View allAll Photos Tagged synchronicity
Doodleday 1/26/11
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This individual is using this device, which happens to be connected to everything he will come in contact with today, to completely synchronize all the objects of interaction for his day. There's no smoother way to live.
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sorry about the ketchup stains
“I am like a pelican of the wilderness: I am like an owl of the desert. I watch, and am as a sparrow alone upon the house-top.”
It’s no longer raining Nikons. I’m now drowning in NIKKOR’S!
I'm sure that there is some sort of synchronicity at play here. I began the year thinking that I should find a stablemate for my lonely Nikkor lens, the legendary early 105mm f2.8.
My long-time friend let me know that he had jumped to a Sony system and was interested in selling his Nikon gear. Consequently, was for a while enjoying the company of a Fisheye Nikkor 16mm f2.8, AF-S Nikkor 50mm f1.8G and AF-S Nikkor ED 17-35mm f2.8D. Also joined by the F80 and amazing F100 Nikon film cameras. However, the journey had just recently taken a backward step, as my friend wasn’t so smitten with my 35mm Sony lens. (To be honest, neither was I). He took this lens on a recent trip to Asia – and never used it. Rather stuck with the new and heavier, though much more versatile Sony 20-70mm f4 zoom lens.
So, sadly the fisheye is back with its original owner. To be honest the lens and the look can be a bit of a one trick pony and I’m very much enjoying the Nikkor 17-35mm zoom.
However, fear not, all is not lost. The tide has now turned - into a flood! Collected last night an entire Nikkor lens collection.
AF Nikkor 20-35mm f2.8D
AF ED Nikkor 300mm f4
AF Nikkor 24-120mm f3.5-5.6D
AF ED Nikkor 80-200mm f2.8
AF Nikkor 24mm f2.8
AF Nikkor 35-70mm f2.8D
AF-S VR Nikkor 70-200mm f2.8G
AF-S VR ED Nikkor 70-300mm f4.5-5.6G
AF-S Nikkor 24-85mm f3.5-4.5G
AF-S ED Nikkor 12-24mm f4G DX
Will I be sink or swim? I'm certainly paddling as fast as I can. Surely this is enough. Don't hold your breath.
Mew Gull MEGU (Larus canus)
Michell Farms fields
Martindale Flats
Central Saanich BC
DSCN7607
Taken on December 7, 2020
Just a Video Doc of this behaviour
More often MEGU are just randomly flying around in our area
where as Bonaparte's Gulls are more likely to be seen flying in in flock synchronicity
Stragglers were catching up to & joining the flock
and a few went back and continued to feed near Glaucous Winged Gull flock
A Haiku Note:
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Synchronicity!
Use to be Noodle Heaven;
but now it is bliss.
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James Taylor on Cassette
Thanksgiving Day 2007 at the Lake
I felt like being creative on this day and wanted to fuel that creativity with everyone's FAVORITE LEGAL ADDICTIVE STIMULANT=-STARBUCKS COFFEE! I put on a warm coat and boots and took my camera with me for a photowalk to the coffee store that's a quarter mile away. This is what I saw on the ground on the way there--a James Taylor cassette tape . I thought "cool--I haven't seen a cassette in a while and my husband loves James Taylor." Also, "Fire and Rain" just gets me weepy--he sang that song for a post 9/11 tele-thon.
See Part 2 of this story with the next photo in my photostream.
Follow the live performance Erased/Not Erazed on internet : aire-ville-spatiale.org/blog/concerts/erasednot-erazed/
Avatars will be available to the public to experience the interactive installation Synchronicity. They may, with the movements of their body (with kinect), move the avatar and co-create with the 3D environment. Here, an avatar created by Maya Paris and appearances of sharp and soft column (Daniel Buren?) created by Marc Blieux, when the avatar moves.
english : www.videoformes-fest-engl.com/exhibitions/place-de-jaude/
french : www.videoformes-fest.com/festival-12/expositions/place-de...
What is this strange box which appears in The aviary ?
SynchroniCity (part 2)
aire-ville-spatiale.org/coucou-cuckoo
Presentation on Second Life, July 29th, 1 pm slt, / Présentation le 29 juillet à 22h, 1 pm slt.: slurl.com/secondlife/Ecologia%20Island/119/55/456
Typote Beck with the cuckoo.
aire-ville-spatiale.org/coucou-cuckoo
opening SynchroniCity part 2 - AIRE Ville Spatiale
STRATEGIC SYNCHRONICITY
FUTURA - Pioneer of the American Urban Art Movement
Comes to LA for First Ever Solo Show
When: Thursday September 18th 2008 – Sunday September 21st, 2008
Where: Phantom Galleries LA at the Pacific Electric Lofts 610 S. Main St. Downtown LA, 90014
Preview for the Downtown LA Art Walk 6-10pm September 11, 2008
DowntownArtWalk.com
KRUNK presents, Strategic Synchronicity – an incredibly rare four-day event featuring the first ever LA solo-show by the internationally acclaimed graffiti artist & true pioneer of the American Urban Art movement – Futura. This once in a lifetime event starts on Thursday September 18th and will only continue until Sunday September 21st (in a secret location in Downtown LA). Then it's gone.
This, as perhaps Futura's most anticipated body of work ever, will showcase his extraordinary talent with a range of original canvases and drawings. Fans and art collectors will have a narrow window of opportunity to purchase original Futura art, with prices starting from $1,500 and upwards. The exhibition will not only showcase his new work but will also take a genuinely evolving organic form - a work in progress. This will be a truly historic occasion for fine art and street culture in the U.S. and should not be missed.
"LA was an obvious destination for me to showcase this collection. The city has so many incredible creatives who I consider as friends and whose work I respect enormously. It's about time I hit LA particularly with this collection. Above all, I'm looking forward to having some fun presenting AND creating this new work in LA." Futura
What to expect: Futura's past experience merges with his vision of the future, combining his tendency towards meticulous precision with his trademark free-flowing spraycan techniques. His art appears effortless in its abstraction with commentary on themes such as 'space' and 'the future' and his interpretation of 'the present'. Those lucky enough to be present might spot an 'old friend' in his work (perhaps for the last time?) as well as some incredible advancements and developments of his art form:
Futura has always had a keen interest and somewhat of an obsession with the latest technologies, so expect to see canvases stretched onto aluminium (in order to prevent warping due to environmental factors), pieces complemented by specifically devised music scores and film trials and much more.
"I consider this collection my best work yet, when I started on it I could feel myself about to explode. All these years of development and it reflects my growth and evolution. I want this work considered on its merits….and in that sense, I'm going right back to the beginning." Futura
For more information: madkrunk.com
For media inquiries please contact: Helena Barton
Email: helena@anotheragencyla.com
Tel: (323) 424-3778
Phantom Galleries LA
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web: pirovinoprojex.com
vox: 310.251.8831
SLR camera Exa 1c (AGFA 100 B&W)
With one breath, with one flow
You will know
Synchronicity
A sleep trance, a dream dance
A shaped romance
Synchronicity
A connecting principle
Linked to the invisible
Almost imperceptible
Something inexpressible
Science insusceptible
Logic so inflexible
Causally connectable
Yet nothing is invincible
If we share this nightmare
Then we can dream
Spiritus mundi
If you act as you think
The missing link
Synchronicity
We know you, they know me
Extrasensory
Synchronicity
A star fall, a phone call
It joins all
Synchronicity
It's so deep, it's so wide
You're inside
Synchronicity
Effect without cause
Sub-atomic laws, scientific pause
Synchronicity
~ The Police
This picture of the entrance to Caisteal Grugaig Broch could be the starting image for a production that in parts follows the routine of a preflight safety announcement. Using hands gestures familiar to flight attendants, as well as to those focused on their gesticulation, the central aisle can be indicated with two hands in a parallel almost chopping gesture. The side portals leading of the central aisle can be indicated with repeated sideways palms outwards chopping actions. Instead of indicating routes to safely leave the plane to escape danger the indications in this imaginary production would be a guide to places ready to engage, encounter and experience the traveller with the history and mystery raised in the remains of the stone structure. For me the preflight safety announcement idea opens up the potential available from following the direct route down the aisle as a visitor stooping and stepping into the central open section.
Also I am following the imaginary guide from the preflight safety announcement to step off the central aisle to take in the potential available from the side portals. By absolute happenstance the image when reflected has a some excellent patterns that create figures with one of them looking like an iconic version of old sacred statuary with a superb feather headdress. The synchronicity of the patterns holding such striking figures is supremely serendipitous as I have recently been looking at iconic old sacred statuary and enjoying the symbols in their structure when synchronicity strikes at the edges of the images of Caisteal Grugaig Broch rousing notions of a preflight safety announcement to then reveal in reflections of statue like figures.
The witchcraft that is stirred into these images is not the cunning editing as the editing is simple and straightforward just reflecting the original image. The name name Caisteal Grugaig is a reminder of the witch that supposedly lived here. Grugaig had two sons Telve and Todder. The sons are sometimes mentioned as giants and these two giants built and lived in Dun Telve and Dun Troddan the two magnificent brochs just over the hills and past Glenelg. There is also Dun Gruaig Broch that is closer to Dun Telve and Dun Troddan so the witch may have been in two places at once as well as having two giant sons in two magnificent brochs. Which ever way the witch story weaves a narrative, the beauty of the four brochs is tale set in stone that is worth telling and retelling.
The stones rise into open skies that release the imagination to fuel our inspiration until we are in our own ingenious visualisation ready to recount our own narration of witches, giants and brochs. I have my story from listening in to the wind and reflecting the resound of the echoes from the ground that around a campfire can be shared as water bubbles and boils to give accompanying brew to enlighten the story.
There are some further details here. Some useful details here.
Caisteal Grugaig Broch, if not with the white Hare Hind as seen in some of the other pictures, is a phantastique place of solid stone and dreaming design. Something secure rose here to stretch the sky and meet the clouds and even as the stone falls gently back down to the ground the sky still rolls in off the mountains and across the lochs to meet this site next to fresh water and towering over the sea.
Caisteal Grugaig Broch Ordnance Survey Map Grid Reference and Global Position
OS Grid Ref: NG 86681 25076
Latitude: 57° 15' 59" N
Longitude: 5° 32' 21" W
PHH Sykes ©2020
phhsykes@gmail.com
FLICKR synchronicity: the first thing this woman did after joining FLICKR was to search the "cowgirl" tag. To her great surprise, the first image that came up was this one, of her competing in the team penning competition at a local fair. Smaller world by the day....
What is this strange box which appears in The aviary ? maybe it is preferable not to approach it...
SynchroniCity (part 2)
aire-ville-spatiale.org/coucou-cuckoo
Presentation on Second Life, July 29th, 1 pm slt, / Présentation le 29 juillet à 22h, 1 pm slt.: slurl.com/secondlife/Ecologia%20Island/119/55/456
freckle on my finger! portrait of my left hand...taken right before i had to cut my nails that were getting to long to manage...
Egosystem was founded in 2014.
He works at his own home recording studio named “the bunker”, located in Zaragoza Spain.
Before creating Egosystem, Carlos Villar played with Cielito Lindo youtu.be/NAcOA4Z-csY, an experimental post-rock band from Zaragoza, and other bands.
Egosystem is influenced by the concept of work in progress, surrealism, sound-collage, minimalism and industrial music. He includes pieces which emphasise the theatrical and atmospheric elements of music.
He also began to incorporate visual projections into his work under the influence of cinema. Egosystem mounted wall-of-sound performances, featuring several mm and others film projectors.
Egosystem became involved into Zaragoza’s artistic scene and has written compositions for performances and happenings since 2014.
Egosystem’s first album, V-effekt, was released in .
This album features eight pieces, performed by Egosystem, with a focus on dark 'landscapes' and cathartic explosions.
Egosystem performs using various kinds of acoustic and electronic instruments, looper pedal, sample player, noises, percussions and other sources of sound.
Carlos Villar Morales Egosystem was born in Zaragoza Spain.
Carlos studied double bass, accordion and keyboard at School of music.
All sounds can become a part of a soundscape composition.
Email: egosystem.project@gmail.com
Noisemusic,powerelectronics,deathindustrial,militantnoise,Industrialmusic,liveassault,DarkAmbient,Experimentalmusic,JojoHiroshige, Merzbow, ToshijiMikawa, 小堺文雄, NaokiZushi, 柴田奈緒
Vocaloid - Synchronicity