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Craft is the design studio within advertising agency US Sydney. Launch of the identity first began with the name – chosen to reflect the level of artistry, proficiency and care in the department that words like ‘design’ just didn’t do justice.
The brandmark that followed is a customised typeface that’s been designed to work with a subdued colour palette and crisp, structured typography. Contrasting textured art paper stock against solid pastels you get a tangible, hand-crafted feeling that combines technical design prowess with old world fine art. A vivid brandmark features in a high-gloss raised print, punctuating the stationery design. Designed by Louis Huosien.
Digitalpress were delighted to interpret the agencies fabulous design by creating beautiful print with new techniques. Printed on our new Roland UV printer using Raleigh Mohawk stock.
Printed by
digitalpress.com.au
Craft is the design studio within advertising agency US Sydney. Launch of the identity first began with the name – chosen to reflect the level of artistry, proficiency and care in the department that words like ‘design’ just didn’t do justice.
The brandmark that followed is a customised typeface that’s been designed to work with a subdued colour palette and crisp, structured typography. Contrasting textured art paper stock against solid pastels you get a tangible, hand-crafted feeling that combines technical design prowess with old world fine art. A vivid brandmark features in a high-gloss raised print, punctuating the stationery design. Designed by Louis Huosien.
Digitalpress were delighted to interpret the agencies fabulous design by creating beautiful print with new techniques. Printed on our new Roland UV printer using Raleigh Mohawk stock.
Printed by
digitalpress.com.au
Craft is the design studio within advertising agency US Sydney. Launch of the identity first began with the name – chosen to reflect the level of artistry, proficiency and care in the department that words like ‘design’ just didn’t do justice.
The brandmark that followed is a customised typeface that’s been designed to work with a subdued colour palette and crisp, structured typography. Contrasting textured art paper stock against solid pastels you get a tangible, hand-crafted feeling that combines technical design prowess with old world fine art. A vivid brandmark features in a high-gloss raised print, punctuating the stationery design. Designed by Louis Huosien.
Digitalpress were delighted to interpret the agencies fabulous design by creating beautiful print with new techniques. Printed on our new Roland UV printer using Raleigh Mohawk stock.
Printed by
digitalpress.com.au
Krasten (Toxi) explaining the dynamics - once generated the form takes around 300 frames to settle into a stable state.
The Art of Investment: William Stone Images & Beyond
In the heart of the contemporary art realm lies a unique space, imbued with sophistication and a touch of the avant-garde – enter the ethereal world of William Stone Images. Reflecting the style of an article from The New York Times, this space isn't merely about the aesthetic, but it's about transforming monetary support into something that goes beyond the visual.
Discovering Beauty and Empowerment
Whether you're an art connoisseur or someone new to the world of fine art prints, William Stone Images wsimages.com/ presents a delightful gallery of fine art photography prints and opulent wall art. Each piece, exclusive in nature, invites viewers to explore depths beyond the canvas and the lens, provoking thoughts of beauty, vision, and perhaps, financial acumen.
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WS-106-3772769-9461548-0850821-1542024093706
Some photos from my latest workshop in Moscow. Thanks to Polytechnical Museum ( polymus.ru/ ) for the support and photos.
Craft is the design studio within advertising agency US Sydney. Launch of the identity first began with the name – chosen to reflect the level of artistry, proficiency and care in the department that words like ‘design’ just didn’t do justice.
The brandmark that followed is a customised typeface that’s been designed to work with a subdued colour palette and crisp, structured typography. Contrasting textured art paper stock against solid pastels you get a tangible, hand-crafted feeling that combines technical design prowess with old world fine art. A vivid brandmark features in a high-gloss raised print, punctuating the stationery design. Designed by Louis Huosien.
Digitalpress were delighted to interpret the agencies fabulous design by creating beautiful print with new techniques. Printed on our new Roland UV printer using Raleigh Mohawk stock.
Printed by
digitalpress.com.au
Craft is the design studio within advertising agency US Sydney. Launch of the identity first began with the name – chosen to reflect the level of artistry, proficiency and care in the department that words like ‘design’ just didn’t do justice.
The brandmark that followed is a customised typeface that’s been designed to work with a subdued colour palette and crisp, structured typography. Contrasting textured art paper stock against solid pastels you get a tangible, hand-crafted feeling that combines technical design prowess with old world fine art. A vivid brandmark features in a high-gloss raised print, punctuating the stationery design. Designed by Louis Huosien.
Digitalpress were delighted to interpret the agencies fabulous design by creating beautiful print with new techniques. Printed on our new Roland UV printer using Raleigh Mohawk stock.
Printed by
digitalpress.com.au
Samedi 26 septembre 2015, Le Cube a inauguré sa nouvelle saison sous le signe de la découverte, de la créativité et de la pratique numérique.
Photo of the "Tangible IPO Activities – On the Ground for Climate Change and Green Transition" side event held during the Sixty-Fifth Series of Meetings of the Assemblies of WIPO Member States, which took place in Geneva, Switzerland, from July 9-17, 2024.
Copyright: WIPO. Photo: Violaine Martin. This work is licensed under a Creative Commons Attribution 4.0 International License.
Some photos from my latest workshop in Moscow. Thanks to Polytechnical Museum ( polymus.ru/ ) for the support and photos.
Craft is the design studio within advertising agency US Sydney. Launch of the identity first began with the name – chosen to reflect the level of artistry, proficiency and care in the department that words like ‘design’ just didn’t do justice.
The brandmark that followed is a customised typeface that’s been designed to work with a subdued colour palette and crisp, structured typography. Contrasting textured art paper stock against solid pastels you get a tangible, hand-crafted feeling that combines technical design prowess with old world fine art. A vivid brandmark features in a high-gloss raised print, punctuating the stationery design. Designed by Louis Huosien.
Digitalpress were delighted to interpret the agencies fabulous design by creating beautiful print with new techniques. Printed on our new Roland UV printer using Raleigh Mohawk stock.
Printed by
digitalpress.com.au
Some photos from my latest workshop in Moscow. Thanks to Polytechnical Museum ( polymus.ru/ ) for the support and photos.
New Visual Language, Surface Texture, Imperfection, White, Process, Studio, Creativity, Unique, R+D, Visual Conversation, Eleanor-Jayne Browne, Tangible Interfaces Project, The D/sign Lounge
Photograph by OslerZoo Photography.
Check them out: www.oslerzoo.com
Party pics from our adidas x Forces of Nice art collab show in Hong Kong.
September 29th 2010.
// FORCES OF NICE/ //
CHAIRMAN TING INDUSTRIES
TANGIBLE INTERACTION
STRAIGHTLEG
A great showcase of final projects by NWMEDIA C262: The Theory and Practice of Tangible User Interfaces, taught by Kimiko Ryokai with GSI Noura Howell at the Berkeley Center for New Media and UC Berkeley School of Information on December 6, 2017.
Multifaceted aspects of preservation of cultural heritage resources and the role of libraries
Efforts to preserve resources on cultural heritage have gained new momentum throughout the world recently. Libraries, archives, and museums hold disparate collections in a variety of media, presenting a vast body of knowledge accumulated over the institutions’ history, and the mission of these institutions is to make their collections accessible to intended users. The matter of preservation in archives representing “tangible” cultural heritage resources has long been a challenge for libraries while the matter of digital preservation of cultural heritage resources is an emerging issue which involve managing, maintaining, interoperability, and accessibility. In connection with the International Archives Day on June 9th, 2016, we will discuss the multifaceted aspects of preservation and the roles of library and information science professionals in the preservation of cultural heritage both physically and digitally.
part of Four Statements, Hand Painted by non-arabic speaking U.S. Artists Hands by Emily Laychak, Mostafa Sleem, and Tavia La Follette in the SITES OF PASSAGE exhibit at the Mattress Factory
A great showcase of final projects by NWMEDIA C262: The Theory and Practice of Tangible User Interfaces, taught by Kimiko Ryokai with GSI Noura Howell at the Berkeley Center for New Media and UC Berkeley School of Information on December 6, 2017.
Craft is the design studio within advertising agency US Sydney. Launch of the identity first began with the name – chosen to reflect the level of artistry, proficiency and care in the department that words like ‘design’ just didn’t do justice.
The brandmark that followed is a customised typeface that’s been designed to work with a subdued colour palette and crisp, structured typography. Contrasting textured art paper stock against solid pastels you get a tangible, hand-crafted feeling that combines technical design prowess with old world fine art. A vivid brandmark features in a high-gloss raised print, punctuating the stationery design. Designed by Louis Huosien.
Digitalpress were delighted to interpret the agencies fabulous design by creating beautiful print with new techniques. Printed on our new Roland UV printer using Raleigh Mohawk stock.
Printed by
digitalpress.com.au