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St Peter's, Southrop
Location in Gloucestershire
Coordinates:51.7291°N 1.7088°W
OS grid reference SP 20209 03420
Denomination Anglican
Status Parish church
Functional status Active
Heritage designation Grade I
Administration Deanery Fairford
Archdeaconry Cheltenham
Diocese Gloucester
Province Canterbury
St Peter's Church is an Anglican church in Southrop, a Cotswolds village in the English county of Gloucestershire.
It is an active parish church in the Diocese of Gloucester and the archdeaconry of Cheltenham. It has been designated a Grade I listed building by English Heritage.
The church—on the site of an older structure—dates from the 12th century.
History and assessment
A church existed on the site in Anglo-Saxon times. The earliest part of the current structure dates from the 12th century.[1][2]
The Rev. John Keble was vicar of St Peter's from 1823–1825.[3] During his time at Southrop, he found a Norman-style circular baptismal font in the church wall.[4]
St Peter's was designated a Grade I listed building by English Heritage on 16 January 1961.[1] The Grade I designation—the highest of the three grades—is for buildings "of exceptional interest, sometimes considered to be internationally important".[5] In his 1982 work Cotswold Churches, David Verey described St Peter's as a "most precious" church.[2]
An active parish church in the Church of England, St Peter's is part of the Diocese of Gloucester, which is in the Province of Canterbury. It is in the archdeaconry of Cheltenham and the Deanery of Fairford.[6]
Model Kate Moss and guitarist Jamie Hince were married at the church on 2 July 2011.
St Peter's is built of limestone rubble and has a stone slate roof.[1]
The masonry has herringbone work.[2]
The plan consists of a nave with a south transept, a porch to the north, and a chancel to the east.[1]
The north entrance is Norman-style; the round arch of the porch has roll moulding.
The church doorway's jamb shafts have capitals with volutes. In the hood mould there is a tympanum with a diaper pattern.[2]
The north and south nave walls each have a window dating from the 12th century, and a later two-light window from the 19th century.
The nave also has a three-light Perpendicular style window with tracery.
The east window in the chancel contains stained glass from 1852 designed by Thomas Willement.[1]
Interior and fittings
The arch between the nave and chancel is Norman-style without moulding.[2]
There are two piscinae (basins) in the south wall of the chancel.[1]
The baptismal font discovered by Rev. John Keble in the 1820s is circular. It has eight arches and relief figures that include the Virtues (depicted as trampling the vices underfoot) and Moses.[2][4]
Monuments inside the church include effigies to Thomas and Elizabeth Conway, and memorials to the Keble family.[1][8]
See also
Grade I listed buildings in Gloucestershire
References
Footnotes
1.^ a b c d e f g "Church of St Peter". National Heritage List for England. English Heritage. Retrieved 2 July 2011.
2.^ a b c d e f Verey, pp. 106–107
3.^ Moore, p. 89
4.^ a b Moore, p. 90
5.^ "Listed Buildings". National Heritage List for England. English Heritage. Retrieved 2 July 2011.
6.^ "St Peter, Southrop". A Church Near You. Archbishops' Council. 2010. Retrieved 2 July 2011.
7.^ "Kate Moss and Jamie Hince Wedding Shuts Roads". BBC News. BBC. 2 July 2011. Retrieved 10 July 2011.
8.^ Moore, p. 91
Bibliography
Moore, John Frewen (1867). Memorials of the Rev. J. Keble. OCLC 53703981.
Verey, David (1982). Cotswold Churches. London: B.T. Batsford. ISBN 0-7134-3054-0.
[edit] External links
Media related to St Peter's Church, Southrop at Wikimedia Commons
St. Peter's Square
Gloucester MA, 01930
www.discovergloucester.com/venue/st-peters-square/?tribe_...
The HarborWalk winds through Historic Downtown Gloucester where you will find shops, art galleries, museums, historic homes and a wide range of restaurant and food establishments serving everything from authentic Italian sandwiches and pastries to casually sophisticated dining – and of course the freshest seafood you’ll ever taste. Downtown Gloucester is also home to numerous whale watches, boat excursions, theatre, art house cinema, lectures, readings, exhibitions, a monthly summer block-party and an outdoor ‘Bazaar’ in August.
Photo by: Holly Perry
St. Peter Catholic Church - Kirkwood, MO
What is particularly remarkable about the stained glass windows in this church is that they were originally designed, created, and installed by parishoners who lived in and belonged to the parish of St. Peter, namely Francis Deck and Emil Frei & Associates, Inc.
St Peter, Boughton Monchelsea, is one of a series of parish churches built on a sandstone ridge overlooking the Kentish Weald. It is one of them which was closed on my last visit to the area, so on Heritage Weekend I returned, and found it open and very friendly.
A volunteer had cleared some of the vegetation in the churchyard, and was making busy with a bonfire, whose smoke lazily crept through the boughs of ancient trees down the slope of the down.
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A church whose interior does not quite deliver all its picturesque exterior promises. The situation on the end of the sandstone ridge with far-ranging views is wonderful - and the lychgate is one of the oldest in the county, probably dating from the fifteenth century. Inside the results of a serious fire in 1832 and subsequent rebuildings are all too obvious. The plaster has been stripped from the walls and the rubble stonework disastrously repointed, whilst the poor quality mid-nineteenth-century glass installed by Hardman's studio is not typical of the usual high quality of that firm's output. However, the stone and alabaster reredos is just the right scale for the chancel, and compliments the medieval aumbry, piscina and sedilia. There is also a good range of eighteenth- and nineteenth-century memorials including a large piece at the west end by Scheemakers to commemorate Sir Christopher Powell (d. 1742).
www.kentchurches.info/church.asp?p=Boughton+Monchelsea
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BOUGHTON MONCHENSIE
LIES the next parish northward from Hedcorne. It is written in Domesday, Boltone; in later records, Bocton, and sometimes West Bocton; and now usually Boughton. It has the addition of Monchensie, (commonly pronounced Monchelsea) to it from the family of that name, antiently possessors of it, and to distinguish it from the other parishes of the same name within this county; and it is sometimes called, in the neighbourhood of it, Boughton Quarry, from the large quarries of stone within it.
THIS PARISH lies upon the lower or southern ridge, commonly called the Quarry hills, which cross it, the summit of them being the northern boundary of the Weald, so much therefore of this parish as is below it is within that district. The church stands about half way down of the hill southward, and close to the churchyard is the antient mansion of Boughton-place, pleasantly situated, having an extensive prospect southward over the Weald, in a park well wooded and watered; from hence the parish extends into the Weald, towards that branch of the Medway which flows from Hedcorne towards Style-bridge and Yalding, over a low deep country, where the soil is a stiff clay like that of Hedcorne before-described. Northward from Boughtonplace, above the hill, the parish extends over Cocksheath, part of which is within its bounds, on the further side of it is a hamlet called Boughton-green, and beyond it the seat of Boughton-mount, the grounds of which are watered by the stream, which rises near Langley park, and having lost itself under ground, rises again in the quarries here, and flowing on through Lose, to which this parish joins here, joins the Medway a little above Maidstone. These large and noted quarries, usually known by the name of Boughton quarries, are of the Kentish rag-stone, of which the soil of all this part of the parish, as far as the hills above-mentioned consists, being covered over with a fertile loam, of no great depth. At the end of Cocksheath eastward is the hamlet of Cock-street, usually called, from a public-house in it, Boughton Cock, when the soil becomes a red earth, much mixed with rotten flints; a little to the southward of which, at the edge of the heath is the parsonage, with some coppice wood adjoining, and on the brow of the hill, at the eastern bounds of the parish, the seat of Wiarton, having an extensive prospect over the Weald.
THIS PARISH was part of those possessions given by William the Conqueror, on his accession to the crown of England, to his half-brother Odo, bishop of Baieux, whom he likewise made earl of Kent, under the general title of whose lands it is thus entered in the survey of Domesday, taken about the year 1080:
Hugh, grandson of Herbert, holds of the bishop of Baieux Boltone. It was taxed at one suling. The arable land is two carucates. In demesne there is nothing. But five villeins have five carucates there, and two acres of meadow. Wood for the pannage of twenty hogs. There is a church. In the time of king Edward the Consessor, and afterwards, it was worth eight pounds, now six pounds. Alunin held it of earl Goduine.
Four years after the taking the above-mentioned survey, the bishop of Baieux was disgraced, and all his possessions were consiscated to the crown.
After which, this manor came into the possession of the family of Montchensie, called in Latin records, De Monte Canisio, the principal seat of which was at Swanscombe, in this county. (fn. 1) William, son of William de Montchensie, who died anno 6 king John, was possessed of this manor, and it appears that he survived his father but a few years, for Warine de Montchensie, probably his uncle, succeeded to his whole inheritance in the 15th year of that reign. Soon after which this manor passed into the possession of the family of Hougham, of Hougham, in this county.
OUGHTON MONCHENSIE is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Sutton.
The church, which is dedicated to St. Peter, is a small building, having a handsome square tower at the west end.
This church was given to the priory of Leeds, soon after the foundation of it by Henry de Bocton, and was afterwards appropriated to it, with the licence of the archbishop, before the reign of king Richard II. at which time the parsonage of it was valued at ten pounds, and the vicarage of it at four pounds yearly income, (fn. 4) both which remained part of the possessions of the priory till the dissolution of it in the reign of king Henry VIII. when it came, with the rest of the possessions of that house, into the king's hands, who by his dotation-charter in his 33d year, settled both the parsonage and advowson of the church of Bocton on his new-erected dean and chapter of Rochester, part of whose possessions they now remain.
The lessee of the parsonage is Mrs. Eliz. Smith; but the presentation to the vicarage, the dean and chapter reserve to themselves.
¶On the abolition of deans and chapters, after the death of king Charles I. this parsonage was surveyed by order of the state in 1649, when it was returned, that it consisted of the scite, which, with the tithes, was worth 56l. 3s. 4d. that the glebe land of twenty-nine acres and two roods was worth 8l. 16s. 8d. per annum, both improved rents; which premises were let anno 14 Charles I. to Sir Edward Hales, knight and baronet, by the dean and chapter, for twenty one years, at the yearly rent of 13l. 10s. The lessee to repair the chancel of the parish church, and the advowson was excepted by the dean and chapter out of the lease.
The vicarage is valued in the king's books at 7l. 13s. 4d. and the yearly tenths at 15s. 4d. per annum. In 1640 it was valued at sixty pounds per annum. Communicants, 177. In 1649 it was surveyed, with the parsonage, by order of the state, and valued at thirty pounds per annum, clear yearly income. (fn. 5)
The vicar of this church in 1584, but his name I have not found, was deprived for non-conformity; though he was so acceptable to the parishioners, that they, to the number of fifty-seven, made a petition to the lord treasurer, to restore their minister to them.
St. Peter's Basilica, Italy at Dusk
Taken on a tripod at F6.3 for 5 sec, ISO 100.
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Best regards,
Paul
#StPeters #Vatican #Rome #Photography #Travel
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All rights reserved. This image cannot be used without permission.
After many years than three attempts to see inside this year alone, finally, the door did open for me.
But, not at first, as the loack had two settings, the first did not work, a little bit of ompf and I was in.
A pleasantly small and simple church, with remains of wall paintings a simple rood screen.
My eye was taken by the roof and support beams, very nice.
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St Peter's is in a windswept location, in open farmland, with ancient yew trees and a patina of great antiquity. Abutting the north side of the tower, and entered from the church, is a rare medieval priest's house. The nave has a distinctly unusual atmosphere. It is lofty and plain, with much light flooding in from the large south windows. While there is no chancel arch there is a horizontal beam which carries the Royal Arms of George III. The three-crownpost roof is beautifully set off by whitewashed walls which are almost devoid of monuments. After the nave the chancel is something of an anti-climax, although there are traces of medieval wall paintings on the south wall.
www.kentchurches.info/church.asp?p=Molash
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MOLASH
Is the next parish westward from Chilham; it is a parish which lies very obscurely among the hills, being little known, and having very little traffic through it. The village, which is straggling, is situated near the western boundaries of it, the parish of Wye joining close up to it. The church stands close on the north side of the village; there are about fifty houses, and two hundred and sixty-five inhabitants, the whole is much covered with coppice wood, mostly beech, with some little oak interspersed among it; the country is very hilly, and the soil of it very poor, being mostly an unsertile red earth, mixed with abundance of slints.
There is a fair held here on the 16th of July yearly, formerly on the Monday after St. Peter and St. Paul.
The Honor of Chilham claims paramount over this parish, subordinate to which is The Manor Of Bower, alias Flemings, which is situated in the bo rough of Godsole, northward from the church, it took the latter of those names from the family of Fleming, who were once the possessors of it; one of whom, John de Fleming, appears by a very antient courtroll of this manor, to have been owner of it, and in his descendants it probably continued for some time; but they were extinct here in the reign of Henry VI. in the 24th year of which, as appears by another antient court-roll, it was in the possession of John Trewonnalle, in which name it continued down to the reign of King Henry VIII. and then another John Trewonnalle alienated it to Thomas Moyle, esq. afterwards Knighted, and he owned it in the 30th year of that reign; and in his descendants it remained till the reign of Kings James I. when it was alienated to Mr. Henry Chapman; at length his delcendant Mr. Edward Chapman leaving three sons, Edward, Thomas, and James Chapman, they became possessed of it as coheirs in gavelkind, and afterwards joined in the sale of it to Christopher Vane, lord Barnard, who died in 1723, leaving two sons, Gilbert, who succeeded him in the north of England; and William, who possessed his father's seat at Fairlawn, and the rest of his estates in this county, having been in his father's life-time created viscount Vane, of the Kingdom of Ireland. He died in 1734, as did his only son and heir William, viscount Vane, in 1789.s. p. (fn. 1) who devised this manor, among the rest of his estates in this county and elsewhere, to David Papillon, esq. late of Acrise, the present possessor of it.
Witherling is a manor in this parish, situated likewise in the borough of Godsole. In the antient records of Dover castle, this manor is numbered among those estates which made up the barony of Fobert, and was held of Fulbert de Dover, as of that barony, by knight's service, by a family of its own name. Robert de Witherling appears to have held it in the reign of king John, as one knight's see, by the same tenure; in whose descendants it continued down to the reign of King Henry VI. When Joane Witherling was become heir to it, and then carried it in marriage to William Keneworth, whose son, of the same name, passed it away in the reign of Henry VII. to John Moile, of Buckwell, who died possessed of it in the 15th year of that reign, as appears by the inquisition taken after his death, and that it was held of Dover castle. His son John Moyle sold this manor, in the 4th year of Henry VIII. to Hamo Videan, descended of a family of good note in this county. There is mention made of them in the Parish Register, from the first year of it, 1557, to the present time; but they have been decayed a long time, and their possessions dispersed among other owners; but there is still a green in this neighbourhood, called from them Videan's, (by the common people Vidgeon's) forstal. In his descendants it continued till the reign of King Charles II. when it was conveyed, by a joint conveyance, from that name to Mr. Tho. Thatcher, whose daughter Mary carried it in marriage to Mr. Henry Bing, of Wickhambreux, whose son John Bing (fn. 2) sold it to Mr. Edward Baker, for the satisfying his sister's fortune, whom the latter had married; and on his dying intestate, this manor descended to his four sons, Thomas Baker, clerk, Edward, Henry, and Bing Baker, who joined in alienating it, about 1771, to Thomas Knight, esq. of Godmersham, whose only son and heir of the same name died possessed of it in 1794, s. p. and by will devised this manor to Edward Austen, esq. then of Rowling, but now of Godmersham, who is the present owner of it. A court baron is held for this manor.
Chiles, alias Slow-Court, is a small manor in this parish, which some years since belonged to the family of Goatley, which had been settled here from the time of queen Mary. One of them, Laurence Goatley, died possessed of it in 1608. He then dwelt at his house in this parish, called Bedles, and was lessee of the parsonage. Searles Goatley, esq the last of this family, was brought from Maidstone a few years ago, and buried in this church. Laurence Goatley devised this manor to his third son Laurence, one of whose descendants passed it away to Moter, and in 1661 Alice Moter, alias Mother, of Bethersden, sold it to John Franklyn, gent. of this parish, whose daughter carried it in marriage to Thomas Benson, of Maidstone, and he in 1676, by fine and conveyance, passed it away to Robert Saunders, gent. of that town, as he again did in 1703 to Esther Yates, widow, of Mereworth, whose executors in 1716 conveyed it to David Fuller, gent. of Maidstone, who dying s. p. devised it in 1751 by will to his widow Mary, who at her death in 1775, gave it to her relation, William Stacy Coast, esq. now of Sevenoke, the present proprietor of it.
Charities.
Simon Ruck, gent. of Stalisfield, and Sarah his wife, by indenture in 1672, in consideration of 35l. granted to Thomas Chapman, gent. and John Thatcher, both of Molash, a piece of land containing three acres, called Stonebridge, in this parish, for the use, maintenance, and relief of the poor of this parish for ever.
Thomas Amos, yeoman, of Ospringe, by will in 1769 gave 100l. in trust, to be laid out in the public funds, and the dividends to be yearly paid, on the day of St. Thomas the Apostle, to the churchwardens, to be distributed to the most necessitous poor of Molash; which, with other money of the parish was laid out in the purchase of 125l. three per cent. reduced Bank Annuities.
The poor constantly relieved are about nine, casually twenty. five.
This Parish is within the Ecclesiastical Juris diction of the diocese of Canterbury, and deanry of Bridge.
The church, which is dedicated to St. Peter, is a small mean building, consisting of one isle and one chancel, having a pointed turret, shingled, at the west end, in which are three bells. There are several memorials of the Chapmans in this church, and in the isle is a stone, inscribed Pulvis Chapmannorum, under which is a vault, wherein several of them lie. In the chancel there is an antient gravestone, cossin-shaped, with an inscription round, in old French capitals, now, through time, illegible. The font is antient, having on it, Gules, three right hands couped, argent; a crescent for difference. In the Parish Register, which begins in 1558, are continual entries of the Videans, Goatleys, Franklyns, Thatchers, Chapmans, Moyles, and Wildish's, from that year almost to the present time. It is esteemed only as a chapel of ease to Chilham, and as such is not rated separately in the king's books.
¶The great tithes or parsonage of this parish were formerly a part of the rectory or parsonage of Chilham, and as such belonged to the alien priory of Throwley, on the suppression of which, anno 2 king Henry V. they were given to the monastery of Sion, which being dissolved by the act of 31 Henry VIII. they came, with the rest of the possessions of that house, into the king's hands, whence the parsonage of Chilham, which included this of Molash, was granted next year, together with the honor and castle, and other premises, to Sir Thomas Cheney, whose son Henry, lord Cheney, alienated the whole of them in the 10th year of queen Elizabeth, to Sir Thomas Kempe, of Wye, who in the 21st year of that reign alienated the parsonage or great tithes of this parish to William Walch, who held the same in capite, and he that year sold it to John Martyn, who as quickly passed it away to Richard Tooke, whose descendant Nicholas Tooke, in the 25th year of that reign, conveyed it in 1633, by the description of the manor of Molash, and all the glebes and tithes of this parish, to Sir James Hales, in which name it continued some time, till it was at length sold to Sir Dudley Diggs. who devised it to his nephew Anthony Palmer, esq. whose brother Dudley Palmer, esq. of Gray's Inn, in 1653, was become owner of it. It afterwards belonged to the Meads, and from them came to Sir Thomas Alston, bart. of Odell, in Bedfordshire, who lately died possessed of it, and his devisees are now entitled to it.
This church being a chapel of ease to that of Chilham, constitutes a part of that vicarage, the vicar of it being presented and institued to the vicarage of the church of Chilham, with the chapel of Molash annexed.
In 1585 here were communicants one hundred and twenty-six. In 1640 there were only forty communicants here.
This is what must have been the 4th time I have visited St Peter Old Church. The first was on a Good Friday a few years back, and when I approached the church, there was a service on. Another time there was a wedding, and further, on a Heritage Weekend, it failed to open.
So, when visiting the area at the beginning of the month, I mentioned that St Peter had been a bugbear of mine, Tim said its only a couple of miles away, we could try now.
Of course, driving from a different direction, not along the main road, I did not realise how close we were.
So, we would try.
Apart from the dowser in the churchyard, who was scattering, or rather placing, dozens of small pieces of white cloth about, but would move them if I wanted. I said no thanks, and left him to his stick waggling. Or that is what I said to Tim, but of course, I do not know if dowsing is any good, or what he was dowsing for.
Inside the church, several ladies were making busy, preparing the church for the next day's harvest festival, so many of them are in the shots, but it makes for a very welcoming sight indeed.
So very good to finally get inside, and many thanks to Tim for taking me.
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A much restored Norman church, with a tiny twelfth-century window set just above the (later) porch roof. There is a good example of a fifteenth-century low side window in the south-west corner of the chancel. The pews, pulpit and tiles are typical of mid-nineteenth century restorations, yet above is the fine nave roof of the usual crownpost type. It displays nicely pierced spandrels with a quatrefoil and dagger design. In 1846 Lord Camden built a new church on the main road in the village centre. Even so the old church is extremely well maintained and much loved in the neighbourhood. The churchyard contains many good headstones including one to Sir Morton Peto, the famous nineteenth-century engineer.
www.kentchurches.info/church.asp?p=Pembury+1
The first known record of Pembury, originally Pepingeberia, is to be found in the 'Textus Roffensis' (c1120). It tells of the manors of Pepenbury Magna (Hawkwell) and Pepenbury Parva (Bayhall).
The Advowson was granted by Simon de Wahull to Bayham Abbey c1239. (Advowson is the right in English Law of presenting a nominee to a vacant parish. In effect this means the right to nominate a person to hold a church office in a parish).
Pembury has two churches dedicated to St Peter. The oldest, known as the Old Church, stands outside the modern village in the woods to the north of the A228 bypass. The newer building, known as the Upper Church, stands in the heart of the village on Hastings Road.
The plan of the Old Church and the little Norman window above the South door indicate that the original Church dates from 1147 at least, or even 1100AD. Most of the present Church was built in 1337 by John Colepeper of Bayhall. He also built the chantry chapel of St Mary in the churchyard in 1355 but this was pulled down at the Dissolution of the smaller Monasteries in 1547 and three windows in the body of the Church were inserted with the money gained from the sale of the lead which had covered the chapel.
The most notable feature inside the Church is the roof of the nave. It is said to be one of the best specimens of the tie-beam and kingpost type in the country.
On the north wall near the pulpit there is an interesting brass with an inscription and a figure of an Elizabethan child, Elizabeth Rowe. There are two slabs set into the Sanctuary floor in memory of Dorothy Amherst (1654) and Richard Amherst (1664). The Amherst family owned the manor of Bayhall at this time.
During the nineteenth century a number of alterations were made to the Church, including the raising of the Chancel floor. This meant that the oldest tombstone was completely covered over. The inscription round the edge of the slab, written in Norman French, tells is that it is the resting place of Margaret, the daughter of Sir Thomas Colepeper.
Among the other memorial tablets there are several of the Woodgate family, three of whom were vicars of Pembury in the nineteenth century. Under the tower is a memorial to Lord George Spencer-Churchill.
The Organ, which has one manual and a pedal-board, dates back to 1877. It was made by Hill and Son, London, and cost £130. The organ was fully restored to its former glory in 2006. There are four bells which are now fitted with a chiming apparatus so that they can be rung by one person.
www.pemburychurch.net/pembury_old_church.htm
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Pembury is within the ECCLESIASTICAL JURISDICTION of the diocese of Rochester and deanry of Malling.
¶The church, which is dedicated to St. Peter, has a spire steeple at the west end. It was built by one of the family of Colepeper, patrons of it, and most probably by John Colepeper, esq. in the reign of king Edward III. for on the three buttresses on the south side of the chancel, there remain three shields of coat armour, each carved on an entire stone of about two feet and an half in depth, and the breadth equal with that of the buttress, which shews them to be coeval with that of the building itself. On the first is a rectangular cross; the second is the coat armour of Hardreshull, A chevron between eight martlets, viz. five and three, the above-mentioned John Colepeper having married the coheir of that family; the third is that of Colepeper, a bend engrailed. On a very antient stone on the pavement of the chancel, is an antient inscription in old French, for Margaret, the daughter of Sir Thomas Colepeper, which seems as early as the above mentioned reign. There are several monuments and memorials in it of the family of Amherst and their re latives; an inscription and figure in brass for Elizabeth, daughter of Richard Rowe, esq. of Hawkwell, anno 1607; a tomb for George Bolney, esq. who married a Wybarne; and in the porch are two antient stones with crosses on them.
¶The advowson of the church of Pembury was given with it, by Simon de Wahull, to the abbey of Begham, in Sussex, in pure and perpetual alms, as has been already mentioned.
¶Pope Gregory IX. anno 1239, granted licence to the abbot and convent to hold this church, then of their patronage, and not of greater value than ten marcs, as an appropriation upon the first vacancy of it, reserving, a competent portion for a vicar out of the profits of it. Notwithstanding which, it was not appropriated till the year 1278, when Richard Oliver, the rector, resigned it into the hands of John de Bradfield, bishop of Rochester, who granted his letters mandatory, for the induction of the abbot and convent into the corporal possession of the church, with its appurtenances, according to the tenor of the above-mentioned bull. (fn. 7)
¶The parsonage of the church of Pembury, with the advowson of the vicarage appendant to the manor, continued with the abbey of Begham till the dissolution of it in the 17th year of king Henry VIII. when it was surrendered into the king's hands, after which it passed in the same tract of ownership as the manor of Pembury, and appendant to it, till it became the property of William Woodgate, esq. lord of that manor, and the present patron of it.
¶It is a discharged living, of the clear yearly certified value of 46l. 10s. the yearly tenths of which are 12s. 8d.
¶Charles Amherst, esq. of Bayhall, by his will in 1702, gave as an augmentation to this vicarage, the sum of ten pounds to be paid yearly by such persons to whom the manor of Bayhall, with its appurtenances, should come and remain after his death.
¶In 1733 the Rev. George May, vicar, augmented it with the sum of 100l. 17s. 6d. to entitle it to the benefit of queen Anne's bounty.
¶There is an annual pension of forty shillings paid out of the parsonage to the vicar, which was settled on him and his successors, at the time of the appropriation of this church. The tithes of corn and grain of which this parsonage consists are now worth about one hundred and twenty pounds per annum.
¶The vicarage is now worth about one hundred and fifty pounds per annum.
St Peter, Barnburgh, South Yorkshire.
North Chapel.
An early C14 wooden Effigy of knight with heart in hands; now set within buttressed and canopied tomb to Sir Percival Cresacre (d.1477). with much Latin inscription.
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St Peter, Barnburgh, South Yorkshire.
Grade l listed.
The Church of St Peter is situated at the centre of the village of Barnburgh, near Doncaster, in South Yorkshire, and serves the communities of Barnburgh and Harlington.
Construction
St Peter's consists of a tower of four stages surmounted by a small, squat spire, a nave with north and south aisles, a chancel with a north aisle or chapel, and a porch. The church is built of a mixture of sandstone and magnesium limestone.
Although there has been a church on this site since c. 1150 AD, nothing remains of the original church.
There is a private chantry chapel north of the chancel for the Cresacre family, who were Lords of Barnburgh from the 13th to the 16th century. Most of this chapel is taken up by the tomb of Sir Percival Cresacre (who died in 1477) and his wife, Alice (died 1450).
Cat and Man Legend
The Cat and Man Legend tells of events said to have occurred before the 15th century. There was formerly a hall at Barnburgh which was in the possession of the Cresacre family. According to the legend, a knight of the Cresacre family (reputedly Sir Percival Cresacre, but this is disputed) was returning home late on the heavily wooded track from Doncaster through Sprotborough and High Melton.
As he was approaching Barnburgh, a wildcat (or a lynx) sprang out of the branches of a tree and landed on the back of his horse. The horse threw its rider to the ground and fled. The cat then turned on the knight and there followed a long, deadly struggle between the two which continued all the way from Ludwell Hill to Barnburgh.
After fighting the cat the mile's distance to the village of Barnburgh, the knight made for the porch of St Peter's Church, presumably to try to get inside the church and close the door on the animal. The fight had been so fierce, however, that Sir Percival fell dying in the church porch and, in his last, dying struggle, stretched out his feet and crushed the cat against the wall of the porch.
Thus, the legend goes, the cat killed the man and the man killed the cat. They were found some time later by the search party that went out after the knight's horse had returned home riderless.
Stones in the floor of the porch of St Peter's are tainted with red. There is also a cat at the feet of the Cresacre effigy in the north aisle of the church.
en.wikipedia.org/wiki/St_Peter%27s_Church,_Barnburgh
See also:-
www.barnburghandharlington.co.uk/stpetershistory.html
barnburghandharlington.co.uk/historycatman.html
historicengland.org.uk/listing/the-list/list-entry/115167...
St Peter's at Wallsend dates back to the medieval period, but only the west tower remains from the pre-Reformation building, the rest fell into disrepair by the mid-18th century and has been substantially rebuilt since, most thoroughly in 1892 when it was left in the form we see today.
The interior is thus the result of the late Victorian restoration, complete with an ornately carved nave roof adorned with angels, though the proportions are still largely those of the previous rebuilding at the beginning of the same century.
What strikes the visitor most about the internal layout is the subdivision that has created a wall and glazed screen within the chancel arch with the altar now set before it, thus the nave remains in use as the church whilst the chancel now serves as the parish hall (converted following structural problems in the 1980s), though fortunately the glazed division means that the visual unity of the spaces is at least retained.
The real reason to visit this church however is the glass, an astonishing set of windows including the only windows in England by the Irish An Tur Gloine artists Michael Healy and Ethel Rhind dating from the 1920s. Healy is particularly well represented here with two windows in the nave and a further two in the former lady chapel (now the sacristy). The windows are characteristically rich expressions of the Irish Arts & Crafts tradition.
The most recent window was added in 2017, the 'Stella Maris' window by Tom Denny at the west end is a gorgeous example of the artist's work and worth a visit on its own.
The church isn't often open outside of service times so I am greatly indebted to Fr David Sudron for kindly allowing me time to enjoy the glass and explaining the symbolism of the wonderful Denny window he'd commissioned.
For more on the church see the link below:-
My friend, Simon, has 909 churches in Norfolk listed, which means that along any road or lane you might just stumble on a flint-built church, nesting at the edge of farmland or in the lea of a wood. Signposts pointing to a village or town is likely to have a church of interest.
So, driving down the main road, passing the sign for Smallburgh, I wonder if it might have a church, then I see it don a lane a hundred metres away, so, stop again.
A small and simple church, but blocked rood stairs show it is much older than it looks.
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Like many East Anglian towers, St Peter's was in a state of disrepair by the late 17th century; flint is a fairly high maintenance material, and lavishing money upon the buildings was frowned upon by the puritans, an attitude reflected in much of the Anglican church itself. And so, it collapsed, taking the western half of the nave with it, to be patched up with the mean-looking tower that Bloomfield saw in the early 19th century.
It was not until 1902 that Walter Tapper's west end was built; Pevsner called it ugly, but I think this is unfair. It is certainly austere, and perhaps sits a little uncomfortably in the rambling graveyard; in truth, there is an urban quality about it.
But if not wholly in keeping it is seemly and imparts a certain amount of gravitas not typical of the period. I rather liked it, especially the crossed keys below the bells. No doubt about the patron Saint here.
More curious are the windows to south and north of the nave. No aisles here, no clerestory; the walls were heightened, presumably in one campaign, but the windows are a mixture of Perpendicular and Decorated. There is a symmetry to them, the earlier style in the middle flanked by two of the later on both sides of the church. I wondered if the Decorated windows were actually a Victorian conceit, although they appear to be genuine, unlike the tracery of the great east window, which is Victorian.
Entering the church, there is a spartan austerity about the interior that matches the west front. This contrasts greatly with the vividly painted roof, which is contemporary with the rebuilt west end, but was painted in the 1920s under the direction of the Rector's wife. The interior is certainly unlike other Norfolk village churches. I'd guess it is something of an acquired taste.
Actually, I found the roof quite interesting. In the style of a traditional Norfolk hammerbeam roof (though I assume that the hammerbeams are false) it is painted with texts rather than images - the Te Deum Laudamus to south and north, and Psalm 150 forming a canopy of honour at the east end. I thought this showed that the Rector's wife must have had a good understanding of medieval liturgical dynamics, because general thinking nowadays is that the angel roofs of medieval churches were exactly this; not mere decoration, but a hymn of praise reflecting the devotional activities in the space below. Interestingly, the hammerbeam ends stick out into the air, and ache to have angels on the end of them, but there are none. I wonder if they were ever intended?
Despite all this modern rebuilding and redecoration, there are some interesting medieval survivals here. The rood screen dado is painted with eight Saints; they are in very poor condition, but enough survives to make identification of some of them possible. On the north side are St Anthony with his little pig, a King (possibly Henry VI), St Benedict and what must have been a fine St George. On the south side, in rather better condition, are St Giles with a fine leaping hart, St Lawrence with his grid iron and two figures that are almost entirely lost, except that they appear to be the ghosts of bishops.
Intriguingly, there are three more panels reset on the east wall. The panels themselves are of different sizes, but they may have come from either the rood loft or from the doors in the screen. One of the figures is certainly St Peter. The other two are Bishops, and it has been conjectured that these two, along with the two faded figures on the screen, might make up the four Latin Doctors: Augustine, Jerome, Ambrose and Gregory, a popular foursome on late medieval Norfolk screens. However, it must be said that one of the figures appears to have the word 'Martin' lettered at the bottom.
I was pleased to find the church open, and the nice lady hoovering inside told me that it always is on a Saturday. She was extremely knowledgeable about the building, which is reassuring, since people who understand a building are more likely to exercise a proper duty of care towards it. And St Peter is not an easy building to love, but it is full of interest. As I said, something of an acquired taste.
www.norfolkchurches.co.uk/smallburgh/smallburgh.htm
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The chief lordship of this town was at the survey in the abbot of Holm, and held of him by a socman, who had a carucate of free land, and gave it to that abbey in the time of King Edward, and held it after of the abbot: there belonged to it 2 villains, with a carucate and an half, and 2 acres of meadow, valued at 20s. The whole was 10 furlongs long and 12 perches broad, and the gelt was 8d. (fn. 1)
The abbot's temporalities in 1428 were valued at 25s. and 7s. in rent at the Dissolution.
The family of De Smalburgh were enfeoffed of the greatest part of it soon after the conquest, and claimed the right of patronage belonging to it. In the 12th of Henry III. John de Smalburgh granted to Peter de Brompton and Maud his wife, lands claimed as part of her dower from Henry de Smalburgh, her late husband.
In the 5th of Edward I. William, son of Reginald de Smalburgh, was petent, and Bartholomew de Corston and Maud his wife, deforcients, of 3 messuages, lands and rents here, and in Barton; and in the 8th of that King, Thomas de Smalburgh conveyed with Beatrice his wife, to John, son of Walter de Smalburgh, eight messuages, a mill, with several parcels of land here and in Berton.
Of this family was Sir William de Smalburgh, who died about the 48th of Edward III.
Catt's Manor
Was held of the abbot by fealty, and the rent of 4s. per ann. Edmund Bokenham, Esq. who died in 1479, and had lands and a tenement in Smalburgh, called Baxter's, purchased this lordship of the executors of Henry Catt.
John Wychingham, Esq. son of John, settled it on Ann his wife in the reign of Henry VII. and came to his daughters and ceheirs. In the 33d of Henry VIII. Christopher Coote. Esq. and Elizabeth his wife, passed it to William Arnold. In 1575, Thomas Pettus, alderman of Norwich, possessed it; and by an inquisition taken at Worsted, January 21, in the 19th of James I. Sir Francis Jones was found to be seised of it in right of his wife, with Trusbut's in this town, and of a fishery called Eale-Set, in Barton Water, and Sutton, valued at 12l. 6s. 8d. per ann.
Roger Bigot, ancestor of the Earls of Norfolk, had, on the conquest, the grant of a lordship of which 3 freemen were deprived, who had a carucate of land, with 12 borderers, and 3 socmen who possessed then 3 carucates of meadow, 2 of them were accounted for in Antingham, and the 3d was valued at 10s. (fn. 2) One of them was under the protection of the predecessour of Robert Malet, and the other of St. Bennet of Holm, which abbey had the soc.
In the 3d year of Henry III. William de Stalham granted by fine to Robert de Bosco, a carucate of land in this town, Bertham and Dilham, who regranted it to William, to be held of Robert and his heirs, by one knight's fee.
This came in the next reign to Sir Jeffrey Withe, by the marriage of Isabel, daughter and coheir of Sir William de Stalham; he was found to hold one fee here and in Dilham, of Sir Robert de Boys; and Sir Robert of Sir Richard de Rokele, who held it of the Earl Marshal. Sir Jeffrey lived at Hepperuth in Suffolk, and was father of Sir Olyver Wythe, who was living in the 16th of Edward I.
Jeffrey Wythe, the prior of Norwich, John de Smalburgh, Roger de Gyney, were returned to have lordships here, in the 9th of Edward II. and in the 9th of Edward III. John de Hederset and Elizabeth his wife, convey to Olyver Wythe and Wynesia his wife, 12s. 6d. rent, with the homage and services of Isabel Wyche, William de Felburgh, &c.
In 1373, Sir Jeffrey Wythe of Smalburgh gives his body to be buried in the churchyard of the brethren of Mount Carmel, (the White Friars) of Norwich; (fn. 3) his will was proved the last day of February, in the said year; and Alice his wife was executrix; and in 1361, Dame Alice Wythe was buried in that convent, as was Sir Oliver Wythe her husband.
Sir John Wythe, by his will, dated on Monday before the feast of St. Peter in Cathedra, (February 22,) desires to be buried in the chancel of Beeston church; names Sibilla his wife; and was proved in the said year, September 30, 1387: he left a daughter and heiress, Amy, or Anne, married to Sir John Calthorp. Sibilla her mother, was daughter and heir of Sir Edmund de Omer, and after the death of Sir John Wythe, was married to Sir William Calthorp. father of Sir John, and surviving Sir William, was buried by her first husband Withe, in the chancel of Beeston on the south side, to which church she was a benefactress, as may be seen in Calthorp.
In this family it continued, Sir Philip Calthorp dying lord in 1535; Elizabeth his daughter, being heir to her brother Philip, who died s. p. brought it to Sir Henry Parker by marriage, who had livery of it in the 3d of Edward VI. and was sold by Sir Philip Parker in the reign of Queen Elizabeth, to Charles Cornwallis, Esq. who about the 37th of that reign, conveyed it to Thomas Gross, Esq. and Sir Charles le Gross, presented to the rectory in 1620, and Charles le Gross, Esq. in 1693, was lord: he sold it to Giles Cutling, an attorney at Norwich.
The heir of Cutling married James Smith, a mercer of Norwich. In 1713, Catherine Smith, widow, presented, as her right, it being an alternate presentation, and is now in Mr. Aufrere.
The prior and convent of Norwich had also a lordship here. Gunnora, sister of Hugh Bigot Earl of Norfolk gave them Elstan de Bac, a freeman, for an exchange of whom the said Earl, by deed, sans date, in the reign of King Steven, or Henry II. gave them Godwin de Smalburgh and Alfer, both freemen, (fn. 4) with their lands, to be held as freely of the prior, as they had been of him, and that they might honourably perform yearly his father's anniversary, and for his own soul and of his brothers and sisters, all his ancestors and successors. Richard de Turbeville, Robert de Reymes, Gilbert de Coleville, &c. are witnesses.
Pope Alexander III. in 1176, confirmed to John Bishop of Norwich, lands here and in Dilham, of the fee of Earl Hugh.
The Earl Warren had an interest here, his manor of Witton, probably extending into this town.
William de Heggs and his parceners held the 10th part of a fee of Richard de Berningham, and he of the Earl Warren, about the 20th of Henry III. and John de Hemmesby, and Adam Tucker, held it in the 20th of Edward III. of Oliver Wythe, and he of the Earl. In the 3d of Henry IV. Richard Kirope, and his parceners were in possession of it, held of the heirs of Wythe, and they of the Earl of Arundel.
The tenths were 5l.—Deducted 13s. 4d.—Temporalities of the prior of Hickling 11s.
The Church is dedicated to St. Peter and is a rectory. By an inquisition taken before the archdeacon of Norfolk, it was found that the church of Smalberge was vacant, and that the abbot of St. Bennet presented last, and that Robert de Smalbergh, Reginald, son of Hugh, Hubert, John and Theobald, sons of William de Smalberge, freemen of the said abbot, say they are the true patrons; (fn. 5) also Jeffrey son of Ralph, William son of Simon, and John son of William de Smalberge, say they are true patrons.
But all these by several deeds, sans date, about the time of King John, as I take it, released all their right to the abbot.—Witnesses, Sir Fulk de Baynard, Sir Bryan de Hickling, Sir Richard de Butler, &c.
In the reign of Edward I. the abbot was patron. The rector had a manse and 8 acres of land, valued at 13 marks. Peter-pence 10d. The prior of Norwich is said to have a portion of tithe valued at 6s.— The present valor is 10l. 14s. 2d. and is discharged.
The Bishop of Norwich has an alternate right of presentation.
Rectors.
In 1305, Henry Hemenburgh instituted, presented by the abbot of Holm.
1316, Robert de Bardelby, junior.
1318, Thomas de Bardelby occurs rector in 1326.
1346, John de Ludham.
1347, Robert de Morton, presented by the King, in the vacancy of an abbot.
1349, Roger de Barneburgh, by the King.
1365, Robert Druel, by the abbot.
1365, Thomas Rand.
1367, John de la Walle.
1371, Robert Spencer.
1409, Oliver Mendham.
1438, Richard Palmer.
1475, John Keving, late abbot of St. Bennet's.
1500, Richard Jordan, on Keving's death.
1525, Mr. Christopher Bland, A. M.
1525, Mr. William Pay, A.M.
1526, John Tacolneston, alias Brown.
William Ugge, rector.
1557, Mr. Robert Rugge, archdeacon of Suffolk, by the assignees of the Bishop of Norwich.
1559, John Rydley, by the Queen.
John Fenton occurs in 1596.
1602, Henry Woodhouse, LL.D. by the Queen, the see being void; in his return in 1603, he says that the Bishop and Sir Philip Parker, late lord, were patrons alternately.
1629, Thomas Hennant, A.M. by Sir Charles le Gross.
1659, Edmund Shilling, by Thomas Gross, Esq.
1681, Andrew Thexton, by Charles le Gross, Esq.
1713, Richard Oram, on Thexton's cession, by Catherine Smith, widow.
1762, Richard Humphreys, by the Archbishop of Canterbury, his option.
Here was the guild of Jesus, and in the church the picture of Edward the Confessor, in his regalia, and his arms, and the arms of Wythe, azure, three griffins, passant, in pale, or,—and those of Calthorp.
In 1677, the steeple fell down, and defaced part of the church; 2 bells were sold to build up a gable, and one left.
The Bishop of Norwich is said to have the patronage, on the exchange of the lands (in King Henry VIII.) of the abbot of Holm with the Bishop.
¶The church of Smalburgh in Edward the Fourth's time, is said to be 42 paces long and 18 broad.
www.british-history.ac.uk/topographical-hist-norfolk/vol1...
To hear the famous Sun organ in the church to St. Peter and Paul is a must. There are free concerts at noon several times a week.
Read more:
Youtube concert:
www.youtube.com/watch?v=_AAb_hsfoio
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Die berühmte Sonnenorgel in der St. Peter und Paul Kirche muss man gehört haben. Mehrere male in der Woche gibt es im 12 Uhr ein freies Konzert .
Mehr über die Orgel:
Konzert:
Last autumn, we felt confident enough to start arranging things in the new year. One of these was a show by Chinese acrobats that Jools wanted to see. She got Jen, Sylv and a friend to go. And yesterday was the day of the show. I made it clear it wasn't for me, but I would go up to rephotograph some City churches and we would meet up afterwards for a meal before coming home.
When we arrange things, we don't know what slings and arrows fate might throw at us. In Tuesday's case, it was a Tube drivers strike, and no last minute talks fixed that. I could arrange my trip to avoind using public transport other than the train up and back home, which were unaffected. Jools thought they would be OK, as their tickets were for the Odeon, which she thought was in Leicester Square, but it turned out was the old Hammersmith Apollo. Now, usually this would not have been a problem, but on Tuesday it was.
They arranged to leave an hour earlier than planned and try to get a taxi, which they did after waiting in line for an hour, getting to the theatre just half an hour before showtime, leaving them only time to get a snack.
Their journey up was done outside rush hour, the show ened at five, and they had to get back to St Pancras. Which would prove to be an adventure.
For me, however, it was a walk in the park. And to add to the pleasure of the day, I would meet up with my good friend, Simon, owner of the Churches of East Anglia website, just about every word and picture done by his own hand. His website also covers the City of LOndon churches, so I asked if he wanted to meet up; he did, so a plan was hatched to meet and visit a few churches, one of which, King Edmund, he had not been inside. He wouldn't arrive until jsut after ten to get the offpeak ticket prices, I would get up early as a couple of the churches would be open before nine.
A plan was made, and I had a list of chuches and a rough order in which to visit them.
The alarm went off at five, and we were both up. I having a coffee after getting dressed and Jools was to drop me off at the station, and as we drove in the heavy fog that had settled, I realised there was a direct train to Cannon Street just after seven, could I make it to avoid a half hour layover at Ashford?
Yes I could.
Jools dropped me off outside Priory station, I went in and got my ticket, and was on the train settled into a forward facing seat with three whole minutes to spare.
The train rattled it's way out of the station and through the tunnel under Western Heights, outside it was still dark. So I put my mask on and rested my eyes as we went through Folkestone to Ashford, an towards Pluckley, Headcorn, Marden to Tonbridge, Sevenoaks and so onto south east London. The train filled up slowly, until we got to Tonbridge which left few seats remaining, and at Sevenoaks, it was standing room only, but by then its a twenty minute run to London Bridge.
After leaving London Bridge station, the train took the sharp turn above Borough Market and over the river into Cannon Street. I was in no hurry, so enoyed the peace and space of an empty carriage before making my way off the train then along the platform and out onto the street in front. A heavy drizzle was falling, so I decided to get some breakfast and another coffee. Just up Walbrook there was an independent sandwich place, so I went in and asked what I wanted: faced with dozens of choices, all made to order, I had no idea.
I decided on a simple sausage sandwich and a coffee and watched people hurrying to work outside. I had all the time I wanted.
I check my phone and find that opening times were a little different, but St Mary Aldermary was open from half eight, so I check the directions and head there.
It was open, mainly because there is a small cafe inside. I ask if I could go in, they say yes, so I snap it well with the 50mm lens fitted, and decide that something sweet was called for. They recommended the carrot cake, so I had a slice of that and a pot of breakfast tea sitting and admiring the details of the church. Once I had finished, I put on the wide angle lens and finished the job.
Just up the lane outside was St Mary-le-Bow, which should also be open.
It was. Also because they had a cafe. I skipped another brew, and photographed that too, and saw that the crypt was open too, so went down the steps to that. Simon tells me that the church got it's name because of the brick arched crypt: bowed roof.
A five minute walk past The Bank of England was St Mary Woolnorth and St Mary Abchurch: both open, and both recorded by my camera and keen eye.
It was now near to ten, so I texted Simon to let him know to meet me at St Edmund, and I set off in the wrong direction. I only realised this when I was the other side of The Bank, so checked my map and retraced my steps and went down Lombard Street.
The rain was still falling gently, and I was damp, so found shelter under a balcony, as the church was not unlocked. The smell of tale piss rose from the pavement, it wasn't pleasant.
Simon arrived, we shook hands and reviewed the plans, and with it being nearly half ten, thought we would give Stephen Walbrook another go. And wonder of wonders, it was open! The church has been reordered, which isn't to everyone's taste, but the doughnut in the centre can be removed if needed, and Wren's church is still there, including the wonderful painted ceiling.
We went to Cornhill, as Somon had never visited St Peer there, or rather never found it open. I had a feeling that Friends of the City Churches were watching it on Tuesday, so should be open. And it was, although a workshop was going on, we went round not getting in anyone's way getting shots, and then chatting with the watcher, who didn't quite match Simon's knowledge, but the watcher had his book for reference.
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An early foundation, probably a Saxon church set in the former forum of the Roman Londinium. The medieval church was larger than today's, an important church with charitable foundations including a library and a school by the 15th Century. As Wayland Young observes, chantries were many and rich. All were dispersed at the Reformation. The church was destroyed in the Great Fire, and rebuilt by Wren in the early 1680s. This is a church worth viewing from different aspects. From Cornhill it is a reminder of what many City churches were once like, with buildings crowding all around and shopfronts flanking the porch. Everybody loves the devil perched on an adjacent gable. The story goes that the owner was forced to pull down an earlier building because he had unwittingly encroached on church land. From Gracechurch Street the tower and spire can be seen, while from the south the aspect is much more intimate across a small garden.
As with its near neighbour St Michael Cornhill, a surprising amount of the 19th Century restoration survives here thanks to these tightly-packed buildings at the east end of Cornhill surviving the Blitz. However, the nave glass by Hugh Easton and the AK Nicholson studio is all 20th Century and variable according to taste. Most moving is a small memorial to seven children killed in a house fire in 1782. It remembers James, Mary, Charles, Harriet, George, John, Elizabeth, the whole offspring of James and Mary Woodmason, in the same awful moment on the 18 Jan 1782 translated by sudden and irresistible flames in the late mansion of their sorrowing parents from the sleep of innocence to eternal bliss. Their remains collected from the ruins are here combined. A sympathysing friend of the bereaved parents, their comanion through the night of 18 of Jan in a scene of distress beyond the powers of language, perhaps of imagination, devotes this spontaneous tribute of the feeling's of his mind to the memory of innocence. JHC. The children appear as a range of cherubs above the inscription.
Simon Knott, March 2022
St Peter's church in Copt Oak is rather well hidden, invisible from the main road up a track leading from it, and thus easily missed. The building dates from 1837 with a new chancel added in 1889. It is a simple building that won't delay a visitor long, but it is obviously well loved and cared for. I believe it is normally locked outside of services an events.
St Peter's church in the pretty Wiltshire village of Milton Lilbourne.
Most of the present building dates from the 14th and 15th centuries with a partial rebuilding of the chancel taking place during the Victorian restoration It is a modestly proportioned church with a handsomely battlemented west tower and a single side aisle on the north side of the nave.
Within it is light and pleasing with a few old features, some fragments of medieval glass in the side window of the chancel and a few medieval tiles in the north aisle.
I visited twice earlier this year, firstly while joining a colleague doing a survey of the glass, and secondly as part of the team who cleaned the windows.
It is happily a well looked after church generally kept open and welcoming to visitors.
From co-curate.ncl.ac.uk/church-of-st-peter-bywell/
“St Peter's Church in Bywell, Northumberland, dates from Anglo Saxon times, probably the 8th century. It originally belonged to the Benedictine monastery of Durham and in 803 AD was the location of Bishop Egbert's consecration as 12th Bishop of Lindisfarne. Much of the church was rebuilt after a fire 1285. Excavations in 1995 uncovered extensive foundations of the Saxon chancel, and Roman stones suggest that the church stands on a much earlier Roman site. The church is a Grade I listed building.“
St Paul at Athens.
In memory of Walter Scott Evans for more than 30 yrs Churchwarden of this Parish Jan 10th 1908.
Church of St Peter, Hinton Road, Bournemouth
Grade I Listed
List Entry Number: 1153014
Listing NGR: SZ0888791218
Details
101756 768/13/1 HINTON ROAD 11-OCT-01 (East side) CHURCH OF ST PETER
GV I
13/1 HINTON ROAD 1. 5l86 (East Side) Church} of St Peter
SZ 0891 13/1 5.5.52.
I GV
2. South aisle 1851, Edmund Pearce, rest of church, 1855-79, G E Street, large, Purbeck stone with Bath stone dressings, built in stages and fitted out gradually. Dominating west tower, 1869, and spire (important landmark, 202 ft high), 1879: west door up steps with 4-light Geometrical window over, 3rd stage with steeply pointed blind arcade with encircled quatrefoils in spandrels, belfry with paired 2-light windows, elaborate foliage-carved cornice and arcaded panelled parapet, spire of Midlands type, octagonal with 3 tiers of lucarnes and flying buttresses springing from gabled pinnacles with statues (by Redfern) in niches. Western transepts with 4-light Geometrical windows, 1874. Nave, 1855-9, has clerestory of 5 pairs of 2-light plate tracery windows between broad flat buttresses, with red sandstone bands to walls and voussoirs and foliage medallions in spandrels. North aisle has narrow cinquefoiled lancets, Pearce's south aisle 2-light Geometrical windows (glass by Wailes, 1852-9); gabled south porch with foliage-carved arch of 3 order and inner arcade to lancet windows. South transept gable window 4-light plate tracery, south-east sacristy added 1906 (Sir T G Jackson). North transept gable has 5 stepped cinquefoiled lancets under hoodmould, north-east vestries, built in Street style by H E Hawker, 1914-15, have 2 east gables. Big pairs of buttresses clasp corners of chancel, with 5-light Geometrical window- south chapel. Nave arcade of 5 bays, double-chamfered arches on octagonal colunms, black marble colonnettes to clerestory. Wall surfaces painted in 1873-7 by Clayton and Bell, medallions in spandrels, Rood in big trefoil over chancel arch, roof of arched braces on hammerbeams on black marble wall shafts, kingposts high up. North aisle lancets embraced by continuous trefoil-headed arcade on marble colonnettes, excellent early glass by Clayton and Bell, War Shrine Crucifix by Comper, l917. Western arch of nave of Wells strainer type with big openwork roundels in spandrels. Tower arch on piers with unusual fluting of classical type, glass in tower windows by Clayton and Bell. South-west transept has font by Street, 1855, octagonal with grey marble inlay in trefoil panels, south window glass by Percy Bacon, 1896. Chancel arch on black shafts on corbels, low marble chancel screen with iron railing. Pulpit, by Street, carved by Earp, exhibited 1862 Exhibition: circular, pink marble and alabaster with marble-oolumned trefoil-headed arcaded over frieze of inlaid panels, on short marble columns, tall angel supporting desk. Lectern: brass eagle 1872 (made by Potter) with railings to steps by Comper, 1915. Chancel, 1863-4, has 2-bay choir has elaborate dogtooth and foliage-carved arches on foliage capitals, with clustered shafts of pink marble and stone, sculptured scenes by Earp in cusped vesica panels in spandrels, pointed boarded wagon roof with painted patterning by Booley and Garner, 1891. Choir stalls with poppyheads, 1874, by Street, also by Street (made by Leaver of Maidenhead) the ornate and excellent parclose screens of openwork iron on twisted brass colunms, pavement by Comper, l9l5. Sanctuary, also 2 bays, rib-vaulted, with clustered marble wall shafts with shaft rings and foliage capitals, painted deocrations by Sir Arthur Blomfield, 1899 (executed by Powells). First bay has sedilia on both sides (within main arcade), backed by double arcade of alternating columns of pink alabaster (twisted)and black marble. Second bay aisleless, lined by Powell mosaics. East window has fine glass by Clayton and Bell, designed by Street, 1866. Reredos by Redfern, also designed by Street has Majestas in vesica flanked by angels, under gabled canopies, flanked by purple and green twisted marble columns, flanking Powell mosaics of angels, 1899, echoing design of predecessors by Burne-Jones which disintegrated. North transept screen to aisle by Comper, 1915, Minstrel Window by Clayton and Bell, 1874, sculpture of Christ and St Peter over doorway by Earp. South transept screen to aisle and altar cross and candlesticks to chapel by Sir T G Jackson, l906, murals by Heaton, Butler and Bayne, 1908, windows in transept and over altar by Clayton and Bell, 1867, and to south of chapel (particularly good) by Morris, Marshall, Faulkner and Co, 1864.
The Church of St Peter, Churchyard Cross, Lychgate, Chapel of the Resurrection, and 2 groups of gravestones form a group.
Listing NGR: SZ0888791218
historicengland.org.uk/listing/the-list/list-entry/1153014
St Peter's church in the centre of Bournemouth, Dorset; one of the great Gothic Revival churches of the 19th century and now serving as the parish church of Bournemouth. On the site of a plain, slightly earlier church, this building was commissioned by the priest, Alexander Morden Bennett, who moved to the living from London in 1845.
In 1853 Bennett chose George Edmund Street, architect of the London Law Courts, to design the proposed new church. The church grew stage by stage and Street in turn commissioned work from some of the most famous names of the era, including Burne-Jones, George Frederick Bodley, Sir Ninian Comper, William Wailes and Thomas Earp. There is even one small window by William Morris.
Back in August 2012, we went for a walk out onto Oare Marshes, and on the way back called in at St Peter, which was unlocked, unlike our most recent visit.
So, reviewing the hard drive of shots took that day, I found some others I failed to post at the time, some are blurred, but I have done my best to sharpen, and are just about acceptable, and will do until I visit again and find it open.
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St Peter’s Oare, a Grade I listed building, is often described as a ‘mainly 13th century church’ – which it is. However, the view that confronts the visitor entering the churchyard gate is pure Victoriana, the work of diocesan architect Joseph Clarke, an example of the sympathetic restoration of which not all Victorians were capable.
Indeed, it is this west elevation, with its louvred bell-tower and cedar-shingled spirelet, that is St Peter’s to visitors, artists and photographers.
The building could hardly be better sited. It stands where village becomes countryside, set inconspicuously back from a road that leads only to the broadening waters of the Swale and their marshland bird-life. In the churchyard, a few mature trees remain of those that once cast gloom over church and graves. They rise from among ancient headstones and ivy-clad tombs, providing summer shade for those who want to enjoy the panoramic views over Oare Creek and acre upon distant acre of marsh pastures with the North Downs as a backdrop. With binoculars or good eyesight you can rest on one of the conveniently located benches and count how many far-off churches you can pick out from this elevated point of vantage.
But how old is the church? you ask. Everyone seems to. To this there is no categorical answer. Today the building is little changed since the 1860s restoration and yet there was a church here when the Domesday Book was penned – well, half a church, but which half our Norman forebears didn’t say. A church half-finished? Or a church part-razed by the tempests of that tempestuous age?
What we do know is that the chancel was extended eastwards in the late 14th or early 15th century, and some time thereafter the old east window was taken out and replaced by a larger one in the Perpendicular style. The actual glass is more recent – the work of F.C. Eden. It was given in memory of artist Francis Forster, a casualty of WWI. Another window by this noted London artisan, on the north wall, commemorates another war victim. Below it a memorial slab set into the frame of this once tall lancet window names those who died in the great explosion of 1916, when the marshes throbbed with a wartime industry of munitions manufacture.
Back in the secluded peace of this village church is one treasured rarity, a square font of Purbeck marble from the late Norman/Early English period. Its sides were once elaborately carved, but many years ago it went missing, only to be recovered decades later from a nearby pond, somewhat the worse for its immersion. Was it concealed from Cromwell’s ravaging iconoclasts? No one knows. This hazy fact must take its place with the many mysteries hidden among the pages of time. But is it not these undocumented secrets that make a church like St Peter’s so alluring? Who can tell when the truth will emerge and another page of history can be written?
www.thekingsdownandcreeksidecluster.co.uk/?page_id=683
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A small Norman church overlooking Oare Creek with fine views to the east. Built of flint with Victorian additions by Joseph Clarke, the exterior is dominated by lively painted spirelet and south porch and muscular buttresses. Inside, a simple view with no chancel arch is enlivened by a Norman font, simple Victorian pulpit and fine stained glass windows by F C Eden. The west window – an oculus – contains the date 1867 recording the restoration of the church. A plaque commemorates those who lost their lives in one of the explosions at the nearby Gunpowder factory in 1916. The overall impression is of a lovingly cared for church, mirroring the lives of generations of Oare folk and it is highly recommended.
www.kentchurches.info/church.asp?p=Oare
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ORE
LIES the next parish north westward from Davington, and is so called from the etymology of it in the Saxon language, signifying a fenny or marshy place.
This parish is a very low situation, at the very edge of the marshes, it is consequently but little known or frequented, its vicinity to the marshes, and its low and watry situation, make it very unhealthy, so that it is but very thinly inhabited, but the lands are very rich and fertile, the waters of the Swale are its northern boundaries; on its south it rises up towards Bysing-wood, from which it is distant about a mile. The village is occupied by a few fishermen and oyster dredgers, situated near the middle of the parish on a small ascent, having the church about a quarter of a mile to the north-westward of it, and Ore-court at the like distance, at the edge of the marshes. The creek, which is navigable up to the village, whence it runs north-east, and at a little more than half a mile's distance joins the Faversham creek, and flows with it about the like distance, till it meets the waters of the Swale.
Several scarce plants have been observed in this parish by Mr. Jacob, who has enumerated them among his Plantæ Favershamienses, to which book the reader is referred for a list of them.
THE MANOR of Ore was part of the vast possessions of Odo, bishop of Baieux, and earl of Kent, the Conqueror's half-brother, under the general title of whose lands it is thus entered in the general survey of Domesday:
In Lest de Wiwarlet. In Favreshant hundered, Adam holds of the bishop (of Baieux) Ore. It was taxed at two sulings. The arable lands are four carucates. In demesne there is one, and ten villeins, with ten borderers, having two carucates. There is half a church, and one mill of twenty-two shillings, and two fisheries without tallage, and one salt-pit of twenty-eight pence. Wood for the pannage of six bogs. In the time of king Edward the Confessor it was worth four pounds, and afterwards sixty shillings, now one hundred shillings. Turgis held it of king Edward.
And a little afterwards there is another entry as follows:
Adam holds of the bishop one yoke in Ore, and it was taxed at one yoke. The arable land is one carucate. Four villeins now hold this to ferme, and pay twenty shillings, and it was worth so much separately. There is a church. Leunold held it of king Edward.
Four years after the taking of the above survey, the bishop of Baieux was disgraced, and all his possessions were consiscated to the crown.
Upon which the manor of Ore came to be held immediately, or in capite of the king, by the beforementioned. Adam de Port, of whose heirs it was afterwards again held by Arnulf Kade, who gave this manor, with that of Stalishfield, and their appurtenances, to the knights hospitallers of St. John of Jerusalem, and it was assigned by them to the jurisdiction of their preceptory, established at Swingfield.
The manor of Ore continued part of the possessions of these knights till the general dissolution of their hospital in the 32d year of Henry VIII. when this order was suppressed by an act then specially passed for that purpose. (fn. 1)
This manor seems to have remained in the hands of the crown till king Edward VI. granted it in his 5th year, to Edward, lord Clinton and Say, who next year re-conveyed it back again to the king. (fn. 2)
How it passed from the crown afterwards I have not found, but that at length it came into the possession of the family of Monins, and thence by sale to that of Short, one of which, Samuel Short, esq. owned it in 1722, and it continued down in his descendants to Philip Short, esq. who was succeeded in it by Mr. Charles Maples Short, who died a few years ago at Jamaica, on which it became vested in Mr. Humphry Munn, gent. in right of Lydia Short his wife. Hence it passed by sale to Mr. Bonnick Lipyeatt, who died in 1789, leaving two daughters his coheirs, who married Mr. Charles Brooke, of London, and Mr. Gosselin, and entitled them respectively to this estate.
A court leet and court baron is held for this manor.
There are noparochial charities. The poor constantly relieved here are not more than two; casually about six.
ORE is within the ECCLESTASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Ospringe.
The church which is dedicated to St. Peter, is a small building, of one isle and one chancel, having a pointed steeple at the west end, in which are two bells.
This church, which was antiently accounted only as a chapel to that of Stalisfield, belonged to the priory of St. Gregory, in Canterbury, perhaps part of its orignal endowment by archbishop Lanfranc, in the time of the Conqueror, and it was confirmed to it, among its other possessions, by archbishop Hubert, about the reign of king Richard I.
In the 8th year of Richard II. there was a yearly pension paid from the church of Ore, of ten shillings to the priory of Rochester, and another of eight shilling to that of Leeds. (fn. 3)
This church remained part of the possessions of the priory of St. Gregory, till the dissolution of it in the reign of Henry VIII. in the 27th year of which, an act having passed for the suppression of all such religious houses, whose revenues did not amount to the clear yearly value of two hundred pounds, this priory was thereby dissolved, and the scite of it, together with all its lands, possessions, and revenues, surrendered into the king's hands, by John Symkins, prior of it.
The church of Ore remained with the other possessions of the priory in the crown but a small time, for an act passed that year to enable the king and the archbishop of Canterbury to exchange the scite of the late dissolved priory of St. Radigund near Dover, with all its possessions, lately given by the king to the archbishop, for the scite of the late dissolved priory of St. Gregory, and all the possessions belonging to it, excepting the manor of Howfield, in Chartham.
After which the parsonage of this church was demised by the archbishop, as it has been since by his successors, among the rest of the revenues of the priory of St. Gregory, from time to time, in one great lease, (in which all advowsons and nominations to churches and chapels have constantly been excepted) in which state it continues at this time. George Gipps, esq. of Harbledown, M.P. is the present lessee of then to the archbishop, and Mr. John Hope, of Ore, is the present leffee under him for the parsonage of this church, at the yearly rent of thirty-four pounds.
It pays, procurations to the archdecaon five shillings, and to the archbishop at his visitaiton two shillings. When the church of Ore was separated from that of Stalisfield, I have not found, but it has long been an independent church of itself.
It was, long before the dissolution of the priory of St. Gregory, served as a curacy by the religious of it; since which it has been esteemed as a perpetual curacy, of the patronage of the successive archbishops of Canterbury, and continues to at this time. In 1640 the communicants here were forty-seven.
The lessee of the parsonage pays the curate, by the convenants of his lease, the yearly sum of fifteen pounds.
¶Before the year 1755, it had been augmented by the governors of queen Anne's bounty with the sum of two hundred pounds, and divine service was performed here only once a fortnight; since which it has been augmented with 1000l. more, and it is now performed here once a week. Of the above sum of 1200l. in the year 1764, 260l. were laid out in the purchase of an estate, of a house, buildings, and twenty-two acres of land, in Ospringe; and in 1770, another estate was purchased, consisting of a house, buildings, and thirty-three acres of land, in Boughton under Blean. The remaining 280l. yet remain in the governors hands.
p.67 Cross section: width and length ways of church. Scale 16 feet to 1 inch
'Churches: Their Details and Fittings' (Volume 1) (Isaac Holden and Son, Manchester)
GB127.MS FF 726.5 H15
The Papal Basilica of St. Peter in the Vatican , or simply St. Peter's Basilica, is an Italian Renaissance church in Vatican City, the papal enclave within the city of Rome.
Designed principally by Donato Bramante, Michelangelo, Carlo Maderno and Gian Lorenzo Bernini, St. Peter's is the most renowned work of Renaissance architecture and the largest church in the world. While it is neither the mother church of the Catholic Church nor the cathedral of the Diocese of Rome, St. Peter's is regarded as one of the holiest Catholic shrines. It has been described as "holding a unique position in the Christian world" and as "the greatest of all churches of Christendom".
Catholic tradition holds that the Basilica is the burial site of Saint Peter, chief among Jesus's Apostles and also the first Bishop of Rome. Saint Peter's tomb is supposedly directly below the high altar of the Basilica. For this reason, many Popes have been interred at St. Peter's since the Early Christian period, and there has been a church on this site since the time of the Roman emperor Constantine the Great. Construction of the present basilica, which would replace Old St. Peter's Basilica from the 4th century AD, began on 18 April 1506 and was completed on 18 November 1626.
One of the main reasons why I decided to pay a second visit to Hampton Lucy (which is only about 10 miles away) was to have another attempt at photographing the stained-glass clerestory windows. On my first visit the sun was so bright that they mostly came out as a blur against the dark stone vaulting behind. Each one is different and they're very rich reds and blues, casting dappled pools of colour around the church.
South window, above gallery, by Morris and Co, designed by Burne Jones, 1883 - Christ's entry into Jerusalem (only use) : detail
Stars rotate about the pole star above st Peter's Church. (The appearance of rotation has been enhanced by x2.5 in Photoshop in this image.) The only indirectly lit church is effectively surrounded by a traffic island, with associated distracting lighting (headlamps, streetlamps etc.) causing severe glare. This necessitated severe post-processing.
The contrast, gamma and colouration of this image have been heavily modified. The contrast, gamma and colouration of this image have been heavily modified.The natural colour of the urban night sky above Brighton - illuminated by the bright orange Low Pressure Sodium Gas Discharge lamps of the suburban street lighting - is the same colour as my smoker's teeth. It can be variously described as Tuscan Sunset, Brown Café or just Pub Ceiling. (Joke stolen from the film of Tristram Shandy.)
Astronomers "prefer" low pressure sodium lights over other similar light sources because the spectra is relatively simple, and easier to filter out. The bright orange streetlamps also have the odd benefit that they do not dim with age. Rather, they become less efficient - consuming increasingly more current for the same light output until they eventually fail.
The Castle Light house at the entrance of St Peter Port Guernsey, in the centre of the picture is Elizabeth College and to the right is St James concert hall, took this picture from my boat this evening.
Carapooee, Victoria.
St Peter’s Church at Carapooee is known as the Pebble Church and is about thirteen kilometers south of St Arnaud in western Victoria.
Originally the area was called ‘St Peter’s Diggings’ but known by the local Aborigines as ‘The Carapooee’, (“an earthly paradise”). The church was designed by architect Leonard Terry and Mr. Valentine Nott Mogg of ‘Swanwater Station’ laid its foundation stone in May 1869. The church is constructed of white quartz pebbles in varying sizes which are set in pinkish colored mortar. The pebbles were collected by locals from miners’ claims in the nearby hills. Valentine Mogg’s ‘Swanwater Station’ was also constructed of quartz pebbles in the same manner but there is supposedly no other church in Victoria constructed like this.
The first service was held in St Peter’s in July 1870 with a formal opening taking place in October 1874.
The simple stained glass windows are of plain diamond quarries with red and blue stained glass borders and were supplied by the Colonial Victorian Stained Glass firm Ferguson & Urie of Melbourne.
fergusonandurie.wordpress.com/2012/02/24/1869-st-peters-p...
This is what must have been the 4th time I have visited St Peter Old Church. The first was on a Good Friday a few years back, and when I approached the church, there was a service on. Another time there was a wedding, and further, on a Heritage Weekend, it failed to open.
So, when visiting the area at the beginning of the month, I mentioned that St Peter had been a bugbear of mine, Tim said its only a couple of miles away, we could try now.
Of course, driving from a different direction, not along the main road, I did not realise how close we were.
So, we would try.
Apart from the dowser in the churchyard, who was scattering, or rather placing, dozens of small pieces of white cloth about, but would move them if I wanted. I said no thanks, and left him to his stick waggling. Or that is what I said to Tim, but of course, I do not know if dowsing is any good, or what he was dowsing for.
Inside the church, several ladies were making busy, preparing the church for the next day's harvest festival, so many of them are in the shots, but it makes for a very welcoming sight indeed.
So very good to finally get inside, and many thanks to Tim for taking me.
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A much restored Norman church, with a tiny twelfth-century window set just above the (later) porch roof. There is a good example of a fifteenth-century low side window in the south-west corner of the chancel. The pews, pulpit and tiles are typical of mid-nineteenth century restorations, yet above is the fine nave roof of the usual crownpost type. It displays nicely pierced spandrels with a quatrefoil and dagger design. In 1846 Lord Camden built a new church on the main road in the village centre. Even so the old church is extremely well maintained and much loved in the neighbourhood. The churchyard contains many good headstones including one to Sir Morton Peto, the famous nineteenth-century engineer.
www.kentchurches.info/church.asp?p=Pembury+1
The first known record of Pembury, originally Pepingeberia, is to be found in the 'Textus Roffensis' (c1120). It tells of the manors of Pepenbury Magna (Hawkwell) and Pepenbury Parva (Bayhall).
The Advowson was granted by Simon de Wahull to Bayham Abbey c1239. (Advowson is the right in English Law of presenting a nominee to a vacant parish. In effect this means the right to nominate a person to hold a church office in a parish).
Pembury has two churches dedicated to St Peter. The oldest, known as the Old Church, stands outside the modern village in the woods to the north of the A228 bypass. The newer building, known as the Upper Church, stands in the heart of the village on Hastings Road.
The plan of the Old Church and the little Norman window above the South door indicate that the original Church dates from 1147 at least, or even 1100AD. Most of the present Church was built in 1337 by John Colepeper of Bayhall. He also built the chantry chapel of St Mary in the churchyard in 1355 but this was pulled down at the Dissolution of the smaller Monasteries in 1547 and three windows in the body of the Church were inserted with the money gained from the sale of the lead which had covered the chapel.
The most notable feature inside the Church is the roof of the nave. It is said to be one of the best specimens of the tie-beam and kingpost type in the country.
On the north wall near the pulpit there is an interesting brass with an inscription and a figure of an Elizabethan child, Elizabeth Rowe. There are two slabs set into the Sanctuary floor in memory of Dorothy Amherst (1654) and Richard Amherst (1664). The Amherst family owned the manor of Bayhall at this time.
During the nineteenth century a number of alterations were made to the Church, including the raising of the Chancel floor. This meant that the oldest tombstone was completely covered over. The inscription round the edge of the slab, written in Norman French, tells is that it is the resting place of Margaret, the daughter of Sir Thomas Colepeper.
Among the other memorial tablets there are several of the Woodgate family, three of whom were vicars of Pembury in the nineteenth century. Under the tower is a memorial to Lord George Spencer-Churchill.
The Organ, which has one manual and a pedal-board, dates back to 1877. It was made by Hill and Son, London, and cost £130. The organ was fully restored to its former glory in 2006. There are four bells which are now fitted with a chiming apparatus so that they can be rung by one person.
www.pemburychurch.net/pembury_old_church.htm
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Pembury is within the ECCLESIASTICAL JURISDICTION of the diocese of Rochester and deanry of Malling.
¶The church, which is dedicated to St. Peter, has a spire steeple at the west end. It was built by one of the family of Colepeper, patrons of it, and most probably by John Colepeper, esq. in the reign of king Edward III. for on the three buttresses on the south side of the chancel, there remain three shields of coat armour, each carved on an entire stone of about two feet and an half in depth, and the breadth equal with that of the buttress, which shews them to be coeval with that of the building itself. On the first is a rectangular cross; the second is the coat armour of Hardreshull, A chevron between eight martlets, viz. five and three, the above-mentioned John Colepeper having married the coheir of that family; the third is that of Colepeper, a bend engrailed. On a very antient stone on the pavement of the chancel, is an antient inscription in old French, for Margaret, the daughter of Sir Thomas Colepeper, which seems as early as the above mentioned reign. There are several monuments and memorials in it of the family of Amherst and their re latives; an inscription and figure in brass for Elizabeth, daughter of Richard Rowe, esq. of Hawkwell, anno 1607; a tomb for George Bolney, esq. who married a Wybarne; and in the porch are two antient stones with crosses on them.
¶The advowson of the church of Pembury was given with it, by Simon de Wahull, to the abbey of Begham, in Sussex, in pure and perpetual alms, as has been already mentioned.
¶Pope Gregory IX. anno 1239, granted licence to the abbot and convent to hold this church, then of their patronage, and not of greater value than ten marcs, as an appropriation upon the first vacancy of it, reserving, a competent portion for a vicar out of the profits of it. Notwithstanding which, it was not appropriated till the year 1278, when Richard Oliver, the rector, resigned it into the hands of John de Bradfield, bishop of Rochester, who granted his letters mandatory, for the induction of the abbot and convent into the corporal possession of the church, with its appurtenances, according to the tenor of the above-mentioned bull. (fn. 7)
¶The parsonage of the church of Pembury, with the advowson of the vicarage appendant to the manor, continued with the abbey of Begham till the dissolution of it in the 17th year of king Henry VIII. when it was surrendered into the king's hands, after which it passed in the same tract of ownership as the manor of Pembury, and appendant to it, till it became the property of William Woodgate, esq. lord of that manor, and the present patron of it.
¶It is a discharged living, of the clear yearly certified value of 46l. 10s. the yearly tenths of which are 12s. 8d.
¶Charles Amherst, esq. of Bayhall, by his will in 1702, gave as an augmentation to this vicarage, the sum of ten pounds to be paid yearly by such persons to whom the manor of Bayhall, with its appurtenances, should come and remain after his death.
¶In 1733 the Rev. George May, vicar, augmented it with the sum of 100l. 17s. 6d. to entitle it to the benefit of queen Anne's bounty.
¶There is an annual pension of forty shillings paid out of the parsonage to the vicar, which was settled on him and his successors, at the time of the appropriation of this church. The tithes of corn and grain of which this parsonage consists are now worth about one hundred and twenty pounds per annum.
¶The vicarage is now worth about one hundred and fifty pounds per annum.
St peter's Basilica, Vatican
Basilica di San Pietro in Vaticano (Italian) is the "the greatest of all churches of Christendom".
The magnificent dome is a landmark in Rome and designed by Michelangelo.
It covers an area of 2.3 hectares (5.7 acres) and has a capacity of over 60,000 people.
St Peter is believed to be buried below the site.
Photo: Oct 9, 2008
Church of St Peter Parmentergate, situated on King Street. Redundant since 1981 and now in the care of The Norwich Historic Churches Trust.
Monument to Richard †1615 and Elizabeth (née Hobart)† 1622 Berney. South wall of chancel, next to altar. Plaster. Commissioned by Elizabeth’s brother, Edward, 1623, at her request. Possibly by a member of Edward Stanyon’s workshop.
The monument was restored by Dr David Carrington of Skillingtons in 2008. Their website includes an account of the work and a portfolio of photos: www.skillingtons.co.uk/portfolio/norwich-st-peters/
A large and impressive monument, unusual in being of plaster. In scale it fits into the tradition of monuments to lords of the local manor, and the Latin inscription notes that the deceased were Richard Berney †1615 of Langley and Elizabeth, the daughter of Sir Jacob Hobart of Hales Hall. It continues that she died in 1622, and that the monument was commissioned by her brother, Edward Hobart in 1623. Blomefield notes that by 1626 the Berneys are recorded as owning Berneys-Inn near the churchyard. It was recorded in King Street from 1267 to the 15th century and the site has been identified by Plunkett as nos 86 to 90, on the same side as the church just before King Street joins Mountergate.
Richard and Elizabeth Berney lie in their dark robes on their backs, their hands clasped prayer, presumably to the haloed heads of Christ and the Virgin Mary on the elaborate decorative scroll framing the Latin inscription. Elizabeth rests her feet on a heraldic bull (the Hobart family emblem) and Richard on a bear (a punning reference to Berney). The base is decorated with simulated marble with two cherubs to remind us of death. One sleeps on a skull, holding an extinguished torch and his companion on an hour-glass, holding a grave-digger’s spade. The colour is taken up in the figures of the three cardinal virtues flanking the splendid achievement: Hope with anchor and chain, Faith, bible in hand and Charity giving suck, with another infant at her feet. The canopy, with its black Doric columns, is decorated with angel heads and in the centre an improbable plumed American Indian – a reminder of the renewed call for recruits to and investment in the London based Virginia Company.
Their coats of arms are supported by two bears, with Father Time holding his scythe above as a further reminder of death. Given the difficulty of producing plaster figures it is not surprising that the patterning of the surround behind them (based on a Renaissance model popularised by Sansovino in Venice), the strapwork of the cartouche and decoration of their ruffs, for instance, is of higher quality than the effigies. This, though, raises the question of the choice of plaster for a funeral monument. One obvious reason is cost. In 1608 Sir William Paston paid £200 for a comparable monument in St Edmund, Paston, which had combined alabaster and marble. Plaster must have been considerably cheaper and Edward Hobart may have been encouraged by the presence of one of London’s leading plasterers, Edward Stanyon, in Norfolk. Especially since he would have known Stanyon’s ceilings for Sir Henry Hobart at Blickling in 1620, as well as those at Felbrigg for Thomas Windham from 1621-23. Stanyon remained in Norfolk to produce a now lost overmantel at Hunstanton Hall from 1624-1626, which would have included modelling in higher relief than his ceilings. Both branches of the Hobarts (Blickling and Hales Hall) were descended from Sir James Hobart (d. 1517), attorney-general to Henry VII, who had moved into his major residence at Hales Hall, Loddon by 1482. Stanyon had trained a number of apprentices, some of whom would have worked with him in Norfolk, and later Apethorpe Hall in Northampton. Dr. Claire Gapper, the leading specialist of British Renaissance plasterwork, has suggested that it is therefore probable that the monument was produced by Stanyon’s team, but added that that it is difficult to be certain in the absence of any surviving comparative plasterwork.
Francis Blomefield, 'City of Norwich, chapter 42: Upper, or North Conisford ward, St Peter Per Mountergate and South Conisford ward' in An Essay Towards A Topographical History of the County of Norfolk: Volume 4, the History of the City and County of Norwich, Part II (London, 1806), pp. 64-84 and 84-120; www.georgeplunkett.co.uk/Norwich/kin.htm; www.norfolkpubs.co.uk/norwich/bnorwich/ncbei.htm; clairegapper.info/search-results.html?search Chapter VI
Transmission and Diffusion, The plasterwork of Edward Stanyon and the dominant style of the 1620s.
detail of the inscription
ST PETER'S CHURCH WAS BUILT IN 1850 TO MEET AN INCREASING DEMAND FOR A CHURCH ON THE NORTH EASTERN SIDE OF CHORLEY. IT WAS CONSECRATED ON ST MARK'S DAY 1851 BY THE FIRST BISHOP OF MANCHESTER, THE RT. REVD. JAMES PRINCE LEE. THE ARCHITECT WAS CHARLES REED OF LIVERPOOL.
STONE FOR THE BUILDING WAS DONATED BY LADY HOGHTON FROM HER QUARRY AND LOCAL FARMERS TRANSPORTED THE STONE WITHOUT CHARGE. THE TOTAL COST OF THE BUILDING CAME TO £2,131
THE ARCHITECT DESIGNED A CHURCH WITH SEATING FOR 450, EARLY ENGLISH STYLE, WITH A NAVE, CLERESTORY, TWO AISLES, CHANCEL, NORTH PORCH, VESTRY AND BELFRY TURRET AT THE WEST END OF THE NORTH AISLE.
St Peter, Boughton Monchelsea, is one of a series of parish churches built on a sandstone ridge overlooking the Kentish Weald. It is one of them which was closed on my last visit to the area, so on Heritage Weekend I returned, and found it open and very friendly.
A volunteer had cleared some of the vegetation in the churchyard, and was making busy with a bonfire, whose smoke lazily crept through the boughs of ancient trees down the slope of the down.
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A church whose interior does not quite deliver all its picturesque exterior promises. The situation on the end of the sandstone ridge with far-ranging views is wonderful - and the lychgate is one of the oldest in the county, probably dating from the fifteenth century. Inside the results of a serious fire in 1832 and subsequent rebuildings are all too obvious. The plaster has been stripped from the walls and the rubble stonework disastrously repointed, whilst the poor quality mid-nineteenth-century glass installed by Hardman's studio is not typical of the usual high quality of that firm's output. However, the stone and alabaster reredos is just the right scale for the chancel, and compliments the medieval aumbry, piscina and sedilia. There is also a good range of eighteenth- and nineteenth-century memorials including a large piece at the west end by Scheemakers to commemorate Sir Christopher Powell (d. 1742).
www.kentchurches.info/church.asp?p=Boughton+Monchelsea
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BOUGHTON MONCHENSIE
LIES the next parish northward from Hedcorne. It is written in Domesday, Boltone; in later records, Bocton, and sometimes West Bocton; and now usually Boughton. It has the addition of Monchensie, (commonly pronounced Monchelsea) to it from the family of that name, antiently possessors of it, and to distinguish it from the other parishes of the same name within this county; and it is sometimes called, in the neighbourhood of it, Boughton Quarry, from the large quarries of stone within it.
THIS PARISH lies upon the lower or southern ridge, commonly called the Quarry hills, which cross it, the summit of them being the northern boundary of the Weald, so much therefore of this parish as is below it is within that district. The church stands about half way down of the hill southward, and close to the churchyard is the antient mansion of Boughton-place, pleasantly situated, having an extensive prospect southward over the Weald, in a park well wooded and watered; from hence the parish extends into the Weald, towards that branch of the Medway which flows from Hedcorne towards Style-bridge and Yalding, over a low deep country, where the soil is a stiff clay like that of Hedcorne before-described. Northward from Boughtonplace, above the hill, the parish extends over Cocksheath, part of which is within its bounds, on the further side of it is a hamlet called Boughton-green, and beyond it the seat of Boughton-mount, the grounds of which are watered by the stream, which rises near Langley park, and having lost itself under ground, rises again in the quarries here, and flowing on through Lose, to which this parish joins here, joins the Medway a little above Maidstone. These large and noted quarries, usually known by the name of Boughton quarries, are of the Kentish rag-stone, of which the soil of all this part of the parish, as far as the hills above-mentioned consists, being covered over with a fertile loam, of no great depth. At the end of Cocksheath eastward is the hamlet of Cock-street, usually called, from a public-house in it, Boughton Cock, when the soil becomes a red earth, much mixed with rotten flints; a little to the southward of which, at the edge of the heath is the parsonage, with some coppice wood adjoining, and on the brow of the hill, at the eastern bounds of the parish, the seat of Wiarton, having an extensive prospect over the Weald.
THIS PARISH was part of those possessions given by William the Conqueror, on his accession to the crown of England, to his half-brother Odo, bishop of Baieux, whom he likewise made earl of Kent, under the general title of whose lands it is thus entered in the survey of Domesday, taken about the year 1080:
Hugh, grandson of Herbert, holds of the bishop of Baieux Boltone. It was taxed at one suling. The arable land is two carucates. In demesne there is nothing. But five villeins have five carucates there, and two acres of meadow. Wood for the pannage of twenty hogs. There is a church. In the time of king Edward the Consessor, and afterwards, it was worth eight pounds, now six pounds. Alunin held it of earl Goduine.
Four years after the taking the above-mentioned survey, the bishop of Baieux was disgraced, and all his possessions were consiscated to the crown.
After which, this manor came into the possession of the family of Montchensie, called in Latin records, De Monte Canisio, the principal seat of which was at Swanscombe, in this county. (fn. 1) William, son of William de Montchensie, who died anno 6 king John, was possessed of this manor, and it appears that he survived his father but a few years, for Warine de Montchensie, probably his uncle, succeeded to his whole inheritance in the 15th year of that reign. Soon after which this manor passed into the possession of the family of Hougham, of Hougham, in this county.
OUGHTON MONCHENSIE is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Sutton.
The church, which is dedicated to St. Peter, is a small building, having a handsome square tower at the west end.
This church was given to the priory of Leeds, soon after the foundation of it by Henry de Bocton, and was afterwards appropriated to it, with the licence of the archbishop, before the reign of king Richard II. at which time the parsonage of it was valued at ten pounds, and the vicarage of it at four pounds yearly income, (fn. 4) both which remained part of the possessions of the priory till the dissolution of it in the reign of king Henry VIII. when it came, with the rest of the possessions of that house, into the king's hands, who by his dotation-charter in his 33d year, settled both the parsonage and advowson of the church of Bocton on his new-erected dean and chapter of Rochester, part of whose possessions they now remain.
The lessee of the parsonage is Mrs. Eliz. Smith; but the presentation to the vicarage, the dean and chapter reserve to themselves.
¶On the abolition of deans and chapters, after the death of king Charles I. this parsonage was surveyed by order of the state in 1649, when it was returned, that it consisted of the scite, which, with the tithes, was worth 56l. 3s. 4d. that the glebe land of twenty-nine acres and two roods was worth 8l. 16s. 8d. per annum, both improved rents; which premises were let anno 14 Charles I. to Sir Edward Hales, knight and baronet, by the dean and chapter, for twenty one years, at the yearly rent of 13l. 10s. The lessee to repair the chancel of the parish church, and the advowson was excepted by the dean and chapter out of the lease.
The vicarage is valued in the king's books at 7l. 13s. 4d. and the yearly tenths at 15s. 4d. per annum. In 1640 it was valued at sixty pounds per annum. Communicants, 177. In 1649 it was surveyed, with the parsonage, by order of the state, and valued at thirty pounds per annum, clear yearly income. (fn. 5)
The vicar of this church in 1584, but his name I have not found, was deprived for non-conformity; though he was so acceptable to the parishioners, that they, to the number of fifty-seven, made a petition to the lord treasurer, to restore their minister to them.
St Peter's Roman Catholic church in Dormer Place, Leamington Spa is an eye-catching essay in brick and stone, distinguished by it's tall slender tower (originally crowned by a tapering pyramid-like spire) which is a prominent feature of Leamington's skyline. The church was built in 1861-5 to the designs of Henry Clutton.
The interior is bright and has a slightly continental feel. It is cheerfully adorned with a richly decorated sanctuary and stained glass by Hardman's of Birmingham, most noticeably in the apse and the two transept chapels with their charming rose-windows.
The church is usually open during much of the day for private prayer.
St Peter Mancroft is the largest parish church in Norwich. It is a late medieval building, dating from 1430.
This is what must have been the 4th time I have visited St Peter Old Church. The first was on a Good Friday a few years back, and when I approached the church, there was a service on. Another time there was a wedding, and further, on a Heritage Weekend, it failed to open.
So, when visiting the area at the beginning of the month, I mentioned that St Peter had been a bugbear of mine, Tim said its only a couple of miles away, we could try now.
Of course, driving from a different direction, not along the main road, I did not realise how close we were.
So, we would try.
Apart from the dowser in the churchyard, who was scattering, or rather placing, dozens of small pieces of white cloth about, but would move them if I wanted. I said no thanks, and left him to his stick waggling. Or that is what I said to Tim, but of course, I do not know if dowsing is any good, or what he was dowsing for.
Inside the church, several ladies were making busy, preparing the church for the next day's harvest festival, so many of them are in the shots, but it makes for a very welcoming sight indeed.
So very good to finally get inside, and many thanks to Tim for taking me.
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A much restored Norman church, with a tiny twelfth-century window set just above the (later) porch roof. There is a good example of a fifteenth-century low side window in the south-west corner of the chancel. The pews, pulpit and tiles are typical of mid-nineteenth century restorations, yet above is the fine nave roof of the usual crownpost type. It displays nicely pierced spandrels with a quatrefoil and dagger design. In 1846 Lord Camden built a new church on the main road in the village centre. Even so the old church is extremely well maintained and much loved in the neighbourhood. The churchyard contains many good headstones including one to Sir Morton Peto, the famous nineteenth-century engineer.
www.kentchurches.info/church.asp?p=Pembury+1
The first known record of Pembury, originally Pepingeberia, is to be found in the 'Textus Roffensis' (c1120). It tells of the manors of Pepenbury Magna (Hawkwell) and Pepenbury Parva (Bayhall).
The Advowson was granted by Simon de Wahull to Bayham Abbey c1239. (Advowson is the right in English Law of presenting a nominee to a vacant parish. In effect this means the right to nominate a person to hold a church office in a parish).
Pembury has two churches dedicated to St Peter. The oldest, known as the Old Church, stands outside the modern village in the woods to the north of the A228 bypass. The newer building, known as the Upper Church, stands in the heart of the village on Hastings Road.
The plan of the Old Church and the little Norman window above the South door indicate that the original Church dates from 1147 at least, or even 1100AD. Most of the present Church was built in 1337 by John Colepeper of Bayhall. He also built the chantry chapel of St Mary in the churchyard in 1355 but this was pulled down at the Dissolution of the smaller Monasteries in 1547 and three windows in the body of the Church were inserted with the money gained from the sale of the lead which had covered the chapel.
The most notable feature inside the Church is the roof of the nave. It is said to be one of the best specimens of the tie-beam and kingpost type in the country.
On the north wall near the pulpit there is an interesting brass with an inscription and a figure of an Elizabethan child, Elizabeth Rowe. There are two slabs set into the Sanctuary floor in memory of Dorothy Amherst (1654) and Richard Amherst (1664). The Amherst family owned the manor of Bayhall at this time.
During the nineteenth century a number of alterations were made to the Church, including the raising of the Chancel floor. This meant that the oldest tombstone was completely covered over. The inscription round the edge of the slab, written in Norman French, tells is that it is the resting place of Margaret, the daughter of Sir Thomas Colepeper.
Among the other memorial tablets there are several of the Woodgate family, three of whom were vicars of Pembury in the nineteenth century. Under the tower is a memorial to Lord George Spencer-Churchill.
The Organ, which has one manual and a pedal-board, dates back to 1877. It was made by Hill and Son, London, and cost £130. The organ was fully restored to its former glory in 2006. There are four bells which are now fitted with a chiming apparatus so that they can be rung by one person.
www.pemburychurch.net/pembury_old_church.htm
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Pembury is within the ECCLESIASTICAL JURISDICTION of the diocese of Rochester and deanry of Malling.
¶The church, which is dedicated to St. Peter, has a spire steeple at the west end. It was built by one of the family of Colepeper, patrons of it, and most probably by John Colepeper, esq. in the reign of king Edward III. for on the three buttresses on the south side of the chancel, there remain three shields of coat armour, each carved on an entire stone of about two feet and an half in depth, and the breadth equal with that of the buttress, which shews them to be coeval with that of the building itself. On the first is a rectangular cross; the second is the coat armour of Hardreshull, A chevron between eight martlets, viz. five and three, the above-mentioned John Colepeper having married the coheir of that family; the third is that of Colepeper, a bend engrailed. On a very antient stone on the pavement of the chancel, is an antient inscription in old French, for Margaret, the daughter of Sir Thomas Colepeper, which seems as early as the above mentioned reign. There are several monuments and memorials in it of the family of Amherst and their re latives; an inscription and figure in brass for Elizabeth, daughter of Richard Rowe, esq. of Hawkwell, anno 1607; a tomb for George Bolney, esq. who married a Wybarne; and in the porch are two antient stones with crosses on them.
¶The advowson of the church of Pembury was given with it, by Simon de Wahull, to the abbey of Begham, in Sussex, in pure and perpetual alms, as has been already mentioned.
¶Pope Gregory IX. anno 1239, granted licence to the abbot and convent to hold this church, then of their patronage, and not of greater value than ten marcs, as an appropriation upon the first vacancy of it, reserving, a competent portion for a vicar out of the profits of it. Notwithstanding which, it was not appropriated till the year 1278, when Richard Oliver, the rector, resigned it into the hands of John de Bradfield, bishop of Rochester, who granted his letters mandatory, for the induction of the abbot and convent into the corporal possession of the church, with its appurtenances, according to the tenor of the above-mentioned bull. (fn. 7)
¶The parsonage of the church of Pembury, with the advowson of the vicarage appendant to the manor, continued with the abbey of Begham till the dissolution of it in the 17th year of king Henry VIII. when it was surrendered into the king's hands, after which it passed in the same tract of ownership as the manor of Pembury, and appendant to it, till it became the property of William Woodgate, esq. lord of that manor, and the present patron of it.
¶It is a discharged living, of the clear yearly certified value of 46l. 10s. the yearly tenths of which are 12s. 8d.
¶Charles Amherst, esq. of Bayhall, by his will in 1702, gave as an augmentation to this vicarage, the sum of ten pounds to be paid yearly by such persons to whom the manor of Bayhall, with its appurtenances, should come and remain after his death.
¶In 1733 the Rev. George May, vicar, augmented it with the sum of 100l. 17s. 6d. to entitle it to the benefit of queen Anne's bounty.
¶There is an annual pension of forty shillings paid out of the parsonage to the vicar, which was settled on him and his successors, at the time of the appropriation of this church. The tithes of corn and grain of which this parsonage consists are now worth about one hundred and twenty pounds per annum.
¶The vicarage is now worth about one hundred and fifty pounds per annum.