View allAll Photos Tagged stack
This image of an eastbound Norfolk Southern stack train on the Cleveland Line at Brady Lake, Ohio, was made the day after a snow storm blanketed the area with a few inches of snow.
Westbound on track 1, a Union Pacific double stack marches over Sherman Hill at Dale, Wyoming, on September 17, 2008.
From what we could see, the bulk of the churchyard has been cleared of its old tombstones, which have been stacked up ...
a high priority northbound stack train passes a southbound train made up of empty autoracks at ballico, CA
Desks and their accompanying chairs lay strewn about an abandoned classroom, many of them stacked upon one another just as they were when they were left there just shy of a decade ago on the afternoon of March 22, 2021, in the abandoned Pound, VA, high school.
Boulder is in the shadow of the mountains with the light only touching the top of this stack. Further out, the Plains are still drenched in the late day light.
Fousc stacked fly made of 29 shots. Lightroom and Photoshop used to process. Photos taken on a Canon 40d and a Raspberry Pi python script controlling a linear rail using a stepper motor
Another go at Stacking with my New Tamron. I'm not sure about the light, but theres about 12 picture in this one.
well, this is sort of how I built one from an old CD drive, superglue and some other bits...
Arduino Uno board (the blue thing)
stepper motor driver TB6612FNG (the green thing surrounded by wires)
guts of CD drive
old stepper motor
external 7.5V PSU
held together with breadboard until I do something better with the wires...
some programming (arduino and PC)
Canon SDK (free but need to register) to control camera in sequence
and that's about it
There's a few photos below, followed by a more detailed explanation of joining it all together
If you do want to have a go at building something like this then I'm happy to answer any questions, but you are responsible for checking the pinout connections and appropriate electrical ratings to ensure that all components are suitable - in other words if you blow anything up then it's not my fault - the following aren't comprehensive instructions
Stack of 53 pictures at 100 microns steps.
Basic setup at 4x with stacked 100mm and reversed 28mm at f8.
More info about the setup at youtu.be/G3u-7lwRyY8
I occasionally go back to edit photos that I have taken in the past; this was from November 2012. This composite image used a photo stacking (or layering) technique in Photoshop. I call it cloud stacking. I used thirty images where only the clouds were in motion during two and a half minutes. Just after sunset, the bottom of the clouds were lit by a break in the clouds at the horizon. These thirty images were selected from the total sequence of 300.
This shot was up closer to the Narragansett Electric campus. I left the hood on the fisheye to try to block out some of the glare from the lamp illuminating the area.
(Shot with N6006 with Sigma 15mm@f5.6 for 120" on Kodak Ektachrome 160T)
For a couple who both recently graduated with English and writing degrees. They wanted a stack of books cake because they enjoy watching all of the extreme cake shows. It turned out much bigger than I imagined.
Thank you Kim (sugarygoodness) for helping me!
Couldn't resist.. Had to see how the last two looked like as one. Apart from the interrupted star-trails (which are barely noticeable) I think I prefer this one to the originals.
First thing I thought of when I saw that this week's theme was stacked! Big thanks to my yoga buddies for helping out :0)
Hello, having been ill this week I got bored and decided to try my first focus stack. It hasn't worked out but I think some camera shake may be to blame. I kept the subject and the camera in the same position and using a manual lens I focused at different intervals, taking around 12 photos. I used a free focus stacker software which is meant to match up the photos. If anyone has any insight or tips that they would like to share I would be grateful.
I will look to replace this one with a better one in the coming days.
Taken with a 100mm Canon FD macro lens. I also used a shutter release cable.
Thin flexicover books stacked on top of each other and reflecting on the shiny black surface of the table. Each one has a different color. They are not aligned on neither side. There's a bright light source coming from the left side of the image.
Focus stacked over 10 images of a plant. I had to do it manually because the object was fairly complicated in it's geometry. It didn't turn out very well, the edges are soft and not very apparent but it is what it is.
Stacks complete with their guillemot colonies . Seven of us trying to get the edge (well nearer the edge) on the others. Hope you guys enjoyed the evening as much as I did.
A few days after I made this stack I received an email from Lancaster University asking me if I would enter something for their 'Experimentality' exhibition. They had asked me several weeks before that but I couldn't think of anything that would fit the theme and so I put it to the back of my mind.
This latest email came within a couple of days of the closing date and when I thought about it I reckoned the stills from this video would fit the experimentality theme as I realised that I hadn't witnessed or tried to witness the demise or collapse of a sculpture in such a way before.
So I took the ten stills that make up this timelapse and made them into a single picture, entered it and was very pleased to be chosen. (I am saving the actual picture for an upcoming book as it looks quite cool).
Quite a bit of luck was involved in capturing the stills for that video. I had not planned it and just gave it a go not expecting very much at all. The results were quite good
and now the exhibition has finished, the gallery has given me the printed picture and I have spent some time looking at it. I like the sculptural quality of each shot as it moves from its equlibrium point and gradually collapses from frame to frame (although this all happens in less than a second).
And so this accident of discovery spurred me on to get out there today and try again. Another thing I often find with my art is my first go is the best and that is why I rarely repeat the same sculpture but move onto something new. My first try always looks more fresh to me and so it was with these new attempts at playing with gravity. The pebbles on top of the pagoda stack all balanced the first time quite easily. In that incarnation they also looked the most symmetrical and elegant. Yet when I tried to knock it over I only succeeded in knocking the top off (as shown in this timelapse) and had to rebuild the balanced pebbles at the top. And this took a frustrating age... You may notice that single shot of each sculpture is different to the timelapses or composites and that is because I got each one 'right' first time but had to rebuild them again to collapse them, but each rebuild did not have the form of the original.
Why does it come so easily the first time only for it to be painfully difficult the second? I have experienced this so many times but cannot write it off as coincidental.
I tried several more stacks and attempted to capture each demise. A couple of times the wind beat me to it but after learning how best to collapse and capture each stack it left me bemused how the collapse of the temple stack was so perfectly captured and yet I didn't know what I was after and didn't try to do anything in a particular way. I call it the art of slack or following the line of least resistance. When I try to achieve something I often fail, when I just do without expectation I am often much more successful. Why? I don't know, but it seems to work for me.
You might think the second frame is the same as the first, but if you look closely you will see that the shadow of the thrown stone is coming in from the left.