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Lance Keimig was kind enough to invite me to join his Mono Lake Workshop for a night of shooting at South Tufa. For anyone serious about improving their night photography chops, or just starting out, I can highly recommend talking to Lance and Scott Martin about joining one of their workshops. Both are consummate professionals and have encyclopedic knowledge of techniques and equipment.
I can also recommend Lance's new book, Night Photography: Finding Your Way in the Dark. I got my copy, and it's full of useful information and beautiful photography.
The Elder Scrolls V: Skyrim
◾ 1920x1080 (Native)
◾ Console Commands (Free Camera, Hide HUD)
◾ Ultra / Tweaked Settings
◾ ENB (Various)
◾ Mods: 100s
From the Richard Harvey Studio One.
Left side light (LED lamp). Raw file into Affinity Photo for development. There are multiple iterations of this with different lighting options, shadow play etc. But this is my current favourite. Enjoy!
Paul Rubens Haiya Oil Pastels on Strathmore Artagain paper, 9x12".
After Vincent van Gogh:
en.wikipedia.org/wiki/List_of_works_by_Vincent_van_Gogh#/...
UniSA City West. The courtyard I take a shortcut through is often study central. Silver Efex Pro 2: Kodak Plus-X 125 PX Pro with 33% Green filter
Alcalá de Henares, Madrid / Spain
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Supercharged 5.2L V8
ABOUT CAMILO PARDO
Born in New York city, Camilo moved to Detroit at the age of 10 and had by that age developed a fascination with 60s and 70s era sports cars and modern art. After graduating from Detroit’s prestigious design school Center for Creative Studies in 1985, Camilo was hired by Ford Design Center in Dearborn Michigan. His assignments included working in the Dearborn Advanced Studios, Ford of Europe- Torino, Italy Studio , and the Design Studios in Cologne Germany. After 15 years at Ford Motor Company, he took on what was for him the ultimate assignment... a state of the art re-design of the classic Ford GT race car. This project developed the 2002 Ford GT concept car.
As chief Designer of the Ford GT and the SVT Studio, Camilo’s team worked on the 2005 and 2006 production Ford GT . The GT became an instant success capturing the interest of car enthusiasts around the world.
At the end of the work day at Ford, Camilo continued to explore an additional avenues of art & design. With the integration of Design principles and the abstractions of Fine Art, Camilo explores alternative design solutions.
This work is created in his studios, located in the city of Detroit and Los Angeles. His studios has been the scene of more than a few of Detroit’s openings and receptions. For the last 15 years, his studio has hosted the Detroit Auto’s Designers’ Night. An internationally recognized event which is attended by top automotive personnel and designers from all over the world. The North American International Auto Show has included Designer’s Night as a recognized NAIAS event appearing in all NAIAS publications.
By evening, Camilo is a serious, multifaceted artist with incomparable creative energy. This creativity is evident in his large, brightly colored oil paintings on canvas. This includes a large production of Automotive Fine Art. The same quality of creativity reaches a line of fashion design, that he describes as advanced fashion concepts. These fashion pieces have been created for auto shows and runway exhibits. Camilo’s industrial design reaches into sculptural furniture design, that has made the rounds from main art galleries in Metro Detroit, Italy, Japan, and the Contemporary Furniture Fair in New York.
As a dedicated artist who sets no limits on his creative endeavors, Camilo has found that his outside artistic expressions further strengthen and complements his passion for automotive design.
Realizzato nel 1961 per la serie Study for a Pope I-VI, il dipinto rientra in una ricerca che Bacon inizia molti anni prima mirata a rielaborare il Ritratto di Innocenzo X di Velázquez del 1650 (Galleria Doria Pamphilj, Roma) che l’artista considerava «uno dei maggiori dipinti del mondo».
Bacon studia il capolavoro seicentesco unicamente attraverso riproduzioni fotografiche e lo modifica più volte, reinventando l’opera in modi sempre nuovi. A volte si sofferma sul viso, che trasforma in una maschera urlante, altre preferisce conservare una visione d’insieme e limita le variazioni ai gesti e alla postura. Study for Velazquez Pope II, dono ai Musei Vaticani di Gianni Agnelli, è la più composta della serie. Bacon si allontana dall’originale nell’ambientazione, abolendo ogni connotazione cromatica a favore di uno sfondo completamente nero, ma per la figura del pontefice, seduto su un trono privato di qualsiasi ornamento, conserva la posa austera e lo sguardo diretto dell’Innocenzo X velazqueziano.
Created in 1961 for the series Study for a Pope I-VI, the painting was part of a research project that Bacon had begun many years earlier aimed at re-elaborating Velázquez's Portrait of Innocent X of 1650 (Doria Pamphilj Gallery, Rome) which the artist considered "one of the greatest paintings in the world".
Bacon studied the 17th-century masterpiece solely through photographic reproductions and modified it several times, reinventing the work in new ways. Sometimes he dwells on the face, which he transforms into a screaming mask, while at others he prefers to maintain an overall view and limits his variations to gestures and posture. Study for Velazquez Pope II, donated to the Vatican Museums by Gianni Agnelli, is the most composed of the series. Bacon departs from the original in the setting, abolishing all chromatic connotations in favour of a completely black background, but for the figure of the pontiff, seated on a throne deprived of any ornamentation, he preserves the austere pose and direct gaze of Velazquez's Innocent X.
"Era alto di statura, magro, collerico, splenetico, con un viso rosso, calvo davanti con folte sopracciglia piegate sopra il naso, che rivelavano la sua severità e durezza...". Queste furono le parole usate da Giacinto Gigli nel 1655 per descrivere il papa (Giovanni Battista Pamphilj [1574-1655], fatto cardinale nel 1629 ed eletto al trono il 16 settembre 1644), aggiungendo che "il suo volto era il più deforme che sia mai nato tra gli uomini". Justi e più tardi Morelli considerarono la sua testa "la più ripugnante... di tutti i successori del Pescatore" e "insignificante, anzi volgare", con un'espressione simile a "quella di un astuto avvocato".
"He was tall in stature, thin, choleric, splenetic, with a red face, bald in front with thick eyebrows bent above the nose, that revealed his severity and harshness...". These were the words used by Giacinto Gigli in 1655 to describe the pope (Giovanni Battista Pamphilj [1574-1655], made a cardinal in 1629 and elected to the throne on September 16, 1644), adding that "his face was the most deformed ever born among men." Justi and later Morelli considered his head "the most repugnant... of all the Fisherman's successors" and "insignificant, indeed vulgar," with an expression similar to "that of a cunning lawyer."
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صورة بسيطة بمناسبة قرب الإختبارات :*
( هيّئي جو مناسب للمذاكرة - رتبي أوقاتك - رتبي المواد الأهم فالمهم لاستذكارها - لوحة المهام ستساعدك كثيرًا في ترتيب وقتك - الأوراق الملونه واللتلخيص جداً مهم ) ثم التوكل على الله :"""")
وعد الشدّي تتحديث عن التفوق الدراسي .. حوالي 90 نقطة مهمة .. هاشتاق في تويتر ( #التركيز_الذكي ) :)
using a Cokin Filter to high light the clouds
....just a little more
a view from my front door
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Macro study of ice puddle lying on short cut
grass. Photo taken in Barnet, Hertfordshire,
UK in mid-March 2013.
Warm and cosy, sitting by the fire, reading late into the long autumn night by candlelight. A cup of strong tea and a comfortable safe haven from the stormy weather.
Depth and compression working against each other. Cars, bins, tags, light at the far end. It’s less gritty than procedural.
... on the third floor/private apartment suite of Casa Grande was William Randolph Hearst's private study and work space. Perhaps it was his 1930s era version of a "man cave".
There are about 3,700 books, including many rare ones, in this room; most are kept on shelfs in the cupboards lining the walls.
Hearst Castle, March 2019
(Panorama Stitched from 2 Images captured on a Sony RX1R M2 with Arcsoft Panorama Maker 3)