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...the sunroof technique entails using the open sunroof as an improvised tripod. Given the SD550's horrible photographic abilities in low light...using the sunroof-tripod and the slow-syncro flash mode helps produce semi-decent night shots. The sun-roof method is also efficient for taking random night shots while sitting in traffic...but especially at red-lights..
...this a decent shot using this technique of downtown Minneapolis.
the Potato Technique is used when oils (linseed oil) rise to the surface of the painting and create a film which resists paint. you can see in this show where the paint beaded up.
i then cut a raw potato and rubbed it on the painting, washed it off with water and painted the rest of the brown lines.
if you look for "Scott Holloway" on youtube you will find some videos of this.
If you are interested in buying any prints, t shirts or commissioning me, please go to my profile for information.
Nia Technique workshop led by Stephanie DeMay at the Colleen Murray Dance Centre in Christchurch for The Body Festival 2015.
This was one ATC I made for a swap on PCMB. I used the "Salt Technique" for the background. Here is what I did:
Stamped Bear with black Stazon
Masked with Liquid Mask
Misted Glossy Cardstock with water
Brayered using "Hydrangea" Big and Juicy
Sprinkled Kosher Salt
Misted some more with water
Let dry
Scraped the salt off
Removed the liquid mask
Colored scarf with a Sharpie marker
Sunshine Stripper Harvester machine made by H. V. McKay in 1906. Photographer: Benjamin Heally. Melbourne Museum
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Day 2 of "Techniques of Cake Decorating 1" with Toba Garrett, at the Institute of Culinary Education in New York
The seismic forces are a real threat to the old buildings which are not built using modern architecture and techniques to withstand the devastating effects. Such building structures need to be modified to become more resistant to the seismic activities. Some of the commonly used techniques for retrofitting are adding steel braces, jacketing and the addition of infill walls. The following infographic depicts more information about the seismic retrofitting techniques.
My new shooting technique. Where there's a will, there's a way!
Wearing a cast for 6 weeks after reconstructive thumb surgery.
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PollyFilla applied to a plastic base, textured to look like a ploughed field and with tank track patterns impressed into the filler.
Back in 2020, I uploaded a five-act video highlighting the delicate and ephemeral beauty of soap bubble films interacting with incident light to produce dynamic interference patterns of unique, colorful and infinite fascinating forms, see this link: www.flickr.com/photos/193488782@N06/51759190926/in/album-...
In the process I discovered that lighting of the soap bubbles is both tricky and paramount to getting quality still or moving images of the interference patterns. All published videos I came across on the Internet light the bubbles from above, generally with diffused light from soft boxes or light boxes. However, I found the published lighting technique hampered with undesired reflection issues, camera maneuvering limitations and incomplete lighting of the bubbles. Instead, I pivoted to a different lighting technique that involved illuminating the soap bubbles from below using a 4” flat LED light that provided uniform illumination of the subject. A light table could have instead been used with the same result provided it is uniform, does not impart a color cast or excessive flickering, the latter being especially important for video captures.
In order to prevent soap seepage into the LED light circuitry, the upward facing light housing was covered with a clear glass plate taken from picture frame onto which the soap bubbles were placed.
The camera was focused on the far (back) side of the bubbles where colors and forms are best captured. To minimize ghosting effects from the near side of the bubbles, a piece of thick white paper was inserted between the LED light and the cover glass to partially block light from the forward half portion of the LED light. A black paper insert can also be used but has not been found to make a noticeable difference from that of the white paper.
A black velvet blind was hung 5 ft from the soap bubbles opposite to the tripod-mounted camera. The ambient light was killed to prevent reflection of room features onto the soap bubbles. Here, a 105 mm macro lens is used as it offered good flexibility for capturing the entire bubbles as well as their macro features by simply moving the camera in closer. Lens extension tubes can be used to get even closer to capture the finer details of the interference patterns. The larger the soap bubbles, the better in as far as reducing the working depth of field when larger bubble surface area are to be captured by the camera. Here the bubbles were about 3.5” in diameter at their bases.
Several other lenses and countless camera settings can be used to capture different aspects of the soap bubble light interference patterns. Likewise, soap formulations, bubble sizes and bubble application techniques are just as many. Those variables are left to the discretion of the experimentalist photographers interested in discovering the beauty of soap bubbles. All that’s needed is rekindling the innate curiosity of children. This is a perfect project for those long cold winter evenings.
Disclaimer: The author takes no responsibility for any issues that may arise from any or all of the above suggested procedures. It is the responsibility of the user to ensure that the above-described technique is carried out in a safe manner.