View allAll Photos Tagged superflat
Louis Vuitton eye love superflat blue, 2003, by Takashi Murakami
(Photo: Courtesy of Phillips de Pury & Co.)
Colour pencil. 5cm x 8cm. 2005.
Inspired in Axel Amuchastegui paintings who lived in my town and was the 3 most important animal painter ever!!;)
The wood is Algarrobo, national hardest tree with red taninos! good for construction and winter times for fire, bad for nature, this is like a small calling for the "others".
Graphite on paper. 10cm x 10cm. 2005
Like a tribute to HelmutDitsch.com who paint so much well our landscapes;)
I'm not sure if she has a name, but an Anime looking girl right as you walk in to the exhibit, greeting you
Close crop of an original artwork by one of the Future Tense launch roster of artists.
See more teasers here: www.flickr.com/photos/thefuturetense/sets/72157622145238003/
Add Future Tense to Facebook here: www.facebook.com/thefuturetense
Kansei: Hokkyo Takashi (2014) is one of my favorite pieces, and am blessed to have it in my own collection. You will notice the foil background has Murakami's iconic skulls imprinted. There is a similar Korin series which is also round.
An impromptu trip to Chicago to see my favorite artist's work--Takashi Murakami's The Octopus Eats its Own Leg exhibition (2017). It was, without question, the best show I've ever seen.
Museum of Contemporary Art. Chicago, Illinois.
Free download of the entire Abode of Chaos' Opus IX (504 pages)
Secrets revealed of the Abode of Chaos (144 pages, adult only) >>>
"999" English version with English subtitles is available >>>
HD movie - scenario thierry Ehrmann - filmed by Etienne Perrone
----------
Découvrez gratuitement l’intégralité de l’Opus IX de la Demeure du Chaos (504 pages)
voir les secrets de la Demeure du Chaos avec 144 pages très étranges (adult only)
999 : visite initiatique au coeur de la Demeure du Chaos insufflée par l'Esprit de la Salamandre
Film HD d'Etienne PERRONE selon un scénario original de thierry Ehrmann.
courtesy of Organ Museum
©2014 www.AbodeofChaos.org
"GEISAI Artists at Giant Robot"
FOR IMMEDIATE RELEASE - Group art show at GR2
"GEISAI Artists at Giant Robot"
September 15 - October 10
Reception: Saturday, September 15, 6:30 -10:00
Presented by Scion, Giant Robot, and Kaikai Kiki
GR2
2062 Sawtelle Blvd.
Los Angeles, CA 90025
gr2.net
(310) 445-9276
Takashi Murakami is well-known in the worldwide art scene for making thought-provoking paintings and sculptures, running the influential artist-led art enterprise Kaikai Kiki artist management group, curating the visionary Superflat show, and collaborating on high-end, high-profile projects with Louis Vuitton. He also coordinates the GEISAI art shows, which serve as an entry point for aspiring artists in Japan. The artists in this group show have won awards at GEISAI shows, and were hand picked to have their work presented in Los Angeles by Murakami and Eric Nakamura, publisher of Giant Robot magazine and owner of the Giant Robot stores and galleries.
Yasushi Ebihara projects his love for Macauley Culkin via large-scale paintings and sculpture, also commenting on the trappings of stardom and the entertainment business.
The subjects of Jaga Ichiro's figure paintings are cute but resemble bodily fluids. The fluidity of their forms is elegant, organic, and somewhat disturbing.
Hisashi Kondo's hyper realistic, larger-than-life portraits hang on screens like ghosts and can be seen from both sides.
Sashie Masakatsu articulates detailed sculptures and paintings of surreal, spherical architectural forms suspended over flat landscapes.
Rie Kawashima studied fashion in college, and creates dreamy images of girlhood with precise yet natural lines and occasional elegant, pastel shades.
Rieko Sakurai's super stylized depictions of girls are as full of energy as they are of color. Her works convey the pop art power of the '60s subverted with a touch of darkness.
Miki Taira weaves textiles into humanoid forms of all sizes, imparting them with primitive-looking calligraphy.
Erika Yamashiro's paintings feature restful women with fuzzy animals, mushrooms, sweets, and other feminine icons in dreamy settings.
A reception featuring many of the artists will take place from 6:30 - 10:00 on Saturday, September 15. For more information about the opening, the artists, GR2, or Giant Robot magazine, please contact:
Eric Nakamura
Giant Robot Owner/Publisher
eric@giantrobot.com
(310) 479-7311
Fitted long-sleeved t - Forever 21
Ruched 3/4 leggings - some mall store
Plaid jumper - thrifted at Goodwill yesterday!
Pointy-toed superflat flats, Marshall's clearance
Wood bangle - garage sale, $1
Small child - my own (Owen, age 3) :)
Takashi Murakami’s Superflat Collection
―From Shōhaku and Rosanjin to Anselm Kiefer―
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JR - JR × Takashi Murakami
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YOKOHAMA MUSEUM OF ART
You already know the score...ADDA goes to the SCARY THRIFT SHOP...finds a painting for like nothing....blah blah blah....
NOW THE QUESTION IS....IS IT A TAKASHI MURAKAMI?
Takashi Murakami (村上 隆, Murakami Takashi?, born in Tokyo), is a prolific contemporary Japanese artist who works in both fine arts media, such as painting, as well as digital and commercial media. He blurs the boundaries between high and low art. He appropriates popular themes from mass media and pop culture, then turns them into thirty-foot sculptures, "Superflat" paintings, or marketable commercial goods such as figurines or phone caddies.
Life and career
Takashi Murakami attended the Tokyo National University of Fine Arts and Music, initially studying more traditional Japanese art. He pursued a doctorate in Nihonga, a traditional style of Japanese painting. However, due to the popularity of anime and manga, Japanese styles of animation and comic graphic stories, Murakami became disillusioned with Nihonga. He became passionate about otaku culture, which he felt was more representative of modern-day Japanese life.
This resulted in Superflat, the style that Murakami is credited with starting. It developed from Poku, (Pop + otaku). Murakami has written that he aims to represent Poku culture because he expects that animation and otaku might create a new culture. This new culture is a rejuvenation of the contemporary Japanese art scene. In interviews, Murakami has expressed a frustration with the lack of a reliable and sustainable art market in post-war Japan, and the general view of Japanese art as having a low art status. He is quoted as saying that the market is nothing but "a shallow appropriation of Western trends". His first reaction was to make art in non-fine arts media. Then he decided to focus on the market sustainability of art and promote himself first overseas. This marks the birth of KaiKai Kiki, LLC.
In 2008, Takashi Murakami made Time magazine's "100 Most Influential People" list, the only visual artist included.[1]
Artwork (EXAMPLE OF HIS SUPERFLAT MUSHROOM PAINTING)
"Army of Mushrooms", Frank Cohen Collection, Manchester
Murakami's style, called Superflat, is characterized by flat planes of color and graphic images involving a character style derived from anime and manga. Superflat is an artistic style that comments on otaku lifestyle and subculture, as well as consumerism and sexual fetishism.
Like Andy Warhol, Takashi Murakami takes low culture and repackages it, and sells it to the highest bidder in the "high-art" market. Also like Warhol, Murakami makes his repacked low culture available to all other markets in the form of paintings, sculptures, videos, T-shirts, key chains, mouse pads, plush dolls, cell phone caddies, and $5,000 limited-edition Louis Vuitton handbags. This is comparable to Claes Oldenburg, who sold his own low art, high art pieces in his own store front in the 1960s. What makes Murakami different is his methods of production, and his work is not in one store front but many, ranging from toy stores, candy aisles, comic book stores, and the French design house of Louis Vuitton. Murakami's style is an amalgam of his Western predecessors, Warhol, Oldenberg and Roy Lichtenstein, as well as Japanese predecessors and contemporaries of anime and manga. He has successfully marketed himself to Western culture and to Japan in the form of Kaikai Kiki and GEISAI.
Interviewer Magdalene Perez asked him about straddling the line between art and commercial products, and mixing art with branding and merchandizing. Murakami said,
"I don’t think of it as straddling. I think of it as changing the line. What I’ve been talking about for years is how in Japan, that line is less defined. Both by the culture and by the post-War economic situation. Japanese people accept that art and commerce will be blended; and in fact, they are surprised by the rigid and pretentious Western hierarchy of ‘high art.’ In the West, it certainly is dangerous to blend the two because people will throw all sorts of stones. But that's okay—I’m ready with my hard hat."
[2]
"Smooth Nightmare" is an example of a popular Murakami painting in the Superflat style. It exhibits one of his recurring motifs of the mushroom. The mushroom repetition is a good example of Murakami's work's connection with themes of the underground and alternative cultures.
In November 2003, ArtNews reported Murakami's work as being among the most desired in the world.
Chicago collector Stefan Edis reportedly paid a record $567,500 for Murakami's 1996 "Miss ko2", a life-size fiberglass cartoon figure, at Christie's last May. Christie's owner, François Pinault, reportedly paid around $1.5 million in June to acquire "Tongari Kun" (2003), a 28-foot-tall (8.5 m) fiberglass sculpture, and four accompanying fiberglass mushroom figures, that were part of an installation at Rockefeller Center. In May 2008, "My Lonesome Cowboy" (1998), a sculpture of a masturbating boy, sold for $15.2 million at a Sotheby's auction.
Murakami is credited in designing the album artwork for rapper Kanye West's album Graduation.
In September 2010 Murakami exhibited some of his works at the Palace of Versailles in France, filling 15 rooms with his sculptures.[3]
You already know the score...ADDA goes to the SCARY THRIFT SHOP...finds a painting for like nothing....blah blah blah....
NOW THE QUESTION IS....IS IT A TAKASHI MURAKAMI?
Takashi Murakami (村上 隆, Murakami Takashi?, born in Tokyo), is a prolific contemporary Japanese artist who works in both fine arts media, such as painting, as well as digital and commercial media. He blurs the boundaries between high and low art. He appropriates popular themes from mass media and pop culture, then turns them into thirty-foot sculptures, "Superflat" paintings, or marketable commercial goods such as figurines or phone caddies.
Life and career
Takashi Murakami attended the Tokyo National University of Fine Arts and Music, initially studying more traditional Japanese art. He pursued a doctorate in Nihonga, a traditional style of Japanese painting. However, due to the popularity of anime and manga, Japanese styles of animation and comic graphic stories, Murakami became disillusioned with Nihonga. He became passionate about otaku culture, which he felt was more representative of modern-day Japanese life.
This resulted in Superflat, the style that Murakami is credited with starting. It developed from Poku, (Pop + otaku). Murakami has written that he aims to represent Poku culture because he expects that animation and otaku might create a new culture. This new culture is a rejuvenation of the contemporary Japanese art scene. In interviews, Murakami has expressed a frustration with the lack of a reliable and sustainable art market in post-war Japan, and the general view of Japanese art as having a low art status. He is quoted as saying that the market is nothing but "a shallow appropriation of Western trends". His first reaction was to make art in non-fine arts media. Then he decided to focus on the market sustainability of art and promote himself first overseas. This marks the birth of KaiKai Kiki, LLC.
In 2008, Takashi Murakami made Time magazine's "100 Most Influential People" list, the only visual artist included.[1]
Artwork (EXAMPLE OF HIS SUPERFLAT MUSHROOM PAINTING)
"Army of Mushrooms", Frank Cohen Collection, Manchester
Murakami's style, called Superflat, is characterized by flat planes of color and graphic images involving a character style derived from anime and manga. Superflat is an artistic style that comments on otaku lifestyle and subculture, as well as consumerism and sexual fetishism.
Like Andy Warhol, Takashi Murakami takes low culture and repackages it, and sells it to the highest bidder in the "high-art" market. Also like Warhol, Murakami makes his repacked low culture available to all other markets in the form of paintings, sculptures, videos, T-shirts, key chains, mouse pads, plush dolls, cell phone caddies, and $5,000 limited-edition Louis Vuitton handbags. This is comparable to Claes Oldenburg, who sold his own low art, high art pieces in his own store front in the 1960s. What makes Murakami different is his methods of production, and his work is not in one store front but many, ranging from toy stores, candy aisles, comic book stores, and the French design house of Louis Vuitton. Murakami's style is an amalgam of his Western predecessors, Warhol, Oldenberg and Roy Lichtenstein, as well as Japanese predecessors and contemporaries of anime and manga. He has successfully marketed himself to Western culture and to Japan in the form of Kaikai Kiki and GEISAI.
Interviewer Magdalene Perez asked him about straddling the line between art and commercial products, and mixing art with branding and merchandizing. Murakami said,
"I don’t think of it as straddling. I think of it as changing the line. What I’ve been talking about for years is how in Japan, that line is less defined. Both by the culture and by the post-War economic situation. Japanese people accept that art and commerce will be blended; and in fact, they are surprised by the rigid and pretentious Western hierarchy of ‘high art.’ In the West, it certainly is dangerous to blend the two because people will throw all sorts of stones. But that's okay—I’m ready with my hard hat."
[2]
"Smooth Nightmare" is an example of a popular Murakami painting in the Superflat style. It exhibits one of his recurring motifs of the mushroom. The mushroom repetition is a good example of Murakami's work's connection with themes of the underground and alternative cultures.
In November 2003, ArtNews reported Murakami's work as being among the most desired in the world.
Chicago collector Stefan Edis reportedly paid a record $567,500 for Murakami's 1996 "Miss ko2", a life-size fiberglass cartoon figure, at Christie's last May. Christie's owner, François Pinault, reportedly paid around $1.5 million in June to acquire "Tongari Kun" (2003), a 28-foot-tall (8.5 m) fiberglass sculpture, and four accompanying fiberglass mushroom figures, that were part of an installation at Rockefeller Center. In May 2008, "My Lonesome Cowboy" (1998), a sculpture of a masturbating boy, sold for $15.2 million at a Sotheby's auction.
Murakami is credited in designing the album artwork for rapper Kanye West's album Graduation.
In September 2010 Murakami exhibited some of his works at the Palace of Versailles in France, filling 15 rooms with his sculptures.[3]
The supernova was discovered on the 4th of January by Koichi Itagaki in Japan, and is about magnitude 13.2 and to the lower left of the core. The galaxy, the brightest in the frame (upper left) is about 55 million light years from Earth.
Images taken with StellaLyra f4 newtonian, with TS SuperFlat GPU corrector, and Nikon Z7ii, stack of 40 frames, 20 seconds each at ISO 5000, no flats or darks. Stacked and processed in Affinity Photo 2.
#mulia #muliaaarr #flickr #pixoto #gradientshadow #FNX12 #fgpe #photooftheday #contrastleveling
#moviestyle #popartseries #retrolook #filmtone #superflat #cinemadslr #dustygray #rgb88 #fashionlook
#picoftheday #instadaily #funkfashion #picture #instafashion #follow #lightleaks #solidblack
#technicolor #YRB432 #photoshop #instalook #midlevelcontrast #picturestyle #remoteflash #strobist
#picturestyle #model #potrait #best #mode #evplus2 #girl #style #popartseries #pretty #highspeedbacklite
#mixlight #lowsaturate #500px #canondslr #ootd #screendodge #enhanceblack #beautiful #cinemalook
Superflat is a postmodern art movement, founded by the artist Takashi Murakami, which is influenced by manga and anime. It refers to various flattened forms in Japanese graphic art, animation, pop culture and fine arts, as well as the "shallow emptiness of Japanese consumer culture.
Addlestone is a quiet, commuter town with a massive Tesco, loads of take away's and too many people with a lack of inspiration. I call it home.
Takashi Murakami’s Superflat Collection
―From Shōhaku and Rosanjin to Anselm Kiefer―
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Yoshitomo Nara - California Orange Covered Wagon
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YOKOHAMA MUSEUM OF ART
The Future Tense Presents SPECTRA I
A Three-Part Survey Of Dynamic Colour Use In Contemporary Art
London, November 10, 2011 – The Future Tense is pleased to present SPECTRA I, the first of a three-part survey of artists for whom dynamic colour relationships form a central pillar of their practice.
From mediaeval stained glass to Pop Art via Fauvism, bold use of colour has been explored continuously throughout art history. Perhaps the greatest master of colour theory, Paul Klee wrote on the subject extensively and was quoted as saying, ‘Colour is the place where our brain and the universe meet.’
In a contemporary art world endlessly fascinated with concepts of minimalism and fragility, SPECTRA I explores the artists, mediums and substrates boldly defining the current colour zeitgeist.
Hosted at the Londonewcastle Project Space and curated by The Future Tense, SPECTRA I will be on view from November 24 through December 18 2011, and will feature a wide range of mediums including painting, sculpture, installation, drawing, animation and digital art from a vital international roster of 7 artists:
Lee Baker’s art practice explores the dichotomy between Japan’s fragile, intricate cultural aesthetic and the relentless forces of urbanisation that increasingly mark its landscape. With influences ranging from the futuristic anime of Makoto Shinkai to the modernist cityscapes of Charlie Sheeler, Baker’s meticulous paintings present stark visions of the indomitable meta-city against the indiscriminate forces of nature. As well as new paintings, SPECTRA I will see Baker create a site-specific installation.
Adam Ball appears in SPECTRA I fresh from exhibiting at the highly prestigious House of the Nobleman. His work reflects the energy and life of an ephemeral world, echoing the hidden order of nature. The diverse subject matter of his paintings and intricate hand-cut paper works – from Tropical rainforests to layered microbiological imagery – are further abstracted through seemingly counter-intuitive use of light and colour, lending an unexpected aura of kitsch, euphoria and energy.
Chuck Elliott’s practice is concerned with a fluid investigation of colour, movement and light. Entirely computer generated, these organic, free-form shapes are cropped, recoloured and enhanced as if editing in a camera view. Hovering between printmaking and photography, Chuck is endeavoring to push back the boundaries of traditional printmaking, with direct digitised drawing and a fluid use of dynamic colour spaces and captured light. Chuck will debut a series of innovative new laser-cut Diasec works at SPECTRA I.
Katrin Fridriks fuses the natural energies of her native Iceland with references to contemporary pop art, architecture and Japanese calligraphy to create a uniquely expressive visual language. Her vivid abstract landscapes envelop space, shape and time, emphasized by a tireless exploration of matter and technique. Fridriks will present a number of new paintings at SPECTRA I, including a significant site-specific installation.
Haroshi is a self-taught Japanese artist, currently based in Tokyo. He creates full-scale, three-dimensional wooden sculptures using intricately layered and carved recycled skateboard decks. His approach to sculpture combines the influence of the time-honoured traditional methods of his homeland with the spirit of innovation inherent in its contemporary culture. SPECTRA I marks the UK debut of Haroshi.
James Marshall aka ‘Dalek’ built an international reputation as a street artist before graduating from the School of the Art Institute of Chicago in 1995. Marshall began exhibiting his work across the US before honing his skills as an assistant to celebrated ‘Superflat’ artist, Takashi Murakami. Since dropping the Dalek moniker in 2007, his precise and complex geometric paintings and prints have continuously pushed the boundaries of abstraction and colour combination. The Future Tense will publish a limited edition James Marshall gravure etching to mark the launch of SPECTRA I, printed in collaboration with Thumbprint Editions.
Jen Stark’s practice is based on the concepts of replication and infinity, her artwork echoing patterns and intelligent designs found in nature and the theories of colour, math and science. The Miami-based artist's creations incorporate a variety of materials, which produce optically hypnotic effects not unlike traditional mandalas and sacred objects. SPECTRA I marks the UK debut of Jen Stark, who appears courtesy of Cooper Cole Gallery.
SPECTRA I is supported by Londonewcastle, Courvoisier and Peroni Nastro Azzurro.
Details of SPECTRA II will be announced in 2012.
For more information please email info@thefuturetense.net or visit www.thefuturetense.net
Takashi Murakami Print:
Medium: Offset Lithograph
Signed, Numbered & Dated
Date: 2006
Edition: 300
Size: 55x55cm
Photography © KUMI CONTEMPORARY
First test shots after collimation of the ASERO Murrell telescope.
Full moon. Lunation 14.37 days, 100% illuminated.
ASE Lunar 100 Project objects: L73, L87.
ASE Remote Observatory at Trevinca Skies in Spain.
Murrell 12" f/4 ONTC Newtonian reflector from TS Optics.
TS-Optics NEWTON Coma Corrector 1.0x TSGPU Superflat – 4-element.
Touptek IMX571 mono camera, L filter.
Single exposure.
Captured in NINA.
Flipped, cropped and contrast adjusted with Curves in Gimp.
Sharpened with Registax Linked Wavelets.
Vendida/SOLD
Técnica: Acrílica s/ tela
Dimensões: 60X80cm
A primeira tela da série "A fábula de um Circo Flutuante".
Demorei mas postei a foto da tela.
Depois postarei foto dos próximos trabalhos.
A pesquisa segue em busca dos elementos e personagens que compõe o universo circense e de elementos do movimento artístico japonês chamado Superflat.
Transparências, pequena parte do sketch visível por de baixo da tinta, acrescentado alguns detalhes, mais detalhes, profundidade, sombras and superflatness!
Desculpem pela qualidade da foto mas o que está valendo é a intenção!
The first painting of the series "Tales of a Floanting Circus"
Later i will upload the photos of the others paintings.
The research continues in search of the elements and characters that make up the universe of circus and some elements of Japanese art movement called Superflat.
Transparencies, small visible part of the sketch underneath the paint, added some details, more details, depth, shadows and superflatness!
Bad quallity picture, i know!
SORRY
VWX Yellow Elephant Underwear/HIJ Kiddy Elephant Underwear, 2005. Fiber-reinforced plastic, steel, acrylic paint, urethane. "Super Flat" Installation at Central Park, Grand Army Plaza, NYC. (Japan Society)
Superflat is a postmodern art movement, founded by the artist Takashi Murakami, which is influenced by manga and anime.[1] It is also the name of a 2001 art exhibition, curated by Murakami, that toured West Hollywood, Minneapolis and Seattle.[2] The term is used by Murakami to refer to various flattened forms in Japanese graphic art, animation, pop culture and fine arts, as well as the "shallow emptiness of Japanese consumer culture."[3] A self-proclaimed art movement, it was a successful piece of niche marketing, a branded art phenomenon designed for Western audiences.[2]
In addition to Murakami, artists whose work is considered “Superflat” include Chiho Aoshima, Mahomi Kunikata, Yoshitomo Nara, Tatsuyuki Tanaka, and Aya Takano. In addition, some animators within anime and some mangaka are considered Superflat, especially Koji Morimoto (and much of the output of his animation studio Studio 4°C), and the work of Hitoshi Tomizawa, author of Alien 9 and Milk Closet.
Lolicon art is satirized by works such as those by Henmaru Machino. These works are an exploration of otaku sexuality through grotesque and/or distorted images. Other works are more concerned with a fear of growing up. For example, Yoshitomo Nara’s work often features playful graffiti on old Japanese ukiyo-e executed in a childish manner. And some works focus on the structure and underlying desires that comprise otaku and overall post-war Japanese culture.
Murakami is influenced by directors such as Hideaki Anno.[4]
El Superflat es un movimiento artístico posmoderno fundado por el artista Takashi Murakami, quien está influenciado por el manga y anime. Este movimiento provee una interpretación "exterior" a la cultura popular japonesa de la post-guerra a través de los ojos de la subcultura otaku.
Además de Murakami, entre los artistas cuyos trabajos son considerados "superflat" se encuentran Chiho Aoshima, Mahomi Kunikata, Yoshitomo Nara, y Aya Takano. Además, algunos animadores de anime y algunos mangaka son considerados superflat, especialmente Koji Morimoto (y la mayoría de los trabajos de su estudio Studio 4°C), y el trabajo de Hitoshi Tomizawa, autor de Alien 9 y Milk Closet.
Murakami define el "Superflat" en términos generales, aunque los temas tocados son muy diversos. A menudo los trabajos hacen una mirada crítica al consumismo y el fetichismo sexual que prevaleció tras la occidentalización de la cultura japonesa tras la post-guerra. Uno de los objetivos de crítica es el estilo loli-con, satirizado en trabajos como los de Henmaru Machino. Estos trabajos son una exploración de la sexualidad otaku mediante imágenes grotescas o distorsionadas. Otros trabajos están más relacionados con el Síndrome de Peter Pan (miedo a madurar). Por ejemplo, los trabajos de Yoshitomo Nara suelen incluir graffiti en obras de ukiyo-e japonés antiguo realizado de una manera infantil. Otros trabajos se enfocan en la estructura y los deseos subyacentes que abarcan la cultura otaku y la cultura de la post-guerra japonesa en general.
Véase también [editar]
Black fitted t - Forever 21
Brown loose-knit cropped sweater - Forever 21? clearance!
(my husband calls it 'the pelt')
Denim mini - H&M
Ubiquitous black ruched leggings - some mall store
Horrifyingly pale legs - free
Black superflat pointy flats - Marshall's clearance
Chunky wooden bead necklace - thrifted for $2
(detail: static.flickr.com/70/244140172_42f6d44166_o.jpg )
Taken after I got back from classes.
#muliaaarr #flickr #gradientshadow #FNX12 #fgpe #photooftheday #contrastleveling
#movielook #filmtone #superflat #remoteflash #strobist #picturestyle #model
#potrait #best #mode #evplus2 #girl #style #pretty #highspeedbacklite #mixlight
#lowsaturate #500px #canondslr #ootd #screendodge #enhanceblack #beautiful #cinemastyle
#cinemadslr #dustygray #rgb88 #fashionlook #picoftheday #instadaily #picture
#instafashion #follow #solidblack #technicolor #YRB432 #photoshop #instalook
#midlevelcontrast #picturestyle