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Feb. 12 - An excellent Merlot! 2012 - Oh what a great year for the California wines.
Read more about this great wine: interrobangwines.com/the-path/merlot.html
*Project Neverland is a way for us to show our love for Movies, TV Shows and Books in a Fashion way. We make references, not cosplays.
Models: Jeinny and Jennifer Burgos.
Team:
-Jenniré Narváez
-Pri Perobelli
-Jeinny Burgos
-Mom
-Dad
Making Of: www.youtube.com/watch?v=69LaaEl2y2s&t=66s
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The path
slurl.com/secondlife/LEA2/179/185/23
brynoh.blogspot.com/2011/09/path-opening-october-14th.html
The Path is an immersive project based around the exquisite corpse concept sometimes used by the Surrealists. Essentially, each chosen artist adds to a composition in sequence. Eight artists were invited to stand upon one of eight different coloured boxes I had set up. Once all had chosen a box to stand on, a chart was rezzed which listed the order of colours which would hten dictate the sequence of artists to compose the scenes for a narrative.
So if red was the first colour on the chart, then the artist standing on the red cube would begin the narrative. If blue were next then the artist on the blue cube would continue the story after red had passed their part on to them.
The artist who goes first composes a short start to a story. They then pass on this segment to the artist who is next on the list. That artist would then write up a continuation of the narrative and pass it on to the third artist. This would continue until reaching the eighth and final artist.
This was the random order of artists:
1-Bryn Oh
2-Colin Fizgig
3-Marcus Inkpen
4-Desdemona Enfield / Douglas Story
5-Maya Paris
6-Claudia222 Jewell
7-Scottius Polke
8-Rose Borchovski
I would like to thank all the artists involved for working so hard on this project and in such a professional manner. They created a truly brilliant experience for me and hopefully for all the guests as well.
Bryn Oh
Ou quand des buildeurs de génie décident de s'associer pour nous faire rêver.....à aller voir absolument et prévoir du temps beaucoup de temps (surtout la partie de Bryn Oh comme d'hab :-))
Many reasons to worry lately. Most important thing: ......don't give in to the fear.....don't give up your freedoms and rights. Believe in a better future.
All rights reserved.
This is the path going from Union station, next to the Royal Thomson Hall.
Canon 5D Mark II, Canon 16-35 EF f2.8L USM II, handheld three exposures processed in Photomatix Pro and Photoshop CS5
*Project Neverland is a way for us to show our love for Movies, TV Shows and Books in a Fashion way. We make references, not cosplays.
Model: Pri Perobelli.
Team:
-Jenniré Narváez
-Pri Perobelli
-Jeinny Burgos
-Mom
-Dad
Making Of: www.youtube.com/watch?v=69LaaEl2y2s&t=66s
Project Neverland Instagram: instagram.com/projectneverlandpn/
Project Neverland Twitter: twitter.com/ProjNeverland
Facebook: www.facebook.com/jennireanarvaez
Twitter: twitter.com/TheJennire
Instagram- Jenniré: instagram.com/thejennire
Instagram- Pri: www.instagram.com/priperobelli/
Instragram 2: instagram.com/jennirenarvaezphotography
Tumblr: thejennire.tumblr.com/
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The path of the riddle Salvador Dali
Dalí gave this painting to his Theater-Museum on the occasion of the granting of the Gold Medal of the Generalitat de Catalunya in 1982, in the presence of his friend, the poet J.V. Foix. One can see a mysterious perspective with bags that contain, according to Dalí, information. It is an iconography very present in the work of the artist, especially in his work of the first era, which was already surrealistic expression, inaugural Skin of Hen or in Honey is sweeter than the blood, today he disappeared. An allegorical work, its reading is twofold, in the apparently elementary content of wheat and grain and at the same time, in the more philosophical one of information and understanding, the final meaning of the work. The vanishing lines of the painting move towards a horizon focused on a star with a cold appearance and this creates the sensation that, for the same reason that there is a way to go to an indeterminate background, there is one of back, as an echo, through the double projection in the upper space. The Dalí Theatre and Museum Figueres Catalonia Spain
Is a museum of the artist Salvador Dalí in his home town of Figueres, in Catalonia, Spain.
Building
The heart of the museum is the building that housed the town's theater when Dalí was a child, where one of the first public exhibitions of young Dalí's art was shown. The old theater was burned during the Spanish Civil War and remained in a state of ruin for decades. In 1960, Dalí and the mayor of Figueres decided to rebuild it as a museum dedicated to the town's most famous son.
In 1968, the city council approved the plan, and construction began the following year. The architects were Joaquim de Ros i Ramis and Alexandre Bonaterra. The museum opened on September 28, 1974,with continuing expansion through the mid-1980s. The museum now includes buildings and courtyards adjacent to the old theater building.
The museum displays the single largest and most diverse collection of works by Salvador Dalí, the core of which was from the artist's personal collection. In addition to Dalí paintings from all decades of his career, there are Dalí sculptures, 3-dimensional collages, mechanical devices, and other curiosities from Dalí's imagination. A highlight is a 3-dimensional anamorphic living-room installation with custom furniture that looks like the face of Mae West when viewed from a certain spot.
The museum also houses a small selection of works by other artists collected by Dalí, ranging from El Greco and Bougereau to Marcel Duchamp and John de Andrea, In accordance with Dalí's specific request, a second-floor gallery is devoted to the work of his friend and fellow Catalan artist Antoni Pitxot, who also became director of the museum after Dalí's death.
A glass geodesic dome cupola crowns the stage of the old theater, and Dalí himself is buried in a crypt below the stage floor. The space formerly occupied by the audience has been transformed into a courtyard open to the sky, with Dionysian nude figurines standing in the old balcony windows.
A Dalí installation inside a full-sized automobile, inspired by Rainy Taxi (1938), is parked near the center of the space.
Art collection
The Dalí Theatre and Museum holds the largest collection of major works by Dalí in a single location. Some of the most important exhibited works are Port Alguer (1924), The Spectre of Sex-appeal (1932), Soft self-portrait with grilled bacon (1941), Poetry of America—the Cosmic Athletes (1943), Galarina (1944–45), Basket of Bread (1945), Leda Atomica (1949), Galatea of the Spheres (1952) and Crist de la Tramuntana (1968).
There is also a set of works created by the artist expressly for the Theater-Museum, including the Mae West room, the Palace of the Windroom, the Monument to Francesc Pujols, and the Cadillac plujós.
A collection of holographic art by Dalí, and a collection of jewelry he designed are on display. Another room contains a bathtub and a side table with an open drawer and a lamp, all of which Dalí had installed upside-down on the ceiling.
An extension to the museum building contains a room dedicated to optical illusions, stereographs, and anamorphic art created by Dalí. The artist's final works, including his last oil painting, The Swallow's Tail (1983), are on display here.
THE DALINIAN SYMBOLS
A study of the work of Dalí, reveals some systematically present symbols in all his work. It's fetish objects that apparently have little in common: crutches, sea urchins, ants, bread...
Dalí uses these symbols so as to make it more meaningful to the message of his painting. The contrast of a hard shell and a soft interior is at the heart of his thinking and his art. This contrast outside-(hard/soft) is consistent with psychological design whereby individuals produce (hard) defenses around the vulnerable psyche (flexible). Dalí knew very well the work of Freud and his followers, even if its iconography derives absolutely no psychoanalytic thought.
ANGELS
They have the power to enter the celestial vault, communicating with God and thus achieve mystical union that concerns both the painter. Figures of angels painted by Dalí often borrow traits of Gala, incarnation, for Dali, purity and nobility.
CRUTCHES
It may be the only support of a figure or the necessary support of a form unable to stand alone. Dalí the view child, in the attic of his father's House. It should take and will never part. This subject gave him an assurance and an arrogance which he had never yet been able. In the short dictionary of Surrealism (1938), Dalí gives the following definition: "wooden Support deriving from the Cartesian philosophy. Generally used to serve as a support to the tenderness of the soft structures."
ELEPHANTS
The dalinian elephants are usually represented with the long legs of desire invisible to many bearings, bearing on their Obelisk back symbol of power and domination. The weight supported by the frail legs of the animal evokes weightlessness.
SNAILS
The snail is related to an important milestone in the life of Dalí: his encounter with Sigmund Freud. Dalí believed that nothing happens just by accident, he was captivated by the vision of a snail on a bicycle outside the home of Freud. The link is then made him between a human head and the snail, he associated specifically with the head of Freud. As for the egg, the outer part of the (hard) shell and the inner (soft) body of the snail site and the geometry of its curves it enchantèrent.
ANTS
Symbol of decay and decomposition. Dalí ants first met in his childhood, observing the remains decomposed small animals devoured by them. He observed with fascination and repulsion, and continued to use them in his work, as a symbol of decadence and ephemeral.
SOFT WATCHES
Dalí has often said, "the materialization of the flexibility of time and the indivisibility of space... It is a fluid." The unexpected softness of the watch also represents the psychological aspect by which the speed of time, although accurate in its scientific definition, can greatly vary in its human perception. The idea came to him after a meal while he contemplated the remains of a runny camembert. He decided to paint over the landscape that served as backdrop for two soft watches which one hung miserably to an olive branch.
EGG
Christian symbol of the resurrection of Christ and the emblem of purity and perfection. The egg evokes by its appearance and its minerality dear symbolism to Dali, earlier, intrauterine life and re-birth.
SEA URCHIN
His "exoskeleton" (the shell sits outside), Harris of thorns, can make you very unpleasant a first contact with the animal. The shell on the other hand contains soft body (one of the favorite dishes of Dali, who was known to eat a dozen at each meal). The Sea Urchin shell, stripped of its spines, appears in many of his paintings.
BREAD
Is it fear of Miss, Dalí represents it in his paintings and also begins to make surrealist objects with bread. In his paintings, loaves more often have something 'hard' and phallic, opposed to the "soft" watches. Dali has always been a great admirer of the bread. It tapissera of Catalan round loaves Figueras Museum walls.
LANDSCAPES
Traditional space (based on the perspective and the paintings of the Renaissance). Realistic landscape strewn with strange and unreal objects located in a natural environment. The background and how to use landscapes are one of the strengths of the art of Dali. They contribute to create the atmosphere of unreality of his paintings (landscape of his native Catalonia and vast plain of Ampurdan surrounding Figueras).
DRAWERS
Human bodies that open by drawers are found repeatedly in paintings and objects from Dali. They symbolize the memory and the unconscious and refer to "thought to be drawers", a concept inherited from the reading of Freud. They express the mystery of hidden secrets. Most of the children explore each drawer, cabinet and wardrobe of their home.
VENUS OF MILO
It is part long's personal mythology of the painter. She is the first woman he model child in clay from a reproduction adorning the family dining room. It is also that he discovered on a box of crayons in New York. He finds stupid expression on his face that he nevertheless considered own to perfect but inadequate female beauty in an elegant woman whose gaze should be or seem intelligent. Dalí made several transformations of Venus: the space Venus, Venus with drawers...
*Project Neverland is a way for us to show our love for Movies, TV Shows and Books in a Fashion way. We make references, not cosplays.
Model: Jenniré Narváez.
Team:
-Jenniré Narváez
-Pri Perobelli
-Jeinny Burgos
-Mom
-Dad
Making Of: www.youtube.com/watch?v=69LaaEl2y2s&t=66s
Project Neverland Instagram: instagram.com/projectneverlandpn/
Project Neverland Twitter: twitter.com/ProjNeverland
Facebook: www.facebook.com/jennireanarvaez
Twitter: twitter.com/TheJennire
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Tumblr: thejennire.tumblr.com/
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*Project Neverland is a way for us to show our love for Movies, TV Shows and Books in a Fashion way. We make references, not cosplays.
Model: Luis José Narváez.
Team:
-Jenniré Narváez
-Pri Perobelli
-Jeinny Burgos
-Mom
-Dad
Making Of: www.youtube.com/watch?v=69LaaEl2y2s&t=66s
Project Neverland Instagram: instagram.com/projectneverlandpn/
Project Neverland Twitter: twitter.com/ProjNeverland
Facebook: www.facebook.com/jennireanarvaez
Twitter: twitter.com/TheJennire
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I realized today that I was an adult. It really, truely dawned on me. I stared at my sink full of dishes and the ephiphany that they will not get done on their own started to sink in. While it's awesome being a grown up because I don't have to do things if I don't want to, no one will do them if I don't. Don't worry, I haven't been living in a dreamworld the last 7 and a half years, it's just more of an awakening for me lately. It's nice when I can rebel and not do things, but the obvious truth associated with that is that there are concequences. I'm a horrible procrastinator and I'm hoping that I get better with that each day. Dishes just seem to suck worse than the rest of my chores.
The picture, of course, didn't turn out as I'd hoped. I want to take a photoshop class because thre is so much potential here. Oh well. =)
Insert art for the Theo Angell / Moonwood split cassette on Arachnidiscs Recordings (http://arachnidiscs.wordpress.com/2011/06/13/theo-angell-moonwood).
Released: June 14, 2011.
Side 5: Theo Angell live @ Secret Project Robot (4-17-11)
Side 6: Moonwood - The Path (nine vocal songs recorded during the "River Ghosts" sessions)
Puna Pau, the pukao factory.
Puna Pau is a small extinct volcano, located about 7 kilometers northeast of Hanga Roa, whose name refers to a source or well of water that must have existed in its surroundings. This crater is part of a set of parasitic cones that emerged during the eruptions of Ma’unga Terevaka, the youngest and tallest volcano on Easter Island.
Inside the Puna Pau crater there is a red slag quarry that formerly constituted an important source of raw material for the islanders. Red slag or hani hani, as it is known in the Rapanui language, is a type of volcanic ash of great porosity and low hardness, which shows a reddish color due to the iron oxide present in its composition.
The characteristics of this soft and easy-to-carve material, which made it unusable for use in construction, were used to manufacture various types of objects, some very special. Among them are about twenty small statues, water containers, called taheta, ornamental-type blocks, and moai eyes.
Although there are other deposits of red slag on the island, the Puna Pau quarry was the most important of all, and is believed to be the origin of most of the known objects carved in Hani Hani. This relevance may possibly be due to the strong reddish color of its material, since in the Rapanui culture the color red is a symbolic color associated with sacred rites and mana or spiritual force.
Just as the southern slope of the Rano Raraku volcano was the origin of most of the island's statues, it is thought that a third of the Puna Pau crater was used for the manufacture of all the pukao. It is also believed that different work teams were formed in the quarry that competed to have their own production areas.
However, unlike Rano Raraku, it seems that Puna Pau was considered a secret and sacred place. Its hidden location from other parts of the island, an almost silent production, being carried out inside the crater, and an especially valued red color contributed to its isolation and mysticism.
Surprise, surprise.....
"The Path" at LEA
slurl.com/secondlife/LEA2/126/42/2021
This part made by Scottius Polke :)
*Project Neverland is a way for us to show our love for Movies, TV Shows and Books in a Fashion way. We make references, not cosplays.
Model: Luis José Narváez.
Team:
-Jenniré Narváez
-Pri Perobelli
-Jeinny Burgos
-Mom
-Dad
Making Of: www.youtube.com/watch?v=69LaaEl2y2s&t=66s
Project Neverland Instagram: instagram.com/projectneverlandpn/
Project Neverland Twitter: twitter.com/ProjNeverland
Facebook: www.facebook.com/jennireanarvaez
Twitter: twitter.com/TheJennire
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Instagram- Pri: www.instagram.com/priperobelli/
Instagram 2: instagram.com/jennirenarvaezphotography
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Youtube: www.youtube.com/channel/UCZTjqrQALJ3Nq9pVHzjkOpQ
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There is no turning back
from this unending path of mine
Serpentine and black it stands before my eyes
To hell and back it will lead me once more
It's all i have as i stumble in and out of grace
I walk through the gardens of dying
light
And cross all the rivers deep and dark as the night
Searching for a reason why time would´ve passed us by
With every step i take the less i know myself
& Every vow i break on my way towards your heart
Countless times i've prayed for
forgiveness
But gods just laugh at my face
And this path remains
Leading me into solitude's arms
I see through the darkness my way back home
The journey seems endless but i'll carry on
The shadows will rise and they will fall
And our night drowns in dawn
Amidst all tears there's a smile
That all angels greet with an envious song
One look into stranger's
eyes and i know where i belong
And the path goes on...
Shot by: Me ©
Place: Switzerland
Lyrics: The Path by H.I.M
A quote by Ralph Waldo Emerson, hand lettered and illustrated in pencil, then reversed out for a chalkboard effect.
*Project Neverland is a way for us to show our love for Movies, TV Shows and Books in a Fashion way. We make references, not cosplays.
Model: Jenniré Narváez.
Team:
-Jenniré Narváez
-Pri Perobelli
-Jeinny Burgos
-Mom
-Dad
Making Of: www.youtube.com/watch?v=69LaaEl2y2s&t=66s
Project Neverland Instagram: instagram.com/projectneverlandpn/
Project Neverland Twitter: twitter.com/ProjNeverland
Facebook: www.facebook.com/jennireanarvaez
Twitter: twitter.com/TheJennire
Instagram- Jenniré: instagram.com/thejennire
Instagram- Pri: www.instagram.com/priperobelli/
Instragram 2: instagram.com/jennirenarvaezphotography
Tumblr: thejennire.tumblr.com/
Youtube: www.youtube.com/channel/UCZTjqrQALJ3Nq9pVHzjkOpQ
BUY MY STUFF!!!!
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*Project Neverland is a way for us to show our love for Movies, TV Shows and Books in a Fashion way. We make references, not cosplays.
Model: Luan Ferreira.
Team:
-Jenniré Narváez
-Pri Perobelli
-Jeinny Burgos
-Mom
-Dad
Making Of: www.youtube.com/watch?v=69LaaEl2y2s&t=66s
Project Neverland Instagram: instagram.com/projectneverlandpn/
Project Neverland Twitter: twitter.com/ProjNeverland
Facebook: www.facebook.com/jennireanarvaez
Twitter: twitter.com/TheJennire
Instagram- Jenniré: instagram.com/thejennire
Instagram- Pri: www.instagram.com/priperobelli/
Instragram 2: instagram.com/jennirenarvaezphotography
Tumblr: thejennire.tumblr.com/
Youtube: www.youtube.com/channel/UCZTjqrQALJ3Nq9pVHzjkOpQ
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QuoteoftheDay 'Anybody from any country and religion who wants to love God is worthy of great respect.' - Lord Ra Riaz Gohar Shahi (thereligionofgod.com/)
The Path is an immersive project based around the exquisite corpse concept sometimes used by the Surrealists. Essentially, each chosen artist adds to a composition in sequence. Eight artists were invited to stand upon one of eight different coloured boxes I had set up. Once all had chosen a box to stand on, a chart was rezzed which listed the order of colours which would hten dictate the sequence of artists to compose the scenes for a narrative.
So if red was the first colour on the chart, then the artist standing on the red cube would begin the narrative. If blue were next then the artist on the blue cube would continue the story after red had passed their part on to them.
The artist who goes first composes a short start to a story. They then pass on this segment to the artist who is next on the list. That artist would then write up a continuation of the narrative and pass it on to the third artist. This would continue until reaching the eighth and final artist.
This was the random order of artists:
1-Bryn Oh
2-Colin Fizgig
3-Marcus Inkpen
4-Desdemona Enfield / Douglas Story
5-Maya Paris
6-Claudia222 Jewell
7-Scottius Polke
8-Rose Borchovski
I would like to thank all the artists involved for working so hard on this project and in such a professional manner.
They created a truly brilliant experience for me and hopefully for all the guests as well.
An excerpt: "No matter what happens, no matter how far you come from God, you still feel that you are with God. The divine pull is always pulling you back to God. God is really softly spoken and romantic. Whenever I see a religious person who has no romance in the way he talks to his wife and children, I instantly recognise that such a person can never love God. God is full of romance."
Read the article here: medium.com/@YounusAlGohar/the-person-of-god-e81b4fc62cbe#...