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Students from the Senators Community Foundation Center for Youth Leadership at Brien McMahon High School in Norwalk made their annual trip to the State Capitol to make a visual statement about the issue of child abuse in Connecticut. This year the students created garlands of origami cranes, each of the 1,864 cranes represents an abused child in Fairfield County in 2011, to promote their message of putting an end to child abuse. (May 2, 2012)
Coming soon from Drippy Bone Books
FASHION STATEMENT
a series of altered/defaced images from fashion magazines by Bella Dehm.
Funny, strange and speaking to the primordial need to draw mustaches, scars and buggers on depictions of beautiful people.
coming in early Dec!
VICTORIA - Premier Christy Clark issued the following statement on Canada Day:
Learn more: www.newsroom.gov.bc.ca/2014/06/premiers-statement-on-cana...
H.E. Ambassador Yun-young Lee, Permanent Representative of the Republic of Korea to the OPCW, speaking at OPCW's Fourth Review Conference.
The Conference is held at the World Forum, The Hague, the Netherlands, from 21-30 November 2018.
File name: 10_03_001331b
Binder label: Medical
Title: Burdock Blood Bitters (back)
Created/Published: Buffalo ; Chicago : Cosack & Co.
Date issued: 1870-1900 (approximate)
Physical description: 1 print : chromolithograph ; 12 x 8 cm.
Subject: Women; Bitters
Notes: Title from item.
Statement of responsibility: Foster, Milburn & Co.
Collection: 19th Century American Trade Cards
Location: Boston Public Library, Print Department
Rights: No known restrictions.
The closing statements in the case The Prosecutor v. Al Hassan Ag Abdoul Aziz Ag Mohamed Ag Mahmoud started on 23 May 2023 in Courtroom III at the seat of the International Criminal Court (“ICC” or the “Court”) in The Hague, The Netherlands.
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This thrilling statement necklace was created for the Etsy BeadWeavers Team May Challenge "Lord of the Rings". My inspiration for this was the character Éowyn, the lady of Rohan.
At the heart of this pendant is a gorgeous faceted banded agate stone with quartz. I loved how the black and white of the stone spoke to the duality of this character. Éowyn was known for her blond beauty though she carried within her a deep sorrow. The stone is captured with a peyote bezel of dark gold iris and silverlined gold rainbow seed beads and surrounded by dark bronze glass pearls and light gold swarovski pearls. The top of the pendant has a brilliant gold rivoli that creates something of a crown to commemorate her victory in battle. The pendant is accented with a lush fringe and is suspended from a twisted herringbone rope of silverlined gold rainbow and dark gold iris seed beads. A closure featuring a bead bezeled gold rivoli and peyote toggle and loop beautifully finishes this 18.5" necklace. The pendant measures 6" long (inc. fringe) and about 2" wide and is backed with tan ultrasuede.
The police officer takes a statement. The man they are speaking to was standing at the bus station when the vehicle collided. Had he chosen to utilize the bench he may very well have been killed or seriously injured. His face suggests confusion. Should he be angry at the carelessness of the driver or relieved that he managed to escape harm? The police officers seem disinterested in the situation. Why aren't we out doing real police work the officers probably wonder. The truth is, this is real police work.
Doorstep statement by NATO Secretary General Jens Stoltenberg at the start of the NATO Summit in Brussels
Local accession number: 13_05_000323
Title: Maj. Oliver Sanford [front]
Statement of responsibility: Anson's, 589 Broadway, opposite Metropolitan Hotel.
Creator/Contributor: Anson, Rufus (Photographer)
Genre: Photographs; Cartes de visite; Portraits
Date created: 1859-1870 (approximate)
Physical description: 1 photograph : print on card mount ; mount 11 x 7 cm (carte de visite format)
General notes: Title from item or from accompanying material.
Date notes: Date supplied by cataloger.
Subjects: Military officers
Collection: Cartes de Visite Collection
Location: Boston Public Library, Print Department
Rights: No known copyright restrictions.
One video still from each "Life is Drag" video portrait (performance documentation).
lifeisdrag.com
ARTIST STATEMENT:
I create bodies of work that explore subjects such as gender, artifice, and spectacle. Utilizing processes ranging from directorial to curatorial to anthropological, I showcase exuberantly irrepressible personalities who revel in challenging clichés associated with constructs such "masculinity" and "femininity". A sampling of subjects include Girls Girls Girls (the world's first and only all-female Mötley Crüe tribute band), Tazzie Colomb (the world's longest competing female bodybuilder), and LACTIC Incorporated (an avant-garde clothing brand that takes the detritus of corporate life and reinterprets it into one-of-a-kind structural garments that challenge the polarization of gender).
With this current and ongoing project "Life is Drag", I am documenting the most innovative and singular performers of the currently exploding international alt-drag and neo-burlesque scenes. I am 3 years into this project, and so far have created 250+ portraits. These are created in my studio as well as during residencies - in New York City (The Cell Theater, Bushwig), Pittsburgh (The Kelly Strayhorn Theater, Blue Moon Bar, Bloomfield Garden Club), and New England (3S Artspace).
This project began in early 2019 in my studio in Brooklyn, when I collaborated with a local visual artist by the name of Untitled Queen - a deeply beloved, highly respected, and uniquely visionary performer and conduit within the NYC drag scene who uses drag as a part and extension of her artistic process. I then worked with selected performers from Ohio and Kentucky in conjunction with a mid-career retrospective in my hometown of Cincinnati in the spring of 2019, and in January and February of 2020, I worked with 20+ New England-based drag artists as part of a residency and exhibition at 3S Artspace in Portsmouth, New Hampshire.
From the autumn of 2020 until the summer of 2021, I was an artist in residence at The Cell Theatre in the Chelsea neighborhood of NYC, where I expanded the project in the midst of the pandemic to also include neo-burlesque performers and performance artists whose work deals specifically with gender performativity. Most recently was a residency in my hometown of Cincinnati, Ohio - which included creating video portraits of performers from the drag haus ODD Presents, members of the neo-burlesque troop Smoke & Queers, and other alt-drag and burlesque artists from the tri-state area. This residency also included an exhibition featuring this ever-growing archive, as well as multiple live performance events.
My long-term goal is to continue to do a series of such residencies nationally and internationally, which will allow me to create a comprehensive archive of video portraits of drag, burlesque and performance artists from a wide range of locations, backgrounds, cultures, and ages. Each portrait includes video of the artist performing (lip-synching, singing, telling stories, reciting monologues, dancing, etc.) in addition to interview documentation, and will live online as well as in galleries and unexpected places in between. "Life is Drag" has so far been exhibited at such venues as the the Carnegie Museum of Art and Bunker Projects (PA), Satellite Art Club, Bushwig and The Cell (NYC), 3S Artspace (NH), and the Weston Art Gallery (OH).
I believe this project is innovative and important in that it is treating and respecting "drag" (defined as broadly and inclusively as possible) as a proper art form – recognizing it as an extremely vital and valid style of performance art, and every bit as deserving of the deference reserved for more traditional classical art forms like painting and sculpture. Drag is painting and sculpture and performance all at once - and quite often also activism, education, protest, therapy, resistance, catharsis, comedy, tragedy, enlightenment, inspiration - or some combination of the above - to those who practice it, and also to those who experience it as an observer. This project is about celebrating this experimental and expansive form of art and its wide range of practitioners and manifestations. It is about creating a record - an archive - of these brilliant but ephemeral performances, from dive bars to art galleries, city streets to grand theater stages. It is about trying to properly document and share these wildly diverse acts and profound stories that will surely open minds and capture hearts.
Former Foreign Secretary William Hague makes a statement on Libya to the media in London, 27 July 2011.
Read more: www.fco.gov.uk/en/news/latest-news/?view=News&id=6359...
IAEA Director General Yukiya Amano delivers his opening statement at the first day of the International Conference on Nuclear Security: Enhancing Global Efforts. IAEA Headquarters, Vienna, Austria. 1 July 2013
Photo Credit: Dean Calma / IAEA
Media statement:
More than 400 residents from across NSW gathered outside AGL Energy's head office in North Sydney this morning to demand an end to AGL's controversial coal seam gas projects in Gloucester and Camden.
The residents, many who had travelled together by bus from Gloucester, were joined by concerned Sydneysiders and members of GetUp. Today marks the 100th consecutive week of community protests at AGL's head office demanding an end to CSG in NSW.
GetUp’s Better Power Campaign Director Lily Dempster, who is leading the organisation’s call for consumers to turn their backs on energy retailers still investing in dirty energy, said it was disappointing that CEO Andrew Vesey had refused an invitation from Groundswell Gloucester to address the gathering today.
“People from all walks of life have gathered outside of AGL today and over the past 100 weeks to show the community finds the threats of coal seam gas to our agricultural land, our precious water resources and our communities simply unacceptable,” she said.
“It’s risky business for communities such as Gloucester and Camden, and it’s increasingly risky business for investors too.
“The company is currently reviewing its coal seam gas investments and has a prime opportunity to get out of harmful coal seam gas projects for good.
“We know one of the most effective ways of placing pressure is through consumer action. If you are an AGL customer you're in a powerful position to help pressure this company to get out of CSG and start supporting cleaner, safer renewable energy instead," she said.
Professor Rufus Clarke is a former AGL customer who has switched power provider through the Better Power campaign.
“In April this year my wife and I became aware of the influence that companies like AGL have on public policy, for example in Prime Minister Abbott’s reneging on his pre-election promise not to cut the Renewable Energy Target, and his persistent attacks on the renewable energy industry.
“Ecological responsibility cuts no ice with these companies; the only thing they understand is losing market share. So we switched to Powershop for our electricity supply. We are paying no more per kilowatt hour than we were with AGL.
“I urge others to do as we have done, to switch their energy supplies away from those who pollute the atmosphere and the aquifers – it’s the only message that the companies that pollute, and their shareholders, will understand,” Prof Clarke said.
To date the Better Power campaign has switched 12,000 customers from AGL and other big polluting companies including EnergyAustralia and Origin Energy.
Evidently there is a UK law where you MUST get your statements sent to you. Even if you don't want them and you're happy to look at them online like I am.
This was our first full day on Mykonos - we still weren't sure how we felt about it. We spent the prior evening walking around the main town and weren't impressed. It reminded us of a town set up solely for cruise ship passengers - every other building was a jewelry shop or expensive restaurant. On this day we hopped a bus and went to Paradise Beach to check it out. Very nice. We then walked along a trail that connected 5 beaches - nice walk but it was ungodly hot and we were soaked by the time we got to the last beach. Heather did her best to support the local economy (again) and picked up some nice outfits. We headed back to the room for a siesta and beer or two. I wanted to walk down to the harbor for the sunset. Heather was tired of walking so she sent me off on my own. Big sad eyes. The sunset actually was pretty nice - it was crowded but not like the madness we experienced on Oia. Mykonos has a reputation as a party island and we're not party animals. I think we wanted to be back on Santorini already!
I took these photos in early October 2019.
This template is used for creating the statements of banks. It contains "Financial Position", "Operations and Changes" and "Cash Flow" statements. SpreadsheetWEB version of the template allows to publish the statements online easily.
On Monday, 9 May 2022 at 9:30 (Hague time), the Defence in the case of The Prosecutor v. Al Hassan Ag Abdoul Aziz Ag Mohamed Ag Mahmoud made its opening statement before Trial Chamber X of the International Criminal Court (ICC). Mr Al Hassan is represented by Lead Counsel Melinda Taylor and Associate Counsel Michiel Pestman. The statement was made in open session.
Lúa Coderch’s intervention for the "Composiciones" programme brings a mysterious and improbable apparition to life in the home of the Club de Billar Barcelona. Beneath the Teatre Coliseum in Gran Vía there is a rainbow. Coderch guides sunlight and a spectrum of colours down into the underground gaming space with a series of precisely positioned mirrors and prisms, as if evoking the mechanics, geometry and artistry involved in billiards. Accompanying the rainbow is a turntable and a transparent vinyl record that can be used to play an audio recording of a female voice. This voice narrates and interprets what can be seen in front of us, and the process that led to its appearance. The title of her intervention, “The Rainbow Statement” (2016), refers to one of the verbal tricks used by fortune-tellers and clairvoyants in ‘cold reading’ an individual’s life or personality. Suggestively nebulous assertions maximize the chance of apparently specific and meaningful paranormal insights hitting the mark. “The Rainbow Statement” is either an experiment of the imagination or a phenomenon of optical science with which Coderch seems to have invented a form of psychic meteorology, or spectral physics. – Latitudes
Lúa Coderch (Iquitos, Perú, 1982) obtained an MA in Artistic Production and Research (2012) and a degree in Fine Arts at the Universidad de Barcelona (2010). Amongst her individual exhibitions are: ‘Night in a Remote Cabin Lit By a Kerosene Lamp’, Galería Àngels Barcelona (2015); ‘Or’, Fundació Suñol, Barcelona (2014–2015); ‘La parte que falta’, Galería Bacelos, Madrid (2014); ‘La muntanya màgica’, Espai 13, Fundació Joan Miró, Barcelona (2013–14). She has participated in the following group shows: ‘¿Por qué no lo llamas entropía?’, Edición 0 Encuentro de Cultura Contemporánea de Guadalajara, México (2015); ‘The World of Interiors’, The Green Parrot, Barcelona (2014), ‘El futuro no espera’, La Capella, BCN Producció (2014).
Coderch is represented by galería Bacelos (Madrid/Vigo) and àngels barcelona.
––
“The Rainbow Statement” (2016) was commissioned for the second edition of the Barcelona Gallery Weekend as part of the “Composiciones” commissions programme.
Curated by Latitudes for the second time (see 2015 edition), "Composiciones" project further explores Barcelona as a rich fabric of the historic and the contemporary, the unfamiliar and the conspicuous. Resisting an overall theme, and instead developing from the artists’ responses to the specificity of each context—people as well as places—the five art projects form a temporary thread that links evocative locations and public space, running parallel to the Weekend’s exhibitions in galleries and museums.
In its second edition, "Composiciones" presents interventions by Lúa Coderch (Club Billar Barcelona); Regina Giménez (Antigua Fábrica de Can Trinxet, L’Hospitalet de Llobregat); Lola Lasurt (Biblioteca Pública Arús); Robert Llimós (connecting all the participating galleries) and Wilfredo Prieto (Unitat Muntada de la Guàrdia Urbana de Barcelona). Their projects offer moments of intermission, intimacy and bewilderment throughout the weekend, highlighting some lesser-known aspects of the city’s cultural heritage and municipal life.
Conceived and curated by Latitudes | www.lttds.org
Photo: Roberto Ruiz / Courtesy: Barcelona Gallery Weekend.
Info: www.lttds.org/projects/composiciones2016/
Social media documentation: storify.com/lttds/composiciones-five-commissions-curated-...
One video still from each "Life is Drag" video portrait (performance documentation).
lifeisdrag.com
ARTIST STATEMENT:
I create bodies of work that explore subjects such as gender, artifice, and spectacle. Utilizing processes ranging from directorial to curatorial to anthropological, I showcase exuberantly irrepressible personalities who revel in challenging clichés associated with constructs such "masculinity" and "femininity". A sampling of subjects include Girls Girls Girls (the world's first and only all-female Mötley Crüe tribute band), Tazzie Colomb (the world's longest competing female bodybuilder), and LACTIC Incorporated (an avant-garde clothing brand that takes the detritus of corporate life and reinterprets it into one-of-a-kind structural garments that challenge the polarization of gender).
With this current and ongoing project "Life is Drag", I am documenting the most innovative and singular performers of the currently exploding international alt-drag and neo-burlesque scenes. I am 3 years into this project, and so far have created 250+ portraits. These are created in my studio as well as during residencies - in New York City (The Cell Theater, Bushwig), Pittsburgh (The Kelly Strayhorn Theater, Blue Moon Bar, Bloomfield Garden Club), and New England (3S Artspace).
This project began in early 2019 in my studio in Brooklyn, when I collaborated with a local visual artist by the name of Untitled Queen - a deeply beloved, highly respected, and uniquely visionary performer and conduit within the NYC drag scene who uses drag as a part and extension of her artistic process. I then worked with selected performers from Ohio and Kentucky in conjunction with a mid-career retrospective in my hometown of Cincinnati in the spring of 2019, and in January and February of 2020, I worked with 20+ New England-based drag artists as part of a residency and exhibition at 3S Artspace in Portsmouth, New Hampshire.
From the autumn of 2020 until the summer of 2021, I was an artist in residence at The Cell Theatre in the Chelsea neighborhood of NYC, where I expanded the project in the midst of the pandemic to also include neo-burlesque performers and performance artists whose work deals specifically with gender performativity. Most recently was a residency in my hometown of Cincinnati, Ohio - which included creating video portraits of performers from the drag haus ODD Presents, members of the neo-burlesque troop Smoke & Queers, and other alt-drag and burlesque artists from the tri-state area. This residency also included an exhibition featuring this ever-growing archive, as well as multiple live performance events.
My long-term goal is to continue to do a series of such residencies nationally and internationally, which will allow me to create a comprehensive archive of video portraits of drag, burlesque and performance artists from a wide range of locations, backgrounds, cultures, and ages. Each portrait includes video of the artist performing (lip-synching, singing, telling stories, reciting monologues, dancing, etc.) in addition to interview documentation, and will live online as well as in galleries and unexpected places in between. "Life is Drag" has so far been exhibited at such venues as the the Carnegie Museum of Art and Bunker Projects (PA), Satellite Art Club, Bushwig and The Cell (NYC), 3S Artspace (NH), and the Weston Art Gallery (OH).
I believe this project is innovative and important in that it is treating and respecting "drag" (defined as broadly and inclusively as possible) as a proper art form – recognizing it as an extremely vital and valid style of performance art, and every bit as deserving of the deference reserved for more traditional classical art forms like painting and sculpture. Drag is painting and sculpture and performance all at once - and quite often also activism, education, protest, therapy, resistance, catharsis, comedy, tragedy, enlightenment, inspiration - or some combination of the above - to those who practice it, and also to those who experience it as an observer. This project is about celebrating this experimental and expansive form of art and its wide range of practitioners and manifestations. It is about creating a record - an archive - of these brilliant but ephemeral performances, from dive bars to art galleries, city streets to grand theater stages. It is about trying to properly document and share these wildly diverse acts and profound stories that will surely open minds and capture hearts.
Westfalia unveils new mission statement:
Our Mission... To deliver unparalleled warehousing solutions by earning the trust of our customers, understanding their business needs and honoring the commitments we make.
© Westfalia Technologies Inc. 2013
An independent Commonwealth Observer Group was deployed in Dominica to observe the 2019 General Elections on Friday 6th December.
Led by Group chairperson Zainab Bangura, former Sierra Leone Minister of Foreign Affairs and International Cooperation and former Under-Secretary-General at the United Nations, the group found the election results ‘reflect the collective will of the people who voted.' in the interim statement.