View allAll Photos Tagged stack
As the caption says, but even further north than normal. Due to a derailment on the mainline, CN detoured a handful of stack trains north at Melville, SK and up to the Prairie North Line at Canora, SK.
Here is one approaching a meet at Vonda, SK.
I began to use the focus stacking technique to increase depth of field in 2018, and this was one of my first attempts. It is a natural light shot of some of the Phottix equipment I use to take photographs in the studio with flash:
• in the foreground is a radio receiver I would use on a cobra flash without a built-in one, such as a Nikon SB–900 unit;
• then is the Odin II radio controller which goes on top of the camera, and is used to remotely set all Phottix monolights (i.e., studio strobes) and cobra flashes, as well as non–Phottix strobes equipped with a receiver. It is a wonderful little tool that works over hundreds of meters if need be and allows me to modify the settings on any strobes, assemble them into 5 different groups if needed, and of course fire them;
• and in the background is one of the batteries that powers the Indra500 monolights. Thus, they are completely portable and can be used anywhere in the field reliable and for a long time. It works with high–speed sync too, if necessary.
I see from my notes of 2018 that this is a composite shot made up of 7 focus-stacked exposures, taken with a 60mm macro lens at f/8 only. I would never have been able to obtain such a great depth of field without focus stacking, while operating the lens at its “sweet spot” aperture. The D850 has a focus stacking automatic feature built in, which saves a lot of time and effort, as one can dispense with focusing rails and minute manual adjustments.
The stack was processed in Zerene Stacker, which is the software I used at the beginning. I then moved on to Helicon Focus, which I still use today.
September 2025. I am reposting this photo as a testimony of gratitude to the Phottix flash equipment I used for many years with lots of satisfaction, in the studio and outdoors. It was not perfect, and certainly the Godox AD flashes I now use are not only more powerful (600 W/s) but above all more convenient, as they are true “monolights” with self-contained batteries that eliminate the need for battery packs and connecting cables. Nevertheless, the Phottix were with me when I began exploring the wonderful world of off-camera flash, and that is a memory I will retain for as long as I live.
A stack of 4 slightly blurred (purposefully) shots, taken handheld. Autoaligned in the stacking process, then ungrouped. I think I was meant to crop at that point, but I really liked the resulting 'frames', so they stayed.
A combination of blend modes - a bit of glow, a bit more of screen - producing an intentionally (honest) contrasty image.
A time stack of the sunset over Little Cranberry Lake from Haskins Point in Seeley's Bay.
Visit my instagram page to see the timelapse video, www.instagram.com/mattmolloyphoto/
I made this time stack by combining 384 photos into one image. Here's a quick and easy Photoshop tutorial of the process I use to make time stacks. youtu.be/oTfp47jTzWc
Top Dad equals one or two biscuits - well, maybe just three!
Our Daily Challenge ~ STACK .....
Thanks, in advance, to everyone who views this photo, adds a note, leaves a comment and of course BIG thanks to anyone who chooses to favourite my photo .... thanks to you all.
These (among many hundred more) were stacked up in Canterbury Cathedral. I think the colour in the chrome is coming from the light from the stained glass.
Link to large size: farm3.static.flickr.com/2411/2369980932_07634f3d0b_b_d.jpg
MY FAVOURITE OF MARCH 2008.
This is in the crypt of Canterbury Cathedral. I had spent a long time taking pictures of the huge interior of the cathedral when I spotted these piles of chairs. I could see the stained glass reflected in the chrome legs and I liked the repeating patterns. All I can say is if it were not for VR, this picture would not have come out.
Clouds stacked in orton
These clouds were taken in from my home, here in West Richland, Washington. My mom & I seen these on our walk, they were quite beautiful and unique.
The colourful second-hand U.S Bluebird school buses have been an integral part of the Panama public transport network for years but are becoming a rarer sight.
According to local media, with a new transport system being developed, the traditional Red Devils imported to Panama throughout the last 40 years are now disappearing and are only used for a few specific routes.
This example is quite under stated with its original paint scheme. Note the string of LED lights across the rear of the roof.
Those over the top stacks are connected to the exhaust system - they produce a loud deep growl like a wounded bear.
This stack wasn't so easy cause the flie moved head. Made with firmware 4.0, where the em-1 get the new focus-stacking-function. Natural light.
We are riding on a legend in the intermodal world. Over the past 50 years, you could find these monster machines in the yards of most railroads across the country.
The PC90 was an intermodal loader built by FWD Wagner Company. Manufacturing began in the late 1960s. They can still be found loading and unloading trains today.
Today, the last container of UPS high priority freight is being set for pick up. After an inspection of the cars, the track will be released and the cars placed into a train.
It was awesome to ride this beast. The operator was a veteran at ITS and was very skilled. He precisely spotted containers on chassis and well cars. I thoroughly enjoyed seeing this behind the scenes side of railroading.
The PC90 is a huge machine. It is much larger than the modern European built counterparts that are replacing them. When the operator opens the tucked in legs and spread them wide open. the PC90 resembles a Transformer. It's size seems to increase quite a bit. Let me tell you, Bumblebee has nothing on the PC90!
Stack Em!
Continuing my early morning walk, wrecked cars stacked ready for recycling. There's a wire fence around the compound so I had to use a wide aperture to throw the fence out of focus.
My specimen photos are taken using this setup. The base is a block of wood from the offcut bin of a hardware store that sells kitchen worktops. The camera is attached directly to a BPM focus rail, which is mounted on a tripod quick-release plate, screwed to the base through another small piece of wood. The rail allows me to move the camera and coarse focus it. At the other end of the table is the specialist equipment: a Proxxon KT 70 table, screwed to the base. This is a low-cost alternative to linear actuators or stacking rails: one turn of the handle moves the table 1 mm. The divisions on the dial are 0.05 mm, so by moving to half way between each one I take frames at 0.025 mm intervals, which is narrow enough for most whole-insect photos I take. Smaller intervals are possible with smaller movements of the handle, but they are not easy to measure. This idea came from John Hallmen: you can see his setup here. Without his advice, I would not have been able to do any of this, so thank you to John and to Nikola Rahme; two people whose photos I greatly admire and who have shared their techniques freely on flickr.
A SIlverline Helping Hands is mounted on the Proxxon table. The crocodile clip holds a piece of plastazote in its jaws; I stick the specimen's pin into the plastazote and try to get it in the same plane as the camera sensor. This is fiddly: a vertical setup would be easier for this, but it would need better handiwork skills than I have. A heavy granite base would also make for a more stable setup, as would a concrete floor instead of a wooden one, but there is nothing I can do about that in my house.
Lighting comes from a flourescent tube desk lamp. The lamp would not hold itself in the right position, so I broke it off from its stand and I held it in a clamp stand instead. I use a simple cylinder of greaseproof paper as a diffuser: this is just pushed on to the end of the lens. To help get a more even light I have a sheet of kitchen foil as a reflector opposite the lamp. I also fix on the camera a 26mm stepping ring with foil over the front, another idea from John Hallmen, explained here.
I have tried other lighting, such as using two Ikea lamps (like the one that carries the foil in the picture above), each with a plastic cup over it to act as a diffuser. But the setup shown here is the one I have come to prefer.
I use Zerene Stacker for the stacking, with DMap as my main image, retouched from the PMax image where the detail is lost in the DMap. Then the image is edited in GIMP before getting a posting here.
In Chichester Cathedral..waiting to be set out for a service...
For the TSC group challenge ( over on Ipernity) 7th June..Your favourite song and picture that goes with it..well I seem to have a different favourite song every week..depending on my mood..where I am..etc etc..this week it is Re:Stacks by Bon Iver..I am playing it to death at every opportunity!..
Have not had a chance to get a new picture to go with it so this old one will have to do..
Here is a link to the song in case anyone wants to listen to it ..
I of course think it is wonderful but everyones tastes are different :))
Taken with an iPhone 3GS (Hipstamatic app) at The Yacht Club on Reed's Lake in East Grand Rapids, MI. Really liked the way the boats were stacked on the dry dock so I snapped a picture.
At last some cloud! Tried using my Reverse NDG here but it's pants....... don't buy one! Best seen LARGE or in My Flickeflu (Click the link below). Thanks for looking folks.