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Screenshots from the live visuals at Thila 2013 in Mechelen (BE). Software and stage design by Dorids.
More information on the project and the creation of the generative software: www.dorids.org
All our love and thanks to:
The Open Frameworks community for pretty much everything. Syphon, Reza for ofxUI, Beeple for additional content, Shadertoy for inspiration and additional content, THH (Toon De Nyn, Sauri De Keye, Bram Verbruggen, Wim Peeters, Koen Verbruggen, Hans Verbist, David De Herdt and Ruben Vannieuwenborg), Björk for getting us through the coding-marathons, Toon Persyn and Vincent Stevens for filming and Thila Coloma.
Screenshots from the live visuals at Thila 2013 in Mechelen (BE). Software and stage design by Dorids.
More information on the project and the creation of the generative software: www.dorids.org
All our love and thanks to:
The Open Frameworks community for pretty much everything. Syphon, Reza for ofxUI, Beeple for additional content, Shadertoy for inspiration and additional content, THH (Toon De Nyn, Sauri De Keye, Bram Verbruggen, Wim Peeters, Koen Verbruggen, Hans Verbist, David De Herdt and Ruben Vannieuwenborg), Björk for getting us through the coding-marathons, Toon Persyn and Vincent Stevens for filming and Thila Coloma.
Visuals and stage design by DEFRAME Collective, at Mammoth techno stage, Source on Ice 2011
pictures and cropping/color correction by Leon Lubberdink and Jessica Dreu
stand-builders-berlin; event-agency-berlin; event-production; large-format-printing; digital-printing; stand-build; berlin-promotional-agency; event-staff; promotional-models; hostesses; set-build; stage-design; contractors; Germany; Hamburg; event-prints
stand-builders-berlin; event-agency-berlin; event-production; large-format-printing; digital-printing; stand-build; berlin-promotional-agency; event-staff; promotional-models; hostesses; set-build; stage-design; contractors; Germany; Hamburg; event-prints
The Dillinger Escape Plan - Option Paralysis tour - Europe, winter 2010
Stage design by TremensS/ExperiensS
Shot by Sophie Mari
Premiere | Breslau Opera House
Choreography | Giorgio Madia
Stage Design | Kinsun Chan
Costume Design | Małgorzata Słoniowska
Stage Design Inspiration
I was in grad school learning Photoshop and I had to make a series of movie posters. My idea was to show how man has mistreated nature. This is a sketch that came out of that theme and served as the main source of inspiration for the stage design.
Visuals and stage design by DEFRAME Collective, at Mammoth techno stage, Source on Ice 2011
pictures and cropping/color correction by Leon Lubberdink and Jessica Dreu
Bettina Smith, mezzosoprano as Nero and Astrid Vrensen, soprano as Poppaea [r]; Stage designed by Hans Nieuwenhuis;
Kenneth Montgomery, artistic manager;
Operaklas;
Koninklijk Conservatorium, The Hague,
April 18th, 1994;
all rights reserved: co broerse
The Dillinger Escape Plan - Option Paralysis tour - Europe, winter 2010
Stage design by TremensS/ExperiensS
Shot by Sophie Mari
Early stage design drawings / concept visuals set into the proposed plot and landscape. The project is live, land acquired, cleared and ready to go.
The indicated landscape contours are a marriage of a site survey and Google-Earth technology, which provides an extremely accurate representation of the landscape we are working with.
Space Projects Ltd - 2011
Village Green 2014 art and music festival took place at Chalkwell Hall on Saturday 12 July 11am-10pm.
Around 22,000 people enjoyed a fantastic atmosphere at Village Green in the sunshine yesterday. Among the 22,000 were:
1000’s of under 11s enjoying the mechanical, fire breathing dragon- the smallest nightclub in the world, the Miniscule of Sound, the Insect Circus and loads more attractions on site.
1000’s of teenagers gathered at the new Youth Village stage – designed and curated by Southend school pupils it boasted a packed programme that kept our younger festival goers entertained all day until 8pm
600 arts, crafts, vintage and food traders
900 artists performing on 11 stages
140 volunteers
100 production crew
With something on site for all ages – families were kept entertained all day – the atmosphere was friendly and fantastic across the day – and even the small downpour of rain during the headliner, Beth Orton didn’t dampen spirits.
A really great day!
The fantastic line up of artists and musicians included Beth Orton, Eddi Reader (Fairground Attraction); Dan le Sac vs Scroobius Pip; New York ska band, The Slackers; from London Man Like Me; Youth Club, Shlomo; Danny and the Champions of the Worlds; Kathryn Williams; Eight Rounds Rapid; and hot tips to go global in the very near future, The Hosts!
Alongside, we had an exciting exchange with four visual artists from Shanghai; a wide range of comedy, cabaret, live art, literature, film and a whole host of extraordinary outdoor arts, installations, workshops and performances.
The Dillinger Escape Plan - Option Paralysis tour - Europe, winter 2010
Stage design by TremensS/ExperiensS
Shot by Sophie Mari
Maker: Frank Eugene (1865-1936)
Born: USA
Active: USA
Medium: photogravure
Size: 3½ in x 4½ in
Location: USA
Object No. 2024.152
Shelf: A-7
Publication: Camera Work 30, April 1910.
Other Collections:
Provenance: Fine Photography, PBA Galleries, February 22, 2024, Lot 25
Rank: 223
Notes: Frank Eugene (19 September 1865 – 16 December 1936) was an American-born photographer who was a founding member of the Photo-Secession and one of the first university-level professors of photography in the world. Eugene was born in New York City as Frank Eugene Smith. His father was Frederick Smith, a German baker who changed his last name from Schmid after moving to America in the late 1850s. His mother was Hermine Selinger Smith, a singer who performed in local German beer halls and theaters.
About 1880 Eugene began to photograph for amusement, possibly while he was attending the City College of New York.In 1886 he moved to Munich in order to attends the Bayrische Akademie der Bildenden Künste (Bavarian Academy of Fine Arts). He studied drawing and stage design. After he graduated he started a career as a theatrical portraitist, drawing portraits of actors and actresses. He continued his interest in photography, although little is known of his teachers or influences. He returned to the United States, and in 1899 he exhibited photographs at the Camera Club in New York under name Frank Eugene. The critic Sadakichi Hartmann wrote a review of the show, saying “It is the first time that a truly artistic temperament, a painter of generally recognized accomplishments and ability asserts itself in American photography.” A year later he was elected to The Linked Ring, and fourteen of his prints were shown that year in a major London exhibition. Already at this stage in his career he had developed a highly distinctive style that was influenced by his training as a painter. He assertively manipulated his negatives with both scratches and brush strokes, creating prints that had the appearance of a blend between painting and photography. When his prints were shown at the Camera Club in New York, one reviewer commented that his work was "unphotographic photography."
In the summer of 1900 an entire issue of Camera Notes was devoted to his art, an honor accorded only a few other photographers. In early 1901 he traveled to Egypt. He returned a few months later and met with photographer F. Holland Day in Narragansett, R.I., during the summer. In late 1902 Eugene becomes a Founder of the Photo-Secession and a member of its governing Council. In 1904 one gravure published in Camera Work, No. 5 (January). In 1906 Eugene moved permanently to Germany. He was recognized there both as a painter and a photographer, but initially he worked primarily with prominent painters such as Fritz von Uhde, Hendrik Heyligers, Willi Geiger, and Franz Roh. He photographed many of these and other artists at the same time. He also designed tapestries that he used as backgrounds in his photographs. A year later he became a lecturer on pictorial photography at Munich’s Lehr-und Versuchs-anstalt fur Photo graphie und Reproduktions-technik (Teaching and Research Institute for Photography and the Reproductive Processes). At this point, photography rather than painting became his primary interest. He experimented with the new color process of Autochromes, and three of his color prints are exhibited at Alfred Stieglitz’s Photo-Secession Galleries in New York. In 1909 two more of his gravures were published in Camera Work, No. 25 (January). In 1910 twenty-seven of his photographs were exhibited at a major exhibition in Buffalo, New York. The catalog for this show described Eugene as the first photographer to make successful platinum prints on Japan tissue. Ten more of his gravures published in Camera Work, No.30 (April), and fourteen additional images appear in No.31 (July). More than any other photographer of the early 20th century, Eugene was recognized as the master of the manipulated image. Photographic historian Weston Naef described his style this way:
"The very boldness with which Eugene manipulated the negative by scratching and painting forced even those with strong sympathy for the purist line of thinking like White, Day and Stieglitz to admire Eugene's particular touch...[he] created a new syntax for the photographic vocabularity, for no one before him had hand-worked negatives with such painterly intentions and a skill unsurpassed by his successors." In 1913 he was appointed Royal Professor of Pictorial Photography by the Royal Academy of the Graphic Arts of Leipzig. This professorship, created especially for Eugene, is the first chair for pictorial photography anywhere in the world. Two years later Eugene gave up his American citizenship and became a citizen of Germany. He continued teaching for many years and was head of the photography department at the Royal Academy until it closed in 1927. Eugene died of heart failure in Munich in 1936.
To view our archive organized by Collections, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Cleint: MOJO
Stage Design: 250K
Video Design: Eyesupply
Light Design: Wonderwolf
Head-Production: MOJO
Decor Prodcution: 250K
Video Production: Eyesupply / PRG
Show Director: 250K
Video Operator: Eyesupply
Light Operator: Ten Feet
Light: Flashlight
Video: PRG
Stagehands: Enschede Ploeg
Pictures: Eyesupply
Visuals and stage design by DEFRAME Collective, at Mammoth techno stage, Source on Ice 2011
Pictures and cropping/color correction by Leon Lubberdink and Jessica Dreu
Piet Vansichen, bass as Der Tod;
Directed by Lodewijk de Boer;
Stage design by Jan Klatter;
Dress design by Leonie Polak;
Exposure by Reinier Tweebeeke;
Operas from Theresienstadt 1941-1944;
On the occasion of 50 years Liberation;
Ter gelegenheid van 50 jaar Bevrijding;
Stadsschouwburg, Amsterdam,
May 3th, 1995;
all rights reserved: co broerse
Show & Stage Design: 250K
Producer: 250K / 4AV
Director: 250K
Client: Extrema B.V.
Video Content: Eyesupply
Audio Design: Massive Music
Light / Rigging: Purple Group
Pyro: Meestervuurwerk
Light Operator: Ten Feet
Laser: Laserimage
Decor: 250K / Layhgo / Studio 112
Tech: Cellworx / 4Light
Video: PRG / Pixelscreen
Audio: Purple Group
Fountains: JMR Waterworld
Construction: van Ham / Takayama
Performance: Close Act
Broadcast: Corrino / BNN
Picture: Mike Breeuwer
This project is collaboration with a group of architecture students undertaking stage design. Their brief was an illustration of Alzheimer’s disease inspired by the novel Still Alice.
Still Alice is a novel written by Lisa Genova about a 50- year-old woman suffering from early-onset Alzheimer’s disease. Alzheimer’s does not only affect the diseased person but also everyone surrounding them. The project is divided into three scenes; the first scene shows some of the characters in Alice’s life and the change of her perception of them throughout the disease. From a metaphoric concept the characters throughout the scene are static while Alice is dynamic as it shows how she is the only one changing in such a short time. “Look us in the eye, talk directly to us”.
The fabric represents the three stages of Alzheimer’s in the play: disorientation in relation to the surroundings, struggling with the accelerated development of Alzheimer’s, and the third stage which is acceptance and becoming a part of her identity. “ Even when I feel completely normal, I know I’m not. It’s not over; it’s just a rest. I don’t trust myself. ”
Special thanks goes out to Marco Michel for introducing me as a photographer to his students and helping them bring their vision to life.
Secondly Dina Amin, Nada Essam, Sarah Morcos and Zeina Montaser on their well thought of concept. Just by have a contemporary/ballerina dance (Sarah Morcos) and a fabric, you have got yourself a self-explanatory play/space illustration.
Lastly, Beit El Sura Company for giving me the chance to experiment with their space and equipment to establish such solid work.
Thank you and enjoy!
P.S. Poster design by Marco Michel and Farah Sarwat (Moi)