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4 Week Series on creation and evolution. Created w/ a team of 7. Leaves are wooden cutouts suspended by wooden dowels, painted by hand by artist and lit w/ single Source 4 Jr. Zoom and a homemade gobo from pie pan. 2 Jr Zooms used for blue back ground of ORIGINS and a custom Apollo gel for the word itself. We used hay bales stacked and burlap to build the dirt pile. For the dirt we used peat moss.
CALL: CCAT - Art course in Tbilisi (cca.ge )
Center of Contemporary Art Tbilisi – CCAT
Short term course on 'Modernism in Georgia' in English.
Course info
Literary salons, dada poetry, silent films, innovative stage design, futurist books and bohemian life were blooming in Georgia in the period 1918-1921, a time of political and creative freedom. This came to and end with the arrival of the communist revolution. The Soviet regime restricted free artistic expression and banned all expression of modernist art. Artists as well as their work suffered greatly from this censorship.
The course is an introduction to modern art that originated in the early 1920's in Georgia. Along with works of modernist artists that revolutionized the conventions of representation, photographs that captured modern life and modernist buildings in the streets of old Tbilisi will also be discussed. Anyone who has an interest in art and would like to increase his understanding of Georgian Art is invited to join.
The course covers artists who were recently rediscovered and re-estimated by art historians: painter David Kakabadze, poet and artist Iliazd, painter Kirill Zdanevichakli, stage designers Petre Otskheli and Irakli Gamrekeli, painter and photographer Dimitri Shevardnadze and film makers Mikheil Kalatozishvili and Konstantine Mikaberidze.
The lectures, discussions and presentations will take place at the CCAT building in the Marjanishvili district, starting January 2011. The course includes 12 lectures of two hours as well as a visit to the Museum of Fine Arts and a city tour in the old part of Tbilisi. The course fee is 180 EUR.
The course tutor is Lali Pertenava, an art historian specialized in modern, soviet and post-soviet art in Georgia. She graduated in art history at Tbilisi state University; she also studied modern and contemporary art at George Washington University.
For more information on the course (timetable) or CCAT: www.cca.ge
Wato Tsereteli: +995 77 468446; wato@cca.ge
Upcoming course
The next course will cover 'Culture and society of 60s Georgia'. It focuses on the avantgarde art movement in the 60s that led to the deconstruction of socialist realism and caused a cultural upheaval in Georgian theatre, film and literature.
About CCAT
The Center of Contemporary Art Tbilisi (CCAT) was founded by Georgian artists and researchers in order to provide artists with exhibition space, resources and professional support. With the donation of a building from TBC Bank, financial support by the Swiss Development and Cooperation Agency (SDC) and material support by Ertoba and Caparol the Center officially opened its doors on October 1, 2010.
CCAT offers the following: a 9-month post-graduate art programa, an exhibition space and promotion of contemporary Georgian artists. The Center is also involved in research. A group of CCAT art historians are researching Georgian art history from modernism till now with the aim of bringing to light a part of Georgian art history that has largely been forgotten due to Soviet censorship.
stand-builders-berlin; event-agency-berlin; event-production; large-format-printing; digital-printing; stand-build; berlin-promotional-agency; event-staff; promotional-models; hostesses; set-build; stage-design; contractors; Germany; Hamburg; event-prints
stand-builders-berlin; event-agency-berlin; event-production; large-format-printing; digital-printing; stand-build; berlin-promotional-agency; event-staff; promotional-models; hostesses; set-build; stage-design; contractors; Germany; Hamburg; event-prints
4 Week Series on creation and evolution. Created w/ a team of 7. Leaves are wooden cutouts suspended by wooden dowels, painted by hand by artist and lit w/ single Source 4 Jr. Zoom and a homemade gobo from pie pan. 2 Jr Zooms used for blue back ground of ORIGINS and a custom Apollo gel for the word itself. We used hay bales stacked and burlap to build the dirt pile. For the dirt we used peat moss.
www.productionmusings.com for details. A view under the front of the add-on. 2 AC Lighting Color Splits were used for the wash.
VISUAL COMPOSER PERFORMANCE
I perform my music with my interactive stage design.
It is best to experience my performance live.
I use Ableton Live with an M-Audio Microphone & Keyboard, and the keys of my MacBook Pro to make my tracks.
For this video, I am using an instrumental, but I am also a recording artist.
I make my music, write the lyrics, record my vocals, mix and master my albums.
I then create all the visuals.
I create every single aspect of my work to give you a spherical 4 dimensional experience of my Art.
To create the interactive animation, I write code in Processing (Open Source Programming Language based on Java).
In this video, my hands are controlling the visuals. For this, I use the Leap Motion sensor.
I use a Processing Library by onformative (a studio for generative design based in Berlin) called LeapMotionForProcessing to animate my visuals using Leap Motion.
The animation follows my hand movements in real-time and on key with accurate precision.
The visual is an animation within an animation with symmetry, which makes it a bit more challenging to control, making it even more fun.
Some of the visuals are generated by the music's decibel levels.
The main drive behind my work is PLAY. Play leads to fun, which leads to joy. Following our joy is the driving force in my life, and I want to share it with others. This is why I create interactive installations where people and children of different races and religions get to play and have loads of fun in a magical environment.
The VISUAL COMPOSER PERFORMANCE is a emotional piece with a dark track I made to expose the pain I feel everyday trying to survive in society. I perceive that the social system is set up by certain people to their benefit, while it is handicapping many others for whom it does not fit. I also see that many are unhappy with their jobs. Physicians and lawyers have high rates of suicide according to reports I have read. This is a time for us to question everything, and create a new social ecosystem that benefits all. Including the animals going instinct. I understand the Survival of The Fittest approach, but it does not have to be this way. I understand that nature is very violent and brutal, such as humans, but I also see a greater reality than this animalistic self-destroying one. It takes heart and courage to do what you love all day and all night all of the time forever. If you are willing to die for what you perceive as your purpose, then you are a Freedom Fighter… or simply, an Artist.
Thank you for watching this video and possibly sharing it.
Love Universal to All
Unity In Diversity
WillpowerStudios.com
VISUAL COMPOSER PERFORMANCE
I perform my music with my interactive stage design.
It is best to experience my performance live.
I use Ableton Live with an M-Audio Microphone & Keyboard, and the keys of my MacBook Pro to make my tracks.
For this video, I am using an instrumental, but I am also a recording artist.
I make my music, write the lyrics, record my vocals, mix and master my albums.
I then create all the visuals.
I create every single aspect of my work to give you a spherical 4 dimensional experience of my Art.
To create the interactive animation, I write code in Processing (Open Source Programming Language based on Java).
In this video, my hands are controlling the visuals. For this, I use the Leap Motion sensor.
I use a Processing Library by onformative (a studio for generative design based in Berlin) called LeapMotionForProcessing to animate my visuals using Leap Motion.
The animation follows my hand movements in real-time and on key with accurate precision.
The visual is an animation within an animation with symmetry, which makes it a bit more challenging to control, making it even more fun.
Some of the visuals are generated by the music's decibel levels.
The main drive behind my work is PLAY. Play leads to fun, which leads to joy. Following our joy is the driving force in my life, and I want to share it with others. This is why I create interactive installations where people and children of different races and religions get to play and have loads of fun in a magical environment.
The VISUAL COMPOSER PERFORMANCE is a emotional piece with a dark track I made to expose the pain I feel everyday trying to survive in society. I perceive that the social system is set up by certain people to their benefit, while it is handicapping many others for whom it does not fit. I also see that many are unhappy with their jobs. Physicians and lawyers have high rates of suicide according to reports I have read. This is a time for us to question everything, and create a new social ecosystem that benefits all. Including the animals going instinct. I understand the Survival of The Fittest approach, but it does not have to be this way. I understand that nature is very violent and brutal, such as humans, but I also see a greater reality than this animalistic self-destroying one. It takes heart and courage to do what you love all day and all night all of the time forever. If you are willing to die for what you perceive as your purpose, then you are a Freedom Fighter… or simply, an Artist.
Thank you for watching this video and possibly sharing it.
Love Universal to All
Unity In Diversity
WillpowerStudios.com
The Cherry Orchard
(Livada de visini)
Romulus Fenes (Romania)
Set & Costume Design
On the stage was an imagined “time-tunnel,” through which the characters appeared and disappeared, the whole play having been given a new existential perspective throughout.
Images posted with permission by editors
Conductor Philippe Jordan
Director Stefan Herheim
Stage design Heike Scheele
Costumes Gesine Völlm
Lighting Ulrich Niepel
Video Momme Hinrichs
Video Torge Møller
Dramaturgy Alexander Meier-Dörzenbach
Choral Conducting Eberhard Friedrich
Amfortas Detlef Roth
Titurel Diógenes Randes
Gurnemanz Kwangchul Youn
Parsifal Burkhard Fritz
Klingsor Thomas Jesatko
Kundry Susan Maclean
1. Gralsritter Arnold Bezuyen
2. Gralsritter Christian Tschelebiew
1. Knappe Julia Borchert
2. Knappe Ulrike Helzel
3. Knappe Clemens Bieber
4. Knappe Willem Van der Heyden
Klingsors Zaubermädchen Julia Borchert
Klingsors Zaubermädchen Martina Rüping
Klingsors Zaubermädchen Carola Guber
Klingsors Zaubermädchen Christiane Kohl
Klingsors Zaubermädchen Jutta Maria Böhnert
Klingsors Zaubermädchen Ulrike Helzel
Altsolo Simone Schröder
#Engagement Event with VIP #Decoration and #Stage #Design in BAHRIA Town SHERAN WALA FARMHOUSE
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PK Office PH # +92- 42 35817106 UK office Dir # +44- 203-371-0782 / 0208 -090 -4020 Uk Fax # +44- 207- 691- 7800 PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com, www.DClassyclicks.com , Facebook:- www.facebook.com/a2zevents #Bridal_Shower #Bride_To_be #Brides_maid #Bride #Bride_sash #Mother_of_Bride #mehndi #mehndi_event, #C_stage #flower_decor #mehndi_stage #mehndi_decoration #decorators #stage_decoration #enterance_decoration #stage_design #vipstage #wedding_planner_in_lahore #wedding #wedding_planning #events_planner #events_organizer #events_designer #creativeweddingplanner #Walima #Barat #weddingdesigner #pakistaniweddingplanner #weddingstages #weddingdecoration #stagedecorideas #themedweddings #weddingsinpakistan #wedding #Baraat #WeddingCinematography #Weddings #WeddingVideography #HDWedding #events_planner_in_pakistan #events_designer_in_pakistan #birthday_parties #corporate_events_stages_setup #mehndi_setup #barat_setup #barat_event_setup #mehndi_stage_decoration #barat_stage_decoration #best_event_planners_in_lahore #event_organizer_in_lahore #event_planners_in_pakistan #walima_setup #mehndi_event_setup #walima_event_setup #wedding_events_planner #wedding_events_organizer #Photography #Videographer #Interior_designer #Exterior_designer #Decor #Catering #Multimedia #Weddings #Social_Events #flowers_decor #dance_floor #Party_Planner #dance_party_Organizer #Wedding_Coordinator #Stages_Designer #House_Lighting #Fresh_flowers #Artificial_Flowers #Marquees #marriage_hall #hall_decor #area_decor #groom #bride #Mehndi #Car_hire #Sofa_Decoration #Hire_Venue #Honeymoon #Asian_wedding_Designers #Simple_Stage #gazebo #stage_decoration #events_management #baarat #barat #walima #valima #reception #mehndi #mayon #dance_floor #walkway_decor #pathway_decor #wooden_walkway
anything goes production shots cabrillo stage designed by skip epperson photos by steve diBartelomeo
We revised the Collide stage design in order to incorporate a 6x22 projected image. The multi-projector display was a test to explore what it would take to employ this technology for our weekly services
Conductor Philippe Jordan
Director Stefan Herheim
Stage design Heike Scheele
Costumes Gesine Völlm
Lighting Ulrich Niepel
Video Momme Hinrichs
Video Torge Møller
Dramaturgy Alexander Meier-Dörzenbach
Choral Conducting Eberhard Friedrich
Amfortas Detlef Roth
Titurel Diógenes Randes
Gurnemanz Kwangchul Youn
Parsifal Burkhard Fritz
Klingsor Thomas Jesatko
Kundry Susan Maclean
1. Gralsritter Arnold Bezuyen
2. Gralsritter Christian Tschelebiew
1. Knappe Julia Borchert
2. Knappe Ulrike Helzel
3. Knappe Clemens Bieber
4. Knappe Willem Van der Heyden
Klingsors Zaubermädchen Julia Borchert
Klingsors Zaubermädchen Martina Rüping
Klingsors Zaubermädchen Carola Guber
Klingsors Zaubermädchen Christiane Kohl
Klingsors Zaubermädchen Jutta Maria Böhnert
Klingsors Zaubermädchen Ulrike Helzel
Altsolo Simone Schröder
And 48 hours later lots of brainstorming, ideas and teamwork we have a new stage set. I mean, it's all about the "S" word...
Team:
Todd Foster, Steve Jordan, Laura Eagle, Daniel Cyrus, Janelle Glover, Steve Mesanko, Colin Harman, Jeremy Wilkinson, Andrew Hunt
TEDxTaiz stage design:
- floor fiber glass
- logo letters with lights
- background dark curtains and blue lights
Photo: Heather Gilcrest
Production Design, Stefan Beese, RE:BE Design
Location: Superdome, New orleans, LA
Venue: Essence Music Festival 2010