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by Jared Chance
@ Southside Tattoo & Piercing
1597 White Way
East Point-ATL, Georgia 30344
(404) 781-8000
participatory and dynamic print installation
organza, litho crayon & china marker
in collaboration with Jessica Meuninck-Ganger
via Outdoor Surface Painting outdoorsurfacepainting.tumblr.com/post/155539876191
Just Pinned to Cycle Lane Colour Painting: Anti Slip Step Paint...
via Outdoor Surface Painting outdoorsurfacepainting.tumblr.com/post/156618753641
Just Pinned to Cycle Lane Line Marking: Floor Marking in...
Surface tension -- floating a pin on water is tough! Got this idea from a science book one of my sons brought home.
6.10.11
via Outdoor Surface Painting outdoorsurfacepainting.tumblr.com/post/156206588956
Just Pinned to Tennis Court Markings: Floor Marking in Spratton...
Large surface parking lot (taken during winter) adjacent to International Centre, Campbell Mithun Tower, Lemington Ramp, and American Express Building.
Located between 2nd / 3rd Avenues and 9th / 10th streets. See where this picture was taken, on a map. [?]
More images of this lot:
flickr.com/photos/zkorb/49235279/in/set-72057594051424246/
This photo is part of a project to photograph every parking structure in downtown Minneapolis. For more about this project, visit: www.wowflutter.com/parking-lots-and-parking-ramps-in-down...
via Outdoor Surface Painting outdoorsurfacepainting.tumblr.com/post/142891163381
Just Pinned to Tennis Court Markings: Car Park Painting in...
via Outdoor Surface Painting outdoorsurfacepainting.tumblr.com/post/153395616831
Just Pinned to Anti Slip Step Paint: Anti Slip Pathway in Cole...
Making Intensified Surfaces : A Transdisciplinary Spatial Inquiry.
My practice begins somewhere between the hand and the structure.
Clay is not simply a material to be formed. It is a body in negotiation: resistant, absorbent, unstable, enduring. Through making, I enter into a process of continual adjustment in which the work is never entirely known in advance. Form emerges through a reciprocal encounter between intention, matter, gesture, tool, surface, gravity, failure, and time.
I am interested in ceramic bodies that begin to exceed their own material designation. Slab-built, perforated, scored, drilled, painted, weathered, and reconfigured, they occupy an unstable interval between vessel, sculpture, architectural fragment, diagram, ruin, and spatial apparatus. Their surfaces become intensified fields of activity. The hole is an aperture; the grid is a structure; the line is a proposition; the surface is a record of becoming.
Making is therefore not the execution of an idea but a mode of inquiry.
I understand the studio as an expanded environment: no longer a retreat from the world, but a site of continuous exchange. Ideas enter through materials, bodies, texts, places, conversations, architectures, and acts of attention. The work develops through an iterative process of monitoring, correction, combination, and transformation.
My site-based practice extends this inquiry into environments and situations. I construct provisional spatial compositions in which craft, architecture, theory, drawing, sociality, and embodied experience become entangled. These works are not fixed objects but relational propositions: spaces for inhabiting, encountering, sensing, imagining, and thinking.
I am interested in what happens when the distinction between object and environment begins to collapse.
A ceramic body becomes a spatial body.
A surface becomes a threshold.
A structure becomes an event.
Making becomes a way of producing knowledge through the material, the embodied, and the situated.
The work emerges through an excess of form: something always remains unfinished, unresolved, overspilling the structural integrity of the object. This excess is not a failure of construction but its generative condition.
I work within this instability.
Between craft and architecture.
Between matter and thought.
Between the body that makes and the space that is made.
Between the object and the world it begins to produce.
Mind maping, week 4, Sumptuous Surfaces with Sharon B.
Starting idea: Unity/Onesss (in marriage and other areas)