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This is Mars on August 29th, 2003, taken from a stack of video frames. With no way to hook the video camera up to my telescope, I put the camera on a tripod and pointed it down to the eyepiece. I ended up getting a cpl of hours of video over a few weeks. I then took a 10 second clip and ran it through a program called Registax. Registax takes the best frames of the video, and stacks them on top of each other to bring out subtle markings.
Sitting by the George's River today working so I set up the camera with an automatic timer remote. Unfortunately ran out of battery but managed to get 32 x 30 second exposures with a 10 stop and 3 stop screw in filter attached to the lens.
Stacked in Photoshop using Dr Brown's and processed in NIK. I have since tried manually processing this shot and realised that NIK was responsible for the texture in the water. The original file is super SMOOTH so maybe 16 minutes is worth it after all!
Effectively a 16 minute exposure. Not sure I see the benefit in going that long.
Stacked Glass Fountain
Danny Lane
1986
Glass, steel
H270 x W60 x D60cm
Vero Beach, Florida
Photo Michael Decoulos
fly stacked over 30 images. used extension tubes, 200mm bellow and magnification kit, focus stacked. lit with studio light (no flash)
A few images from a recent visit to Stack Rock fort. It is testament to the skill of the engineers and builders of the day that the main structure is still in such good condition.
There are the ehaist stacks on the huge ferry CoastalCelebration that carries vehicles and people between Vancouver and Victoria.
FullStack 2016 - the conference on JavaScript, Node & Internet of Things, Wednesday, 13th - Friday, 15th July at CodeNode, London. Images Copyright www.edtelling.com. skillsmatter.com/conferences/7278-fullstack-2016-the-conf...
A close-up abstract shot of stacked firewood, highlighting the intricate details and textures of the cut logs. The varying shades of brown and the rough bark create a warm and rustic visual appeal.
Handle containers with real efficiency!!
REACH STACKER - LRS645
Brand: LIEBHERR, Capacity: 45-TONS, Year: 2007
View more pictures and spec detail at: bit.ly/1RFXMPs
Stacks keep me interested because, even though I have a general idea of what a stack will look like, there are always elements of the finished block that surprise me. On top are three eight-stacks of diamonds and below them are the blocks they made. These are cut from a 2.5 inch strip, so when the seam allowances are taken, the finished block looks quite different from the stack set.
sorry
i made lots
i got up at 5.30am whilst on holiday one day to go to the cove and stack. The peace and tranquility was immense.
i built a set of 18 stacks in perfect alignment across the cove. unfortunately 18 sacks in a single line don't photograph well. they looked bloody brilliant though. as you walked in and out of the alignment you either saw one or a mass of stacks.
inspired by the master bebalance www.flickr.com/photos/rocker/sets/72157602341391436/ i tried counterbalancing stones. it made for more delicately balanced stacks.
i am going to upload the rest of the photos later. there are far too many but feel i have to put them all up.
Bananas foster soft serve, brown butter banana pecan cakeball chunks, rummy caramel sauce, honey dusted pecans, and caramelized bananas
I had an idea in my head so had to start something new.... Another 12 blocks must be made I think, in order to tie all these colours together.
Andrew Dickson White Library
Andrew Dickson White, Cornell University’s co-founder and first president, built a great library. Although seldom identified today as one of the foremost collectors of the 19th century, his achievements have left a remarkable legacy. Unlike other famous book collectors of his time—J. Pierpont Morgan, Henry Edwards Huntington, John Jacob Astor, and James Lenox—he did not establish a separate institution to house his personal collections of books and manuscripts. Instead, White donated his entire collection of 30,000 books to the Cornell University Library—at a time when the Library possessed a collection of just 90,000 volumes. White’s great generosity reveals his utilitarian approach to collecting and, in his words, a “strong belief in the didactic value of books.” As an educator and historian he believed that one could not have a great university without a great library, and he wanted his books to be read and used by Cornell’s faculty and students.
White’s collections of materials on architecture, witchcraft, the Reformation, the French Revolution, Abolitionism and the Civil War were among the finest in the world during his lifetime. Originally shelved in the large, three-story room within Uris Library that bears his name, White’s collections are no longer kept together in one place. Many of his books were moved to the stacks in Olin Library when it opened in 1961. In recent years, most of White’s books have been transferred to the Division of Rare & Manuscript Collections for their continued protection and preservation. Today, the Andrew Dickson White Library holds a portion of the humanities and social science collections found in the combined Olin and Uris Libraries.
It is perhaps more fitting and accurate to say that Andrew Dickson White built two great libraries. The first was his large and significant personal book collection. The second was the Cornell University Library. White hired Willard Fiske to be Cornell’s first University Librarian, and he worked closely with him to develop innovative and progressive policies for their library. White purchased its first books, and played an active role throughout his life in developing the library’s collections.
Even in his student days, White had considered the merits of the most prestigious European libraries, imagining what it would be like to build an important new research library. White conceived and developed his vision for an upstate New York university during a miserable first year at college. White’s visions of a beautiful university were honed during his first year at a college whose architecture he called “sordid,” and later at Yale, where he urged classmates to “adorn and beautify the place.” While his classmates occupied themselves with shenanigans, the sixteen-year-old consoled himself in the library, where he found a book on the colleges of Oxford and Cambridge. As a University of Michigan professor in the late 1850s, he planted elms and evergreens with the help of his students and was appointed superintendent of grounds. Two decades later he would preside over an institution that embodied the vision of his youth. The faculty included professors of modern history and literature, as well as classics and mathematics. They were free of control by religious sects and political parties. And learning was accomplished not by rote memorization and recitation, but through analysis, discussion, and experience. The Victorian beauty of the A. D. White Reading Room in Uris Library would probably have satisfied White’s exacting standards.
A trace of this inspiration can be found in the stained-glass windows that line the room. They portray the crests of several Oxford and Cambridge colleges. In the north windows, for instance, the blue escutcheon contains the motto for Oxford University, “Dominus Illuminatio Mea.” Translated from Psalm 27, it means, “The Lord is my Light.” Visitors from a new generation find the room’s ambiance comes from another source, calling it the “Harry Potter” library.
When White offered his personal library to the university, he set two conditions. He asked that the university provide a suitable space to house his collection—he stipulated a fire-proof room—and he requested that proper provision be made for the ongoing maintenance of his collections. That “suitable space” is the Andrew Dickson White Library. White played an active role in helping the building’s architect, William Henry Miller, design and ornament this space.
The maintenance and cataloging of the collection became the responsibility of George Lincoln Burr, a member of the Cornell class of 1871. Burr was White’s secretary and personal librarian as well as the first curator of the White Historical Library. Originally hired by White when he was a Cornell sophomore, Burr worked closely with White to develop and care for his library. We can safely posit that after 1879, the White collection must be seen as a collaborative effort between the two scholars. Each traveled to Europe on extended book-buying tours. Burr, also a renowned professor in the Cornell History department, is given special credit for building and enriching the Library’s collections on the Reformation and witchcraft.
Burr’s portrait by Cornell art professor Christian Midjo is prominently displayed on the north wall of the room, and a small drawing by R. H. Bainton on the first tier shows Burr as Cornell historian Carl Becker once described him: an “indefatigable scholar and bibliophile . . . browsing and brooding in the stacks.”
The Andrew Dickson White Library is filled with art work, furniture, and artifacts from White’s academic and diplomatic careers. He served as U.S. minister to Germany while still president of Cornell, and later also served as minister to Russia. Several pictures and photographs in the room depict Russian scenes. The artwork and the case of plaster casts of European coins and medallions were all collected by Mr. White.
Originally, this space had skylights and an open archway into the adjacent Dean Room (where the Burr portrait now hangs). Those features were lost to renovations, but the original three tiers of wrought-iron stacks still offer an open and dramatic display of their books. Upon first seeing these shelves filled with White’s books in September of 1891, George Lincoln Burr wrote that it “gave one such an idea of a multitude of books. You see and feel them all. They quite overawe one.” Setting the objective for the collection, he promised to make the White Library, in his words, “the great living, growing historical workshop of the University.
Carved Wooden Manuscript Case
•Creator: unknown (unknown nationality, artist)
•Title: Carved wooden manuscript case
•Work Type: desks
•Location: Uris Library, Andrew D. White Library, Cornell University
•Description: Carved folding top, supported by two dogs. Possible attribution: Luigi Frullini.
•Repository: Cornell University
•Collection: Cornell: Campus Art and Artifacts
A few images from a recent visit to Stack Rock fort. It is testament to the skill of the engineers and builders of the day that the main structure is still in such good condition.
Someone obviously had a lot of time on their hands...
Taken with my Minolta 110 Zoom SLR camera using Lomography Tiger film. No flash was used.
stacking by Siril x2 drizzle + ASI662MC + 31.5mm UV/IR filter + SAMYANG 135mm F2 on AZGTI
4831 framesx2sec
Sometimes, the smaller scale prints make good stacks, just very different from the large scale print results :)
South Stack is famous as the location of one of Wales' most spectacular lighthouses, South Stack Lighthouse. It has a height of 41 metres (135 feet). It has a maximum area of 7 acres.
Until 1828 when an iron suspension bridge was built, the only means of crossing the deep water channel on to the island was in a basket which was suspended on a hemp cable. The suspension bridge was replaced in 1964, but by 1983 the bridge had to be closed to the public, due to safety reasons. A new aluminium bridge was built and the lighthouse was reopened for public visits in 1997. Thousands of people flock to the lighthouse every year, thanks to the continued public transport service from Holyhead's town centre.
There are over 400 stone steps down to the footbridge (and not, as local legend suggests, 365), and the descent and ascent provide an opportunity to see some of the 4,000 nesting birds that line the cliffs during the breeding season. The cliffs are part of the RSPB South Stack Cliffs bird reserve, based at Elin's Tower.
The Anglesey Coastal Path passes South Stack, as does the Cybi Circular Walk. The latter has long and short variants; the short walk is 4 miles long and takes around two hours to complete. Travelling from the Breakwater Country Park, other sites along the way are the North Stack Fog Signal station, Caer y Tŵr, Holyhead Mountain and Tŷ Mawr Hut Circles.