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I liked the shot to begin with but liked it even better after the post processing. I did a little different processing on this one. I think it really shows the gritty texture and age of these. This was taken in my Dads workshop where he used to tinker around with various projects. These drawers were used to store all sorts of tools.
its here! its really here! My new tool box is in!!! The boys are excited to get there's back and I'm excited to fill mine with tools...one day :)
From the series on Jonathan Hanson's One-container Tool Kit (part 3):
www.overlandexpo.com/overland-tech-travel/2013/2/4/the-on...
Tools & Equipment Cages. All Welded Cages. Ideal to secure inventory, Tools and Equipment. Ships Assembled. Stocked in 4ga galvanied steel and poseder coat finishes. Free Layout assistance. P(732)489-3867.
Tools Equipment Cages. Dispatcher Cages, New Jersey, New York
By Tony Cragg
Tony Cragg (born 1949, UK) is one of the world’s foremost sculptors, constantly pushing to find new relations between people and the material world. In the 1980s, Cragg began to make sculptures suggestive of architecture...
These totemic piles of found objects and machined parts suggest an industrial counterpoint to the history of man-made achievements, while his other work nearby, Tools, made from sandstone, conveys the opposite, being hand wrought versions of mechanical aids, such as screwdrivers and mallets. Cragg sees no difference between the natural and the artificial, preferring to acknowledge the bridges between the two, the synthetic here acquiring figurative qualities in some of the bust-like tools, while his stacked turrets of spacers, washers and engine spares travel back through time to suggest archaeological accretions and geological strata.
[everythingatonce.com]
Part of Everything at Once
Presented by Lisson Gallery and The Vinyl Factory at the Store Studios, 180 The Strand
October-December 2017
Lisson Gallery opened on Bell Street in 1967, a year after John Cage’s pronouncement on the changing conditions of contemporary existence. In celebration of this anniversary, the gallery is partnering with The Vinyl Factory to stage ‘EVERYTHING AT ONCE’, an ambitious group exhibition inspired by these words, which could very well apply to our current anxiety-ridden age of ceaseless communication. Through new and historical works by 24 of the artists currently shown by Lisson Gallery (out of more than 150 to have had solo shows over the past 50 years), this extensive presentation aims to collapse half a century of artistic endeavour under one roof, while telescoping its original aims into an unknowable future.
As Cage predicted, we increasingly live in an all-at-once age, in which time and space are no longer rational or linear concepts and great distances can be traversed with an instantaneous click. More than ever before, contemporary art, like life, assaults us simultaneously from all angles and from anywhere on the globe, existing also as multisensory visions of an accelerated world.
In response, ‘EVERYTHING AT ONCE’ is neither a chronological exhibition nor an encyclopaedic history of the gallery’s activities since 1967, rather it is an interconnected journey incorporating 45 works exploring experience, effect and event, invoking immediacy and immutability. Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson’s leading artists, of both the past and present...
[Lisson Gallery]
Tools large and small are required to complete a large construction project.
The smaller tool has the name "Wacker Neuson" on the side.
The company was founded in 1848 by Johann Christian Wacker as a blacksmith’s shop in Dresden (Germany) trading as Wacker.
For the budding Craftivist, our kits & tools are a great place to start. They’re designed to help get the cogs whirring on positive social change.
We believe craft can be a tool for gentle activism.
By using the quiet, reflective time it gives us to explore global issues and how they affect the world around us, we can create something beautiful, considered, positive and poignant.
Join us, together we can change our world, one stitch at a time…
www.craftivist-collective.com/shop
photos by Victoria Siddle
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Tools of the Trade?
For a hole punch to mark the lines of the template I used a wood screw. These have very sharp points and did real well in making the needed marks.
I wrapped some duck tape around it where I would be holding it.
I put a second wrap of tape towards the tip so it would conform to my fingers better.
After poking all the holes I used a small 6 inch clear ruler to pencil in the lines.
Because not all lines are straight, (some are curves), I periodicaly veiwed each template while I connected the dots, I believed this would confirm to me I had not made any mistakes in the markings I had just finished.
Never truer is the saying, "measure twice cutt once"
If this & the previous parts of the process get messed up, the boards will not fit correctly.
Later on when I cutt & plane to these lines I want to know that my lines are correct.
For this reason I can not stress enough the importance of getting the templates and poke holes perfect.
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr search results. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
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