHING AT ONCE’ is neither a chronological exhibition nor an encyclopaedic history of the gallery’s activities since 1967, rather it is an interconnected journey incorporating 45 works exploring experience, effect and event, invoking immediacy and immutability. Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson’s leading artists, of both the past and present...
[Lisson Gallery]
Every women should have her own set of tools especially if it made with chocolate cake and chocolate tools.
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I make my living with 18 volt DeWalts, but in the middle of the pile that nice light 12 volt Makita is my preferred driver for light jobs.
GLOBAL TOOLS 1973-1975: Towards an Ecology of Design
Programmed by Silvia Franceschini and Valerio Borgonuovo for SALT, GLOBAL TOOLS 1973-1975: Towards an Ecology of Design, features a display of original documents and materials, an international symposium and a series of workshops.
Outcompeting Others by Using Better Business Tools, by Alex Osterwalder.
A session that took place in Fabra i Coats, Barcelona on February 28, 2013.
The session was organized by the Barcelona Lean Startup Circle.
Follow me on twitter for up to date photography about this and other events: twitter.com/VaniaRagageles
This is a section of what I've got in my three tool boxes. I normally have these split between my two cars and my house.
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