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copyright Marcel Lee
Please do not copy or use these photos without written permission from Ink & Spindle
the early days
Bain News Service,, publisher.
Spindler
[between ca. 1920 and ca. 1925]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication. For more information, see George Grantham Bain Collection - Rights and Restrictions Information www.loc.gov/rr/print/res/274_bain.html
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Bain News Service photograph collection (DLC) 2005682517
General information about the George Grantham Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.35493
Call Number: LC-B2- 5922-16
A spindle (or colloquially, a spike) is an upright spike used to hold papers waiting for processing. "Spindling" or "spiking" was the act of spearing a paper document onto the spike.
Spindling accumulated paperwork in a way that would not permit it to be blown about by the summer breeze common prior to the advent of air conditioning. When the spindle was full, a string would be put through the holes to bundle the papers together, and the bundle would be shipped to the archives.
......................Wikipedia
In this photo, two of our new signature spindles, "The Victorian" and an Oregon Myrtlewood silk drop spindle.
The wood of spindle trees is very hard and in the past was used for wool spindles, hence the name. The berries help to brighten up our Herefordshire hedgerows and woodland edges this time of year, but do not attempt to eat. They are very poisonous!
A collection of medieval reproduction spindles based on various archeological finds.
Check back for more data later
The first one is based on medieval finds in Greenland, but the bulge is fatter here to make it a bit heavier. It is a dream to spin.
The 2nd and 3rd spindles are Irish. I understand from the maker that these are upside down in the photograph. I disagree about the 2nd one. That knob at the top is BEGGING to anchor a half hitch, in my opinion. The 3rd is a distaff, according to the textile expert associated with the dig. I doubt it, frankly. But I haven’t had much success with it as a spindle so far.
The 4th and 5th spindles are said to be more generic medieval European spindles. The 4th is a whorlless spindle. The two whorls are made to fit the 5th one. The wooden whorl is Irish -- I haven't found much evidence elsewhere in medieval Europe for wide, flat wooden whorls. The clay whorl I use to approximate medieval whorls found in England.
A small sample from my spindle collection. Most of them were given to me by very special people, and one was custom made by a local woodturner.
This was a custom Drop Spindle that Dave made that features beautiful Celtic Knotwork scrimshawed on fossil ivory.
Seen at Cefn Ila reserve. Later in the year, when you get the pink berries and then the orange seeds, these are much photographed, but they look rather nice like this too.
[From Wikipedia] European spindle wood is very hard, and can be cut to a sharp point; it was used in the past for making spindles for wool-spinning and for butchers' skewers.
Charcoal produced from this plant is seen as superior among artists due to its strength and density.
Parts of the plant have been used medicinally. However, the fruit is poisonous, containing, amongst other substances, the alkaloids theobromine and caffeine, as well as a large number of much more toxic substances and an extremely bitter terpene. Poisonings are more common in young children, who are enticed by the brightly coloured fruits. Ingestion can result in liver and kidney damage and even death.
Taken with an Ensign E29 camera. I've had the Houghton and Butcher Ensign E29 for many years, but never got around to using it, as it takes the long obsolete L29 rollfilm. I found a roll of this recently, it expired in 1938, and I wasn't surprised that when I shot it and developed it, the film was completely black. I used the spindle and backing paper to re-roll some cut down 120 film, the cutting was done with scissors in a changing bag, and is a bit rough!
I started my 52 cameras in 52 weeks project on 1st January 2010. It got rather out of hand and lasted a whole decade. Each week, without fail, I used a different film camera, a total of 522.
After 10 years, I am relaxing the pace and using "new" cameras as and when I feel like it.