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A pattern I created and painted in gouache on illustration board that was inspired from a morph sequence of two random logos/pictograms.
An impromptu trip to Chicago to see my favorite artist's work--Takashi Murakami's The Octopus Eats its Own Leg exhibition (2017). It was, without question, the best show I've ever seen.
Museum of Contemporary Art. Chicago, Illinois.
My favorite piece in the contemporary section of Chicago's Art Institute. Visited with my family after Christmas.
Takashi Murakami Print:
Medium: Offset Lithograph
Signed, Numbered & Dated
Date: 2006
Edition: 300
Size: 50x50cm
Photography © KUMI CONTEMPORARY
A Picture of the Blessed Lion Who Nestles with the Secrets of Death and Life (2010) depicts the image of a Chinese lion, karajishi.
An impromptu trip to Chicago to see my favorite artist's work--Takashi Murakami's The Octopus Eats its Own Leg exhibition (2017). It was, without question, the best show I've ever seen.
Museum of Contemporary Art. Chicago, Illinois.
This is a rendering about an idea for an exposition of my mosaics.
The picture is fixed on the wall upside down and you can watch it correctly only via the glass sphere....it's not a new idea in abosut terms but i'm happy to visualize it as i've seen it in my head.
Image modelled and rendered in Cinema4d.
Take a look at it at the higher resolution....8)
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There aren't many artists in the world more popular than Takashi Murakami. He started his own new Japanese pop art movement, "superflat", which mixes anime and manga with corporate branding, commercialism and mass production. Names like Andy Warhol and Roy Lichtenstein and Keith Haring come up a lot when people talk about him. He does everything from keychains to 30-foot tall statutes. The big stuff sells for millions and millions of dollars. His work has been displayed outside Rockefeller Center and in a fifteen-room exhibition at the Palace of Versailles. A couple of years ago Time put him on their list of the 100 Most Influential People.
But his work, ridiculously cute and commercial, can also get kind of twisted. He chose the name "superflat" in part to reflect what he calls the "shallow emptiness of Japanese consumer culture." And he has no problem fucking with the usual inane slickness of corporate art. “I always emphasize that the power of the dark side exists even in cuteness," he told SWINDLE Magazine a few years ago. Some of his characters are grotesque. And his most famous and controversial statues are of disturbingly young anime figures ejaculating and lactating all over the place.
Close crop of an original artwork by one of the Future Tense launch roster of artists.
See more teasers here: www.flickr.com/photos/thefuturetense/sets/72157622145238003/
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Writing a book here: open.spotify.com/show/3mMrq70ofFvPputOjQIiGU?si=kwclM6f8Q...
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Takashi Murakami Print:
Medium: Offset Lithograph
Signed, Numbered & Dated
Date: 2007
Edition: 300
Size: 63.5x50cm
Photography © KUMI CONTEMPORARY
by Takashi Murakuni
Forest Companions
en.wikipedia.org/wiki/Takashi_Murakami
Takashi Murakami (村上 隆, Murakami Takashi?), né le 1er février 1962 à Tokyo, est un artiste plasticien japonais.
En 2006, Christie's le classe 6e au classement des artistes les plus chers au monde. Il est considéré comme le digne successeur d'Andy Warhol1.
Takashi Murakami est né à Tokyo dans l'arrondissement de Itabashi. Son père est chauffeur de taxi et Takashi Murakami grandit dans une certaine pauvreté2. Après des études secondaires au lycée de Hongō, il rêve de devenir animateur de dessins animés3. Ayant réussi l'examen d'entrée à l'Université des arts de Tokyo, il s'inscrit dans le département Peinture, spécialité nihonga. Diplômé en 1986, il poursuit en Master, puis en doctorat. Il termine ses études en 1993 par la soutenance d'une thèse intitulée "Le sens du non-sens du sens". En 1995, il fonde le studio de production Hiropon Factory et commence à exposer en Europe et aux États-Unis. En 2001, Hiropon Factory devient Kaikai Kiki Corporation, structure qui lui permet de soutenir le travail de plusieurs jeunes artistes — Chiho Aoshima, artiste japonaise, est ainsi parrainée par Murakami —, mais aussi de produire et commercialiser des produits dérivés.
Murakami collabore avec la marque de maroquinerie de luxe Louis Vuitton. Il conçoit pour la collection de l’année 2004, de nouveaux motifs alliant son univers à ceux de cette marque4, en réinterprétant, tout en couleurs, les célèbres motifs de la marque de luxe et réalise deux courts-métrages animés.
En 2007, il réalise l'habillage graphique de la pochette et artworks de l'album Graduation du rappeur américain Kanye West5 et réalise le clip « Good Morning ».
Considéré comme l'un des chefs de file du néo-pop japonais dit Superflat, mouvement dont il est l'initiateur6, il revendique l'héritage de Warhol7 et du pop art américain, tout en analysant la manière dont l'art japonais peut trouver une autonomie face au modèle occidental. En septembre 2010, son exposition dans les Grands appartements et la Galerie des glaces du château de Versailles suscite la polémique8.
Le 21 juin 2011 Google utilisa un "doodle" créé par Takashi Murakami.
“Foxy Lady” Spraypaint on Silver Momi Paper. 30x15” Edition of 50.
Seattle is the home of Jimi Hendrix, and I wanted to do a little homage while starting the next series of ukiyo-e exploration.
The Kitsune is a mythical fox creature from Japanese folklore, a trickster character that can change from animal to human, often in the form of a beautiful woman. Seems very appropriate for the Hendrix song.
Going for the whole psychedelic poster thing. Really looking forward to seeing how far I can take it with my variations.
Murakami's Isle of the Dead (2014).
An impromptu trip to Chicago to see my favorite artist's work--Takashi Murakami's The Octopus Eats its Own Leg exhibition (2017). It was, without question, the best show I've ever seen.
Museum of Contemporary Art. Chicago, Illinois.
Exposición “Superflat. New Pop Culture”
Red Itiner. Comunidad de Madrid
ENERO/DICIEMBRE 2017
Comisaria: Antonella Montinaro
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40x20" mix media on canvas 2012.
Images for the Wing Luke Museum's upcoming exhibition on video game culture and Asian art.
Takashi Murakami’s Superflat Collection
―From Shōhaku and Rosanjin to Anselm Kiefer―
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Julian Hoeber - Untitled
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YOKOHAMA MUSEUM OF ART
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#lowsaturate #500px #canondslr #ootd #YRB432 #photoshop #instalook
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On the way back from Colorado, we made a short stop in North Platte, Nebraska, to check out Buffalo Bill's house and ranch. It's a really cool little place to stop, so I highly recommend it! Not to mention that North Platte is a cool town and has a lot of great old stuff to look at, especially a lot of cool old neon Motel signs! Hope I can visit again someday, even though Nebraska is superflat and makes hillbillies like me cry.
“Foxy Lady” Spraypaint on Silver Momi Paper. 30x15” Edition of 50.
Seattle is the home of Jimi Hendrix, and I wanted to do a little homage while starting the next series of ukiyo-e exploration.
The Kitsune is a mythical fox creature from Japanese folklore, a trickster character that can change from animal to human, often in the form of a beautiful woman. Seems very appropriate for the Hendrix song.
I'm working on some new images.
They come from a mix from 3d program and mosaic program. The focus is to amaze the viewer. In this picture (viewed and very small scale) the most famous scream after the munch's one is clearly visible. In the full scale you must keep a long distance from your monitor....have fun
Order your canvas print now at my website
100 Arhats (2013) was part of Murkami's 500 Arhats show at the Mori Art Museum. You can see a great deal of his traditional roots though brought to life by bright color and pop-art styling. More tiny skulls provide a background.
An impromptu trip to Chicago to see my favorite artist's work--Takashi Murakami's The Octopus Eats its Own Leg exhibition (2017). It was, without question, the best show I've ever seen.
Museum of Contemporary Art. Chicago, Illinois.