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Ephemeral, Continually Changing Sculpture, Transient Environmental, Interactive, Collaborative Art Project, with Katherine Kendall: Dance, Jim Nelson: Saxaphone, Jim Matus: Aoud, Percussion, Jim Ballard: Chrystal Bowl, John Sprague: Flute, Percussion, Photographer: Allen Phillips, Materials: sand, kitchen and alchemical glassware, shell, birch sapplings, water, other local and gathered re-purposed materials and local Ct. River elements
Outdoor Ephemeral Sculpture, Transient Environmental, Interactive Art, local autumn leaves, red, orange, yellow, brown, gold, wool and cotton thread, goshen stone, local poke root berry juice, kitchen glassware, milkweed seeds, webster dictionary of english language, paper, area wildlife, college and town community, sunlight and shadow, transformation, change
Ephemeral, Continually Changing Sculpture, Transient Environmental, Interactive, Collaborative Art Project, with Katherine Kendall: Dance, Jim Nelson: Saxaphone, Jim Matus: Aoud, Percussion, Jim Ballard: Chrystal Bowl, John Sprague: Flute, Percussion, Photographer: Allen Phillips, Materials: sand, kitchen and alchemical glassware, shell, birch sapplings, water, other local and gathered re-purposed materials and local Ct. River elements
Outdoor Ephemeral Sculpture, Transient Environmental, Interactive Art, local autumn leaves, red, orange, yellow, brown, gold, wool and cotton thread, goshen stone, local poke root berry juice, kitchen glassware, milkweed seeds, webster dictionary of english language, paper, area wildlife, college and town community, sunlight and shadow, transformation, change
Allie Hankins - better to be alone than to wish you were
September 15-17, 2016 @ Bodyvox
2016 Time-Based Art Festival, PICA
Photo by Chelsea Petrakis
Courtesy of Portland Institute of Contemporary Art
Outdoor Ephemeral Sculpture, Transient Environmental, Interactive Art, local autumn leaves, red, orange, yellow, brown, gold, wool and cotton thread, goshen stone, local poke root berry juice, kitchen glassware, milkweed seeds, webster dictionary of english language, paper, area wildlife, college and town community, sunlight and shadow, transformation, change
Drawing as performance relic, or art object. Made during FiBi Concrete II, performance: Smile Rainbow Tears. The performance involved the artist moving in a slow, contemplative improvisation, while releasing colored inks from a water carrier ~ body sculpture, onto papers arranged on the floor in front of the audience present, and intimate, within a few feet of the mindful, concentrated attention, performative action.
The Digital Data Dump consists of ten new PARK4DTV videos in PSP format; Pocket Movies by Arnold Weel, Brecht de Backere, Paya Daan Daya, HarS, Jaap de Jonge, JCM Dietvorst, Lisette Olsthoorn, Max Kisman, ookoi, R.E.L and Wiels; ten works from the catalog of PARK4DTV for the Mobile Telephone (also to be seen in the installation O.T.S. by Jaap de Jonge); Live Beyond the ParadisoPARK4DDD can be downloaded and fits precisely on the USB stick that is being handed out during the exhibition.
Drawing as performance relic, or art object. Made during FiBi Concrete II, performance: Smile Rainbow Tears. The performance involved the artist moving in a slow, contemplative improvisation, while releasing colored inks from a water carrier ~ body sculpture, onto papers arranged on the floor in front of the audience present, and intimate, within a few feet of the mindful, concentrated attention, performative action.
Taken at the Time-Based Art Festival 09.
Strobist: 580ex hand held camera left. Triggered via PC cord.
The Digital Data Dump consists of ten new PARK4DTV videos in PSP format; Pocket Movies by Arnold Weel, Brecht de Backere, Paya Daan Daya, HarS, Jaap de Jonge, JCM Dietvorst, Lisette Olsthoorn, Max Kisman, ookoi, R.E.L and Wiels; ten works from the catalog of PARK4DTV for the Mobile Telephone (also to be seen in the installation O.T.S. by Jaap de Jonge); Live Beyond the ParadisoPARK4DDD can be downloaded and fits precisely on the USB stick that is being handed out during the exhibition.
MythEngine is a webcast that transmits live video and stills. Referring to our compulsion to tell stories, MythEngine shows how over time, with the rise of digital photography and video, our collective memory is increasingly becoming a database.
Radhouane El Meddeb / Je danse et je vous en donne à bouffer
September 15, 2015 at The Redd
2015 Time--Based Art Festival, PICA
Photo by Chelsea Petrakis
Courtesy of Portland Institute for Contemporary Art
DJ Klyph Night at The Works / Neka & Kahlo
September 17, 2015 at The Redd
2015 Time--Based Art Festival, PICA
Photo by Chelsea Petrakis
Courtesy of Portland Institute for Contemporary Art
MythEngine is a webcast that transmits live video and stills. Referring to our compulsion to tell stories, MythEngine shows how over time, with the rise of digital photography and video, our collective memory is increasingly becoming a database.
In his work Video as a Suburban Condition Martijn Hendriks investigates the relation between what is socially conceivable and our experience of urban public space. Using found videos from YouTube and comparable internet sites he shows how people deal with their immediate environment.
Michelle Ellsworth / Clytigation: Procedures Accorded To The Accused
September 18, 2015, The Works at The Redd
2015 Time--Based Art Festival, PICA
Photo by Chelsea Petrakis
Courtesy of Portland Institute for Contemporary Art
Drawing as performance relic, or art object. Made during FiBi Concrete II, performance: Smile Rainbow Tears. The performance involved the artist moving in a slow, contemplative improvisation, while releasing colored inks from a water carrier ~ body sculpture, onto papers arranged on the floor in front of the audience present, and intimate, within a few feet of the mindful, concentrated attention, performative action.
The Digital Data Dump consists of ten new PARK4DTV videos in PSP format; Pocket Movies by Arnold Weel, Brecht de Backere, Paya Daan Daya, HarS, Jaap de Jonge, JCM Dietvorst, Lisette Olsthoorn, Max Kisman, ookoi, R.E.L and Wiels; ten works from the catalog of PARK4DTV for the Mobile Telephone (also to be seen in the installation O.T.S. by Jaap de Jonge); Live Beyond the ParadisoPARK4DDD can be downloaded and fits precisely on the USB stick that is being handed out during the exhibition.
ephemeral artwork, transient installation, interactive with intimate audience exchange, curated by Sukran Aziz, news paper, berry juice, water, kitchen glassware, river rocks, webster's english dictionary, white, full length, satin and lace gown
ephemeral artwork, installation, interactive with intimate audience exchange, awareness of presence, Easthampton, MA, street art, curated by Terry Rooney, phtographer: Kirtland Snyder, shells, kitchen glassware, water, local poke root berry juice, paper, leaves, asphalt, rain
Lucy Yim / Devastation Melody
September 12, 2015 at PNCA Mediatheque
2015 Time--Based Art Festival, PICA
Photo by Chelsea Petrakis
Courtesy of Portland Institute for Contemporary Art
The WORKS at The Redd
September 18, 2015
2015 Time--Based Art Festival, PICA
Photo by Chelsea Petrakis
Courtesy of Portland Institute for Contemporary Art
The performance involved the artist moving in a slow, contemplative improvisation, while releasing colored inks from a water carrier ~ body sculpture, onto papers arranged on the floor in front of the audience present, and intimate, within a few feet of the mindful, concentrated attention, performative action.