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I shoulda put a reflector underneath me to help out with the shadow from the pillow but O WELL.

Takashi Murakami Print:

 

Medium: Offset Lithograph

Signed, Numbered & Dated

Date: 2006

Edition: 300

Size: 55x55cm

 

Photography © KUMI CONTEMPORARY

First test shots after collimation of the ASERO Murrell telescope.

Full moon. Lunation 14.37 days, 100% illuminated.

ASE Lunar 100 Project objects: L73, L87.

ASE Remote Observatory at Trevinca Skies in Spain.

Murrell 12" f/4 ONTC Newtonian reflector from TS Optics.

TS-Optics NEWTON Coma Corrector 1.0x TSGPU Superflat – 4-element.

Touptek IMX571 mono camera, L filter.

Single exposure.

Captured in NINA.

Flipped, cropped and contrast adjusted with Curves in Gimp.

Sharpened with Registax Linked Wavelets.

 

VWX Yellow Elephant Underwear/HIJ Kiddy Elephant Underwear, 2005. Fiber-reinforced plastic, steel, acrylic paint, urethane. "Super Flat" Installation at Central Park, Grand Army Plaza, NYC. (Japan Society)

Black fitted t - Forever 21

Brown loose-knit cropped sweater - Forever 21? clearance!

(my husband calls it 'the pelt')

Denim mini - H&M

Ubiquitous black ruched leggings - some mall store

Horrifyingly pale legs - free

Black superflat pointy flats - Marshall's clearance

Chunky wooden bead necklace - thrifted for $2

(detail: static.flickr.com/70/244140172_42f6d44166_o.jpg )

 

Taken after I got back from classes.

Superflat is a postmodern art movement, founded by the artist Takashi Murakami, which is influenced by manga and anime.[1] It is also the name of a 2001 art exhibition, curated by Murakami, that toured West Hollywood, Minneapolis and Seattle.[2] The term is used by Murakami to refer to various flattened forms in Japanese graphic art, animation, pop culture and fine arts, as well as the "shallow emptiness of Japanese consumer culture."[3] A self-proclaimed art movement, it was a successful piece of niche marketing, a branded art phenomenon designed for Western audiences.[2]

 

In addition to Murakami, artists whose work is considered “Superflat” include Chiho Aoshima, Mahomi Kunikata, Yoshitomo Nara, Tatsuyuki Tanaka, and Aya Takano. In addition, some animators within anime and some mangaka are considered Superflat, especially Koji Morimoto (and much of the output of his animation studio Studio 4°C), and the work of Hitoshi Tomizawa, author of Alien 9 and Milk Closet.

 

Lolicon art is satirized by works such as those by Henmaru Machino. These works are an exploration of otaku sexuality through grotesque and/or distorted images. Other works are more concerned with a fear of growing up. For example, Yoshitomo Nara’s work often features playful graffiti on old Japanese ukiyo-e executed in a childish manner. And some works focus on the structure and underlying desires that comprise otaku and overall post-war Japanese culture.

 

Murakami is influenced by directors such as Hideaki Anno.[4]

 

El Superflat es un movimiento artístico posmoderno fundado por el artista Takashi Murakami, quien está influenciado por el manga y anime. Este movimiento provee una interpretación "exterior" a la cultura popular japonesa de la post-guerra a través de los ojos de la subcultura otaku.

 

Además de Murakami, entre los artistas cuyos trabajos son considerados "superflat" se encuentran Chiho Aoshima, Mahomi Kunikata, Yoshitomo Nara, y Aya Takano. Además, algunos animadores de anime y algunos mangaka son considerados superflat, especialmente Koji Morimoto (y la mayoría de los trabajos de su estudio Studio 4°C), y el trabajo de Hitoshi Tomizawa, autor de Alien 9 y Milk Closet.

 

Murakami define el "Superflat" en términos generales, aunque los temas tocados son muy diversos. A menudo los trabajos hacen una mirada crítica al consumismo y el fetichismo sexual que prevaleció tras la occidentalización de la cultura japonesa tras la post-guerra. Uno de los objetivos de crítica es el estilo loli-con, satirizado en trabajos como los de Henmaru Machino. Estos trabajos son una exploración de la sexualidad otaku mediante imágenes grotescas o distorsionadas. Otros trabajos están más relacionados con el Síndrome de Peter Pan (miedo a madurar). Por ejemplo, los trabajos de Yoshitomo Nara suelen incluir graffiti en obras de ukiyo-e japonés antiguo realizado de una manera infantil. Otros trabajos se enfocan en la estructura y los deseos subyacentes que abarcan la cultura otaku y la cultura de la post-guerra japonesa en general.

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#muliaaarr #flickr #gradientshadow #FNX12 #fgpe #photooftheday #contrastleveling

#movielook #filmtone #superflat #remoteflash #strobist #picturestyle #model

#potrait #best #mode #evplus2 #girl #style #pretty #highspeedbacklite #mixlight

#lowsaturate #500px #canondslr #ootd #screendodge #enhanceblack #beautiful #cinemastyle

#cinemadslr #dustygray #rgb88 #fashionlook #picoftheday #instadaily #picture

#instafashion #follow #solidblack #technicolor #YRB432 #photoshop #instalook

#midlevelcontrast #picturestyle

 

Salón del Ocio y la fantasía 2013

Manga Pop Art

Exhibición Liz Mogollón

Manga College

A pattern I created and painted in gouache on illustration board that was inspired from a morph sequence of two random logos/pictograms.

An impromptu trip to Chicago to see my favorite artist's work--Takashi Murakami's The Octopus Eats its Own Leg exhibition (2017). It was, without question, the best show I've ever seen.

 

Museum of Contemporary Art. Chicago, Illinois.

Ausstellung / exhibition im Folkwang Museum, Essen 2005

My favorite piece in the contemporary section of Chicago's Art Institute. Visited with my family after Christmas.

Takashi Murakami Print:

 

Medium: Offset Lithograph

Signed, Numbered & Dated

Date: 2006

Edition: 300

Size: 50x50cm

 

Photography © KUMI CONTEMPORARY

 

Kaikai Kiki Co., Ltd.

 

Artist. Takashi Murakami

Vendida/SOLD

 

Técnica: Acrílica s/ tela

Dimensões: 60X80cm

  

A primeira tela da série "A fábula de um Circo Flutuante".

Demorei mas postei a foto da tela.

Depois postarei foto dos próximos trabalhos.

A pesquisa segue em busca dos elementos e personagens que compõe o universo circense e de elementos do movimento artístico japonês chamado Superflat.

Transparências, pequena parte do sketch visível por de baixo da tinta, acrescentado alguns detalhes, mais detalhes, profundidade, sombras and superflatness!

Desculpem pela qualidade da foto mas o que está valendo é a intenção!

 

The first painting of the series "Tales of a Floanting Circus"

Later i will upload the photos of the others paintings.

The research continues in search of the elements and characters that make up the universe of circus and some elements of Japanese art movement called Superflat.

Transparencies, small visible part of the sketch underneath the paint, added some details, more details, depth, shadows and superflatness!

Bad quallity picture, i know!

SORRY

 

Colour pencils. 3cm x 3cm.Work done! 1997.

Kaikai Kiki Co., Ltd.

 

Artist: Mahomi Kunikata

Kaikai Kiki Co., Ltd.

 

Artist. Takashi Murakami

Tomokazu Matsuyama

'Kirin (Black) print'

35 color Screen-print on Arches Cover paper

24 x 30 in.

Last painting of the year. Feel like we've come a long ways in 12 months.

This is a rendering about an idea for an exposition of my mosaics.

The picture is fixed on the wall upside down and you can watch it correctly only via the glass sphere....it's not a new idea in abosut terms but i'm happy to visualize it as i've seen it in my head.

 

Image modelled and rendered in Cinema4d.

 

Take a look at it at the higher resolution....8)

Royal T Cafe - Culver City, CA (near LA & Sony Studios) www.royal-t.org/

#mulia #muliaaarr #flickr #pixoto #gradientshadow #FNX12 #fgpe #photooftheday #contrastleveling

#moviestyle #popartseries #retrolook #filmtone #superflat #cinemadslr #dustygray #rgb88 #fashionlook

#picturestyle #model #potrait #best #mode #evplus2 #girl #style #popartseries #pretty #highspeedbacklite

#mixlight #lowsaturate #500px #canondslr #ootd #screendodge #enhanceblack #beautiful #cinemalook

#picoftheday #instadaily #funkfashion #picture #instafashion #follow #lightleaks #solidblack

#technicolor #YRB432 #photoshop #instalook #midlevelcontrast #picturestyle #remoteflash #strobist

 

A Picture of the Blessed Lion Who Nestles with the Secrets of Death and Life (2010) depicts the image of a Chinese lion, karajishi.

 

An impromptu trip to Chicago to see my favorite artist's work--Takashi Murakami's The Octopus Eats its Own Leg exhibition (2017). It was, without question, the best show I've ever seen.

 

Museum of Contemporary Art. Chicago, Illinois.

There aren't many artists in the world more popular than Takashi Murakami. He started his own new Japanese pop art movement, "superflat", which mixes anime and manga with corporate branding, commercialism and mass production. Names like Andy Warhol and Roy Lichtenstein and Keith Haring come up a lot when people talk about him. He does everything from keychains to 30-foot tall statutes. The big stuff sells for millions and millions of dollars. His work has been displayed outside Rockefeller Center and in a fifteen-room exhibition at the Palace of Versailles. A couple of years ago Time put him on their list of the 100 Most Influential People.

 

But his work, ridiculously cute and commercial, can also get kind of twisted. He chose the name "superflat" in part to reflect what he calls the "shallow emptiness of Japanese consumer culture." And he has no problem fucking with the usual inane slickness of corporate art. “I always emphasize that the power of the dark side exists even in cuteness," he told SWINDLE Magazine a few years ago. Some of his characters are grotesque. And his most famous and controversial statues are of disturbingly young anime figures ejaculating and lactating all over the place.

Close crop of an original artwork by one of the Future Tense launch roster of artists.

 

See more teasers here: www.flickr.com/photos/thefuturetense/sets/72157622145238003/

 

Add Future Tense to Facebook here: www.facebook.com/thefuturetense

Writing a book here: open.spotify.com/show/3mMrq70ofFvPputOjQIiGU?si=kwclM6f8Q...

 

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Kaikai Kiki Co., Ltd.

 

Artist: Aya Takano

Kaikai Kiki Co., Ltd.

 

Artist: Aya Takano

‘Gilded Sakura 2.0’ 22x38” 4/4

mixed media on mahogany panel

 

Takashi Murakami Print:

 

Medium: Offset Lithograph

Signed, Numbered & Dated

Date: 2007

Edition: 300

Size: 63.5x50cm

 

Photography © KUMI CONTEMPORARY

by Takashi Murakuni

Forest Companions

en.wikipedia.org/wiki/Takashi_Murakami

Takashi Murakami (村上 隆, Murakami Takashi?), né le 1er février 1962 à Tokyo, est un artiste plasticien japonais.

 

En 2006, Christie's le classe 6e au classement des artistes les plus chers au monde. Il est considéré comme le digne successeur d'Andy Warhol1.

Takashi Murakami est né à Tokyo dans l'arrondissement de Itabashi. Son père est chauffeur de taxi et Takashi Murakami grandit dans une certaine pauvreté2. Après des études secondaires au lycée de Hongō, il rêve de devenir animateur de dessins animés3. Ayant réussi l'examen d'entrée à l'Université des arts de Tokyo, il s'inscrit dans le département Peinture, spécialité nihonga. Diplômé en 1986, il poursuit en Master, puis en doctorat. Il termine ses études en 1993 par la soutenance d'une thèse intitulée "Le sens du non-sens du sens". En 1995, il fonde le studio de production Hiropon Factory et commence à exposer en Europe et aux États-Unis. En 2001, Hiropon Factory devient Kaikai Kiki Corporation, structure qui lui permet de soutenir le travail de plusieurs jeunes artistes — Chiho Aoshima, artiste japonaise, est ainsi parrainée par Murakami —, mais aussi de produire et commercialiser des produits dérivés.

 

Murakami collabore avec la marque de maroquinerie de luxe Louis Vuitton. Il conçoit pour la collection de l’année 2004, de nouveaux motifs alliant son univers à ceux de cette marque4, en réinterprétant, tout en couleurs, les célèbres motifs de la marque de luxe et réalise deux courts-métrages animés.

 

En 2007, il réalise l'habillage graphique de la pochette et artworks de l'album Graduation du rappeur américain Kanye West5 et réalise le clip « Good Morning ».

 

Considéré comme l'un des chefs de file du néo-pop japonais dit Superflat, mouvement dont il est l'initiateur6, il revendique l'héritage de Warhol7 et du pop art américain, tout en analysant la manière dont l'art japonais peut trouver une autonomie face au modèle occidental. En septembre 2010, son exposition dans les Grands appartements et la Galerie des glaces du château de Versailles suscite la polémique8.

 

Le 21 juin 2011 Google utilisa un "doodle" créé par Takashi Murakami.

 

“Foxy Lady” Spraypaint on Silver Momi Paper. 30x15” Edition of 50.

 

Seattle is the home of Jimi Hendrix, and I wanted to do a little homage while starting the next series of ukiyo-e exploration.

 

The Kitsune is a mythical fox creature from Japanese folklore, a trickster character that can change from animal to human, often in the form of a beautiful woman. Seems very appropriate for the Hendrix song.

 

Going for the whole psychedelic poster thing. Really looking forward to seeing how far I can take it with my variations.

Murakami's Isle of the Dead (2014).

 

An impromptu trip to Chicago to see my favorite artist's work--Takashi Murakami's The Octopus Eats its Own Leg exhibition (2017). It was, without question, the best show I've ever seen.

 

Museum of Contemporary Art. Chicago, Illinois.

Exposición “Superflat. New Pop Culture”

 

Red Itiner. Comunidad de Madrid

ENERO/DICIEMBRE 2017

Comisaria: Antonella Montinaro

 

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One of the paintings from the crystalline series. Roughly 12 x 24"

40x20" mix media on canvas 2012.

 

Images for the Wing Luke Museum's upcoming exhibition on video game culture and Asian art.

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