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stand-builders-berlin; event-agency-berlin; event-production; large-format-printing; digital-printing; stand-build; berlin-promotional-agency; event-staff; promotional-models; hostesses; set-build; stage-design; contractors; Germany; Hamburg; event-prints
stand-builders-berlin; event-agency-berlin; event-production; large-format-printing; digital-printing; stand-build; berlin-promotional-agency; event-staff; promotional-models; hostesses; set-build; stage-design; contractors; Germany; Hamburg; event-prints
The Dillinger Escape Plan - Option Paralysis tour - Europe, winter 2010
Stage design by TremensS/ExperiensS
Shot by Sophie Mari
I took a brushed silver spray paint, sprayed it into a cup and then brush painted wintery patterns on the wall, also sprayed some glitter on it.
stand-builders-berlin; event-agency-berlin; event-production; large-format-printing; digital-printing; stand-build; berlin-promotional-agency; event-staff; promotional-models; hostesses; set-build; stage-design; contractors; Germany; Hamburg; event-prints
stand-builders-berlin; event-agency-berlin; event-production; large-format-printing; digital-printing; stand-build; berlin-promotional-agency; event-staff; promotional-models; hostesses; set-build; stage-design; contractors; Germany; Hamburg; event-prints
The Dillinger Escape Plan - Option Paralysis tour - Europe, winter 2010
Stage design by TremensS/ExperiensS
Shot by Sophie Mari
The Dillinger Escape Plan - Option Paralysis tour - Europe, winter 2010
Stage design by TremensS/ExperiensS
Shot by Sophie Mari
The Dillinger Escape Plan - Option Paralysis tour - Europe, winter 2010
Stage design by TremensS/ExperiensS
Shot by Sophie Mari
VISUAL COMPOSER PERFORMANCE
I perform my music with my interactive stage design.
It is best to experience my performance live.
I use Ableton Live with an M-Audio Microphone & Keyboard, and the keys of my MacBook Pro to make my tracks.
For this video, I am using an instrumental, but I am also a recording artist.
I make my music, write the lyrics, record my vocals, mix and master my albums.
I then create all the visuals.
I create every single aspect of my work to give you a spherical 4 dimensional experience of my Art.
To create the interactive animation, I write code in Processing (Open Source Programming Language based on Java).
In this video, my hands are controlling the visuals. For this, I use the Leap Motion sensor.
I use a Processing Library by onformative (a studio for generative design based in Berlin) called LeapMotionForProcessing to animate my visuals using Leap Motion.
The animation follows my hand movements in real-time and on key with accurate precision.
The visual is an animation within an animation with symmetry, which makes it a bit more challenging to control, making it even more fun.
Some of the visuals are generated by the music's decibel levels.
The main drive behind my work is PLAY. Play leads to fun, which leads to joy. Following our joy is the driving force in my life, and I want to share it with others. This is why I create interactive installations where people and children of different races and religions get to play and have loads of fun in a magical environment.
The VISUAL COMPOSER PERFORMANCE is a emotional piece with a dark track I made to expose the pain I feel everyday trying to survive in society. I perceive that the social system is set up by certain people to their benefit, while it is handicapping many others for whom it does not fit. I also see that many are unhappy with their jobs. Physicians and lawyers have high rates of suicide according to reports I have read. This is a time for us to question everything, and create a new social ecosystem that benefits all. Including the animals going instinct. I understand the Survival of The Fittest approach, but it does not have to be this way. I understand that nature is very violent and brutal, such as humans, but I also see a greater reality than this animalistic self-destroying one. It takes heart and courage to do what you love all day and all night all of the time forever. If you are willing to die for what you perceive as your purpose, then you are a Freedom Fighter… or simply, an Artist.
Thank you for watching this video and possibly sharing it.
Love Universal to All
Unity In Diversity
WillpowerStudios.com
The Dillinger Escape Plan - Option Paralysis tour - Europe, winter 2010
Stage design by TremensS/ExperiensS
Shot by Sophie Mari
The Dillinger Escape Plan - Option Paralysis tour - Europe, winter 2010
Stage design by TremensS/ExperiensS
Shot by Sophie Mari
2017 World Stage Design Award Ceremony
July 5, 2017
Taipei National University of the Arts, Taipei, Taiwan
photo by 王世邦
More on www.flickr.com/photos/wsdtaipei/albums/72157683839456483
Village Green 2014 art and music festival took place at Chalkwell Hall on Saturday 12 July 11am-10pm.
Around 22,000 people enjoyed a fantastic atmosphere at Village Green in the sunshine yesterday. Among the 22,000 were:
1000’s of under 11s enjoying the mechanical, fire breathing dragon- the smallest nightclub in the world, the Miniscule of Sound, the Insect Circus and loads more attractions on site.
1000’s of teenagers gathered at the new Youth Village stage – designed and curated by Southend school pupils it boasted a packed programme that kept our younger festival goers entertained all day until 8pm
600 arts, crafts, vintage and food traders
900 artists performing on 11 stages
140 volunteers
100 production crew
With something on site for all ages – families were kept entertained all day – the atmosphere was friendly and fantastic across the day – and even the small downpour of rain during the headliner, Beth Orton didn’t dampen spirits.
A really great day!
The fantastic line up of artists and musicians included Beth Orton, Eddi Reader (Fairground Attraction); Dan le Sac vs Scroobius Pip; New York ska band, The Slackers; from London Man Like Me; Youth Club, Shlomo; Danny and the Champions of the Worlds; Kathryn Williams; Eight Rounds Rapid; and hot tips to go global in the very near future, The Hosts!
Alongside, we had an exciting exchange with four visual artists from Shanghai; a wide range of comedy, cabaret, live art, literature, film and a whole host of extraordinary outdoor arts, installations, workshops and performances.
Παραμονή Πρωτοχρονιάς (New Year's Eve) is a theatre performance, written by Kostas Karafyllis and directed by Antigone Gyra for Kinitiras Studio.
Director/Choreographer: Antigone Gyra
Costume/Stage Design: Tonia Avdelopoulou
Assistant Director: Giorgos Nikolaidis
Photography: Eleni Taxeri, Pavlos Mavridis
Actors: Elena Tyrea, Dimitris Agoras
Musicians: Xristos Ginos, Alexandros Michailidis
Dancer: Afroditi Vervenioti
The Bryn Mawr-Haverford Theater Program's November 2011 production of Gertrude Stein's "Listen to Me," directed by Mark Lord and designed by Maiko Matsushime. Photo by Paola Nogueras '84.