View allAll Photos Tagged superposition
superposition de négatifs
Bronica sqa, zenzanon 150mm f/3.5, Ilford Delta 400 film, developed on Rodinal 1+50 for 12 mins, pellicules scannées
Popularly known as the "Skull and Crossbones Nebula, NGC 2467 is an active star-forming region in the constellation Puppis. The presence of large hydrogen gas clouds are a key ingredient required for the creation of new stars.
Observations of the many stars in NGC 2467 suggest that they may be more a superposition of loose groups of stars at different distances than a coherent open cluster of stars energizing the nebula. I guess it really depends on one's perspective in the universe, but from here, I think it looks awesome.
If you look towards the right off centre, there is what appears to be a bright gas wall. The newly formed stars are slowing devouring this glowing rift. Moving towards the centre, there are many dark dust lanes obscuring parts of the nebula. Within these areas, the process of forming new stars is taking place. Several Bok globules can be seen as well (these are dark globule structures). They are very similar to those found in the Running Chicken Nebula. Infrared detectors can cut through the dust in these areas and create amazing images of the process of newborn stars. Unfortunately, my camera does not allow me to look into these areas.
My aims with this project were fairly simple. I wanted to highlight the dust lanes and bok globulus within the nebula. These areas simply add a layer of depth into the final result. The RGB palette is my preference in astrophotography. But I really wanted the extra details available in the narrowband data that I captured. Merging such different data sets into a single image that resembles a traditional RGB rendition can be challenging. Hopefully, the result isn’t too far off base and pleasing to look at.
Equipment Details:
•10 Inch RCOS fl 9.1
•Astro Physics AP-900 Mount
•SBIG STL 11000m
•FLI Filter Wheel
•Astrodon LRGB Filters
•Baader Planetarium H-alpha 7nm Narrowband-Filter
•Baader Planetarium OIII 8.5nm Narrowband-Filter
•Baader Planetarium SII 8.0nm Narrowband-Filter
Exposure Details
•Red 16X450 2X2
•Green 16X450 2X2
•Blue 16X450 2X2
•Lum 62X900
•Ha 26X1800
•SII 30X1800
•OIII 28X1800
Total Time: 63.5 hours
This is my wide field version of The Skull and Crossbones Nebula. NGC 2467 is an active star-forming region in the constellation Puppis. The presence of large hydrogen gas clouds is a key ingredient required for the creation of new stars.
Observations of the many stars in NGC 2467 suggest that they may be more a superposition of loose groups of stars at different distances than a coherent open cluster of stars energizing the nebula. I guess it really depends on one's perspective in the universe, but from here, I think it looks awesome.
This version shows more of the surrounding areas around the nebula, including many colourful stars.
Equipment Details:
•10 Inch RCOS fl 9.1
•Astro Physics AP-900 Mount
•SBIG STL 11000m
•FLI Filter Wheel
•Astrodon LRGB Filters
•Baader Planetarium H-alpha 7nm Narrowband-Filter
•Baader Planetarium OIII 8.5nm Narrowband-Filter
•Baader Planetarium SII 8.0nm Narrowband-Filter
Exposure Details
•Red 16X450 2X2
•Green 16X450 2X2
•Blue 16X450 2X2
•Lum 62X900
•Ha 26X1800
•SII 30X1800
•OIII 28X1800
Total Time: 63.5 hours
The interior of the Real Chiesa di San Lorenzo in central Turin, shot with my 8mm Samyang fisheye lens.
Click here to see more of my photos from various trips to Italy : www.flickr.com/photos/darrellg/albums/72157603213111374
From Wikipedia : "The Royal Church of Saint Lawrence (Italian: Real Chiesa di San Lorenzo) is a Baroque-style church in Turin, adjacent to the Royal Palace of Turin. The present church was designed and built by Guarino Guarini during 1668-1687...........
The architect Guarino Guarini was a great innovator in Baroque principles first developed by the great Roman Baroque architect Francesco Borromini, in particular the play with optical effects and organic "deconstruction" of the classical orders and principles of column and entablature. However, in San Lorenzo Guarini took these further.
The ground plan is a kind of square which becomes an octagon at the level of the entablatures above the columns only to change again to become a Greek cross at the level of the pendentives of the vaults. Again, the base of the dome is circular in plan yet the lantern above it octagonal. The dome itself is supported by eight ribs forming a lattice similar to those found in mosques and Romanesque churches in Spain. To this superposition of - by the standards of convention - contradictory central plans is added an elliptical choir. The high altar, separated from the nave by a convex and concave archway receives natural light from a hidden dome, devices drawn from the other key Roman Baroque architect Gian Lorenzo Bernini."
My Website : Twitter : Facebook : Instagram : Photocrowd
© D.Godliman
Montpellier, France
Immeuble Folie Divine :
Folie Divine est conçue comme une superposition de villas dans lesquelles les résidents peuvent profiter d’une intimité maximale tout en étant en symbiose avec la nature environnante. A chaque étage, les appartements neufs offrent un large choix d’orientations en plus de nombreux espaces extérieurs : loggias, balcons ou vastes terrasses. L’architecture, pensée avec des courbes, est unique et apporte une grande variété de vues et de connexions entre intérieur et extérieur.
Building Folie Divine :
Folie Divine is conceived as an overlay of villas in which the residents can enjoy maximum privacy while being in symbiosis with the surrounding nature. On each floor, the new apartments offer a wide choice of orientations in addition to many outdoor spaces: loggias, balconies or vast terraces. The architecture, thought with curves, is unique and brings a wide variety of views and connections between interior and exterior.
Long-exposure photography at the Neumarkt in Cologne, Germany
Langzeitbelichtung am Neumark in Köln
Fotografia a lunga esposizione a Colonia, Germania
Sony A7RIII & Loxia 21/2.8, 10sec, f/11, ISO100
Gros plan illustrant la densité de superposition qui caractérise le mur Lennon jusque dans les détails. Au centre, un médaillon circulaire en mosaïque dorée, orné d'un symbole de paix, porte l'inscription « Life is short, war is long. One time, one life ». Il est encadré par une rangée de petits masques dorés en relief, sept visages moulés qui constituent un ajout sculptural plutôt qu'un simple motif peint. À côté apparaît un visage féminin stylisé, tracé en bleu, tandis que des tags plus récents en lettres capitales noires viennent recouvrir une partie de l'ensemble.
Cette accumulation n'est pourtant pas seulement décorative. Dès les années 1980, les rassemblements organisés autour de la mémoire de Lennon transformèrent progressivement le mur en espace de revendication politique. On y signait des pétitions pour un service civil alternatif, le retrait des troupes soviétiques ou la libération de prisonniers politiques. Face à ces rassemblements, la StB finit même par tenter de détourner l'attention plutôt que de simplement les interdire : en décembre 1988, l'Union socialiste de la jeunesse organisa ainsi un concert folk près de la Čertovka, tandis que Miroslav Štěpán proposait une plaque officielle consacrée à Lennon et à son pacifisme. Une manière, assez révélatrice, de tenter de récupérer institutionnellement un symbole devenu gênant.
La même année, ce symbole pragois fit écho à l’autre bout de la planète : le mur devint une icône pour les manifestations de Hong Kong. Après son recouvrement temporaire en 2014, des dizaines de reproductions fleurirent en Asie puis jusqu’en Australie, au Canada, en Nouvelle-Zélande, où de jeunes militants collaient des post-its pour réclamer autonomie et liberté. Ces murs éphémères devinrent autant de champs d’expression que de champs de bataille, débats enflammés, décollages nocturnes, agressions même, face aux groupes pro-Pékin décidés à effacer ces voix.
Aujourd'hui, on lit toujours des messages sans lien direct avec Lennon ou les Beatles, notamment des critiques politiques visant des dirigeants d'Amérique latine. Les revendications ont changé, mais le principe reste finalement assez proche : le mur continue de servir de tribune libre, où chacun ajoute son message par-dessus ceux des précédents.
Cette accumulation rend toute lecture chronologique presque impossible : sous la couche visible se trouvent littéralement des décennies d'inscriptions et de peintures successives, dont il serait impossible de reconstituer précisément l'ordre sans aller gratter la peinture. À l'échelle du détail, le mur apparaît ainsi moins comme une œuvre achevée que comme un journal collectif continuellement réécrit depuis 1980.
A l'heure d'Internet, d'autres endroits ont prit le relai comme l'excellent rPlace provenant de Reddit. L'expression est nécessaire.
Sources : Wikipédia mur Lennon (Multi) && Kudy z nudy - Lennonova zeď (CZ) && ČT24 - Lennonova zeď (CZ)
Once in a blue moon, an enthusiasm sparked by inspiration set forth by muses beyond comprehension would play part of the sense of existence that of which the willingness to exceed in all directions at once, drawn by the limitless possibilities; bounded by restrictions of reality.
Superposition is beyond our comprehension and capabilities, therefore the only option is a single track. The difficult task being the decision of which direction to take and whether to pull in or to push forward into this existence. This can be overwhelming. The easiest choice is to stay put while the entire universe passes by. Where is the universe going? The fact is that it is off to no where, not for a long time. It is the little, seemingly insignificant series of moments that make life worth living.
when words conjure up places and things. When dreamworlds become true and spring out of the pages you're holding in your hands
Due to the kindness of a Flickerian who made researches, this mixed photo from Nassau Street in London …
Ancient and modern London on the same pic by the virtue of Google StreetView …
See the original B&W cliche on :
To me this dome of the Real Chiesa di San Lorenzo in central Turin has a definite Moorish feel.
Click here to see more of my photos from various trips to Italy : www.flickr.com/photos/darrellg/albums/72157603213111374
From Wikipedia : "The Royal Church of Saint Lawrence (Italian: Real Chiesa di San Lorenzo) is a Baroque-style church in Turin, adjacent to the Royal Palace of Turin. The present church was designed and built by Guarino Guarini during 1668-1687...........
The architect Guarino Guarini was a great innovator in Baroque principles first developed by the great Roman Baroque architect Francesco Borromini, in particular the play with optical effects and organic "deconstruction" of the classical orders and principles of column and entablature. However, in San Lorenzo Guarini took these further.
The ground plan is a kind of square which becomes an octagon at the level of the entablatures above the columns only to change again to become a Greek cross at the level of the pendentives of the vaults. Again, the base of the dome is circular in plan yet the lantern above it octagonal. The dome itself is supported by eight ribs forming a lattice similar to those found in mosques and Romanesque churches in Spain. To this superposition of - by the standards of convention - contradictory central plans is added an elliptical choir. The high altar, separated from the nave by a convex and concave archway receives natural light from a hidden dome, devices drawn from the other key Roman Baroque architect Gian Lorenzo Bernini."
My Website : Twitter : Facebook : Instagram : Photocrowd
© D.Godliman