The concentration and focus on this landing mirrors their fishing technique. Face and talons forward focusing on grabbing the fish with wings swept back.

Just trying out some new editing techniques using solarization and hue adjustments.

What do you think of this?

Gold Leaf Techniques Workshop with Anne McDonald: www.betterletters.co/workshops

This photo was taken in Fall 2006 at the Georgia Aquarium. Using photoshop I was able to put a frame around the fish to make it appear to be swimming out of the frame.

Not exactly how I imagined my base, perhaps teh rocks are a little too large. But I still have to add the grass so we will see.

The rocks are Hornby HO/OO ballast.

Taken during Freshers' Week 2005 by Donald McVinnie.

The seismic forces are a real threat to the old buildings which are not built using modern architecture and techniques to withstand the devastating effects. Such building structures need to be modified to become more resistant to the seismic activities. Some of the commonly used techniques for retrofitting are adding steel braces, jacketing and the addition of infill walls. The following infographic depicts more information about the seismic retrofitting techniques.

www.troybuilders.com/

My new shooting technique. Where there's a will, there's a way!

Wearing a cast for 6 weeks after reconstructive thumb surgery.

I'll have to try this, looks like some interesting effects can be achieved: Japanese technique of preserving, antiquing wood

WoodworkerZ.com j.mp/1r8KpiN

Hawk in the yard - Hawk finding a quick meal - Yard Oasis - Squirrels - Birds - www.HelpYouWell.com - Nia Teacher - Nia Blue Belt - www.TerrePruitt.com - Teaching San Jose Nia classes, Teaching Nia Classes and yoga classes, South Bay Area, Nia in the San Francisco Bay Area, Workout for EveryBODY -Instructor for San Jose City Group Ex / SJCity Fit - YMCA Instructor - Nia Technique

'.....Make sure you have made plenty of molding for the size of frame you contemplate (DSCN5321). Run a minimum of 20% over your theoretical needs (50% is better). ....'

See my blog for the full story:

andrewsnotes.blogspot.com/

I used a Sky Replacement and Cropped the Image a bit.

Post-show signing merchandise and posing with fans

Photographic techniques capture electromagnetic wavelengths beyond human vision, revealing features invisible to the naked eye. These signals are processed into interpretable forms using methods like color mapping.

Pink lacks a specific electromagnetic wavelength, while grey poses a limitation due to its representation of only intensity—a blend of light and dark without spectral specificity. Imaging techniques reliant on spectral variation produce identical results for greyscale images unless non-visible data is present. Deviations from this uniformity may indicate errors, misinterpretations, or unknown phenomena.

Contention persists over analytical debates, including dismissible claims like Van Allen belt dangers and contested evidence of lunar mirrors. The precision of laser reflections targeting a moving 3x3-foot marker on the Moon highlights technical skill but often fails to resolve skepticism. For instance, a 0.1° shift moves a laser spot 670 km across the Moon's surface.

Forensic analysis (2022, 2023) of Apollo 11–17 photographs assessed authenticity claims. Images of humans in space, Earth, and the Moon's distant views were validated, but Moon landing visuals showed variations, suggesting diverse techniques may have replicated certain elements.

PEMi (Photoelectromagnetic Image) software enhances forensic analysis by differentiating natural and artificial light sources, revealing hidden features. Each PEMi-ID links to original sources, ensuring traceability and comparison.

Further exploration is available:

Lehti, A. (2024). The Silence of Inquiry: Forensic Reflections Reveal a Crisis of Perception. figshare. doi.org/10.6084/m9.figshare.28078982

Credits

2022-2025 © Andrew Lehti

1961–2023 © NASA, ESA

Software: PEMi (GitHub: andylehti/PEMi.git)

Explore PEM-I: pemimage.streamlit.app

CC BY-SA 4.0 License: creativecommons.org/licenses/by-sa/4.0/

Research:

Lehti, Andrew (2024). Cognitive Psychology and the Education System. figshare. Collection. doi.org/10.6084/m9.figshare.c.7532079

CC BY-SA 4.0

This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 International License. To view a copy of this license, visit creativecommons.org/licenses/by-sa/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.

SOB's

Manhattan, NY

ref. Technique: framing an image

a young woman demonstrates her weaving technique

trying a new technique with lots of old pics, till i get tired of it, or discover some gems.

View On Black

The waterfall next to Spencer's at the Waterfront Restaurant.

This new use of removeable tape allowed me to position and reposition the cut paper letters to get the spaces right by eye and trial and error. Success here did not need to be perfect - the In The Land Of The Blind Font is an imperfect Beast anyway - but it did need to be reasonably right. Something the One-Eyed Man - and Purveyors of Hate and Fear - do find hard to be.

Work in Progress - The Mathematics of Hate.

3rd Degree Candidates

don't you love how i enlighten you with my educational & insightful close-ups? ~grin~

ALL PHOTOS WERE TAKEN BY ME/TODAS AS FOTOGRAFIAS FORAM TIRADAS POR MIM

THEME Nº116 – PHOTOS OF WORKS IN OTHER TECHNIQUES/TEMA Nº116 – FOTOGRAFIAS DE TRABALHOS EM TÉCNICAS DIVERSAS: 1/15

AUTOR/AUTHOR

BARRETO, NUNO (1941-2009)

NAME OF WORK/NOME DO TRABALHO:

CASAS DENTRO DE MURO À VOLTA COM PAISAGEM DE ÁRVORES

TECNIQUES/TÉCNICAS:

DRAWING WITH CALLIGRAPHIC PEN ON PAPER/DESENHO A CANETA CALIGRÁFICA SOBRE PAPEL

YEAR/ANO:

1986

DIMENSIONS/DIMENSÕES:

13,7X20,6CM

COUNTRY/PAÍS:

PORTUGAL

CITY/CIDADE:

LISBOA

WHERE I TOOK THE PHOTO/ONDE TIREI A FOTO:

MUSEUM/MUSEU DO ORIENTE

THE YEAR WHEN I TOOK THE PHOTO/ANO QUE TIREI A FOTO:

2022

LINK INFO OF THE AUTHOR/LIGAÇÃO PARA O AUTOR:

serralvesantiguidades.com/lote/nuno-barreto-1941-2009

LINK THE WORK/LIGAÇÃO PARA O TRABALHO:

SEM DADOS

LINK TO THE MUSEUM OR OTHER PLACE/LIGAÇÃO PARA O MUSEU OU OUTRO LUGAR:

www.foriente.pt/

LINK INFO ABOUT THE PHOTOGRAPHED/INFORMAÇÃO SOBRE O FOTOGRAFADO:

SEM DADOS

ALREADY WORKED IN / JÁ TRABALHEI EM:

1 – GENERAL COUNT OF WORKS PRESENT IN THE DATABASE/CONTAGEM GERAL DOS TRABALHOS PRESENTES NA BASE DE DADOS – WORKING IN PROGRESS/A SER TRABALHADO

2 – SELF-PORTRAIT PHOTOGRAPHS OF PAINTERS/FOTOS DE AUTORRETRATOS DE PINTORES: 38 WORKS/TRABALHOS.

3 – PAINTERS AND PATRONS OF THE ARTS PHOTOGRAPHS/FOTOS DE PINTORES E PATRONOS DE ARTE: 36 WORKS/TRABALHOS.

4 – PORTRAITS OF THE EUROPEAN ARISTOCRACY. NOBILITY AND ROYALTY/FOTOS DA ARISTOCRACIA, NOBREZA E REALEZA EUROPEIA: 169 WORKS/TRABALHOS.

5 – PORTRAITS OF IDENTIFIED PEOPLE/RETRATOS DE PESSOAS IDENTIFICADAS: 46 WORKS/TRABALHOS

6 – FIGURATIVE ART/ARTE FIGURATIVA: 40 WORKS/TRABALHOS

7 – PEOPLE’S MISCELLANEOUS PROFESSIONS/PROFISSÕES DIVERSAS: 17 WORKS/TRABALHOS.

8 – SCULPTORS/ESCULTORES: 9 WORKS/TRABALHOS.

9 – POETS/POETAS: 8 WORKS/TRABALHOS.

10 – PHILOSOPHERS/FILÓSOFOS: 3 WORKS/TRABALHOS

11 – WRITERS/ESCRITORES: 10 WORKS/TRABALHOS

12 – LAW AND JUSTICE/LEI E JUSTIÇA: 1 WORK/TRABALHO.

13 – TRADERS AND MERCHANTS/COMERCIANTES E TRABALHADORES: 5 WORKS/TRABALHOS.

14 – ENGRAVOURS/GRAVADORES: 1 WORK/TRABALHO

15 – EDUCATION/ENSINO: 4 WORKS/TRABALHOS.

16 – WORLD OF ARTS/MUNDO DAS ARTES: 3 WORKS/TRABALHOS.

17 – WORLD OF MUSIC/MUNDO DA MÚSICA: 9 WORKS/TRABALHOS.

18 – WORLD OF POLITICS/MUNDO DA POLÍTICA: 14 WORKS/TRABALHOS.

19 – WORLD OF ACTING/MUNDO DA REPRESENTAÇÃO: 9 WORKS/TRABALHOS.

20 – FAMILY PORTRAITS/RETRATOS DE FAMILIA: 17 WORKS/TRABALHOS.

21 – AGE OF INNOCENCE/FOTOS DA IDADE DA INOCÊNICA: 53 WORKS/TRABALHOS

22 – PHOTOS OF YOUTH/FOTOS DA JUVENTUDE: 14 WORKS/TRABALHOS.

23 – PHOTOS OF ADULT AGE/FOTOS DA IDADE ADULTA: 7 WORKS/TRABALHOS.

24 – PHOTOS OF ELDERLY PEOPLE/FOTOS DA 3ª E 4ª IDADE: 17 WORKS/TRABALHOS

25 – PHOTOS OF THE END OF LIFE/ FOTOS DO FIM DE VIDA: 30 WORKS/TRABALHOS

26 – PHOTOS OF ANNIVERSARIES/FOTOS DE ANIVERSÁRIOS: 2 WORKS/TRABALHOS.

27 – PHOTOS OF BAPTISMS/FOTOS DE BAPTISMOS: 0 WORKS/TRABALHOS

28 – PHOTOS OF WEDDINGS/FOTOS DE CASAMENTOS: 6 WORKS/TRABALHOS

29 – PHOTOS OF HONEYMOONS/FOTOS DE LUAS-DE-MEL: 1 WORK/TRABALHO

30 – PHOTOS OF VARIOUS PARTIES/FOTOS DE FESTAS DIVERSAS: 2 WORKS/TRABALHOS.

31 – PHOTOS OF THE STATES OF THE SOUL/FOTOS DOS ESTADOS DA ALMA: 18 WORKS/TRABALHOS.

32 – PHOTOS OF POVERTY/FOTOS DE POBREZA: 3 WORKS/TRABALHOS

33 – PHOTOS OF FAMINE/FOTOS DA FOME: 2 WORK/WORKS

34 – PHOTOS OF MILITARY ART: WARS AND BATTLES IN LAND/FOTOS DE ARTE MILITAR: GUERRAS E BATALHAS: 11 WORKS/TRABALHOS

35 – PHOTOS OF MILITARY ART: MILITARY/FOTOS DE ARTE MILITAR: MILITARES: 4 WORKS/TRABALHOS

36 – PHOTOS OF CONSPIRACIES, PRISIONERS AND REBELLIONS/FOTOS DE CONSPIRAÇÕES, PRISIONEIROS E REBELIÕES: 5 WORKS/TRABALHOS

37 – PHOTOS OF NAVAL BATTLES/FOTOS DE BATALHAS NAVAIS: 5 WORKS/TRABALHOS

38 – PHOTOS OF NAVAL FLEETS, GALLEONS AND LARGE SHIPS/FOTOS DE FROTAS NAVAIS, GALEÕES E NAVIOS DE GRANDES DIMENSÕES: 10 WORKS/TRABALHOS

39 – PHOTOS OF MEDIUM AND SMALL BOATS/FOTOS DE BARCOS DE MÉDIA E PEQUENA DIMENSÕES: 11 WORKS/TRABALHOS

40 – PHOTOS OF NAVAL ART - PORTS/FOTOS DE ARTE NAVAL - PORTOS: 5 WORKS/TRABALHOS

41 – PHOTOS OF FISHERMEN/FOTOS DE PESCADORES: 11 WORKS/TRABALHOS

42 – PHOTOS OF PEOPLE/FOTOS DE PESSOAS EM BARCOS: 6 WORKS/TRABALHOS

43 – PHOTOS OF SAILORS AND NAVAL EXPLORERS/FOTOS DE NAVEGADORES E EXPLORADORES: 7 WORKS/TRABALHOS

44 – PHOTOS OF WRECKS/FOTOS DE NAUFRÁGIOS: 10 WORKS/TRABALHOS

45 – PHOTOS OF STORMS AND FLOODS/FOTOS DE TEMPESTADES E CHEIAS: 1 WORK/TRABALHO

46 – PHOTOS OF ALLEGORIES/FOTOS DE ALEGORIAS: 34 WORKS/TRABALHOS.

47 – PHOTOS OF MITOLOGY/FOTOS DE MITOLOGIA: 80 WORKS/TRABALHOS

48 – PHOTOS OF STILL-FIFE/FOTOS DE NATUREZA-MORTA: 25 WORKS/TRABALHOS

49 – PHOTOS WITH ANIMALS/FOTOS COM ANIMAIS: 16 WORKS/TRABALHOS

50 – PHOTOS WITH LAND HUNTING SCENES/FOTOS COM CENAS DE CAÇA EM TERRA: 6 WORKS/TRABALHOS

51 – PHOTOS WITH SEA HUNTING SCENES/FOTOS COM CENAS DE CAÇA NO MAR: 0 WORKS/TRABALHOS

52 – PHOTOS WITH PANORAMIC LANDSCAPES/FOTOS COM PAISAGENS PANORÂMICAS: 17 WORKS/TRABALHOS

53 – PHOTOS WITH PLAIN LANDSCAPES/FOTOS COM PAISAGENS DE PLANICIES: 2 WORKS/TRABALHOS

54 – PHOTOS WITH MOUNTAINOUS LANDSCAPES/FOTOS COM PAISAGENS DE MONTANHA: 4 WORKS/TRABALHOS

55 – PHOTOS WITH COASTAL LANDSCAPES IN MY DATABASE/FOTOS COM PAISAGENS COSTEIRAS: 18 WORKS/TRABALHOS

56 – PHOTOS WITH CREEKS, STREAMS AND RIVERS/FOTOS COM RIACHOS, RIBEIRAS E RIOS: 7 WORKS/TRABALHOS

57 – PHOTOS WITH PUDDLES AND SWAMPS/FOTOS COM CHARCOS E PANTANOS: 2 WORKS/TRABALHOS

58 – PHOTOS WITH LAGOONS, LAKES AND PONDS/FOTOS COM LAGOAS E LAGOS: 2 WORKS/TRABALHOS

59 – PHOTOS WITH WATERFALLS/FOTOS COM CATARATAS: 9 WORKS/TRABALHOS

60 – PHOTOS WITH FORESTRY LANDSCAPES/FOTOS COM PAISAGENS FLORESTAIS 16 WORKS/TRABALHOS

61 – PHOTOS WITH FLOWERS AND GARDENS/FOTOS COM FLORES E JARDINS: 24 WORKS/TRABALHOS

62 – PHOTOS WITH DESERTS AND SAVANNAS/FOTOS COM DESERTOS E SAVANAS: 1 WORK/TRABALHO

63 – PHOTOS WITH FROZEN AND SNOWY LANDSCAPES/FOTOS COM PAISAGENS GÉLIDAS E COM NEVE: 2 WORKS/TRABALHOS

64 – PHOTOS OF NORDIC LANDSCAPES/FOTOS COM PAISAGENS NÓRDICAS: 16 WORKS/TRABALHOS

65 – PHOTOS WITH DEEP SEA/FOTOS COM FUNDOS MARINHOS: 0 WORKS/TRABALHOS

66 – PHOTOS OF LANDSCAPES WITH BRIDGES/FOTOS COM PAISAGENS DE PONTES: 13 WORKS/TRABALHOS

67 – PHOTOS OF WATER CANALS IN MY DATABASE/FOTOS DE CANAIS NAVEGÁVEIS: 8 WORKS/TRABALHOS

68 – PHOTOS OF VULCANOS IN MY DATABASE/FOTOS DE VULCÕES: 5 WORKS/TRABALHOS

69 – PHOTOS OF THE FOUR SEASONS - SPRING IN/FOTOS DAS QUATRO ESTAÇÕES - PRIMAVERA: 2 WORKS/TRABALHOS

70 – PHOTOS OF THE FOUR SEASONS - SUMMER/FOTOS DAS QUATRO ESTAÇÕES - VERÃO: 6 WORKS/TRABALHOS

71 – PHOTOS OF THE FOUR SEASONS - AUTUMN/FOTOS DAS QUATRO ESTAÇÕES - OUTONO: 7 WORKS/TRABALHOS

72 – PHOTOS OF THE FOUR SEASONS - WINTER/FOTOS DAS QUATRO ESTAÇÕES - INVERNO: 5 WORKS/TRABALHOS

73 – PHOTOS OF SUNRISES/FOTOS DE NASCERES-DO-SOL: 0 WORKS/TRABALHOS

74 – PHOTOS OF MORNINGS/FOTOS DAS MANHÃS: 5 WORKS/TRABALHOS

75 – PHOTOS OF AFTERNOONS/FOTOS DAS TARDES: 0 WORKS/TRABALHOS

76 – PHOTOS OF SUNSETS/FOTOS DE PÔRES-DO-SOL: 5 WORKS/TRABALHOS

77 – PHOTOS OF THE NIGHTS IN MY DATABASE/FOTOS DA NOITE NA MINHA BASE DE DADOS: 12 WORKS/TRABALHOS

78– PHOTOS OF THE RAINBOW AND SUN/FOTOS DA ARCO-ÍRIS E SOL: 2 WORKS/TRABALHOS

79 – PHOTOS OF THE RURAL WORLD – DAILY LIFE AT HOME/FOTOS DO MUNDO RURAL – VIDA QUOTIDIANA EM CASA: 14 WORKS/TRABALHOS

80 – PHOTOS OF THE RURAL WORLD – DAILY LIFE AT WORK/FOTOS DO MUNDO RURAL – VIDA QUOTIDIANA NO TRABALHO: 26 WORKS/TRABALHOS

81 – PHOTOS OF THE RURAL WORLD – CATTLE/FOTOS DO MUNDO RURAL – GADO: 6 WORKS/TRABALHOS

82 – PHOTOS OF THE RURAL WORLD – RURAL PATHS IN/FOTOS DO MUNDO RURAL – CAMINHOS RURAIS: 8 WORKS/TRABALHOS

83 – PHOTOS OF THE RURAL WORLD – FARMS AND HOUSES/FOTOS DO MUNDO RURAL – VIDA CASAS E QUINTAS: 18 WORKS/TRABALHOS

84 – PHOTOS – RURAL AND URBAN WORLD – OUTDOORS PALACE SCENES/FOTOS DO MUNDO RURAL E URBANO – CENAS PALACIANAS EXTERIORES: 1 WORKS/TRABALHOS

85 – PHOTOS – RURAL AND URBAN WORLD – INDOORS PALACE SCENES/FOTOS DO MUNDO RURAL E URBANO – CENAS INTERIORES PALACIANAS: 0 WORKS/TRABALHOS

86 – PHOTOS OF THE RURAL AND URBAN WORLD – OUTDOOR SCENES/FOTOS DO MUNDO RURAL E URBANO – CENAS EXTERIORES CASEIRAS: 19 WORKS/TRABALHOS

87 – PHOTOS OF THE RURAL AND URBAN WORLD – IN DOOR SCENES/FOTOS DO MUNDO RURAL E URBANO – CENAS DE INTERIOR CASEIRAS: 17 WORKS/TRABALHOS

88 – PHOTOS OF THE RURAL AND URBAN WORLD – AT THE TABLE AND MEALS/FOTOS DO MUNDO RURAL E URBANO – CENAS À MESA E REFEIÇÕES: 5 WORKS/TRABALHOS

89 – PHOTOS OF THE RURAL AND URBAN WORLD – COMMERCE/FOTOS DO MUNDO RURAL – CENAS DE INTERIOR DE COMÉRCIO: 4 WORKS/TRABALHOS

90 – PHOTOS OF THE RURAL AND URBAN WORLD – POPULAR FESTIVITIES/FOTOS DO MUNDO RURAL – FESTAS POPULARES: 5 WORKS/TRABALHOS

91 – PHOTOS OF THE RURAL AND URBAN WORLD – FOUNTAINS/FOTOS DO MUNDO RURAL – FONTES E FONTANÁRIOS: 3 WORKS/TRABALHOS

92 – PHOTOS OF THE URBAN WORLD – CITY STREETS/FOTOS DO MUNDO – CIDADES: 9 WORKS/TRABALHOS

93 – CASTLES/FOTOS DO MUNDO RURAL E URBANO – CASTELOS: 0 WORKS/TRABALHOS

94 – PHOTOS OF THE URBAN AND RURAL WORLD – WINDMILLS/FOTOS DO MUNDO URBANO E RURAL - MOINHOS: 3 WORKS/TRABALHOS

95 – PHOTOS OF ARCHITETONIC RUINES/FOTOS DE RUÍNAS ARQUITECTONICAS 1 WORKS/TRABALHOS

96 – PHOTOS OF NUDITY/FOTOS “O NÚ”: 62 WORKS/TRABALHOS

97 – PHOTOS OF STUDIES OF PAINTINGS/FOTOS DE ESTUDOS DE PINTURA: 24 WORKS/TRABALHOS

98 – PHOTOS EQUESTRIAN PAINTING/FOTOS DE PINTURA EQUESTRE: 12 WORKS/TRABALHOS

99 – PHOTOS ADVENTURES, FICCIONAL AND COMICS/FOTOS DE PINTURA DE FICÇÃO, AVENTURAS E BANDA DESENHADA: 2 WORKS/TRABALHOS

100 – PHOTOS OF SPORTS/FOTOS DE PINTURA DE DESPORTO: 2 WORKS/TRABALHOS

101 – PHOTOS OF RAILWAYS/FOTOS DE PINTURA DE CAMINHOS DE FERRO: 2 WORKS/TRABALHOS

102 – PHOTOS OF MEDICINE PAINTINGS /FOTOS DE PINTURA DE MEDICINA: 1 WORKS/TRABALHOS

103 – PHOTOS OF PAINTINGS OF CIVIL RIGHTS MOVEMENTS/FOTOS DE PINTURAS DE MOVIMENTOS DE DIREITO CIVIS: 4 WORKS/TRABALHOS

104 – PHOTOS OF PAINTINGS OF UNION MOVEMENTS/FOTOS DE PINTURAS DE MOVIMENTOS SINDICAIS: 0 WORKS/TRABALHOS

105 - PHOTOS OF PAINTINGS OF POLITICAL MOVEMENTS/FOTOS DE PINTURAS DE MOVIMENTOS POLITICOS: 0 WORKS/TRABALHOS

106 - PHOTOS OF PAINTINGS OF RELIGIOUS MOVEMENTS/FOTOS DE PINTURAS DE MOVIMENTOS DE RELIGIOSOS: 2 WORKS/TRABALHOS

THEME Nº107 – PHOTOS OF NEW TRENDS IN CONTEMPORARY ART – SCRATCHES AND DRIGGLES/FOTOGRAFIAS DAS NOVAS TENDÊNCIAS NA ARTE CONTEMPORÂNIA – RISCOS E RABISCOS – 88 WORKS/TRABALHOS

THEME Nº108 – PHOTOS OF NEW TRENDS IN CONTEMPORARY ART – FIGURES/TEMA Nº108 - FOTOGRAFIAS DAS NOVAS TENDÊNCIAS NA ARTE CONTEMPORÂNIA – FIGURAS – 93 WORKS/TRABALHOS

THEME Nº109 – PHOTOS OF NEW TRENDS IN CONTEMPORARY ART – PEOPLE/TEMA Nº109 - FOTOGRAFIAS DAS NOVAS TENDÊNCIAS NA ARTE CONTEMPORÂNIA – PESSOAS: 29 WORKS/TRABALHOS

THEME Nº110 – PHOTOS OF WORKS IN ACRYLIC/TEMA Nº110 – FOTOGRAFIAS DE TRABALHOS EM ACRILICO: 62 WORKS/TRABALHOS

THEME Nº111 – PHOTOS OF WORKS IN WATERCOLOR/TEMA Nº111 – FOTOGRAFIAS DE TRABALHOS EM AGUARELA: 13 WORKS/TRABALHOS

THEME Nº112 – PHOTOS OF WORKS IN GOUCHE/TEMA Nº112 – FOTOGRAFIAS DE TRABALHOS EM GUACHES: 23 WORKS/TRABALHOS

THEME Nº113 – PHOTOS OF WORKS IN LITOGRAPHY/TEMA Nº113 – FOTOGRAFIAS DE TRABALHOS EM LITOGRAFIA: 14 WORKS/TRABALHOS

THEME Nº114 – PHOTOS OF WORKS IN SCREEN PRINTING/TEMA Nº114 – FOTOGRAFIAS DE TRABALHOS EM SERIGRAFIA: 23 WORKS/TRABALHOS

Just trying to apply the PS lomo technique.

On these pages I covered a chipboard X and O with paper, die cut the words, attached ribbon, punched out butterflies and glued little heart shaped cabs to the bodies

Using a technique I found online, I moved the color layers of the red and blue/green to give it a 3D effect

This is an example of what happens when you get the flash off the camera. Put the flash to the side, fire it through a simple photo umbrella (& stand); add a reflector or a lower powered fill flash on the other side.

Left: Regular flash on camera

Right: Flash on stand right of camera & shot through umbrella

Bhramari Pranayama, also known as Bumblebee Breathing, is a soothing yogic technique for beginners seeking mental clarity and tranquility. Through controlled exhalations while making a gentle humming sound resembling a bee, this practice calms the mind and reduces stress. Regular sessions improve focus, ease anxiety, and enhance overall well-being. Embrace the transformative power of breath with Bhramari Pranayama.

For more details visit www.arhantayoga.org/blog/bhramari-pranayama-beginners-guide/

Photographic techniques capture electromagnetic wavelengths beyond human vision, revealing features invisible to the naked eye. These signals are processed into interpretable forms using methods like color mapping.

Pink lacks a specific electromagnetic wavelength, while grey poses a limitation due to its representation of only intensity—a blend of light and dark without spectral specificity. Imaging techniques reliant on spectral variation produce identical results for greyscale images unless non-visible data is present. Deviations from this uniformity may indicate errors, misinterpretations, or unknown phenomena.

Contention persists over analytical debates, including dismissible claims like Van Allen belt dangers and contested evidence of lunar mirrors. The precision of laser reflections targeting a moving 3x3-foot marker on the Moon highlights technical skill but often fails to resolve skepticism. For instance, a 0.1° shift moves a laser spot 670 km across the Moon's surface.

Forensic analysis (2022, 2023) of Apollo 11–17 photographs assessed authenticity claims. Images of humans in space, Earth, and the Moon's distant views were validated, but Moon landing visuals showed variations, suggesting diverse techniques may have replicated certain elements.

PEMi (Photoelectromagnetic Image) software enhances forensic analysis by differentiating natural and artificial light sources, revealing hidden features. Each PEMi-ID links to original sources, ensuring traceability and comparison.

Further exploration is available:

Lehti, A. (2024). The Silence of Inquiry: Forensic Reflections Reveal a Crisis of Perception. figshare. doi.org/10.6084/m9.figshare.28078982

Credits

2022-2025 © Andrew Lehti

1961–2023 © NASA, ESA

Software: PEMi (GitHub: andylehti/PEMi.git)

Explore PEM-I: pemimage.streamlit.app

CC BY-SA 4.0 License: creativecommons.org/licenses/by-sa/4.0/

Research:

Lehti, Andrew (2024). Cognitive Psychology and the Education System. figshare. Collection. doi.org/10.6084/m9.figshare.c.7532079

CC BY-SA 4.0

This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 International License. To view a copy of this license, visit creativecommons.org/licenses/by-sa/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.

Title: Technique of Humour

Date: 1970

Medium: Gouache and graphite on paper

Size: 15.25 x 20.5"

Accession Number: 2023.26

Tried a new technique for teaching circuits - less talk and more playing. This won't replace our regular "Basic Circuits" classes in the Innovatoin Lab where we delve a bit into circuit theory, but it's a nice way to introduce the materials. We might even take a program like this on the road to a community center or a school!