View allAll Photos Tagged superposition
Peintures dans la rue /// Vernissage + exposition
Du 12 avril au 15 mai à la galerie Superposition [in situ + ex situ] à Lyon /// Akkanobi // peintures, customs, goodies + les murs de la rue peints sur le thème du masque.
| Toutes les images sont la propriétés exclusives de Tarek Ben Yakhlef et/ou de Paris Tonkar magazine [ 2019 © Tarek Ben Yakhlef ] | All images are the exclusive property of Tarek Ben Yakhlef and / or Paris Tonkar magazine [2019 © Tarek Ben Yakhlef] |
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The performance is a result of a collaborative and experimental encounter between transdisciplinary artists (APBU–Dance Institute, University of Arts Linz –Interface Cultures) and scientists from the Institute of Quantum Optics and Quantum Information. Homodyne showcases a multitude of diffracted artistic interpretations of the key research questions within the field of quantum physics and philosophy–from quantum entanglement and quantum gravity, space-time and the motion of molecules–to chaos, superposition and Ancient Chinese Ontology.
Photo: Markus Schneeberger
The main interest of this panel is the figure in white. Typically figures from the Straight Part Figure art period have lost their white pigment which results in shortened arms and missing bits from their headress etc.
Peintures dans la rue /// Vernissage + exposition
Du 12 avril au 15 mai à la galerie Superposition [in situ + ex situ] à Lyon /// Akkanobi // peintures, customs, goodies + les murs de la rue peints sur le thème du masque.
| Toutes les images sont la propriétés exclusives de Tarek Ben Yakhlef et/ou de Paris Tonkar magazine [ 2019 © Tarek Ben Yakhlef ] | All images are the exclusive property of Tarek Ben Yakhlef and / or Paris Tonkar magazine [2019 © Tarek Ben Yakhlef] |
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| Tarek website | www.tarek-bd.fr/
| Paris Tonkar magazine | www.paristonkar.net/
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I wanted to try something different from my usual compositions. This is a scene with a lot of elements, with an ascending gradient of complexity from the bottom left of the frame to the top right.
Nouvel espace d’exposition Street Art avec Superposition à Lyon : URBAN POP UP # 1 !
L’exposition est visible au Pôle de Commerces et de Loisirs à Confluence : vous pouvez y découvrir de nombreuses œuvres que j’ai réalisé.
| Toutes les images sont la propriétés exclusives de Tarek Ben Yakhlef et/ou de Paris Tonkar magazine [ 2019 © Tarek Ben Yakhlef ] | All images are the exclusive property of Tarek Ben Yakhlef and / or Paris Tonkar magazine [2019 © Tarek Ben Yakhlef] |
Pour plus d'infos | More news on
| Tarek website | www.tarek-bd.fr/
| Paris Tonkar magazine | www.paristonkar.net/
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Peintures dans la rue /// Vernissage + exposition
Du 12 avril au 15 mai à la galerie Superposition [in situ + ex situ] à Lyon /// Akkanobi // peintures, customs, goodies + les murs de la rue peints sur le thème du masque.
| Toutes les images sont la propriétés exclusives de Tarek Ben Yakhlef et/ou de Paris Tonkar magazine [ 2019 © Tarek Ben Yakhlef ] | All images are the exclusive property of Tarek Ben Yakhlef and / or Paris Tonkar magazine [2019 © Tarek Ben Yakhlef] |
Pour plus d'infos | More news on
| Tarek website | www.tarek-bd.fr/
| Paris Tonkar magazine | www.paristonkar.net/
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Sometimes, the sky may seem to smile over much of planet Earth. On this day in 2008, visible the world over, was an unusual superposition of our Moon and the planets Venus and Jupiter. Pictures taken at the right time show a crescent Moon that appears to be a smile when paired with the planetary conjunction of seemingly nearby Jupiter and Venus. Pictured here is the scene as it appeared from Mt. Wilson Observatory overlooking Los Angeles, California, USA after sunset on 2008 November 30. Highest in the sky and farthest in the distance is the planet Jupiter. Significantly closer and visible to Jupiter's lower left is Venus, appearing through Earth's atmospheric clouds as unusually blue. On the far right, above the horizon, is our Moon, in a waxing crescent phase. Thin clouds illuminated by the Moon appear unusually orange. Sprawling across the bottom of the image are the hills of Los Angeles, many covered by a thin haze, while LA skyscrapers are visible on the far left. Hours after the taking of this image, the Moon approached the distant duo, briefly eclipsed Venus, and then moved on. This week, another conjunction of Venus and Jupiter is occurring and is visible to much of planet Earth to the east just before sunrise. via NASA ift.tt/2yQsEy2
(Recovery of the first scaffolding for the construction of the monument to Henry Dundas, alias Lord Melville in St. Andrew Square: a support structure put in place owing to the risk of imminent collapse) en Interview Room 11 Gallery (43 Pennywell Road. EH4 4QR Edinburgh) www.ir11.org.uk/
An ephemeral structure surrounds the monument in honour of Henry Dundas in St Andrew Square, in the economic centre of the city. Taking this as a starting point, a story that depicts the relationship between the monument and the provisional support structure is created.
The towering stone column stands as a metaphor for a power struggle. It conveys an ideology and occupies a symbolic space. The temporary armature made of wood harks back to the very beginnings of this monumental project. It highlights the nature of the monument-to-be, hinting at the collapse of this outsized column.
While the urban icon still remains in the middle of the square, a disused supermarket on the outskirt of the city will serve as an exhibition space. This show seeks to question the urban structure, the planning laws and by-laws guidelines allowed the project to proceed, and the changes that the symbols are suffering.
The sculpture is surrounded by a provisional structure, an empty framework that creates a threshold, a space that extends the centre of the square. The wooden structure does not come into contact with the solid stone of the monument, but it just approaches without actually touching; it seems to be embracing for afar. Once the announced collapse is fulfilled, the column, now turned into stone ruins, can continue to be ‘re-built’ into the vacated space.
The wooden armature is presented as a way to build desires. It is brittle and separated from power only a few centimetres; like a utopia, a tenacious desire that always fails but resists thanks to the fact that it seems to fulfil a function:
Do not let columns drop.
_____________________________
The artist Jacobo Bugarín visits Edinburgh to carry out a specific project in the new space of Interview Room 11 Gallery. This space, on the outskirts of the Scottish capital, belonged to a well-known supermarket chain. After being abandoned, it was converted into studios for artists by the Interview Room 11 team. The Galician artist will exhibit in the building, still in the process of rehabilitation, to create an installation that belongs to and is in a dialogue with the building. Part of the exhibition will also refer to the monument on St Andrew Square where Bugarín visited in Edinburgh during his first trip to the city.
Jacobo Bugarín questions the traditional modes of representation and receptivity. He proposes a modification to perceiving a specific context/reality through an analysis and/or alteration of the relationships that exist between its elements. It makes a difference to know the systems of relations that intervene in the structuring our perception, and the goal is to make the viewer aware of this. The affections, the distance, the empathy, the superposition of structures or the externalisation of the discourse are some concepts on which his latest works of artistic research are based.
Bugarín had already been part of an exhibition at Interview Room 11, The Oracle, in 2014. In his career, he has participated in solo shows, including those in Baleiro and Zona C, in Santiago de Compostela, the Niémeyer Center in Avilés and the recent exhibition at Laboral de Gijón. He also participated in numerous group exhibitions, such as Velar y desvelar at the Museum of Contemporary Art Gas Natural Fenosa and Project Moscow at the Galician Center for Contemporary Art (CGAC).
This project is supported by Acción Cultural Española (PICE, Programme for the Internationalization of Spanish Culture).
Furthermore, the gallery thanks for the generous help of Indaba Deli. Spanish and South African Food and Bodega Soul. Spanish Wine from Small Producers
We will also host the album launch ‘1.4’ by the Edinburgh electronic music collective Bless This Machine, with an exhibition and a performance, starting at 8pm.
This is a three-dimensional photo! In reality you can turn around, there is a backlight and it is composed by many little glasses and by a superposition of 80 shots taken from different points of view...
| Toutes les images sont la propriétés exclusives de L. Rault et Tarek Ben Yakhlef et/ou de Paris Tonkar magazine [2020 © L. Rault - Tarek Ben Yakhlef] | All images are the exclusive property of L. Rault & Tarek Ben Yakhlef and / or Paris Tonkar magazine [2020 © L. Rault - Tarek Ben Yakhlef] |
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Vous pouvez acheter des dessins, des customs ou encore des peintures en visitant les galeries en ligne qui suivent : Art Sy, Artmajeur, Artsper, Singulart, Kazoart et We need art.
You can buy drawings, customs or paintings by visiting the following online galleries: Art Sy, Artmajeur, Artsper, Singulart, Kazoart et We need art.
nelsonproject365.blogspot.sg/
nelsonflores.smugmug.com/
Photo#66: The Power of Compounded Eyes
Another macro shot of a fly. Flies typically have compounded eyes which means a thousand eyes in layman's term. "A compound eye consists of thousands of individual photoreceptor unit. The image perceived is a combination of inputs from the numerous eye units which are located on a convex surface , thus pointing in slightly different directions. Compared with simple eyes, compound eyes possess a very large view angle, and can detect fast movement and, in some cases, the polarisation of light. Because the individual lenses are so small, the effects of diffraction impose a limit on the possible resolution that can be obtained. This can only be countered by increasing lens size and number. To see with a resolution comparable to our simple eyes, humans would require compound eyes which would each reach the size of their heads. Compound eyes fall into two groups: apposition eyes, which form multiple inverted images, and superposition eyes, which form a single erect image." - Wikipedia.
Canon EOS50D, Canon EF 100mm F/2.8L IS with Raynox DCR250 + DIY diffuser, pop-up flash fired, hand held, aperture F/14, shutter speed 1/100, ISO 200.
Sharing:
Dear ,
I believe problems have many purposes. And I believe the most important purpose of problems is to shape your character. I want you to rejoice not because you have a problem. Instead, I’m telling you to rejoice because of the purpose of the problem.
Seeking Your Best Interest,
God
P.S. I value your character more than your comfort, .
Peintures dans la rue /// Vernissage + exposition
Du 12 avril au 15 mai à la galerie Superposition [in situ + ex situ] à Lyon /// Akkanobi // peintures, customs, goodies + les murs de la rue peints sur le thème du masque.
| Toutes les images sont la propriétés exclusives de Tarek Ben Yakhlef et/ou de Paris Tonkar magazine [ 2019 © Tarek Ben Yakhlef ] | All images are the exclusive property of Tarek Ben Yakhlef and / or Paris Tonkar magazine [2019 © Tarek Ben Yakhlef] |
Pour plus d'infos | More news on
| Tarek website | www.tarek-bd.fr/
| Paris Tonkar magazine | www.paristonkar.net/
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Normal daily life along a different timeline - which we cannot find - but have the feeling that it exists - but
Certainly!
Quantum computing represents a groundbreaking advancement in technology, deeply intertwined with the concepts of superposition, entanglement, and interference from quantum physics. Unlike classical computing, which processes information in a linear fashion using bits (0s and 1s), quantum computing utilizes quantum bits or qubits that can exist in multiple states simultaneously. This enables quantum computers to perform numerous calculations at once, effectively navigating through a vast landscape of potential solutions.
The idea of parallel timelines can be likened to the way quantum computers operate. Each decision or computation can be viewed as branching into multiple outcomes, similar to how different timelines might unfold based on various choices. This means that a quantum computer can explore various paths to a solution simultaneously, leading to remarkable efficiencies in solving complex problems.
In practical terms, this capability could revolutionize fields such as cryptography, where quantum computers may break existing encryption methods faster than classical computers. In material science, they could simulate quantum phenomena to discover new materials with desirable properties. Additionally, in optimization problems across various industries, quantum computing offers the potential to find the most efficient solutions more rapidly than traditional methods.
In summary, the link between quantum computing and the concept of parallel timelines highlights a fascinating intersection of technology and theoretical physics, suggesting that our understanding of reality may be more complex and interconnected than we previously imagined.
Peintures dans la rue /// Vernissage + exposition
Du 12 avril au 15 mai à la galerie Superposition [in situ + ex situ] à Lyon /// Akkanobi // peintures, customs, goodies + les murs de la rue peints sur le thème du masque.
| Toutes les images sont la propriétés exclusives de Tarek Ben Yakhlef et/ou de Paris Tonkar magazine [ 2019 © Tarek Ben Yakhlef ] | All images are the exclusive property of Tarek Ben Yakhlef and / or Paris Tonkar magazine [2019 © Tarek Ben Yakhlef] |
Pour plus d'infos | More news on
| Tarek website | www.tarek-bd.fr/
| Paris Tonkar magazine | www.paristonkar.net/
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