View allAll Photos Tagged stack
With the G&SW line closed for engineering work, 66094 waits for the off from Kirkconnel with 6K07 for Carlisle. Behind 66301 waits its turn.
These stacking up rocks serves as a breakwater at Blue Rocks, NS, Canada makes separated the inner side ocean warter so clam and made the shaoes of each beautiful rock reflected on it like a mirror.
An eastbound intermodal passes beneath the venerable and fading PRR signal bridge at Newport. Someday, it'll all be gone and this image will preserve what once was the Middle Division.
Update: It's gone.
Palmer, Alfred T.,, photographer.
Smoke stacks
1942
1 transparency : color.
Notes:
Title from FSA or OWI agency caption.
Transfer from U.S. Office of War Information, 1944.
Subjects:
World War, 1939-1945
Smokestacks
Industrial facilities
Format: Transparencies--Color
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Farm Security Administration - Office of War Information Collection 12002-28 (DLC) 93845501
General information about the FSA/OWI Color Photographs is available at hdl.loc.gov/loc.pnp/pp.fsac
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/fsac.1a35070
Call Number: LC-USW36-374
Taken at Minions high up on Bodmin Moor there are extensive mining remains throughout the area here . This one I am sure is the engine house to drive the stamps of Wheal Jenkin along with the stack of where the boiler house would have been .
Established (as a tin mining site worked by shallow shafts and an adit) when it was taken up in 1824, and worked by the Cornwall Great United Mining Association (London) between 1836-7.
A steam engine was erected at Wheal Jenkin in October 1836 to work 40 head of stamps, and 21 heads of new water-stamps were also under construction to handle the ore from the Cornwall Great United Mines.
In the 1870s Wheal Jenkin it was acquired by the Marke Valley adventurers of the adjoining Marke Valley Mine. In 1881, the mine was re-opened as part of Marke Valley Consols Mines Ltd. Working for tin, the former Whim shaft was re-opened as Bellingham's shaft, and, in 1886, the Holman's shaft (South Caradon) 70" engine was re-erected in a new engine house.
The mine closed in 1890 and there are no records of any attempt to re-prospect the lodes during the early years of the 20th Century. The Liskeard and Caradon Railway passes through the site.
On the Greenhouse, one of the experimental architectural structures on the campus of Cal Poly, San Luis Obispo.
Lasitihi plateau, Crete, September 4, 2019
(bidrag till flickr-gruppen Fotosöndag med tema "stapel")
(contribution to the Flickr group Fotosöndag with this week's theme "stack")
Stagecoach 36211 (KX60 LHT) is photographed along High Stack, Long Buckby, as it operates a D4 service for Daventry.
3rd August 2018
- www.kevin-palmer.com - With no set plans I drove through the Bighorn Mountains. This time of year the variable snow conditions always dictate where you can and can’t go. But to my surprise I was able to make it to West Tensleep Lake, the most popular trailhead for the Cloud Peak Wilderness. I had my eye set on a ridge above the lake, which had a commanding view of the surrounding valley and peaks. The creek crossing was another unknown but thankfully the ice held my weight. As I climbed upward the snow depth went from 6 inches to 12 inches to 18 inches. Staying on trail was impossible. Past the elk tracks at 10,000 feet I found the view I was searching for. The calmness of the valley was replaced by an icy wind. This same wind was creating lenticular clouds over the 12,000’ peaks to the east. Aside from wind, these clouds also require a stable, moist atmosphere. As air currents are forced upward over the high terrain, standing waves form downwind and clouds appear at the crest of the waves. These lens-shaped clouds often look like flying saucers or stacks of pancakes.
A westbound CSX intermodal train crosses the Wheeling and Lake Erie Hartland Subdivision in Wellington, OH while a manifest train passes beside them.
The Greenwich Subdivision is almost completely guarded by Conrail era trilights like the ones seen on this triple track bridge. The triple headed signal guards the Wheeling and Lake Erie connector seen just beside me as well as the storage track beside the connector that CSX uses randomly.
Trying my hand a cloud stacking with mixed results but I quite liked how this one turned out. This is a blend of 11 x 110 sec exposures taken @ Newport Beach, NSW. A storm was rolling up the coast which made for some nice clouds.
Spending my day off work, by going back and spending some time on photos I took in Texas. Re-edit of the amazing second supercell in SW Texas. Got to watch this with my noob friend Alec and the rest of the ETT crew. Did some HDR blending, some temperature changes and some noise reduction. Can't wait to get this image printed.
Loch Glencoul and the Stack of Glencoul from above Newton, Sutherland.
Copyright www.neilbarr.co.uk. Please don't repost, blog or pin without asking first. Thanks
Canon EOS 50D
Mitutoyo M Plan APO 10x 0.28 + Raynox 150
Tiempo exposición: 1,6" - ISO100
Canon Auto Bellows
Stacking
Nº de fotos: 208
Pasos: 5,96 µm
Magnificación aproximada: 9,49x
Taken a little while ago at Chemical Beach - Seaham.
Hopefully I'll have the time to get up for some more sunrises soon.....missing the tranquillity!
The Revanche Stacker Platforms have arrived
Currently in world
maps.secondlife.com/secondlife/Seductress/199/241/2100
MP: Later today
Only in Essential Colors Black, Sports Car Red, Pepto, Mono & Rainbow Leopard
"slink mid foot"
#Revanche
Canon 6D - Canon MP-E 65 - YN14EX- 1/180 - F11 - ISO 800
Focus Stacking handheld 4 shots combined with Zerene Stacker (PMax + DMap) and PP in Photoshop. -
Focus stacking a mano libera, 4 scatti uniti con Zerene Stacker (PMax + DMap) e PP in Photoshop.
Went out to catch the Falcon 9 Heavy launch. That li'l puff on the left. But all I got was this lousy stack XD
Evening Sea Stacks. © Copyright 2021 G Dan Mitchell – all rights reserved.
Sea stacks and surf on an overcast evening, Crescent City, California.
The circumstances of this photograph were just a bit unusual, and it is not quite the photograph that I thought I’d be making when I recently visited the coastline at Crescent City. Because the days are so long right now, we decided to go out for an early dinner, planning to head back out into the field to photograph an hour or so before sunset. The plans was not totally solid, but I had this spot in mind as one of the possibilities, as it more or less in Crescent City. We finished dinner and it was still too early for the photography I had in mind, so we did a bit of exploring before we ended up back at this post.
I had photographed these very rocks a couple of years ago, and this time I was imagining something with sunset light, the colorful ocean and sky, and perhaps some dramatic shadows. The conditions had something else in mind. To the north a line of clouds was arriving, likely the result of a weak incoming cold front. When it became apparent that the brilliantly colorful sunset I imagined was not to be (though something else interest did eventually happen) I rethought the mood I wanted to suggest and began to see the appeal in this framing of the scene, focusing on the foreground island with the more distant sea stacks closer to the top of the frame.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
The Moss Landing Power Plant from Elkhorn Slough, CA
I've missed a few Sunset Sundays...so this one is a two for one. Its a sunset and its the stacks!
More photos of the stacks here and more Sunset Sundays here
View large to see power plant stuff
Even though this was shot at f/8, both the wildflowers a few feet from me and the mountain dozens of miles from me are in focus. How? Click here to find out: traveljapanblog.com/ashland/2014/03/my-first-not-entirely...
Pose inspired by work by Barrie Spence with Lilith Etch here on Flickr, though I took a somewhat different approach in lighting. Barrie was also kind enough to answer a question of mine about a similar image he has with Lilith. Thank you Barrie, you continue to be an inspiration.
Definitely also one where the proportions of the model will make a real difference, as well as the model compared to the cube. Fortunately this model also has good flexibility.
Barrie's image with Lilith Etch
Model is anonymous
Comments and constructive critique are welcome, publicly or privately. Prints are available.
Smugmug portfolio and print on demand
Model Society portfolio (mostly art nudes)