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Opposite the foyer side of the living room, are builtin benches & shelves. Cypress horizontal boards attached by flathead screws.
Was Swartz house
Frank Lloyd Wright Stillwater Usonian,
Two Rivers, Wisconsin
Hello, my name is Jordyn House I have attached the three pictures for my
honors college study abroad credit. I went to Greece this summer with
Global LEAD.
Thank you,
Jordyn E. House
Caption for Donkey: The beautiful Donkeys on Crete.
Caption for Santorini Sunset: Watching the sunset from the famous castle
wall in Oia where hundred of people gather every night.
Caption for Hike to Oia: We hiked on Santorini from the town of Fira, where
I am sitting, all the way to Oia, which is all the way at the end of the
island in the back of this picture.
maggie was reading emiliano zapata when i got out my camera because the lighting in the quad was so pretty.. she doesn't like to have her picture taken, but she's so beautiful, i can't help it.
The Study Seagull. Friends with the Orly Owl. Secret lover of the Yarly Owl. Mortal enemy of the Nowaii Owl.
Last picture for this semester.
The B.Arch.Yr-1, Sem.-II students of NSA went for their Study Tour to Bengaluru, Hassan and Mysore from 5th January, 2016 to 10th January, 2016 as a part of their curriculum. Students visited temples, malls, collected drawings, and pictures for their study purpose. Workshop at CGBMT Bamboo Symphony, temple study at BelurChannakeshava Temple, Helebeeduand Measured Drawing - Documentation of "ChowdaiahNivas” at Mysore – a 113 years old structure clearly showing the difference in planning, architecture, building materials and other aesthetical aspects from current ones were the significant objective of study tour.
It's like a pencil with erasers at both ends. I want it all but we're dealing with percents. And these activities that you have engaged in. This is the politics of seeing you dance with him. We begin with concluding remarks. Break up the pieces and examine the parts. Your words always cut when they're cliche. So here's my knife because I came for the buffet. This is the way it goes with you apart of it. Nervously saying words that oh-so-tightly fit. A mark beneath the chin. I've caught you once again. It's in the way you sell every word and phrase. And leaving me to know how much the meaning weighs. Saying that but meaning this. Using hands for emphasis. You'd like to think that you're the best part of me. But I confess, there is nothing left of you here. These parallels and silly games hide your face and say the name. There's that smile again, you fake it and I follow you right in. What a fool I've been to fall for it each time.
-Emery
...or not !
She prefers to go out and skate =)
*********
By the way, it's her anniversary in 2 days, I still post these today, it's all the same =) She's been here 2 years now, I thank my sister again for offering her to me ♥
Nature Color Studies.
Yet again „the walk“, I guess you know every single tree as well as I do right now ... BUT: I tried few things with the rendering, both while taking the shots and when processing them. When shooting I used a Kenko Nostaltone Orange, which is basically a diffusor and warming filter combined. That's where the color and softness comes from. I used a zoom lens all the way open, which gives vignette and fall off and a bit of additional softness. when proscessing them in LR and PS I payed attention to „fill the highlights with color“ and control the highlights in general. There was a beautiful „soft sunshine“ today (partially cloudy), and the light was so nice I hope I could capture that a little bit at least.
For Tenderpixel's 2014 summer break, we turned over the gallery space to Andrea Zucchini, London-based artist. As a result of the residency he presents his work in a solo exhib
ition, Alchemical Studies, from 6 to 20 September.
In his practice, Andrea Zucchini juxtaposes geological, cosmological and psychic processes, exploring how they are intertwined and can be accessed through one another. Using the notion of containment, he investigates the intimate correspondence between the micro- and macrocosm, alluding to them being analogous structures.
Zucchini ́s working method, which implies an appreciative approach to matter and its autonomous significance, is applied to the relationship with any material, be it iron, plaster, archival footage or text. At the core of his practice lies an interrogation into the metaphorical value of materials, both within their natural and cultural histories. By bringing these two domains together he intends to deconstruct the nature-culture dichotomy.
The sculptural pieces disclose multilayered narratives. Most recent works address themes such as the primitive sexualisation of matter and the marriage of substances, as described in the ancient practice of Alchemy.