View allAll Photos Tagged timebasedart

ephemeral artwork, installation, interactive with intimate audience exchange, awareness of presence, Easthampton, MA, street art, curated by Terry Rooney, phtographer: Kirtland Snyder, shells, kitchen glassware, water, local poke root berry juice, paper, leaves, asphalt, rain

No Place, 2007 by MW2MW

Marek Walczak & Martin Wattenberg

  

ephemeral artwork, installation, interactive with intimate audience exchange, awareness of presence, Easthampton, MA, street art, curated by Terry Rooney, phtographer: Kirtland Snyder, shells, kitchen glassware, water, local poke root berry juice, paper, leaves, asphalt, rain

Netmonster, 2004-ongoing by Graham Harwood

 

Photo by Debby Scholtes

FiBi Concrete Interactive, brochure cover

ephemeral artwork, installation, interactive with intimate audience exchange, awareness of presence, Easthampton, MA, street art, curated by Terry Rooney, phtographer: Kirtland Snyder, shells, kitchen glassware, water, local poke root berry juice, paper, leaves, asphalt, rain

FLOSS staat voor Free/Libre/Open-Source Software. De FLOSS Manuals van Adam Hyde biedt handleidingen voor open source software, en probeert daarnaast het delen van informatie over software makkelijker te maken

  

Netmonster, 2004-ongoing by

Graham Harwood

  

The performance involved the artist moving in a slow, contemplative improvisation, while releasing colored inks from a water carrier ~ body sculpture, onto papers arranged on the floor in front of the audience present, and intimate, within a few feet of the mindful, concentrated attention, performative action.

FLOSS staat voor Free/Libre/Open-Source Software. De FLOSS Manuals van Adam Hyde biedt handleidingen voor open source software, en probeert daarnaast het delen van informatie over software makkelijker te maken.

  

In the tradition of PARK, with his installation O.T.S. (Open Televisie Station) Jaap de Jonge has remixed a number of PARK videos in an extraordinary manner. The work is comprised of a hooked-up glass cabinet containing thirty-two glass balls. These act as prisms to distort the image, creating new images and image combinations.

  

FLOSS staat voor Free/Libre/Open-Source Software. De FLOSS Manuals van Adam Hyde biedt handleidingen voor open source software, en probeert daarnaast het delen van informatie over software makkelijker te maken.

  

FLOSS staat voor Free/Libre/Open-Source Software. De FLOSS Manuals van Adam Hyde biedt handleidingen voor open source software, en probeert daarnaast het delen van informatie over software makkelijker te maken.

  

Sometimes, 2006 by Giselle Beiguelman

 

Photo by Debby Scholtes

FLOSS staat voor Free/Libre/Open-Source Software. De FLOSS Manuals van Adam Hyde biedt handleidingen voor open source software, en probeert daarnaast het delen van informatie over software makkelijker te maken.

  

Netmonster, 2004-ongoing by Graham Harwood

 

Photo by Debby Scholtes

Ten Tiny Dances at TBA:15

September 14, 2015 at The Redd

2015 Time--Based Art Festival, PICA

Photo by Chelsea Petrakis

Courtesy of Portland Institute for Contemporary Art

In the tradition of PARK, with his installation O.T.S. (Open Televisie Station) Jaap de Jonge has remixed a number of PARK videos in an extraordinary manner. The work is comprised of a hooked-up glass cabinet containing thirty-two glass balls. These act as prisms to distort the image, creating new images and image combinations.

  

Painting studio in the Joan and Martin Goldfarb Centre for Fine Art

No Place, 2007 by MW2MW

Marek Walczak & Martin Wattenberg

  

2013

latex weather balloons, light, water, radio frequencies, wood, electronics, modified overhead projectors

dimensions of the room: 78 feet x 56 feet x 24 feet

 

Created for the 2013 Tieton Mini Maker Faire at the Mighty Tieton Warehouse in Tieton, Washington.

 

Light is filtered through moving water and projected onto weather balloons inflated to 17 and 7 feet in diameter. The disturbances in the water are caused by speakers vibrating to different radio frequencies. The large balloon depicts the movement created by a dead-air channel on the shortwave frequency. The smaller balloon's radio is set to a channel on the FM dial between a classic rock station and a Latin music station. As weather conditions change and people enter and leave the room, one of the stations comes more into focus than the other.

present their desktop documentary Flat Earth. Using fragments from existing blogs, Flat Earth takes the viewer around the world in seven minutes. An individual discourse is created by weaving the fragments to, through and over one another.

  

Allan deSouza, "My Apologies"

 

Photo by Bryan Hewitt

No Place, 2007 by MW2MW

Marek Walczak & Martin Wattenberg

  

JI YAng - 脚儿粘地 fóot sòn stícky gròund

- a walking performance in the Veterans Memorial Coliseum

Sept 16, 2018 - began at PICA

2018 Time-Based Art Festival

Photo by Chelsea Petrakis

Courtesy of Portland Institute of Contemporary Art

Video Lustre, 2007 by Beatrice Valentine Amrhein

 

Photo by Debby Scholtes

Bryan & Vita Hewitt, "Ultimate Turbo Work-Out with Rhiannon" performed by Katie Paxton, Ryan McCann, & Zach

 

Photo by Bryan Hewitt

Video Lustre, 2007 by Beatrice Valentine Amrhein

 

Photo by Debby Scholtes

Ten Tiny Dances at TBA:15

September 14, 2015 at The Redd

2015 Time--Based Art Festival, PICA

Photo by Chelsea Petrakis

Courtesy of Portland Institute for Contemporary Art

present their desktop documentary Flat Earth. Using fragments from existing blogs, Flat Earth takes the viewer around the world in seven minutes. An individual discourse is created by weaving the fragments to, through and over one another.

  

Works suspended in the atrium of the Joan and Martin Goldfarb Centre for Fine Art

Early performance in this year's Time-based Art fest - thanks PICA! Transcendent. Toga. What more could you want?

No Place, 2007 by MW2MW

Marek Walczak & Martin Wattenberg

  

Performance by contemporary ballet company led by Zoe Schofield and Juniper Shuey at PICA's Time-Based Art Festival, T:BA:07, September 15th, 2007

Video Lustre, 2007 by Beatrice Valentine Amrhein

 

Photo by Debby Scholtes

The performance involved the artist moving in a slow, contemplative improvisation, while releasing colored inks from a water carrier ~ body sculpture, onto papers arranged on the floor in front of the audience present, and intimate, within a few feet of the mindful, concentrated attention, performative action.

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