View allAll Photos Tagged stage_design
Bartabas: Golgota
Acclaimed equestrian theatre artist Bartabas returns to the Sadler’s Wells stage accompanied by contemporary flamenco dancer Andrés Marín, four horses and a donkey, to present the UK Premiere of Golgota. 14-21 March.
Credits:
Creation, stage design, direction: Bartabas
Choreography, performance: Andrés Marín & Bartabas
Horses: Horizonte, Le Tintoret, Soutine, Champagne & Lautrec the donkey
Music: Tomás Luis de Victoria, motets for solo voice
Countertenor: Christophe Baska
Cornet: Adrien Mabire
Lute: Marc Wolff
Actor: William Panza
Costumes: Sophie Manach & Yannick Laisné
Props: Sébastien Puech
Scenery: Les Ateliers Jipanco
Lights: Laurent Matignon
photo - © Foteini Christofilopoulou | All rights reserved | For all usage/licensing enquiries please contact www.foteini.com
Lego Mars Rover Curiosity and Sky Crane, Descent Stage, designed by Stephen Pakbaz, scene built with SR3D, strings generated by MLCad/LSynth, Povray Render
East-German postcard by VEB Progress Film-Vertrieb, Berlin, no. 3239, 1968. Photo: DEFA / Dietrich.
Annekathrin Bürger (1937) is a German stage, film, and television actress. Bürger was a prominent actress in East Germany appearing in a number of films made by the state-run DEFA film studios as well as in television series such as Wolf Among Wolves (1965) set in 1920s Berlin. In 1972 she played the female lead in the Ostern Tecumseh (1972).
Annekathrin Bürger was born Annekathrin Rammelt in 1937 in
Berlin-Charlottenburg, Nazi Germany. Her father was the animal draftsman and illustrator Heinz Rammelt. She grew up in Hornhausen, trained as an advertising designer in Bernburg, and worked as a stage design assistant, prop master, and extra at the Carl-Maria-von-Weber-Theater there. She failed the entrance exam for the State Drama School in Berlin. In the summer of 1955, she met Czech film people in Berlin and played her first small role as a pioneer leader in the Czech-German short film Gebirge und Meer/Mountains and sea (Wolfgang Bartsch, Bohumil Vosahlik, 1955). A year later she appeared in the East German neo-realist romantic drama Eine Berliner Romanze/A Berlin Romance (Gerhard Klein, 1956), a film about youth urban life in the divided city of Berlin. It was produced by the DEFA, the state-owned East German studio. Annekathrin Bürger's co-stars were Ulrich Thein and Uwe-Jens Pape. It is still amongst DEFA's best-known films. Bürger studied acting at the Potsdam Film and Television Academy from 1957 to 1960. From 1959 to 1960 she was engaged at the Deutsches Theater in Berlin. She also starred in another youth film, Reportage 57 (János Veiczi, 1959), and the romantic comedy Verwirrung der Liebe/Love's Confusion (Slátan Dudow, 1959), both with Willi Schrade. Love's Confusion was Dudow's last film and the screen debut of Angelica Domröse. Influenced by the relaxed political climate ushered with the Khrushchev Thaw, the picture was unprecedentedly libertine in regards to sexuality. It became a huge hit.
During the early 1960s, Annekathrin Bürger appeared in a series of DEFA productions, such as Septemberliebe/September Love (Kurt Maetzig, 1961) with Doris Abesser and Ulrich Thein. She also starred in the first joint Soviet–East German film, Pyat Dney, Pyat Nochei/Fünf Tage, Fünf Nächte/Five Days, Five Nights ( Lev Arnshtam, Heinz Thiel, 1961) with Wilhelm Koch-Hooge. The picture's plot was inspired by the recovery of the art of the Old Masters Picture Gallery through the hands of Soviet troops in 1945. The art collection was then taken to the USSR, where it was kept until being returned to the Dresden Gallery in 1960. Five Days, Five Nights sold more than two million tickets in the German Democratic Republic. Then she starred in the romantic war drama Königskinder/Star-Crossed Lovers (Frank Beyer, 1962) with Armin Mueller-Stahl, and in the drama Das zweite Gleis/The Second Track (Joachim Kunert, 1962), as the daughter of Albert Hetterle. It is the only DEFA film looking at Nazi Germany history in East Germany. From 1963 to 1965 she was a member of the DFF, from 1965 to 2003 a member of the ensemble of the Volksbühne Berlin. Since 1968 she has only seldom been used in supporting roles in the theatre.
Bürger played numerous roles in DEFA and DFF films including the Ostern (Red Western) Tecumseh (Hans Kratzert, 1972) opposite Gojko Mitić and Rolf Römer. It is part of a popular string of films starring the Yugoslav actor Gojko Mitić which, in line with the policies of Communist East Germany, attempted to present a more critical, but also more realistic, view of American expansion to the West than was characterised by Hollywood. The film, along with others, was also made partly in response to the successful series of Karl May films made in West Germany. The film depicts the life of the Native American leader Tecumseh (1768–1813), including his role in Tecumseh's War and his later death in the War of 1812 while fighting with the British against the United States. On television, she played a supporting role as a laundromat and bar manager in the popular series Tatort Leipzig with Peter Sodann, until 2005. She was also involved in cultural policy and protested against Wolf Biermann's expatriation and was committed to maintaining Charlotte von Mahlsdorf's Wilhelminian-style museum. From 1990 to 1997 Bürger was chairman of the Congress of the National Citizens Movement. In 1993 she and her husband founded the orphans on the Don association. In the same year, the documentary film Children of the Don was made about it. Annekathrin Bürger was first married to the actor and director Ulrich Thein and was married to her colleague Rolf Römer from 1966 until his death in 2000. Annekathrin Bürger lives in Berlin-Köpenick.
Sources: Wikipedia (English and German), and IMDb.
And, please check out our blog European Film Star Postcards.
Salzburg (Austria) '24
Stage design by Alfred Roiller (Vienna, 1900 & Berlin, 1902)
Steel shot-activated targets during a PG Practical Shoooters - www.facebook.com/pgpracticalshooters (PGPS) IDPA Match at the Protective Services Training Academy (PSTA)
nstallation at the Residency Schauspiel Leipzig
size: 9 m x 5 m x 3m
material : cellular plastic sheets / Kapa
the Installation „Skeleton“ was produced as a stage design for the dance-performance „Spacekraft“ at the Residency Schauspiel Leipzig . The focus of thiss culpture is the investigation of unique movable structures by the arrangement of several splitter and square or polygonal edged shapes. The interdisciplinary cast of Spacekraft explores a hyper-real world drawn from futuristic fantasies of our architectural environment.
„Spacekraft“ a collaboration between Choreographer Melanie Lane / Musician Chris Clark / Me.
Bartabas: Golgota
Acclaimed equestrian theatre artist Bartabas returns to the Sadler’s Wells stage accompanied by contemporary flamenco dancer Andrés Marín, four horses and a donkey, to present the UK Premiere of Golgota. 14-21 March.
Credits:
Creation, stage design, direction: Bartabas
Choreography, performance: Andrés Marín & Bartabas
Horses: Horizonte, Le Tintoret, Soutine, Champagne & Lautrec the donkey
Music: Tomás Luis de Victoria, motets for solo voice
Countertenor: Christophe Baska
Cornet: Adrien Mabire
Lute: Marc Wolff
Actor: William Panza
Costumes: Sophie Manach & Yannick Laisné
Props: Sébastien Puech
Scenery: Les Ateliers Jipanco
Lights: Laurent Matignon
photo - © Foteini Christofilopoulou | All rights reserved | For all usage/licensing enquiries please contact www.foteini.com
East-German postcard by VEB Progress Film-Vertrieb, Berlin, no. 131/70, 1970. Photo: Linke.
Annekathrin Bürger (1937) is a German stage, film, and television actress. Bürger was a prominent actress in East Germany appearing in a number of films made by the state-run DEFA film studios as well as in television series such as Wolf Among Wolves (1965) set in 1920s Berlin. In 1972 she played the female lead in the Ostern Tecumseh (1972).
Annekathrin Bürger was born Annekathrin Rammelt in 1937 in
Berlin-Charlottenburg, Nazi Germany. Her father was the animal draftsman and illustrator Heinz Rammelt. She grew up in Hornhausen, trained as an advertising designer in Bernburg, and worked as a stage design assistant, prop master, and extra at the Carl-Maria-von-Weber-Theater there. She failed the entrance exam for the State Drama School in Berlin. In the summer of 1955, she met Czech film people in Berlin and played her first small role as a pioneer leader in the Czech-German short film Gebirge und Meer/Mountains and sea (Wolfgang Bartsch, Bohumil Vosahlik, 1955). A year later she appeared in the East German neo-realist romantic drama Eine Berliner Romanze/A Berlin Romance (Gerhard Klein, 1956), a film about youth urban life in the divided city of Berlin. It was produced by the DEFA, the state-owned East German studio. Annekathrin Bürger's co-stars were Ulrich Thein and Uwe-Jens Pape. It is still amongst DEFA's best-known films. Bürger studied acting at the Potsdam Film and Television Academy from 1957 to 1960. From 1959 to 1960 she was engaged at the Deutsches Theater in Berlin. She also starred in another youth film, Reportage 57 (János Veiczi, 1959), and the romantic comedy Verwirrung der Liebe/Love's Confusion (Slátan Dudow, 1959), both with Willi Schrade. Love's Confusion was Dudow's last film and the screen debut of Angelica Domröse. Influenced by the relaxed political climate ushered with the Khrushchev Thaw, the picture was unprecedentedly libertine in regards to sexuality. It became a huge hit.
During the early 1960s, Annekathrin Bürger appeared in a series of DEFA productions, such as Septemberliebe/September Love (Kurt Maetzig, 1961) with Doris Abesser and Ulrich Thein. She also starred in the first joint Soviet–East German film, Pyat Dney, Pyat Nochei/Fünf Tage, Fünf Nächte/Five Days, Five Nights ( Lev Arnshtam, Heinz Thiel, 1961) with Wilhelm Koch-Hooge. The picture's plot was inspired by the recovery of the art of the Old Masters Picture Gallery through the hands of Soviet troops in 1945. The art collection was then taken to the USSR, where it was kept until being returned to the Dresden Gallery in 1960. Five Days, Five Nights sold more than two million tickets in the German Democratic Republic. Then she starred in the romantic war drama Königskinder/Star-Crossed Lovers (Frank Beyer, 1962) with Armin Mueller-Stahl, and in the drama Das zweite Gleis/The Second Track (Joachim Kunert, 1962), as the daughter of Albert Hetterle. It is the only DEFA film looking at Nazi Germany history in East Germany. From 1963 to 1965 she was a member of the DFF, from 1965 to 2003 a member of the ensemble of the Volksbühne Berlin. Since 1968 she has only seldom been used in supporting roles in the theatre.
Bürger played numerous roles in DEFA and DFF films including the Ostern (Red Western) Tecumseh (Hans Kratzert, 1972) opposite Gojko Mitić and Rolf Römer. It is part of a popular string of films starring the Yugoslav actor Gojko Mitić which, in line with the policies of Communist East Germany, attempted to present a more critical, but also more realistic, view of American expansion to the West than was characterised by Hollywood. The film, along with others, was also made partly in response to the successful series of Karl May films made in West Germany. The film depicts the life of the Native American leader Tecumseh (1768–1813), including his role in Tecumseh's War and his later death in the War of 1812 while fighting with the British against the United States. On television, she played a supporting role as a laundromat and bar manager in the popular series Tatort Leipzig with Peter Sodann, until 2005. She was also involved in cultural policy and protested against Wolf Biermann's expatriation and was committed to maintaining Charlotte von Mahlsdorf's Wilhelminian-style museum. From 1990 to 1997 Bürger was chairman of the Congress of the National Citizens Movement. In 1993 she and her husband founded the orphans on the Don association. In the same year, the documentary film Children of the Don was made about it. Annekathrin Bürger was first married to the actor and director Ulrich Thein and was married to her colleague Rolf Römer from 1966 until his death in 2000. Annekathrin Bürger lives in Berlin-Köpenick.
Sources: Wikipedia (English and German), and IMDb.
And, please check out our blog European Film Star Postcards.
Bartabas: Golgota
Acclaimed equestrian theatre artist Bartabas returns to the Sadler’s Wells stage accompanied by contemporary flamenco dancer Andrés Marín, four horses and a donkey, to present the UK Premiere of Golgota. 14-21 March.
Credits:
Creation, stage design, direction: Bartabas
Choreography, performance: Andrés Marín & Bartabas
Horses: Horizonte, Le Tintoret, Soutine, Champagne & Lautrec the donkey
Music: Tomás Luis de Victoria, motets for solo voice
Countertenor: Christophe Baska
Cornet: Adrien Mabire
Lute: Marc Wolff
Actor: William Panza
Costumes: Sophie Manach & Yannick Laisné
Props: Sébastien Puech
Scenery: Les Ateliers Jipanco
Lights: Laurent Matignon
photo - © Foteini Christofilopoulou | All rights reserved | For all usage/licensing enquiries please contact www.foteini.com
Bartabas: Golgota
Acclaimed equestrian theatre artist Bartabas returns to the Sadler’s Wells stage accompanied by contemporary flamenco dancer Andrés Marín, four horses and a donkey, to present the UK Premiere of Golgota. 14-21 March.
Credits:
Creation, stage design, direction: Bartabas
Choreography, performance: Andrés Marín & Bartabas
Horses: Horizonte, Le Tintoret, Soutine, Champagne & Lautrec the donkey
Music: Tomás Luis de Victoria, motets for solo voice
Countertenor: Christophe Baska
Cornet: Adrien Mabire
Lute: Marc Wolff
Actor: William Panza
Costumes: Sophie Manach & Yannick Laisné
Props: Sébastien Puech
Scenery: Les Ateliers Jipanco
Lights: Laurent Matignon
photo - © Foteini Christofilopoulou | All rights reserved | For all usage/licensing enquiries please contact www.foteini.com
Circa: The Return, LIMF 2016
The Australian company Circa in The Return at the Barbican Theatre as part of London International Mime Festival. 27-31 Jan.
Created by Yaron Lifschitz with Quincy Grant and the Circa ensemble
Composers: Claudio Monteverdi, Quincy Grant, John Barber, Jakub Jankowski and Cornel Wilczek
Directed by Yaron Lifschitz
Musical supervision by Quincy Grant
Musical direction by Natalie Murray Beale
Technical direction and lighting by Jason Organ
Costumes by Libby McDonnell
Stage design by Jason Organ and Yaron Lifschitz
Circa Ensemble: Nathan Boyle, Daniel O’Brien,
Nicole Faubert, Bridie Hooper, Brittannie Portelli, Duncan West
Tenor: Robert Murray
Mezzo Soprano Kate Howden
photo - © Foteini Christofilopoulou | All rights reserved | For all usage/licensing enquiries please contact www.foteini.com
Bartabas: Golgota
Acclaimed equestrian theatre artist Bartabas returns to the Sadler’s Wells stage accompanied by contemporary flamenco dancer Andrés Marín, four horses and a donkey, to present the UK Premiere of Golgota. 14-21 March.
Credits:
Creation, stage design, direction: Bartabas
Choreography, performance: Andrés Marín & Bartabas
Horses: Horizonte, Le Tintoret, Soutine, Champagne & Lautrec the donkey
Music: Tomás Luis de Victoria, motets for solo voice
Countertenor: Christophe Baska
Cornet: Adrien Mabire
Lute: Marc Wolff
Actor: William Panza
Costumes: Sophie Manach & Yannick Laisné
Props: Sébastien Puech
Scenery: Les Ateliers Jipanco
Lights: Laurent Matignon
photo - © Foteini Christofilopoulou | All rights reserved | For all usage/licensing enquiries please contact www.foteini.com
Bartabas: Golgota
Acclaimed equestrian theatre artist Bartabas returns to the Sadler’s Wells stage accompanied by contemporary flamenco dancer Andrés Marín, four horses and a donkey, to present the UK Premiere of Golgota. 14-21 March.
Credits:
Creation, stage design, direction: Bartabas
Choreography, performance: Andrés Marín & Bartabas
Horses: Horizonte, Le Tintoret, Soutine, Champagne & Lautrec the donkey
Music: Tomás Luis de Victoria, motets for solo voice
Countertenor: Christophe Baska
Cornet: Adrien Mabire
Lute: Marc Wolff
Actor: William Panza
Costumes: Sophie Manach & Yannick Laisné
Props: Sébastien Puech
Scenery: Les Ateliers Jipanco
Lights: Laurent Matignon
photo - © Foteini Christofilopoulou | All rights reserved | For all usage/licensing enquiries please contact www.foteini.com
Bartabas: Golgota
Acclaimed equestrian theatre artist Bartabas returns to the Sadler’s Wells stage accompanied by contemporary flamenco dancer Andrés Marín, four horses and a donkey, to present the UK Premiere of Golgota. 14-21 March.
Credits:
Creation, stage design, direction: Bartabas
Choreography, performance: Andrés Marín & Bartabas
Horses: Horizonte, Le Tintoret, Soutine, Champagne & Lautrec the donkey
Music: Tomás Luis de Victoria, motets for solo voice
Countertenor: Christophe Baska
Cornet: Adrien Mabire
Lute: Marc Wolff
Actor: William Panza
Costumes: Sophie Manach & Yannick Laisné
Props: Sébastien Puech
Scenery: Les Ateliers Jipanco
Lights: Laurent Matignon
photo - © Foteini Christofilopoulou | All rights reserved | For all usage/licensing enquiries please contact www.foteini.com
Ground Zero Festival 2016 is a night music festival of hardstlye and bass in the Netherlands. Ground Zero's iconic main stage is flanked by 9 more, all packed with the biggest DJs and artist in the world.
Ambassadors from the finest labels and promoters represent electronic music's darker side and sharper edge, all finding their place amongst the breathtaking and atmospheric surroundings of Bussloo.
An unbelievable amount of music is packed into ten hours overnight, with spectacular visuals and unique stage design also playing an important part in setting Ground Zero apart from the rest of Europe's festival crowd.
The Stages featured at Ground Zero Festival 2016 will be:
Hardcore Main Stage
The epicenter of Ground Zero Festival: Hardcore Mainstage. Deep bass, hard kicks and sharp synths provide the strong foundation of overnight Hardcore at Recreation lake Bussloo.
Hardstyle
A diverse list of the best artists! Overnight fat screeches and pounding thrill rolls on Hardstyle stage of Ground Zero Festival.
Uptempo-Frenchcore Hosted By Ruhr 'G' Beat
In 2013, Ground Zero presented a new stage: the Ruhr 'G ' Beat internship. A successful German hosted stage where the focus is on the hardest Frenchcore.
Early Hardcore
Never forget where you come from. The basis of the hardcore scene is in the past , but is not forgotten in the present. These acts bring you back to the time when the Early Hardcore developed into a top Dutch subculture.
Millennium Hardcore
New this year: the Millennium Hardcore stage. At the Millennium Hardcore stage stands the Hardcore sound from 2000 to 2009 first, an addition that fills the gap between new and Early Hardcore.
Industrial
Influences of Drum 'n' bass, techno and hardcore come together on the Industrial Hardcore internship. The industrial hardcore genre, which in the 90 developed into a major movement in the hardcore scene, is also a stage to be reckoned with in 2016!
Terror
Just like last year at Ground Zero, the Terror stage is back and even harder. Popping with at least 200bpm on fast kicks and uptempo tunes. The Terror stage will lift the roof off and nothing remains intact.
Freestyle
Think out of the box is the thinking at the Freestyle stage. Everything is allowed, which makes for a mix of everything that has to do with harder styles. A special selection of top artists will take you to great heights the Freestyle stage.
Hardtechno Hosted By Pallet Party
After the success of last year and back in 2016: the Hard Techno stage of Pallet Party . A genre which formed the basis of the first developments of Hardcore . The best highlights of this genre here.
Talent Stage
The Talent stage at Ground Zero provides a space for emerging acts. Ground Zero is happy excited to give new talent the opportunity to promote themselves.
Location-
Kneuterstraat 38
7384 CN Wilp
Netherlands
East of Amsterdam, Bussloo boasts an incredible lake, set in amongst luscious green meadows and beautiful forest. It all helps create an intense atmosphere, perfect for Ground Zero Festival's high-energy experience.
Line Up-
AdrenoKrome, Aggressive, Akira, Alien T, Amada, Amnesys LIVE, Angel, Audiofreq, Base Alert, Bass-D, Buzz Fuzz, Catscan, Chosen Few, Coredelia Guerilla, D-Block & S-te-Fan, D-Passion, D’ Spyre, Dano, Darkcontroller, DaY-mar, Delta 9, Devin Wild, Dexter, Digital Punk, Dr Phunk, DRS, Dutch Movement, Dyprax, Endymion, Evil Activities, Freestyle Maniacs, Frenchip, Furyan, Gizmo, Hard Attakk LIVE, Hardbouncer, Hardstyle Mafia, Human Resource, Hungry Beats, Igneon System, Isaac, J.D.A, Jack of Sound LIVE, Jason Little, Javi Boss, ketaNoise, Khaoz Engine, Laurent Hô, Le Bask, Lenny Dee, Leviathan, Lowriderz, Lunatic, Maissouille, Malua, Max Enforcer, MC Axys, MC Da Syndrome, MC Jeff, MC Skullcrusher, MC Syco, MC the Russian, Miss Enemy, Miss Hysteria, Negative Audio LIVE, Nelson Katzer, Neox, Noisekick, Ophidian, Outbreak, Outsiders, Paralizer, Penta, Placid K, Playboyz, Promo, Psiko, Radium, Re-Style, Rheeza, Rooler LIVE, Ruffneck, s’Aphira, Sandy Warez, Sasha F, Sei2ure, Sjammienators, SRB, Stephanie, System:Overload, Tekzotic, The Annoying Raider, The Braindrillerz, The Dark Project, The Demon Dwarf, The DJ Producer, The Prophet, The Speed Freak, The Vinylraider, Tommyknocker, Transfarmers, Triggah MC, Tymon, Vince, Viper XXL, Withecker, Ysiss dancegeo.com/event/ground-zero-festival-2016/
East-German postcard by VEB Progress Film-Vertrieb, Berlin, no. 2087, 1964. Photo: Ludwig Schirmer.
Annekathrin Bürger (1937) is a German stage, film, and television actress. Bürger was a prominent actress in East Germany appearing in a number of films made by the state-run DEFA film studios as well as in television series such as Wolf Among Wolves (1965) set in 1920s Berlin. In 1972 she played the female lead in the Ostern Tecumseh (1972).
Annekathrin Bürger was born Annekathrin Rammelt in 1937 in
Berlin-Charlottenburg, Nazi Germany. Her father was the animal draftsman and illustrator Heinz Rammelt. She grew up in Hornhausen, trained as an advertising designer in Bernburg, and worked as a stage design assistant, prop master, and extra at the Carl-Maria-von-Weber-Theater there. She failed the entrance exam for the State Drama School in Berlin. In the summer of 1955, she met Czech film people in Berlin and played her first small role as a pioneer leader in the Czech-German short film Gebirge und Meer/Mountains and sea (Wolfgang Bartsch, Bohumil Vosahlik, 1955). A year later she appeared in the East German neo-realist romantic drama Eine Berliner Romanze/A Berlin Romance (Gerhard Klein, 1956), a film about youth urban life in the divided city of Berlin. It was produced by the DEFA, the state-owned East German studio. Annekathrin Bürger's co-stars were Ulrich Thein and Uwe-Jens Pape. It is still amongst DEFA's best-known films. Bürger studied acting at the Potsdam Film and Television Academy from 1957 to 1960. From 1959 to 1960 she was engaged at the Deutsches Theater in Berlin. She also starred in another youth film, Reportage 57 (János Veiczi, 1959), and the romantic comedy Verwirrung der Liebe/Love's Confusion (Slátan Dudow, 1959), both with Willi Schrade. Love's Confusion was Dudow's last film and the screen debut of Angelica Domröse. Influenced by the relaxed political climate ushered with the Khrushchev Thaw, the picture was unprecedentedly libertine in regards to sexuality. It became a huge hit.
During the early 1960s, Annekathrin Bürger appeared in a series of DEFA productions, such as Septemberliebe/September Love (Kurt Maetzig, 1961) with Doris Abesser and Ulrich Thein. She also starred in the first joint Soviet–East German film, Pyat Dney, Pyat Nochei/Fünf Tage, Fünf Nächte/Five Days, Five Nights ( Lev Arnshtam, Heinz Thiel, 1961) with Wilhelm Koch-Hooge. The picture's plot was inspired by the recovery of the art of the Old Masters Picture Gallery through the hands of Soviet troops in 1945. The art collection was then taken to the USSR, where it was kept until being returned to the Dresden Gallery in 1960. Five Days, Five Nights sold more than two million tickets in the German Democratic Republic. Then she starred in the romantic war drama Königskinder/Star-Crossed Lovers (Frank Beyer, 1962) with Armin Mueller-Stahl, and in the drama Das zweite Gleis/The Second Track (Joachim Kunert, 1962), as the daughter of Albert Hetterle. It is the only DEFA film looking at Nazi Germany history in East Germany. From 1963 to 1965 she was a member of the DFF, from 1965 to 2003 a member of the ensemble of the Volksbühne Berlin. Since 1968 she has only seldom been used in supporting roles in the theatre.
Bürger played numerous roles in DEFA and DFF films including the Ostern (Red Western) Tecumseh (Hans Kratzert, 1972) opposite Gojko Mitić and Rolf Römer. It is part of a popular string of films starring the Yugoslav actor Gojko Mitić which, in line with the policies of Communist East Germany, attempted to present a more critical, but also more realistic, view of American expansion to the West than was characterised by Hollywood. The film, along with others, was also made partly in response to the successful series of Karl May films made in West Germany. The film depicts the life of the Native American leader Tecumseh (1768–1813), including his role in Tecumseh's War and his later death in the War of 1812 while fighting with the British against the United States. On television, she played a supporting role as a laundromat and bar manager in the popular series Tatort Leipzig with Peter Sodann, until 2005. She was also involved in cultural policy and protested against Wolf Biermann's expatriation and was committed to maintaining Charlotte von Mahlsdorf's Wilhelminian-style museum. From 1990 to 1997 Bürger was chairman of the Congress of the National Citizens Movement. In 1993 she and her husband founded the orphans on the Don association. In the same year, the documentary film Children of the Don was made about it. Annekathrin Bürger was first married to the actor and director Ulrich Thein and was married to her colleague Rolf Römer from 1966 until his death in 2000. Annekathrin Bürger lives in Berlin-Köpenick.
Sources: Wikipedia (English and German), and IMDb.
And, please check out our blog European Film Star Postcards.
Javier Núñez - Designer
Fanny MK Up - M.U.A
Eyeshadow&Lipstick- M.U.A
Pauu Recio -Stage design
Arancha - Model
Ergo - Photography & Retouch
East-German postcard by Progress Film-Verleih, Berlin / Planet-Verlag, no. 10/F/78, 1978. Photo: Schwarz.
Annekathrin Bürger (1937) is a German stage, film, and television actress. Bürger was a prominent actress in East Germany appearing in a number of films made by the state-run DEFA film studios as well as in television series such as Wolf Among Wolves (1965) set in 1920s Berlin. In 1972 she played the female lead in the Ostern Tecumseh (1972).
Annekathrin Bürger was born Annekathrin Rammelt in 1937 in
Berlin-Charlottenburg, Nazi Germany. Her father was the animal draftsman and illustrator Heinz Rammelt. She grew up in Hornhausen, trained as an advertising designer in Bernburg, and worked as a stage design assistant, prop master, and extra at the Carl-Maria-von-Weber-Theater there. She failed the entrance exam for the State Drama School in Berlin. In the summer of 1955, she met Czech film people in Berlin and played her first small role as a pioneer leader in the Czech-German short film Gebirge und Meer/Mountains and sea (Wolfgang Bartsch, Bohumil Vosahlik, 1955). A year later she appeared in the East German neo-realist romantic drama Eine Berliner Romanze/A Berlin Romance (Gerhard Klein, 1956), a film about youth urban life in the divided city of Berlin. It was produced by the DEFA, the state-owned East German studio. Annekathrin Bürger's co-stars were Ulrich Thein and Uwe-Jens Pape. It is still amongst DEFA's best-known films. Bürger studied acting at the Potsdam Film and Television Academy from 1957 to 1960. From 1959 to 1960 she was engaged at the Deutsches Theater in Berlin. She also starred in another youth film, Reportage 57 (János Veiczi, 1959), and the romantic comedy Verwirrung der Liebe/Love's Confusion (Slátan Dudow, 1959), both with Willi Schrade. Love's Confusion was Dudow's last film and the screen debut of Angelica Domröse. Influenced by the relaxed political climate ushered with the Khrushchev Thaw, the picture was unprecedentedly libertine in regards to sexuality. It became a huge hit.
During the early 1960s, Annekathrin Bürger appeared in a series of DEFA productions, such as Septemberliebe/September Love (Kurt Maetzig, 1961) with Doris Abesser and Ulrich Thein. She also starred in the first joint Soviet–East German film, Pyat Dney, Pyat Nochei/Fünf Tage, Fünf Nächte/Five Days, Five Nights ( Lev Arnshtam, Heinz Thiel, 1961) with Wilhelm Koch-Hooge. The picture's plot was inspired by the recovery of the art of the Old Masters Picture Gallery through the hands of Soviet troops in 1945. The art collection was then taken to the USSR, where it was kept until being returned to the Dresden Gallery in 1960. Five Days, Five Nights sold more than two million tickets in the German Democratic Republic. Then she starred in the romantic war drama Königskinder/Star-Crossed Lovers (Frank Beyer, 1962) with Armin Mueller-Stahl, and in the drama Das zweite Gleis/The Second Track (Joachim Kunert, 1962), as the daughter of Albert Hetterle. It is the only DEFA film looking at Nazi Germany history in East Germany. From 1963 to 1965 she was a member of the DFF, from 1965 to 2003 a member of the ensemble of the Volksbühne Berlin. Since 1968 she has only seldom been used in supporting roles in the theatre.
Bürger played numerous roles in DEFA and DFF films including the Ostern (Red Western) Tecumseh (Hans Kratzert, 1972) opposite Gojko Mitić and Rolf Römer. It is part of a popular string of films starring the Yugoslav actor Gojko Mitić which, in line with the policies of Communist East Germany, attempted to present a more critical, but also more realistic, view of American expansion to the West than was characterised by Hollywood. The film, along with others, was also made partly in response to the successful series of Karl May films made in West Germany. The film depicts the life of the Native American leader Tecumseh (1768–1813), including his role in Tecumseh's War and his later death in the War of 1812 while fighting with the British against the United States. On television, she played a supporting role as a laundromat and bar manager in the popular series Tatort Leipzig with Peter Sodann, until 2005. She was also involved in cultural policy and protested against Wolf Biermann's expatriation and was committed to maintaining Charlotte von Mahlsdorf's Wilhelminian-style museum. From 1990 to 1997 Bürger was chairman of the Congress of the National Citizens Movement. In 1993 she and her husband founded the orphans on the Don association. In the same year, the documentary film Children of the Don was made about it. Annekathrin Bürger was first married to the actor and director Ulrich Thein and was married to her colleague Rolf Römer from 1966 until his death in 2000. Annekathrin Bürger lives in Berlin-Köpenick.
Sources: Wikipedia (English and German), and IMDb.
And, please check out our blog European Film Star Postcards.
Circa: The Return, LIMF 2016
The Australian company Circa in The Return at the Barbican Theatre as part of London International Mime Festival. 27-31 Jan.
Created by Yaron Lifschitz with Quincy Grant and the Circa ensemble
Composers: Claudio Monteverdi, Quincy Grant, John Barber, Jakub Jankowski and Cornel Wilczek
Directed by Yaron Lifschitz
Musical supervision by Quincy Grant
Musical direction by Natalie Murray Beale
Technical direction and lighting by Jason Organ
Costumes by Libby McDonnell
Stage design by Jason Organ and Yaron Lifschitz
Circa Ensemble: Nathan Boyle, Daniel O’Brien,
Nicole Faubert, Bridie Hooper, Brittannie Portelli, Duncan West
Tenor: Robert Murray
Mezzo Soprano Kate Howden
photo - © Foteini Christofilopoulou | All rights reserved | For all usage/licensing enquiries please contact www.foteini.com
Stage design, costume, interactive media design, and print design for the Steinfuß Theatre. The play staged the critical text “Geschichte meiner Einschätzung am Anfang des Dritten Jahrtausends” by German musician and poet PeterLicht. The concept is about three different boxes, through which the audience moves from scenery to scenery. We set up a pool made of styrodur, a cardboard structure, and a site fence with woven paper strips. Then there was a video projection and a remote controlled moon.
With Aline Otte, Yakub Yayla, Bianca Barabas, Duy An Tran, and others.
Director: Adelheid Schulz
17.-24.5. 2012, Stuttgart
Cloud Gate 2: Beckoning
Cloud Gate 2 presents 'Beckoning', part of their Triple Bill at Sadler's Wells Theatre on 21-23 November 2016. The show is part of Sadler's Wells Out of Asia 2 season.
Artistic Director & choreographer: Cheng Tsung-lung
Lighting Design: Shen Po-hung
Stage Design: He Jia-sing
Costume Design: Lin Bin-hao
Dancers: Tsou Ying-lin, Chan Hing-chung, Lin I-hsuan, Wu Jui-ying, Lee Yin-ying, Luo Sih-wei, Su I-chieh, Chen Yi-en, Liao Chin-ting, Hsu Chih-hen
photo - © Foteini Christofilopoulou | All rights reserved | For all usage/licensing enquiries please contact www.foteini.com
Cloud Gate 2: Beckoning
Cloud Gate 2 presents 'Beckoning', part of their Triple Bill at Sadler's Wells Theatre on 21-23 November 2016. The show is part of Sadler's Wells Out of Asia 2 season.
Artistic Director & choreographer: Cheng Tsung-lung
Lighting Design: Shen Po-hung
Stage Design: He Jia-sing
Costume Design: Lin Bin-hao
Dancers: Tsou Ying-lin, Chan Hing-chung, Lin I-hsuan, Wu Jui-ying, Lee Yin-ying, Luo Sih-wei, Su I-chieh, Chen Yi-en, Liao Chin-ting, Hsu Chih-hen
photo - © Foteini Christofilopoulou | All rights reserved | For all usage/licensing enquiries please contact www.foteini.com
Bartabas: Golgota
Acclaimed equestrian theatre artist Bartabas returns to the Sadler’s Wells stage accompanied by contemporary flamenco dancer Andrés Marín, four horses and a donkey, to present the UK Premiere of Golgota. 14-21 March.
Credits:
Creation, stage design, direction: Bartabas
Choreography, performance: Andrés Marín & Bartabas
Horses: Horizonte, Le Tintoret, Soutine, Champagne & Lautrec the donkey
Music: Tomás Luis de Victoria, motets for solo voice
Countertenor: Christophe Baska
Cornet: Adrien Mabire
Lute: Marc Wolff
Actor: William Panza
Costumes: Sophie Manach & Yannick Laisné
Props: Sébastien Puech
Scenery: Les Ateliers Jipanco
Lights: Laurent Matignon
photo - © Foteini Christofilopoulou | All rights reserved | For all usage/licensing enquiries please contact www.foteini.com
German autograph card.
Annekathrin Bürger (1937) is a German stage, film, and television actress. Bürger was a prominent actress in East Germany appearing in a number of films made by the state-run DEFA film studios as well as in television series such as Wolf Among Wolves (1965) set in 1920s Berlin. In 1972 she played the female lead in the Ostern Tecumseh (1972).
Annekathrin Bürger was born Annekathrin Rammelt in 1937 in
Berlin-Charlottenburg, Nazi Germany. Her father was the animal draftsman and illustrator Heinz Rammelt. She grew up in Hornhausen, trained as an advertising designer in Bernburg, and worked as a stage design assistant, prop master, and extra at the Carl-Maria-von-Weber-Theater there. She failed the entrance exam for the State Drama School in Berlin. In the summer of 1955, she met Czech film people in Berlin and played her first small role as a pioneer leader in the Czech-German short film Gebirge und Meer/Mountains and sea (Wolfgang Bartsch, Bohumil Vosahlik, 1955). A year later she appeared in the East German neo-realist romantic drama Eine Berliner Romanze/A Berlin Romance (Gerhard Klein, 1956), a film about youth urban life in the divided city of Berlin. It was produced by the DEFA, the state-owned East German studio. Annekathrin Bürger's co-stars were Ulrich Thein and Uwe-Jens Pape. It is still amongst DEFA's best-known films. Bürger studied acting at the Potsdam Film and Television Academy from 1957 to 1960. From 1959 to 1960 she was engaged at the Deutsches Theater in Berlin. She also starred in another youth film, Reportage 57 (János Veiczi, 1959), and the romantic comedy Verwirrung der Liebe/Love's Confusion (Slátan Dudow, 1959), both with Willi Schrade. Love's Confusion was Dudow's last film and the screen debut of Angelica Domröse. Influenced by the relaxed political climate ushered with the Khrushchev Thaw, the picture was unprecedentedly libertine in regards to sexuality. It became a huge hit.
During the early 1960s, Annekathrin Bürger appeared in a series of DEFA productions, such as Septemberliebe/September Love (Kurt Maetzig, 1961) with Doris Abesser and Ulrich Thein. She also starred in the first joint Soviet–East German film, Pyat Dney, Pyat Nochei/Fünf Tage, Fünf Nächte/Five Days, Five Nights ( Lev Arnshtam, Heinz Thiel, 1961) with Wilhelm Koch-Hooge. The picture's plot was inspired by the recovery of the art of the Old Masters Picture Gallery through the hands of Soviet troops in 1945. The art collection was then taken to the USSR, where it was kept until being returned to the Dresden Gallery in 1960. Five Days, Five Nights sold more than two million tickets in the German Democratic Republic. Then she starred in the romantic war drama Königskinder/Star-Crossed Lovers (Frank Beyer, 1962) with Armin Mueller-Stahl, and in the drama Das zweite Gleis/The Second Track (Joachim Kunert, 1962), as the daughter of Albert Hetterle. It is the only DEFA film looking at Nazi Germany history in East Germany. From 1963 to 1965 she was a member of the DFF, from 1965 to 2003 a member of the ensemble of the Volksbühne Berlin. Since 1968 she has only seldom been used in supporting roles in the theatre.
Bürger played numerous roles in DEFA and DFF films including the Ostern (Red Western) Tecumseh (Hans Kratzert, 1972) opposite Gojko Mitić and Rolf Römer. It is part of a popular string of films starring the Yugoslav actor Gojko Mitić which, in line with the policies of Communist East Germany, attempted to present a more critical, but also more realistic, view of American expansion to the West than was characterised by Hollywood. The film, along with others, was also made partly in response to the successful series of Karl May films made in West Germany. The film depicts the life of the Native American leader Tecumseh (1768–1813), including his role in Tecumseh's War and his later death in the War of 1812 while fighting with the British against the United States. On television, she played a supporting role as a laundromat and bar manager in the popular series Tatort Leipzig with Peter Sodann, until 2005. She was also involved in cultural policy and protested against Wolf Biermann's expatriation and was committed to maintaining Charlotte von Mahlsdorf's Wilhelminian-style museum. From 1990 to 1997 Bürger was chairman of the Congress of the National Citizens Movement. In 1993 she and her husband founded the orphans on the Don association. In the same year, the documentary film Children of the Don was made about it. Annekathrin Bürger was first married to the actor and director Ulrich Thein and was married to her colleague Rolf Römer from 1966 until his death in 2000. Annekathrin Bürger lives in Berlin-Köpenick.
Sources: Wikipedia (English and German), and IMDb.
And, please check out our blog European Film Star Postcards.
Once owned by the Pesaro family, this large Gothic palazzo in Campo San Beneto, was transformed by Mariano Fortuny into his own atelier of photography, stage-design, textile-design and painting. The building retains the rooms and structures created by Fortuny, together with tapestries and collections. The working environment of Mariano Fortuny is represented through precious wall-hangings, paintings, and the famous lamps – all objects that testify to the artist’s inspiration and still give count of his eclectic work and of his presence on the intellectual and artistic scene at the turn of the 19th century. The Fortuny Museum was donated to the city in 1956 by Henriette, Mariano’s widow. The collections within the museum comprise an extensive number of pieces and materials which reflect the various fields investigated in the artist’s work. These are organised under certain specific headings: painting, light, photography, textiles and grand garments. This Museum combines ‘full’ spaces – for example, the first floor salone overflowing with paintings, fabrics and Fortuny’s famous lamps – with more open spaces: on the second floor, walls and windows, lighting and space recount the history of the palazzo and the atelier it housed. From here one can see into the wonderfully intact library, a kaleidoscopic ‘work in progress’ that brings together pieces by Fortuny and by contemporary artists from very different backgrounds.
fortuny.visitmuve.it/en/il-museo/museum/building-and-hist...
Bartabas: Golgota
Acclaimed equestrian theatre artist Bartabas returns to the Sadler’s Wells stage accompanied by contemporary flamenco dancer Andrés Marín, four horses and a donkey, to present the UK Premiere of Golgota. 14-21 March.
Credits:
Creation, stage design, direction: Bartabas
Choreography, performance: Andrés Marín & Bartabas
Horses: Horizonte, Le Tintoret, Soutine, Champagne & Lautrec the donkey
Music: Tomás Luis de Victoria, motets for solo voice
Countertenor: Christophe Baska
Cornet: Adrien Mabire
Lute: Marc Wolff
Actor: William Panza
Costumes: Sophie Manach & Yannick Laisné
Props: Sébastien Puech
Scenery: Les Ateliers Jipanco
Lights: Laurent Matignon
photo - © Foteini Christofilopoulou | All rights reserved | For all usage/licensing enquiries please contact www.foteini.com
Trans*Fluidity im Internationalen Theater, Produktion: Sandra Mann, Projektleitung: Jens Jercke, Audio und Videotechnik: Aleksandar Dojcinovic, Stage Design: Kim-Lotte Stöber, Ela Kaleta Hair & Make up: Lara Schmitt, Costume Design: Maurice Martinez, Hintergrundvisuals: Sandra Mann, Bettina Rheims.
dance -> fashion -> archiecture experiment with Heidi Wikar and Elpida Orfanidou. A living solution so perfect, so primitive, we have always been refusing it... The placenta as architecture and garment...
dance -> fashion -> archiecture experiment with Heidi Wikar and Elpida Orfanidou. A living solution so perfect, so primitive, we have always been refusing it... The placenta as architecture and garment...
dance -> fashion -> archiecture experiment with Heidi Wikar and Elpida Orfanidou. A living solution so perfect, so primitive, we have always been refusing it... The placenta as architecture and garment...