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Canon eos 60D + Sigma 105mm os + 68mm of extension tubes + Flash Venus KX800. Stack of 10 shots hand held in the field on a living subject, F7.1 , 1/250s, iso 2500.
I dedicate this shot to Eddie The Bugman (a.k.a. Edward Nurcombe), a master of this type of portrait, whose photographs are an inspiration to me. Eddie hasn't posted since 2015, and appears to have fallen off the Internet. I hope he's OK - any news would be welcomed.
Pentax D-FA 100mm F/2.8 WR Macro, with HD DA 1.4X tele-converter, Raynox DCR-250, and off-camera diffused Godox AD180 flash. Five-frame handheld focus stack. 17MP crop to 4:3 aspect ratio.
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This stack of 12 focus points, each at 3 exposures take on an otherworldly aspect when taken to a minimal contrasted monochrome.
A Potterton garden, Aberdeenshire, Scotland
Trefor village lays on the Llyn peninsula North Wales a small village with a dramatic coastline. The stacks are best captured during sunset when the setting sun casts its warmth on the cliff face and surrounding rock.
South Stack Lighthouse Spring Sunset
tomaszjanickiphoto.co.uk/workshops-snowdonia-wales-landsc...
Guess where this was taken?
The Arctic? Nope.
Antarctica? Try again.
Siberia? No, no.
Believe it or not, this is right here in our beautiful state of Utah!
Don’t let chilly temps and gray skies steal three months of your life this winter. Nature doesn’t hit the snooze button just because it’s cold—and neither should you! Bundle up, grab your camera, and let’s go chase the frosty magic together.
2 last minute spots just opened up for our adventure Jan 11-14, 2025!
NS 4124 leads intermodal train NS 28X eastbound through Johnstown, Pennsylvania, as it heads for the CP C signals.
Happy New Year!
Planning to be more organized this year.
I cleaned out some drawers and these are papers that can be discarded, I think I'll use them as scratch papers.
In my future flat, there will be a wall.
A wall to be stacked up with notebooks, stamps, cameras..... etc.
More on Scription blog: moleskine.vox.com/library/post/stacks-of-things.html
The Stacked Deck: You will never find a more wretched hive of scum and villainy.
A standalone vignette, this creation will be on display at Brickworld Chicago next week. It combines many things I love about Batman the Animated Series, as well as various designs and techniques I’ve used over the years.
Here, we find many of Batman’s villains playing poker, ala 'Almost Got Im’, as well as some character relationships like that of Joker and Harley—apparently Joker is willing to risk his lovely sidekick in a game of poker! The design of the Stacked Deck was a hard one to pull off, and not just because I was so low on pieces that 50% of it is made from 1x1 dark green bricks! The curved roof is something I’ve wanted to do for a long time, and despite the flexibility of the pieces used, it was hard to keep them in place without the building exploding. The creation also features some designs I’ve used before, such as the ceiling fans from my Black Mask creation, and even some hanging fish hooks from way back when. For such a small creation, there are tons of details such as Croc and Bane throwing knives and Penguin standing on a box for a height advantage—oh and of course a Bat cowl hanging on the wall!
This creation is also meant to do more however; I’m currently out of the Lifelites products I desire, but luckily the company will be displaying products at Brickworld. So, once I arrive and get one last LED wire and the batteries (Which are impossible to find in store!), I’ll have one hanging, flickering light over the poker table. Anyways, enjoy online viewers, and those attending will be able to see this spectacular hive of villainy in person!
Enjoy!
The stacks off the coast of Vik in southern Iceland are very picturesque. I used a big zoom to try to capture the power of the massive waves breaking on the beach.
The Stacks of Duncansby, Duncansby Head at sunset as a hail shower moves across.
Copyright www.neilbarr.co.uk. Please don't repost, blog or pin without asking first. Thanks
Contraption for handheld and fast stacking in the field.
Of course only for insects that are not skittish ....
The support where the insect sits does not have to be cut, but in many cases I cut it off. If the insect doesn't buzz off after cutting, you're likely to have a good chance of getting the stack made.
The left hand (1) holds the specimen (4) and rests on a metal tube (3), recovered from an old tripod, about 27cm long. The metal tube slides neatly over a metal rod (2). The rod (2) is 27cm long, sits about 6.5cm under the camera base, 1cm outside its left side and is firmly fixed under the camera (stuff from Wondlan). A second rod (5) carries a ‘magic arm’ with diffusor (6) over the specimen (absolutely needed in bright sunlight).
Shifting the subject goes as follows: i hold the subject in my left hand, between index and thumb. While shifting the subject through the focal plane, my left hand rests on the sliding tube. So left hand and black tube slide together over rod 2. This helps to gain full control over lateral movements that could destroy the composition. It also helps to make steadier - regular shifts.
It didn't take much exercise and this slider is a great help. However, it does add wheight to the camera, but it's a winner since this method doesn't require the need for much heavier tripods and sliding plate, etcetera.
A small rod (7) is placed under the contraption and serves as monopod (12cm); it gives better support to the camera by resting it on the right knee or any other support available.
UPDATE (January 2018) of this rig here: www.flickr.com/photos/andredekesel/8086137225/in/dateposted/
Before you start hunting it is best to train all this on a static subject.
It's also good to have all the camera settings right before bringing the subject in front of the lens. Usually camera settings are like this:
a) The camera is set to continuous shooting, the highest frame rate. The more the better. The Sony A6300 (or A6500) has 11fr/sec, the Sony A7R5 has 10fr/sec.
b) while pressing the button, the specimen is shifted through the focal plane. Because of this movement, you need to use shutter priority and set it to at least 1/160sec or even faster (if light allows). You can also use aperture priority, but then keep an eye on the shutter speed, it should be faster than 1/160sec.
c) With the Sony A6300, A6500 or A7R5 an ISO setting between 200 to 400 gives excellent jpegs. I only shift it higher than 100 if necessary, so only when the resulting aperture is too low 2.8
d) in general i try to get an aperture around f5 and exposure compensation at -0,7 to -1.
e) I shoot with the highest jpeg, and i am only interested in stacks with images of 6000x4000px. Usually the A6300's buffer fills up after 60 images. This means that a complete shift/stack with the A6300 needs to be made in less than 5 seconds. Which is perfectly possible. With the A6500 or A7R5 this is not a problem, the buffer is big enough.
f) So far I have used this technique with the Canon's 100mm & 60mm macro, and also with Sony's FE90mm macro and the Laowa 65mm f/2.8 2X macro APO.
Examples of images made with this setup in the first comment lines
Stacked [Whatever] Block. I say [Whatever] because it could be so many different things. Bolts of fabric, books, bricks... Of course turning it sideways gives you a whole slew of new choices! You can read more and find the tutorial to download over here.
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I used this interesting light conditions to picture the stacked wood. It was littered with a beatufil cutting-pattern.
I walked through there on a little hiking tour across the beautiful forrest of the "Goldene Stiege" at Mödling near Vienna.
Niccy and I just got back from a transatlantic cruise so I've finally got some shots to post!
RHAPSODY (IMO: 9104835) is a Ro-Ro/Passenger Ship and is sailing under the flag of Italy. Her length overall (LOA) is 172 meters and her width is 30.4 meters.
MS Rhapsody, is an Italian cruiseferry operated by Grandi Navi Veloci. She was built at Chantiers de l'Atlantique in Saint-Nazaire, France for the French ferry operator SNCM as Napoleon Bonaparte.[1] In 1996, she was put on the Marseille–Corsica route,[1] replacing the old ferry Napoleon which was moved to the Marseille–Algeria–Tunisia route. On October 27, 2012, the ship broke its moorings in the port of Marseille due to strong winds, violently struck the dock, and sunk in the harbour.[2] Due to its financial difficulties, SNCM was unable to repair the ferry, and sold it to the Italian shipowner MSC in 2014.[3] Refloated, the ship was renamed Rhapsody and transferred to Grandi Navi Veloci to sail first between Italy and Albania, and then from 2017 on the Genoa-Porto Torres route.[1]
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Stacks
Melbourne, Victoria, Australia
© Lin Yihan
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Singapore
A lenticular cloud glows with the dawn light above Green Mountain and the Flatiron formation in Boulder Colorado. Technically known as “Altocumulus Standing Lenticular” these clouds form when air is forced up by mountains oriented perpindicularly to the flowing wind. At the crest of their movement clouds will form if there is sufficient moisture, shaped like flying saucers or pancakes, reflecting the gravitational spread of the deflected air. I’m unsure what causes the stacking that we see here. While the cloud appears stationary, the air is moving very quickly. The shape may change with time as the wind velocity changes. This cloud elongated after I took this photo (see future posts and link listed below).
While it looks like I’ve gotten carried away with the saturation and vibrance sliders, I’ve actually toned this down a bit. If you visit this link and input the date as Feb 6, 2016, starting at 6:45 am and ending at 7:30 am, you can see just how bright this cloud became, and watch the shape change with time. (#2)
Taken at Minions high up on Bodmin Moor there are extensive mining remains throughout the area here . This one I am sure is the engine house to drive the stamps of Wheal Jenkin along with the stack of where the boiler house would have been .
Established (as a tin mining site worked by shallow shafts and an adit) when it was taken up in 1824, and worked by the Cornwall Great United Mining Association (London) between 1836-7.
A steam engine was erected at Wheal Jenkin in October 1836 to work 40 head of stamps, and 21 heads of new water-stamps were also under construction to handle the ore from the Cornwall Great United Mines.
In the 1870s Wheal Jenkin it was acquired by the Marke Valley adventurers of the adjoining Marke Valley Mine. In 1881, the mine was re-opened as part of Marke Valley Consols Mines Ltd. Working for tin, the former Whim shaft was re-opened as Bellingham's shaft, and, in 1886, the Holman's shaft (South Caradon) 70" engine was re-erected in a new engine house.
The mine closed in 1890 and there are no records of any attempt to re-prospect the lodes during the early years of the 20th Century. The Liskeard and Caradon Railway passes through the site.