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Art for the Soul by RICHARD LAZZARA www.shankar-gallery.com/contact.html
www.absolutearts.com/portfolios/s/shankargallery/
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www.absolutearts.com/portfolios/t/thangkashankarsalon/
www.hometownartgallery.com/art/Richard Lazzara
www.myspace.com/richardlazzara
blog.myspace.com/richardlazzara
art.la-passerelle.net/art_pages/richard_lazzara/links.htm
www.artmajeur.com/shankargallery/
www.picturetrail.com/homepage/shankargallery
www.supersociety.com/shankargallery
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shankargallery.livejournal.com/
richardlazzara.spaces.live.com/
richardlazzara.ning.com/profile/shankargallery
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en.wikipedia.org/wiki/User:Shankargallery
digitalconsciousness.com/artists/RichardLazzara/
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www.visionarygallery.com/artists/shankargallery/index.php
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cast2crew.com/userinfo.php?uid=407
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www.last.fm/user/shankargallery/
www.projectplaylist.com/user/669142
| Toutes les images sont la propriétés exclusives de L. Rault et Tarek Ben Yakhlef et/ou de Paris Tonkar magazine [2020 © L. Rault - Tarek Ben Yakhlef] | All images are the exclusive property of L. Rault & Tarek Ben Yakhlef and / or Paris Tonkar magazine [2020 © L. Rault - Tarek Ben Yakhlef] |
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| Paris Tonkar magazine | www.paristonkar.net/
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Vous pouvez acheter des dessins, des customs ou encore des peintures en visitant les galeries en ligne qui suivent : Art Sy, Artmajeur, Artsper, Singulart, Kazoart et We need art.
You can buy drawings, customs or paintings by visiting the following online galleries: Art Sy, Artmajeur, Artsper, Singulart, Kazoart et We need art.
A Sash Bradshaw figure with a Wandjina Period kangaroo totem from the Aborigine Epoch painted on top. The Sash Bradshaw figure shows a number of typical features - from top to bottom - the 'Dunce Cap Headdress' and 'Pompom Tip' with a feather and a tassel hanging down, a 'Bird Wing Feature' mounted on the forehead, 'Tuft Armbands', a 'Waist Pompom' and a chest band-mounted 'Broad Plume Feature' . The hand-held objects include boomerangs and a 'Whisk'.
Thrust faults are low-angle reverse faults, involving upward movement of the hanging wall and downward movement of the footwall. The fault planes of thrust faults are supposed to be less than 30 degrees from the horizontal, as seen in cross-section. Thrust faults, and reverse faults in general, form by compressional stress - they are common in mountain belts.
The light-colored rocks in the upper thrust plate are part of the basal Dunham Dolostone (upper Lower Cambrian). The gray-colored rocks in the lower thrust plate are part of the Iberville Formation (Middle Ordovician). The rocks look like shales, but they're not - they're intensely calcite-veined, dark gray lime mudstones (probably argillaceous).
Normally, one would not expect older rocks above younger rocks - that's an apparent violation of the Principle of Superposition. However, the principle only applies to non-disturbed/deformed rocks.
The Champlain Thrust Fault was active during the Taconic Orogeny, an Ordovician to Silurian mountain-building event involving the collision of a volcanic island arc with Laurentia (= the North American paleocontinent). The fault zone was also active during the subsequent Acadian Orogeny (Silurian to Devonian).
Locality: lakeshore cliff in small cove north of Lone Rock Point, northwestern side of the town of Burlington, northwestern Chittenden County, northwestern Vermont, USA (44° 29' 41.33" North latitude, 73° 14' 49.46" West longitude)
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See info. at:
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MOMO (° 1974, San Francisco), is an American artist. His work is not intended to be representative, but is purely sensual. In addition to his studio work, he paints murals and public installations. The ideas he develops in his paintings and three-dimensional installations are conceptual and aesthetically post-digital: they have the look and feel of digital paintings with their geometric compositions and the superposition of layers drawn across the surface. For MOMO, work preparation is an integral part of the process. For example, he develops specific working tools for each project. MOMO plays with color theories and manipulates our sensual experience of his art. The resulting graphic work has strong, vibrant features composed of clean lines and pure and primary colors.
This work was on display in 2016 at the MIMA in Molenbeek, Brussels, on the occasion of the opening of the museum.
MOMO (° 1974, San Francisco), is een Amerikaanse kunstenaar. Zijn werk heeft niet de bedoeling representatief te zijn, maar is puur sensueel. Naast zijn studiowerk schildert hij muurschilderingen en openbare installaties. De ideeën die hij ontwikkelt in zijn schilderijen en driedimensionale installaties zijn conceptueel en esthetisch post-digitaal: ze hebben de look en feel van digitale schilderijen met hun geometrische composities en de superpositie van lagen die over het oppervlak zijn getrokken. Voor MOMO maakt de voorbereiding van een werk integraal deel uit van het proces. Zo ontwikkelt hij per project specifieke werkinstrumenten. MOMO speelt met kleurentheoriën en manipuleert onze sensuele ervaring van zijn kunst. Het resulterende grafische werk heeft sterke, levendige kenmerken die zijn samengesteld uit strakke lijnen en pure en primaire kleuren.
Dit werk was in 2016 te zien in het MIMA in Molenbeek, Brussel, naar aanleiding van de opening van het museum.
MOMO (° 1974, San Francisco), est un artiste américain. Son travail ne se veut pas être représentatif, mais est purement sensuel. En plus de son travail en atelier, il peint des peintures murales et des installations publiques. Les idées qu'il développe dans ses peintures et installations tridimensionnelles sont conceptuellement et esthétiquement post-numériques: elles ont l'aspect et la sensation des peintures numériques avec leurs compositions géométriques et la superposition de couches dessinées sur la surface. Pour MOMO, la préparation du travail fait partie intégrante du processus. Par exemple, il développe des outils de travail spécifiques pour chaque projet. MOMO joue avec les théories de la couleur et manipule notre expérience sensuelle de son art. Le travail graphique qui en résulte présente des caractéristiques fortes et vibrantes composées de lignes épurées et de couleurs pures et primaires.
Cette œuvre a été exposée en 2016 au MIMA de Molenbeek, Bruxelles, à l'occasion de l'ouverture du musée.
Website of the artist: momoshowpalace.com/About
Website of the MIMA: www.mimamuseum.eu/
Peintures dans la rue /// Vernissage + exposition
Du 12 avril au 15 mai à la galerie Superposition [in situ + ex situ] à Lyon /// Akkanobi // peintures, customs, goodies + les murs de la rue peints sur le thème du masque.
| Toutes les images sont la propriétés exclusives de Tarek Ben Yakhlef et/ou de Paris Tonkar magazine [ 2019 © Tarek Ben Yakhlef ] | All images are the exclusive property of Tarek Ben Yakhlef and / or Paris Tonkar magazine [2019 © Tarek Ben Yakhlef] |
Pour plus d'infos | More news on
| Tarek website | www.tarek-bd.fr/
| Paris Tonkar magazine | www.paristonkar.net/
Suivez-nous sur | Follow us
Advantage:
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Save tolal amount of water to be used and improve the quality of water and reduce or avoid sewage discharging directly to lead environmental pollution.
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Remove impurity and ocean microorganism in seawater. The property of salt resistant and anticorrosion of plastic filter is better than metallic filter with expensive cost.
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Chemical industry, electric power, mechine building, processing of foodstuff and drinking, plastic, paper-making, mining, metallurgy, textile, petrochemical, environment, golf course, agricultural water saving, automobile, tap water, etc.
You want to buy this work
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Sie wollen dieses Werk kaufen
Вы хотите к покупке этой из работы
Quiere comprar esta obra
Θέλετε να αγοράσετε αυτό το έργο
Volete comperare quest'opera
U wilt dit werk kopen
Quer comprar esta obra
just mail me at
contact@paslier.com
Shipping worldwide
24.10.14
Sun in H-alpha with the superposition of a visible image of the spots
Lunt 60mm with skyris 618M
Bastien pour une partie du traitement
If you want to share my work, please contact me! And after having my agreement, quote me, it will be nice!
Si vous voulez partager mes photos, veuillez me contacter, et me citer si vous avez mon accord, ça serait sympa!
| Toutes les images sont la propriétés exclusives de L. Rault et Tarek Ben Yakhlef et/ou de Paris Tonkar magazine [2020 © L. Rault - Tarek Ben Yakhlef] | All images are the exclusive property of L. Rault & Tarek Ben Yakhlef and / or Paris Tonkar magazine [2020 © L. Rault - Tarek Ben Yakhlef] |
Pour plus d'infos | More news on
| Tarek website | www.tarek-bd.fr/
| Paris Tonkar magazine | www.paristonkar.net/
Suivez-nous sur | Follow us
[ vimeo | facebook | twitter | tumblr | youtube ]
Vous pouvez acheter des dessins, des customs ou encore des peintures en visitant les galeries en ligne qui suivent : Art Sy, Artmajeur, Artsper, Singulart, Kazoart et We need art.
You can buy drawings, customs or paintings by visiting the following online galleries: Art Sy, Artmajeur, Artsper, Singulart, Kazoart et We need art.
The avenida is the heart of Panama City. Always busy, always cars driving like only the Panamese do. I wanted to capture the movements of the traffic.
| Toutes les images sont la propriétés exclusives de L. Rault et Tarek Ben Yakhlef et/ou de Paris Tonkar magazine [2020 © L. Rault - Tarek Ben Yakhlef] | All images are the exclusive property of L. Rault & Tarek Ben Yakhlef and / or Paris Tonkar magazine [2020 © L. Rault - Tarek Ben Yakhlef] |
Pour plus d'infos | More news on
| Tarek website | www.tarek-bd.fr/
| Paris Tonkar magazine | www.paristonkar.net/
Suivez-nous sur | Follow us
[ vimeo | facebook | twitter | tumblr | youtube ]
Vous pouvez acheter des dessins, des customs ou encore des peintures en visitant les galeries en ligne qui suivent : Art Sy, Artmajeur, Artsper, Singulart, Kazoart et We need art.
You can buy drawings, customs or paintings by visiting the following online galleries: Art Sy, Artmajeur, Artsper, Singulart, Kazoart et We need art.
Art installation at the ice wells at the London Canal Museum. Superposition is a series of artist/physicist collaborations commissioned by the Institute of Physics
When orbiting Saturn, be sure to watch for breathtaking superpositions of moons and rings. One such picturesque vista was visible recently to the robot Cassini spacecraft now orbiting Saturn. In 2006 April, Cassini captured Saturn's A and F rings stretching in front of cloud-shrouded Titan. Near the rings and appearing just above Titan was Epimetheus, a moon which orbits just outside the F ring. The dark space in the A ring is called the Encke Gap, although several thin knotted ringlets and even the small moon Pan orbit there. via NASA
Thrust faults are low-angle reverse faults, involving upward movement of the hanging wall and downward movement of the footwall. The fault planes of thrust faults are supposed to be less than 30 degrees from the horizontal, as seen in cross-section. Thrust faults, and reverse faults in general, form by compressional stress - they are common in mountain belts.
The light-colored rocks in the upper thrust plate are part of the basal Dunham Dolostone (upper Lower Cambrian). The gray-colored rocks in the lower thrust plate are part of the Iberville Formation (Middle Ordovician). The rocks look like shales, but they're not - they're intensely calcite-veined, dark gray lime mudstones (probably argillaceous).
Normally, one would not expect older rocks above younger rocks - that's an apparent violation of the Principle of Superposition. However, the principle only applies to non-disturbed/deformed rocks.
The Champlain Thrust Fault was active during the Taconic Orogeny, an Ordovician to Silurian mountain-building event involving the collision of a volcanic island arc with Laurentia (= the North American paleocontinent). The fault zone was also active during the subsequent Acadian Orogeny (Silurian to Devonian).
Locality: lakeshore cliff in small cove north of Lone Rock Point, northwestern side of the town of Burlington, northwestern Chittenden County, northwestern Vermont, USA (44° 29' 41.33" North latitude, 73° 14' 49.46" West longitude)
------------------------------
See info. at:
Thrust faults are low-angle reverse faults, involving upward movement of the hanging wall and downward movement of the footwall. The fault planes of thrust faults are supposed to be less than 30 degrees from the horizontal, as seen in cross-section. Thrust faults, and reverse faults in general, form by compressional stress - they are common in mountain belts.
The light-colored rocks in the upper thrust plate are part of the basal Dunham Dolostone (upper Lower Cambrian). The gray-colored rocks in the lower thrust plate are part of the Iberville Formation (Middle Ordovician). The rocks look like shales, but they're not - they're intensely calcite-veined, dark gray lime mudstones (probably argillaceous).
Normally, one would not expect older rocks above younger rocks - that's an apparent violation of the Principle of Superposition. However, the principle only applies to non-disturbed/deformed rocks.
The Champlain Thrust Fault was active during the Taconic Orogeny, an Ordovician to Silurian mountain-building event involving the collision of a volcanic island arc with Laurentia (= the North American paleocontinent). The fault zone was also active during the subsequent Acadian Orogeny (Silurian to Devonian).
Locality: lakeshore cliff in small cove north of Lone Rock Point, northwestern side of the town of Burlington, northwestern Chittenden County, northwestern Vermont, USA (44° 29' 41.33" North latitude, 73° 14' 49.46" West longitude)
------------------------------
See info. at: