View allAll Photos Tagged sphincter

I bought an epicly bright bike light a few years ago for the sole purpose of biking around Moab at night. Through lazyness and circumstance I didn't ever get a chance to use it until this recent Moab trip... but while gearing up in the dark I couldn't find the thing and was relegated to just using regular headlamps to navigate Moab's Slickrock practice loop in the moonless night.

 

Murphey's law kicked in and the second I got back to camp, I found the actual bright light I was supposed to be biking with. Oh well, dull headlamps made the sphincter clenching night biking experience even more exciting, right?

 

Also, that green monster is the new love of my life, and so far I can only afford to rent the Yeti SB6C and take her on some occasional dates, someday I hope I can pull the trigger and tie the knot so that I can ride her as often as I'd like.

 

More Places to find me: Zach Dischner Photography | 500px

Blog: 2manventure

Instagram: drzachman

Just when you thought that Kilbarrack held no more surprises for you…

 

This.

 

8.30 AM in the car park of the Foxhound Inn, of all places.

A Chinese lady in her super pink, super shiny silk kimono, doing her Tai Chi exercises.

 

A place where the habitual physical activities can be summarised as:

 

- Lighting cigarette wrist action

- Talking shite maxillary action

- Holding fart sphincter action

- Assessing the local talent ocular action

- Exhaling smoke of a JP Blue pulmonary action

- Letting out fart-what’s-the-point-it’s-a-lost-battle sphincter action

  

Kilbarrack, you never disappoint.

  

ALL IMAGES ARE BEST seen On Black, yours too!

 

Iris cristata (also known as 'Dwarf Crested Iris' and 'Crested Iris') is a species in the genus Iris, here a flower and a bud.

  

Iris can mean:

  

* The sphincter around the pupil of the eye, the iris is the most visible part of the eye, when photographed with a flash, the iris only reacts to protect the retina, and not fast enough to avoid the red eye effect.

 

* The equivalent device in a camera,

 

* The messenger of the gods in Greek mythology,

 

* A variety of flower,

 

* A female first name.

  

I wish you a good day and thank you for your visit, so very much appreciated, Magda, (*_*)

  

SUPPORT the PHOTOGRAPHER: BUY DIRECT!

 

For more of my other work visit here: www.indigo2photography.co.uk

  

IT IS STRICTLY FORBIDDEN (BY LAW!!!) TO USE ANY OF MY images or TEXT on websites, blogs or any other media without my explicit permission. If you do, without accreditation, it is STEALING © All rights reserved

 

"The Deliverator's car has enough potential energy packed into its batteries to fire a pound of bacon into the Asteroid Belt. Unlike a bimbo box or a Burb beater, the Deliverator's car unloads that power through gaping, gleaming, polished sphincters. When the Deliverator puts the hammer down, shit happens. You want to talk contact patches? Your car's tires have tiny contact patches, talk to the asphalt in four places the size of your tongue. The Deiverator's car has big sticky tires with contact patches the size of a fat lady's thighs. The Deliverator is in touch with the road, starts like a bad day, stops on a peseta.

 

Why is the Deliverator so equipped? Because people rely on him. He is a roll model. This is America. People do whatever the fuck they feel like doing, you got a problem with that? Because they have a right to. And because they have guns and no one can fucking stop them. As a result, this country has one of the worst economies in the world. When it gets down to it-talking trade balances here-once we've brain-drained all our technology into other countries, once things have evened out, they're making

cars in Bolivia and microwave ovens in Tadzhikistan and selling them here-once our edge in natural resources has been made irrelevant by giant Hong Kong ships and dirigibles that can ship North Dakota all the way to New Zealand for a nickel-once the Invisible Hand has taken all those historical inequities and smeared them out into a broad global layer of what a Pakistani brickmaker would consider to be prosperity-y'know what? There's only four things we do better than anyone else

 

music

movies

microcode (software)

high-speed pizza delivery"

 

-Neal Stephenson, Snow Crash

Behind Em's sweet shy eyes lies a dirty Ladyboy slut that loves to suck and fuck! Ladyboy Em has natural tits and HUGE hanging balls. Em has to be seen to be believed. As Em fucks and trains her slutty asshole, she loves to cup and caress her sperm filled balls and hard erect cock. Em looks up lovingly as she gives wonderful gagging blowjobs, and loves tasting and swallowing hot sperm. Em's styles range from sweet to sexy, and she finds out what turns her on. Watch as Em's sexy Katoey balls swing and sway as her sphincter is trained for anal pleasure.

www.ladyboygold.com/flickr

There was this the time Gassy let loose and it smelled like maraschino cherries. That one was just odd.

 

Pull Piggy's finger and view this large.

Catman- “I am really not sure about this Ted, I want him out but… Planet Master?”

 

Zodiac- “I don’t like this anymore than you do, but he’s the best I can afford on my salary!”

 

Catman- “But- Where Da Sisters At? -…okay, at this point I am willing to try anything.”

 

The mangy apartment door opens.

 

Planet Master: “Oh, hi buddy… where’s DeFarge?”

 

Zodiac: “He died.”

 

Planet Master: “What?”

Catman: “F***ing hell, when?”

 

Zodiac: “He got hit by a bus. Anyway, enough talking about the dead, we are here for the exorcism!”

 

Planet Master: “Now?”

 

Catman: “You said 9:00?”

 

Planet Master: “Yes, in the morning, its 2100 hours now!”

 

Zodiac: “There’s a 9:00 in the morning now? God damn millennials!”

 

Planet Master: “Come in, I’ll change into my exorcism outfit.”

 

Zodiac: “Okay, hold your breath coming in. If my theories are correct, then he has 2 dozen Ferrets and no indoor plumbing!... let’s go!”

 

The two run into the apartment, anticipating a loner’s hovel, but are instead greeted by a well decorated, nice looking and clean apartment.

 

Zodiac: “Oh my god!”

 

Catman: “It’s like what the CW thinks struggling working class accommodations look like!”

 

Planet Master: “Do you like the place?”

 

Planet Master walks into the room, wearing some open chested robe-or-other.

 

Catman: “Jesus Christ, he’s jacked!”

 

Planet Master: “Yeah, I got a membership at Deadshot’s gym!”

 

Zodiac: “Doesn’t that place cost $500 a month?

 

Planet Master: “Yep. Paired with the assassin business, Floyd is raking it in!”

 

Zodiac: “How can you afford that and this place… are you a prostitute, like some sort of male prostitute… one without a beard?”

 

Catman: “Wait, do you have a thing for bearded ladies?”

 

Zodiac: “Doesn’t everyone?”

 

An awkward silence fills the room…

 

Zodiac: “Ummmm… where was I?”

 

Planet Master: “Where I get my money?”

 

Zodiac: “YEP! That is all that has been said! How do you get your money, Norbert?”

 

Planet Masters: “Duh, being the world’s greatest exorcist! Ignore that Constantine Bastard, I am the real deal!”

 

Zodiac: “Yeah, sure you are buddy, can we please get this over with, I’m missing FOX’s ‘My Roommate is a perverted spirit living in my anus’ starring Clifford DeVoe.”

 

Catman: “I still think its bullshit that I didn’t get any royalties for that.”

 

Planet Master: “Right, over the phone I tasked you with bringing an item each. Ted, did you bring protection?”

 

Zodiac: “Yeppers”

 

He pulls a box of condoms out of his pocket.

 

Zodiac: “There’s only one in there. I wash it out after I use it.”

 

Planet Master: “I meant a weapon. Like a scimitar or a sock filled with rocks, lest the spirit turn violent.”

 

Catman: “Actually, knowing KoC, that may be the most appropriate weapon to bring.”

 

Planet Master: “Fine, Thomas, music? Keep in mind it has to be dark, eerie and messed up!”

 

Catman: “Yep, www.youtube.com/watch?v=nWwIyKOCrd8

 

Planet Master: “Jesus Christ, that is sick! Let’s get started. Catman, kneel down in the middle of the circle of salt with your anus out.”

 

Zodiac: “Kinky.”

 

Catman: “Only you would say that!”

 

Catman does as Norbert says, while he pulls out his ladybird book of exorcisms and makes a strange unnatural chant.

 

Planet Master: “Now this is the storya… all about howa… my life got flippeda… upside downa…”

 

Catman: “eurngh…”

 

Zodiac: “Ummmm… is this normal?”

 

Planet Master “Shut The F*** upa… no one asked youa…”

 

Zodiac: “What has happened to you *Sniff*?”

  

Catman: “Aaaaaaargh- Flabby and moist -AAAAAAAAAARGH!”

 

In an obscenely disgusting way, the spirit of KoC rips from Catman’s sphincter.

 

King of Cats: F*** her right in the P****, I’m free!!!!”

 

Planet Master (squinty eyed shouting as is typical during a ritual): “Zodiac, you see that duffel bag over there?”

 

Zodiac (squinty eyed shouting as is typical during a ritual): “Yep!”

 

Planet Master (squinty eyed shouting as is typical during a ritual): “That contains the sacrifice, into which we will put KoC’s soul!”

 

Zodiac runs towards the duffel bag, panting heavily for no apparent reason, and opens it up.

 

Rob Schneider: “Hi!”

 

Planet Master (squinty eyed shouting as is typical during a ritual): “That’s the sacrifice! Now expose his anus!”

 

Rob Schneider: “Woah, at least ask me on a date first!”

 

Zodiac (squinty eyed shouting as is typical during a ritual): “Shut up!”

 

He punches Schneider in the face, pulls his pants down and points it towards KoC’s spirit.

 

Planet Master(squinty eyed shouting as is typical during a ritual): “Lure the spirit towards the anus!”

 

Zodiac thinks for a moment: “Um… Karl, your sister is here!”

 

King of Cats: “Oooooooooooo!”

 

Without hesitation, King of Cats soars into Schneider’s butthole. The random green mood lighting that had emanated from Catman dissipates, and King of Cats, now in Rob Schneider’s body, rises.

 

King of Cats: “Hehehehehehe... by bitches!!!!!!!!!”

 

King of Cats runs devilishly out of the room, while Catman rises weakly to his feet.

 

Catman: “I feel like everyone who has skin to skin contact with Gar… *cough*.”

 

Planet Master (raspy from all the squinty eyed shouting as is typical during a ritual): “This ass is clean.”

 

Zodiac: “Right… well, I’ll get this little trooper out of here and…”

 

Planet Master: “Cross my palms with silver.”

 

Zodiac: “…say wut?”

 

Planet Master: “Cross my palms with silver!”

 

Zodiac: “…say wut, agai…”

 

Planet Master: “PAY ME!”

 

Zodiac: “You never mentioned that during that the phone call?”

 

Planet Master: “It was the first thing I mentioned! $300 dollars per grain of salt!”

 

Zodiac: “… … …they have $300 now? Damn millennials!”

 

Planet Master: “Pay me.”

 

Zodiac: “Do you accept gold teeth, big ears here has about twelve from angry sex with Huntress?”

 

Planet Master: “A couple of those will do nicely.”

 

Zodiac: “wunderbar! I’ll get some out now!“

 

Catman (weakly): “Wut… wut are we talking ‘bout?”

 

The Ty Warner Sea Center of the Santa Bárbara Museum of Natural History was letting everyone in for free that day. Being a cheapskate and naturally unable to resist a freebie, I figured I had to go and take a look. This sea anemone caught my attention.

Petite Ladyboy Ae is a real treat. Her petite body and innocent Thai face wonderfully hides her secret that a BIG COCK awaits below her skirt! Ae's thick meat is fast to get hard as she opens her ass for penetration from toys and cock. Sticky girl precum drips from the tip as bareback cock assault her gaping sphincter. LadyboyGold is the only site to see Ae fuck and wrap her thick full lips around cock

www.ladyboygold.com/flickr

There is a superhighway between the brain and GI system that holds great sway over humans

"There is a muscle that encircles the gut like a lasso when we are sitting… creating a kink in the tube," Giulia Enders explains in Gut: The Inside Story of Our Body's Most Underrated Organ. She calls the mechanism "an extra insurance policy, in addition to our old friends, the sphincters" (you have two sphincters – keep reading) and cites studies showing that squatters, with their unkinked guts, are less susceptible to haemorrhoids and constipation.Enders, a 25-year-old student at the Institute for Microbiology in Frankfurt, inside an underground public lavatory in central London. "Is there a toilet in this toilet?" she asks when she arrives. There is not, a barista tells her. The Victorian urinals, abandoned in the 1960s, have been converted into cafe with booths and stools, and no room for anything else.After a dash to a pub loo above ground, Enders talks with infectious energy about the wonder of the gut. She has been delighted to discover how many people share her fascination with a subject that can suffer for being taboo. "Even today in the taxi, I told the driver what I was doing and within about two minutes he was telling me about his constipation," she says in perfect English, which she owes to a year of study in the US. "And it's not just him. It's ladies with chic hair at big gala dinners, too. Everyone wants to talk about it."Enders first got noticed after a self-assured turn at a science slam in Berlin three years ago. Her 10-minute lecture went viral on YouTube, and now, weeks after completing her final exams as a doctoral student, she is a publishing sensation. Her book, called Darm Mit Charme ("Charming Bowels") in Germany, has sold more than 1.3 million copies since it came out last year. Rights have been sold to dozens of countries.

 

Her way into the gut is a lightness that some reviewers have found too childish or lacking in scientific rigour to be taken seriously. But there is something compelling and refreshing about her curiosity and popular approach. "When I read the research, I think, why don't people know about this – why am I reading about it in some paper or specialist magazine? It's ridiculous because everyone has to deal with it on a daily basis." After she explains the inspiration for her fixation (the suicide of an acquaintance who had had severe halitosis, and her own teenage skin condition, which turned out to have been caused by a wheat intolerance) Enders starts at the end of the digestive tract with what she calls the "masterly performance" that is defecation. "There is so much about the anus that we don't know," she says, reaching for a gluten-free chocolate chip cookie. "The first surprise is the sophistication of our sphincters… you know about the outer one because you can control it, but the inner one nobody knows about."

This inner opening is beyond our conscious control, releasing waste material into a sort of anal vestibule where, in Enders words, "a small taster" hits sensor cells that tell the body what it's dealing with and how to respond using the outer sphincter. This opening, and our mouths, are the recognisable and controllable ends of a system that, stretched out, would be almost as long as a bus. But it's the bits in between, and their link with the rest of our bodies, including our brains and emotions, that really interest Enders.

 

"Medical diagrams show the small intestine as a sausage thing chaotically going through our belly," she says. "But it is an extraordinary work of architecture that moves so harmonically when you see it during surgery. It's clean and smooth, like soft fabric, and moves like this." She performs a wavy, pulsating motion with her hands. Enders believes that if we could think differently about the gut, we might more readily understand its role beyond basic digestion – and be kinder to it. The great extent to which the gut can influence health and mood is a growing field in medicine. We speak of it all the time, whether we describe "gut feelings", "butterflies in our stomachs", or "pooing our pants" in fear, but popular understanding of this gut-brain axis remains low.

 

A primal connection exists between our brain and our gut. We often talk about a “gut feeling” when we meet someone for the first time. We’re told to “trust our gut instinct” when making a difficult decision or that it’s “gut check time” when faced with a situation that tests our nerve and determination. This mind-gut connection is not just metaphorical. Our brain and gut are connected by an extensive network of neurons and a highway of chemicals and hormones that constantly provide feedback about how hungry we are, whether or not we’re experiencing stress, or if we’ve ingested a disease-causing microbe. This information superhighway is called the brain-gut axis and it provides constant updates on the state of affairs at your two ends. That sinking feeling in the pit of your stomach after looking at your postholiday credit card bill is a vivid example of the brain-gut connection at work. You’re stressed and your gut knows it—immediately.

 

The enteric nervous system is often referred to as our body’s second brain. There are hundreds of million of neurons connecting the brain to the enteric nervous system, the part of the nervous system that is tasked with controlling the gastrointestinal system. This vast web of connections monitors the entire digestive tract from the esophagus to the anus. The enteric nervous system is so extensive that it can operate as an independent entity without input from our central nervous system, although they are in regular communication. While our “second” brain cannot compose a symphony or paint a masterpiece the way the brain in our skull can, it does perform an important role in managing the workings of our inner tube. The network of neurons in the gut is as plentiful and complex as the network of neurons in our spinal cord, which may seem overly complex just to keep track of digestion. Why is our gut the only organ in our body that needs its own “brain”? Is it just to manage the process of digestion? Or could it be that one job of our second brain is to listen in on the trillions of microbes residing in the gut?

 

Operations of the enteric nervous system are overseen by the brain and central nervous system. The central nervous system is in communication with the gut via the sympathetic and parasympathetic branches of the autonomic nervous system, the involuntary arm of the nervous system that controls heart rate, breathing, and digestion. The autonomic nervous system is tasked with the job of regulating the speed at which food transits through the gut, the secretion of acid in our stomach, and the production of mucus on the intestinal lining. The hypothalamic-pituitary-adrenal axis, or HPA axis, is another mechanism by which the brain can communicate with the gut to help control digestion through the action of hormones.

 

This circuitry of neurons, hormones, and chemical neurotransmitters not only sends messages to the brain about the status of our gut, it allows for the brain to directly impact the gut environment. The rate at which food is being moved and how much mucus is lining the gut—both of which can be controlled by the central nervous system—have a direct impact on the environmental conditions the microbiota experiences.

 

Like any ecosystem inhabited by competing species, the environment within the gut dictates which inhabitants thrive. Just as creatures adapted to a moist rain forest would struggle in the desert, microbes relying on the mucus layer will struggle in a gut where mucus is exceedingly sparse and thin. Bulk up the mucus, and the mucus-adapted microbes can stage a comeback. The nervous system, through its ability to affect gut transit time and mucus secretion, can help dictate which microbes inhabit the gut. In this case, even if the decisions are not conscious, it’s mind over microbes.

 

What about the microbial side? When the microbiota adjusts to a change in diet or to a stress-induced decrease in gut transit time, is the brain made aware of this modification? Does the brain-gut axis run in one direction only, with all signals going from brain to gut, or are some signals going the other way? Is that voice in your head that is asking for a snack coming from your mind or is it emanating from the insatiable masses in your bowels? Recent evidence indicates that not only is our brain “aware” of our gut microbes, but these bacteria can influence our perception of the world and alter our behavior. It is becoming clear that the influence of our microbiota reaches far beyond the gut to affect an aspect of our biology few would have predicted—our mind.

 

For example, the gut microbiota influences the body’s level of the potent neurotransmitter serotonin, which regulates feelings of happiness. Some of the most prescribed drugs in the U.S. for treating anxiety and depression, like Prozac, Zoloft, and Paxil, work by modulating levels of serotonin. And serotonin is likely just one of a numerous biochemical messengers dictating our mood and behavior that the microbiota impacts.

 

Most of us can relate to the experience of having butterflies in our stomach, or to a visceral gut-wrenching feeling, and how often are we told not to ignore our “gut-instinct” or “gut-feeling” when making a decision.

 

Even from our simple slang, it’s clear just how symbolically connected the gut is to our emotions. Now, there’s tangible proof to support these popular metaphors.

 

We all have a microbiome, and they are as unique as our neural pathways

Research has shown that the body is actually composed of more bacteria than cells. We are more bug than human! Collectively, these trillions of bacteria are called the microbiome. Most of those bacteria reside in our gut, sometimes referred to as the gut microbiota, and they play multiple roles in our overall health.

 

The gut is no longer seen as an entity with the sole purpose of helping with all aspects of digestion. It’s also being considered as a key player in regulating inflammation and immunity.

 

A healthy gut consists of different iterations of bacteria for different people, and this diversity maintains wellness. A shift away from “normal” gut microbiota diversity is called dysbiosis, and dysbiosis may contribute to disease. In light of this, the microbiome has become the focus of much research attention as a new way of understanding autoimmune, gastrointestinal, and even brain disorders.

 

The benefit of a healthy gut is illustrated most effectively during early development. Research has indicated just how sensitive a fetus is to any changes in a mother’s microbiotic makeup, so much so that it can alter the way a baby’s brain develops. If a baby is born via cesarean section, it misses an opportunity to ingest the mother’s bacteria as it travels down the vaginal canal. Studies show that those born via c-section have to work to regain the same diversity in their microbiome as those born vaginally. Throughout our lives, our microbiome continues to be a vulnerable entity, and as we are exposed to stress, toxins, chemicals, certain diets, and even exercise, our microbiome fluctuates for better or worse.

 

The gut as second brain

Our gut microbiota play a vital role in our physical and psychological health via its own neural network: the enteric nervous system (ENS), a complex system of about 100 million nerves found in the lining of the gut.

 

The ENS is sometimes called the “second brain,” and it actually arises from the same tissues as our central nervous system (CNS) during fetal development. Therefore, it has many structural and chemical parallels to the brain.

 

Our ENS doesn’t wax philosophical or make executive decisions like the gray shiny mound in our skulls. Yet, in a miraculously orchestrated symphony of hormones, neurotransmitters, and electrical impulses through a pathway of nerves, both “brains” communicate back and forth. These pathways include and involve endocrine, immune, and neural pathways.

 

At this point in time, even though the research is inchoate and complex, it is clear that the brain and gut are so intimately connected that it sometimes seems like one system, not two.

 

Our emotions play a big role in functional gastrointestinal disorders

Given how closely the gut and brain interact, it has become clear that emotional and psychosocial factors can trigger symptoms in the gut. This is especially true in cases when the gut is acting up and there’s no obvious physical cause.

 

The functional gastrointestinal disorders (FGIDs) are a group of more than 20 chronic and hard to treat medical conditions of the gastrointestinal tract that constitute a large proportion of the presenting problems seen in clinical gastroenterology.

 

While FGID’s were once thought to be partly “in one’s head,” a more precise conceptualization of these difficulties posits that psychosocial factors influence the actual physiology of the gut, as well as the modulation of symptoms. In other words, psychological factors can literally impact upon physical factors, like the movement and contractions of the GI tract, causing, inflammation, pain, and other bowel symptoms.

 

Mental health impacts gut wellness

In light of this new understanding, it might be impossible to heal FGID’s without considering the impact of stress and emotion. Studies have shown that patients who tried psychologically based approaches had greater improvement in their symptoms compared with patients who received conventional medical treatment.

 

Along those lines, a new pilot study from Harvard University affiliates Benson-Henry Institute for Mind Body Medicine at Massachusetts General Hospital and Beth Israel Deaconess Medical Center found that meditation could have a significant impact for those with irritable bowel syndrome and inflammatory bowel disease. Forty-eight patients with either IBS or IBD took a 9-week session that included meditation training, and the results showed reduced pain, improved symptoms, stress reduction, and the change in expression of genes that contribute to inflammation.

 

Poor gut health can lead to neurological and neuropsychiatric disorders

Vice-versa, poor gut health has been implicated in neurological and neuropsychiatric disorders. Disturbances in gut health have been linked to multiple sclerosis, autistic spectrum disorders, and Parkinson’s disease. This is potentially related to pro-inflammatory states elicited by gut dysbiosis-microbial imbalance on or inside the body. Additional connections between age-related gut changes and Alzheimer’s disease have also been made.

 

Further, there is now research that is dubbing depression as an inflammatory disorder mediated by poor gut health. In fact, multiple animal studies have shown that manipulating the gut microbiota in some way can produce behaviors related to anxiety and depression. (Maes, Kubera, Leunis, Berk, J. Affective Disorders, 2012 and Berk, Williams, Jacka, BMC Med, 2013).

 

Our brain’s health, which will be discussed in more depth in a later blog post, is dependent on many lifestyle choices that mediate gut health; including most notably diet (i.e., reduction of excess sugar and refined carbohydrates) and pre and probiotic intake.

 

The brain-gut connection has treatment implications

We are now faced with the possibility of both prevention and treatment of neurological/neuropsychiatric difficulties via proper gut health. On the flip side, stress-reduction and other psychological treatments can help prevent and treat gastrointestinal disorders. This discovery can potentially lead to reduced morbidity, impairment, and chronic dependency on health care resources.

 

The most empowering aspect to the gut-brain connection is the understanding that many of our daily lifestyle choices play a role in mediating our overall wellness. This whole-body approach to healthcare and wellness continues to show its value in our longevity, well-being, and quality of life: that both physical and mental health go hand-in-hand.

 

www.mindful.org/meet-your-second-brain-the-gut/

Slim and dark, Arin is a rarity among Bangkok Ladyboys. Enjoy those natural hips and enhanced tits as Arin bounces up and down on bare cock. Her tiny brown buns are split open making her Ladyboy surprise long and hard. Arin's uncircumcised stick spurts as creampies and sperm moisturize her dainty sphincter. Watch in delight as this Kathoey princess gets down and dirty. Arin's ass is stretched to the limit as she cums again and again on LadyboyGold.

www.ladyboygold.com/flickr

SUPPORT the PHOTOGRAPHER: BUY DIRECT!

  

The phoenix was, generally, believed to be colorful and vibrant!

Bought a mixed bouquet, saw just the tips of the yellow Irises, to my amazement, the center turned out blue, not seen that before, thus photo-session with my new elegant models. I AM unfurling all my beauty for you...

I don't talk to flowers, they talk to me and I gladly listen!

In Flowers'-language: Iris means faith; hope; wisdom and valour

In Fine Arts: the lenses also have an iris diaphragm which can be opened and closed to control the amount of light reaching the film.

 

Iris can mean:

* The sphincter around the pupil of the eye, the iris is the most visible part of the eye, when photographed with a flash, the iris only reacts to protect the retina, and not fast enough to avoid the red eye effect.

* The equivalent device in a camera,

* The messenger of the gods in Greek mythology

* A variety of flower,

* A female first name.

  

Giving my flowers SOUL? My Soul Flowers on youtube and Studio Flowers 2011

I wish you a good day and thanx for your visit, so very much appreciated, Magda, (*_*)

 

For more of my other work visit here: www.indigo2photography.co.uk

 

IT IS STRICTLY FORBIDDEN (BY LAW!!!) TO USE ANY OF MY image or TEXT on websites, blogs or any other media without my explicit permission. © All rights reserved

The bizarre sphincter-faced babies (sculptures by Czech artist David Černý) crawling up the sides of Prague's (in)famous Žižkov Television Tower - a unique transmitter tower built between 1985 and 1992. Designed by the architect Václav Aulický and the structural engineer Jiří Kozák, it stands high above the city's traditional skyline from its position on top of a hill in the district of Žižkov, from which it takes its name.

 

en.wikipedia.org/wiki/Žižkov_Television_Tower

new orleans, louisiana.

 

Yellow and Blue Iris, a marvel.

 

A gentle arm curve creates a soft frame around the dancer’s head.

Bought a mixed bouquet, saw just the tips of the yellow Irises, to my amazement, the center turned out blue, not seen that before, thus photo-session with my new elegant models. This definitely spoke of ballet ...

I don't talk to flowers, they talk to me and I gladly listen, with my eyes!

 

In Flowers'-language: Iris means faith; hope; wisdom and valour

In Fine Arts: the lenses also have an iris diaphragm which can be opened and closed to control the amount of light reaching the film.

Iris can also mean:

 

* The sphincter around the pupil of the eye, the iris is the most visible part of the eye, when photographed with a flash, the iris only reacts to protect the retina, and not fast enough to avoid the red eye effect.

* The equivalent device in a camera,

* The messenger of the gods in Greek mythology

* A variety of flower,

* A female first name.

  

I wish you a good day and thank you for your visit, so very much appreciated, Magda, (*_*)

 

For more: www.indigo2photography.com

 

IT IS STRICTLY FORBIDDEN (BY LAW!!!) TO USE ANY OF MY image or TEXT on websites, blogs or any other media without my explicit permission. © All rights reserved

 

Damein Hirst at the Ken C. Arnold Art Collection Damien Hirst (B. 1965)

Opium

lambda inkjet print in colours, 2000, on glossy wove paper, signed in black felt-tip pen, numbered on the reverse, published by Eyestorm, London, printed close to the edges of the full sheet as issued. Excellent condition.

L., S. 484 x 435 mm.

Damien Hirst

 

Damien Hirst

Born 7 June 1965 (1965-06-07) (age 44)

Bristol, England

Nationality British

Field Conceptual art, installation art, painting

Training Leeds College of Art and Design, Goldsmiths

Movement Young British Artists

Works The Physical Impossibility of Death in the Mind of Someone Living, For the Love of God

Patrons Charles Saatchi

Awards Turner Prize

 

Damien Steven Hirst[1] (born 7 June 1965) is an English artist and the most prominent[2] member of the group known as "Young British Artists" (or YBAs), who dominated the art scene in Britain during the 1990s.[3] He is internationally renowned,[4] and has been claimed to be the richest living artist to date.[5] During the 1990s his career was closely linked with the collector Charles Saatchi, but increasing frictions came to a head in 2003 and the relationship ended.[6]

 

Death is a central theme in Hirst's works.[7][8] He became famous for a series of artworks in which dead animals (including a shark, a sheep and a cow) are preserved—sometimes having been dissected—in formaldehyde. The Physical Impossibility of Death in the Mind of Someone Living, a 14-foot (4.3 m) tiger shark immersed in formaldehyde in a vitrine became the iconic work of British art in the 1990s,[9] and the symbol of Britart worldwide.[10] He has also made "spin paintings," created on a spinning circular surface, and "spot paintings", which are rows of randomly-colored circles.

 

In September 2008, he took an unprecedented move for a living artist[11] by selling a complete show, Beautiful Inside My Head Forever, at Sotheby's by auction and by-passing his long-standing galleries.[12] The auction exceeded all predictions, raising £111 million ($198 million), breaking the record for a one-artist auction[13] as well as Hirst's own record with £10.3 million for The Golden Calf, an animal with 18-carat gold horns and hooves, preserved in formaldehyde.[12]

 

Contents [hide]

1 Life and career

1.1 Early life

1.2 Breakthrough

1.3 Charles Saatchi

1.4 Post-Saatchi

1.4.1 Beautiful Inside My Head Forever

1.4.2 Cartrain

1.5 Painting

2 Work philosophy

2.1 Appropriation

3 Hirst's own collection

4 Restaurant ventures

5 Charitable work

6 Personal life and wealth

7 Critical responses to conceptual work

7.1 Positive

7.2 Negative

8 Artworks

9 See also

10 References

11 External links

 

[edit] Life and career

[edit] Early life

 

Hirst studied at Goldsmiths, University of London.Damien Hirst was born in Bristol and grew up in Leeds. His father was a motor mechanic, who left the family when Hirst was 12.[14] His mother, Mary, was a lapsed Catholic, who worked for the Citizens Advice Bureau and says she lost control of him when he was young.[14] He was arrested on two occasions for shoplifting.[14] However, Hirst sees her as someone who would not tolerate rebellion: she cut up his bondage trousers and heated one of his Sex Pistols vinyl records on the cooker to turn it into a fruit bowl[15] (or a plant pot[16]). He says, "If she didn't like how I was dressed, she would quickly take me away from the bus stop." She did, though, encourage his liking for drawing, which was his only successful educational subject.[15]

 

His art teacher "pleaded"[15] for Hirst to be allowed to enter the sixth form,[15] where he took two A-levels, achieving an "E" grade in art.[14] He was refused admission to Leeds College of Art and Design, when he first applied, but attended the college after a subsequent successful application.[14]

  

Michael Craig-Martin. An Oak Tree, 1973He went to an exhibition of work by Francis Davison, staged by Julian Spalding at the Hayward Gallery in 1983.[17] Davison created abstract collages from torn and cut coloured paper, which Hirst said, "blew me away", and which he modelled his own work on for the next two years.[17]

 

He worked for two years on London building sites, then studied Fine Art at Goldsmiths, University of London[14] (1986–89), although again he was refused a place the first time he applied. In 2007, Hirst was quoted as saying of An Oak Tree by Goldsmiths' senior tutor, Michael Craig-Martin: "That piece is, I think, the greatest piece of conceptual sculpture. I still can't get it out of my head."[18] While a student, Hirst had a placement at a mortuary, an experience that influenced his later themes and materials.

 

[edit] Breakthrough

In July 1988 in his second year at Goldsmiths College, Hirst was the main organiser of an independent student exhibition, Freeze, in a disused London Port Authority administrative block in London's Docklands. He gained sponsorship from the London Docklands Development Corporation. The show was visited by Charles Saatchi, Norman Rosenthal and (Sir) Nicholas Serota, thanks to the influence of his Goldsmiths' lecturer Michael Craig-Martin. Hirst's own contribution to the show consisted of a cluster of cardboard boxes painted with household paint.[19] After graduating, Hirst was included in New Contemporaries show and in a group show at Kettles Yard Gallery in Cambridge. Seeking a gallery dealer, he first approached Karsten Schubert, but was turned down.

 

In 1990 Hirst, along with his friend Carl Freedman and Billee Sellman, curated two enterprising "warehouse" shows, Modern Medicine and Gambler, in a Bermondsey former Peek Freans biscuit factory they designated "Building One".[20][21] Saatchi arrived at the second show in a green Rolls Royce and, according to Freedman, stood open-mouthed with astonishment in front of (and then bought) Hirst's first major "animal" installation, A Thousand Years, consisting of a large glass case containing maggots and flies feeding off a rotting cow's head.[22] They also staged Michael Landy's Market.[21] At this time, Hirst said, "I can’t wait to get into a position to make really bad art and get away with it. At the moment if I did certain things people would look at it, consider it and then say 'f off'. But after a while you can get away with things."[17]

 

In 1991 his first solo exhibition, organised by Tamara Chodzko - Dial, In and Out of Love, was held in an unused shop on Woodstock Street in central London; he also had solo exhibitions at the Institute of Contemporary Arts, and the Emmanuel Perrotin Gallery in Paris. The Serpentine Gallery presented the first survey of the new generation of artists with the exhibition Broken English, in part curated by Hirst. At this time Hirst met the up-and-coming art dealer, Jay Jopling, who then represented him.

 

[edit] Charles Saatchi

In 1991, Charles Saatchi had offered to fund whatever artwork Hirst wanted to make, and the result was showcased in 1992 in the first Young British Artists exhibition at the Saatchi Gallery in North London. Hirst's work was titled The Physical Impossibility of Death in the Mind of Someone Living and was a shark in formaldehyde in a vitrine, and sold for £50,000. The shark had been caught by a commissioned fisherman in Australia and had cost £6,000.[23] It became the iconic work of British art in the 1990s,[9] and the symbol of Britart worldwide.[10] The exhibition also included A Thousand Years. As a result of the show, Hirst was nominated for that year's Turner Prize, but it was awarded to Grenville Davey.

  

The Physical Impossibility of Death in the Mind of Someone Living by Damien Hirst (1991)Hirst's first major international presentation was in the Venice Biennale in 1993 with the work, Mother and Child Divided, a cow and a calf cut into sections and exhibited in a series of separate vitrines. He curated the show Some Went Mad, Some Ran Away in 1994 at the Serpentine Gallery in London, where he exhibited Away from the Flock (a sheep in a tank of formaldehyde). On 9 May, Mark Bridger, a 35 year old artist from Oxford, walked in to the gallery and poured black ink into the tank, and retitled the work Black Sheep. He was subsequently prosecuted, at Hirst's wish, and was given two years' probation. The sculpture was restored at a cost of £1,000.

 

In 1995, Hirst won the Turner Prize. New York public health officials banned Two Fucking and Two Watching featuring a rotting cow and bull, because of fears of "vomiting among the visitors". There were solo shows in Seoul, London and Salzburg. He directed the video for the song "Country House" for the band Blur. No Sense of Absolute Corruption, his first solo show in the Gagosian Gallery in New York was staged the following year. In London the short film, Hanging Around, was shown—written and directed by Hirst and starring Eddie Izzard. In 1997 the Sensation exhibition opened at the Royal Academy in London. A Thousand Years and other works by Hirst were included, but the main controversy occurred over other artists' works. It was nevertheless seen as the formal acceptance of the YBAs into the establishment.[24]

  

Beautiful revolving sphincter, oops brown painting by Damien Hirst (2003)In 1998, his autobiography and art book, I Want To Spend the Rest of My Life Everywhere, with Everyone, One to One, Always, Forever, Now, was published. With Alex James of the band Blur and actor Keith Allen, he formed the band Fat Les, achieving a number 2 hit with a raucous football-themed song Vindaloo, followed up by Jerusalem with the London Gay Men's Chorus. Hirst also painted a simple colour pattern for the Beagle 2 probe. This pattern was to be used to calibrate the probe's cameras after it had landed on Mars. He turned down the British Council's invitation to be Britain's representative at the 1999 Venice Biennale because "it didn't feel right".[25] He sued British Airways claiming a breach of copyright over an advert design with coloured spots for its low budget airline, Go.

 

In 2000, Hirst's sculpture Hymn (which Saatchi had bought for a reported £1m) was given pole position at the show Ant Noises (an anagram of "sensation") in the Saatchi Gallery. Hirst was then sued himself for breach of copyright over this sculpture (see Appropriation below).[26] Hirst sold three more copies of his sculpture for similar amounts to the first.[27] In September 2000, in New York, Larry Gagosian held the Hirst show, Damien Hirst: Models, Methods, Approaches, Assumptions, Results and Findings. 100,000 people visited the show in 12 weeks and all the work was sold.

 

On 10 September 2002, on the eve of the first anniversary of the 9/11 World Trade Center attacks, Hirst said in an interview with BBC News Online:

 

"The thing about 9/11 is that it's kind of like an artwork in its own right. It was wicked, but it was devised in this way for this kind of impact. It was devised visually... You've got to hand it to them on some level because they've achieved something which nobody would have ever have thought possible, especially to a country as big as America. So on one level they kind of need congratulating, which a lot of people shy away from, which is a very dangerous thing."[28]

The next week, following public outrage at his remarks, he issued a statement through his company, Science Ltd:

 

"I apologise unreservedly for any upset I have caused, particularly to the families of the victims of the events on that terrible day."[29]

Hirst gave up smoking and drinking in 2002, although the short-term result was that his wife Maia "had to move out because I was so horrible." He had met Joe Strummer (former lead singer of The Clash) at Glastonbury in 1995, becoming good friends and going on annual family holidays with him. Just before Christmas 2002, Strummer died of a heart attack. This had a profound effect on Hirst, who said, "It was the first time I felt mortal." He subsequently devoted a lot of time to founding a charity, Strummerville, to help young musicians.[15]

 

In April 2003, the Saatchi Gallery opened at new premises in County Hall, London, with a show that included a Hirst retrospective. This brought a developing strain in his relationship with Saatchi to a head[6] (one source of contention had been who was most responsible for boosting their mutual profile). Hirst disassociated himself from the retrospective to the extent of not including it in his CV.[6] He was angry that a Mini car that he had decorated for charity with his trademark spots was being exhibited as a serious artwork.[6] The show also scuppered a prospective Hirst retrospective at Tate Modern.[6] He said Saatchi was "childish"[15] and "I'm not Charles Saatchi's barrel-organ monkey ... He only recognises art with his wallet ... he believes he can affect art values with buying power, and he still believes he can do it."[6]

 

In September 2003 he had an exhibition Romance in the Age of Uncertainty at Jay Jopling's White Cube gallery in London, which made him a reported £11m,[15] bringing his wealth to over £35m. It was reported that a sculpture, Charity, had been sold for £1.5m to a Korean, Kim Chang-Il, who intended to exhibit it in his department store's gallery in Seoul.[30] The 22 foot (6.7m) 6 ton sculpture was based on the 1960s Spastic Society's model, which is of a girl in leg irons holding a collecting box. In Hirst's version the collecting box is shown broken open and is empty.

 

Charity was exhibited in the centre of Hoxton Square, in front of the White Cube. Inside the gallery downstairs were 12 vitrines representing Jesus's disciples, each case containing mostly gruesome, often blood-stained, items relevant to the particular disciple. At the end was an empty vitrine, representing Christ. Upstairs were four small glass cases, each containing a cow's head stuck with scissors and knives. It has been described as an "extraordinarily spiritual experience" in the tradition of Catholic imagery.[31] At this time Hirst bought back 12 works from Saatchi (a third of Saatchi's holdings of Hirst's early works), via Jay Jopling, for a total fee reported to exceed £8 million. Hirst had sold these pieces to Saatchi in the early 1990s for a considerably smaller sum, his first installations costing less than £10,000.[6]

   

Virgin Mother by Damien HirstOn 24 May 2004, a fire in the Momart storage warehouse destroyed many works from the Saatchi collection, including 17 of Hirst's, although the sculpture Charity survived, as it was outside in the builder's yard. That July, Hirst said of Saatchi, "I respect Charles. There's not really a feud. If I see him, we speak, but we were never really drinking buddies."[15]

 

Hirst designed a cover for the Band Aid 20 charity single featuring the "Grim Reaper" in late 2004. The image showed an African child perched on his knee. This was not to the liking of the record company executives and was replaced by reindeer in the snow standing next to a child.

 

In December 2004, The Physical Impossibility of Death in the Mind of Someone Living was sold by Saatchi to American collector Steve Cohen, for $12 million (£6.5 million), in a deal negotiated by Hirst's New York agent, Gagosian.[32] Cohen, a Greenwich hedge fund manager, then donated the work to The Metropolitan Museum of Art, New York. Sir Nicholas Serota had wanted to acquire it for the Tate Gallery, and Hugo Swire, Shadow Minister for the Arts, tabled a question to ask if the government would ensure it stayed in the country.[33] Current export regulations do not apply to living artists.

 

Hirst exhibited 30 paintings at the Gagosian Gallery in New York in March 2005. These had taken 3 1/2 years to complete. They were closely based on photos, mostly by assistants (who were rotated between paintings) but with a final finish by Hirst.[34]

 

In February 2006, he opened a major show in Mexico, at the Hilario Galguera Gallery, called The Death of God, Towards a Better Understanding of Life without God aboard The Ship of Fools. The exhibition attracted considerable media coverage as Hirst's first show in Latin America. In June that year, he exhibited alongside the work of Francis Bacon (Triptychs) at the Gagosian Gallery, Britannia Street, London. Included in the exhibition was the seminal vitrine, A Thousand Years (1990), and four triptychs: paintings, medicine cabinets and a new formaldehyde work entitled The Tranquility of Solitude (For George Dyer), influenced by Francis Bacon.

  

For the Love of God by Damien Hirst (2007)A Thousand Years, one of Hirst's most provocative and engaging works, contains an actual life cycle. Maggots hatch inside a white minimal box, turn into flies, then feed on a bloody, severed cow's head on the floor of a claustrophobic glass vitrine. Above, hatched flies buzz around in the closed space. Many meet a violent end in an insect-o-cutor; others survive to continue the cycle. A Thousand Years was admired by Francis Bacon, who in a letter to a friend a month before he died, wrote about the experience of seeing the work at the Saatchi Gallery in London. Margarita Coppack notes that "It is as if Bacon, a painter with no direct heir in that medium, was handing the baton on to a new generation." Hirst has openly acknowledged his debt to Bacon, absorbing the painter's visceral images and obsessions early on and giving them concrete existence in sculptural form with works like A Thousand Years.[35]

 

Hirst gained the auction record for the most expensive work of art by a living artist — his Lullaby Spring in June 2007, when a 3 metre (10 ft) wide steel cabinet with 6,136 pills sold for 19.2 million dollars to Sheikh Hamad bin Khalifa Al-Thani, the Emir of Qatar.[36][37]

 

In June 2007, Beyond Belief, an exhibition of Hirst's new work, opened at the White Cube gallery in London. The centre-piece, a Memento Mori titled For the Love of God, was a human skull recreated in platinum and adorned with 8,601 diamonds weighing a total of 1,106.18 carats.[38]. Approximately £15,000,000 worth of diamonds were used. It was modelled on an 18th century skull, but the only surviving human part of the original is the teeth. The asking price for For the Love of God was £50,000,000 ($100 million or 75 million euros). It didn't sell outright,[39] and on 30 August 2008 was sold to a consortium that included Hirst himself and his gallery White Cube.[39]

 

In November 2008, the skull was exhibited at the Rijksmuseum in Amsterdam next to an exhibition of paintings from the museum collection selected by Hirst. Wim Pijbes, the museum director, said of the exhibition, "It boosts our image. Of course, we do the Old Masters but we are not a 'yesterday institution'. It's for now. And Damien Hirst shows this in a very strong way."[40]

 

[edit] Beautiful Inside My Head Forever

Main article: Beautiful Inside My Head Forever

Beautiful Inside My Head Forever was a two day auction of Hirst's new work at Sotheby's, London, taking place on 15 and 16 September 2008.[12] It was unusual as he bypassed galleries and sold directly to the public.[41] Writing in The Independent, Cahal Milmo said that the idea of the auction was conceived by Hirst's business advisor of 13 years, Frank Dunphy, who had to overcome Hirst's initial reluctance about the idea.[42]

 

The sale raised £111 million ($198 million) for 218 items.[13] The auction exceeded expectations,[13] and was ten times higher than the existing Sotheby's record for a single artist sale,[43] occurring as the financial markets plunged.[43] The Sunday Times said that Hirst's business colleagues had "propped up"[43] the sale prices, making purchases or bids which totalled over half of the £70.5 million spent on the first sale day:[43] Harry Blain of the Haunch of Venison gallery said that bids were entered on behalf of clients wishing to acquire the work.[43]

 

[edit] Cartrain

Main article: Cartrain

 

Sculpture by Damien Hirst outside the Wallace Collection for his exhibition there in 2009In December 2008, Hirst contacted the Design and Artists Copyright Society (DACS) demanding action be taken over works containing images of his skull sculpture For the Love of God made by a 16 year old graffiti artist, Cartrain, and sold on the internet gallery 100artworks.com. On the advice of his gallery, Cartrain handed over the artworks to DACS and forfeited the £200 he had made; he said, "I met Christian Zimmermann [from DACS] who told me Hirst personally ordered action on the matter."[44] In June 2009, copyright lawyer Paul Tackaberry compared the two images and said, "This is fairly non-contentious legally. Ask yourself, what portion of the original--and not just the quantity but also the quality--appears in the new work? If a 'substantial portion' of the 'original' appears in the new work, then that's all you need for copyright infringement... Quantitatively about 80% of the skull is in the second image."[45]

 

Cartrain walked into Tate Britain in July 2009 and removed a pack of "very rare Faber Castell 1990 Mongol 482 series pencils" from Damien Hirst's pharmacy installation. Cartrain had then made a "fake" police appeal poster stating that the pencils had been "stolen" and that if anyone had any information they should call the police on the phone number advertised. Cartrain was arrested for £500,000 worth of theft.[46]

 

[edit] Painting

In October 2009, Hirst revealed that he had been painting with his own hand in a style influenced by Francis Bacon for several years. According to Sarah Thornton, "For his latest violation of art-world etiquette, he’s enacting the fantasy of being a lonely romantic painter."[47] No Love Lost, his show of these paintings at the Wallace Collection in London received "one of the most unanimously negative responses to any exhibition in living memory".[48] Tom Lubbock of The Independent called Hirst's work derivative, weak and boring:[49] "Hirst, as a painter, is at about the level of a not-very-promising, first-year art student."[49] Rachel Campbell-Johnston of The Times said it was "shockingly bad".[49]

 

[edit] Work philosophy

 

LSD by Damien HirstAlthough Hirst participated physically in the making of early works, he has always needed assistants (Carl Freedman helped with the first vitrines), and now the volume of work produced necessitates a "factory" setup, akin to Andy Warhol's or a Renaissance studio. This has led to questions about authenticity, as was highlighted in 1997, when a spin painting that Hirst said was a "forgery" appeared at sale, although he had previously said that he often had nothing to do with the creation of these pieces.

  

Rachel Howard painted Hirst's "best spot paintings".[50] Photographed by Ross McNicolHirst said that he only painted five spot paintings himself because, "I couldn't be fucking arsed doing it"; he described his efforts as "shite"—"They're shit compared to ... the best person who ever painted spots for me was Rachel. She's brilliant. Absolutely fucking brilliant. The best spot painting you can have by me is one painted by Rachel." He also describes another painting assistant who was leaving and asked for one of the paintings. Hirst told her to, "'make one of your own.' And she said, 'No, I want one of yours.' But the only difference, between one painted by her and one of mine, is the money.'"[50] By February 1999, two assistants had painted 300 spot paintings. Hirst sees the real creative act as being the conception, not the execution, and that, as the progenitor of the idea, he is therefore the artist:

 

Art goes on in your head," he says. "If you said something interesting, that might be a title for a work of art and I'd write it down. Art comes from everywhere. It's your response to your surroundings. There are on-going ideas I've been working out for years, like how to make a rainbow in a gallery. I've always got a massive list of titles, of ideas for shows, and of works without titles.[15]

Hirst is also known to volunteer repair work on his projects after a client has made a purchase. For example, this service was offered in the case of the suspended shark purchased by Steven A. Cohen.[51][52][53]

 

[edit] Appropriation

In 1999, chef Marco Pierre White said Hirst's Butterflies On Mars had plagiarised his own work, Rising Sun, which he then put on display in the restaurant Quo Vadis in place of the Hirst work.[54]

  

Spiritus Callidus #2 by John Lekay, 1993, crystal skullIn 2000, Hirst was sued for breach of copyright over his sculpture, Hymn, which was a 20-foot (6.1 m), six ton, enlargement of his son Connor's 14" Young Scientist Anatomy Set, designed by Norman Emms, 10,000 of which are sold a year by Hull-based toy manufacturer Humbrol for £14.99 each.[26] Hirst paid an undisclosed sum to two charities, Children Nationwide and the Toy Trust in an out-of-court settlement,[26] as well as a "good will payment" to Emms.[54] The charitable donation was less than Emms had hoped for. Hirst also agreed to restrictions on further reproductions of his sculpture.[26]

 

A graphic artist and former research associate at the Royal College of Art, Robert Dixon, stated in 2006 that Hirst's print Valium had "unmistakable similarities" to one of his own designs. Hirst's manager contested this by explaining the origin of Hirst's piece was from a book The Penguin Dictionary of Curious and Interesting Geometry (1991)—not realising this was where Dixon's design had been published.[54][55]

 

In 2007, artist John LeKay said he was a friend of Damien Hirst between 1992 and 1994 and had given him a "marked-up duplicate copy" of a Carolina Biological Supply Company catalogue, adding "You have no idea how much he got from this catalogue. The Cow Divided is on page 647 – it is a model of a cow divided down the centre, like his piece." This refers to Hirst’s work Mother and Child, Divided—a cow and calf cut in half and placed in formaldehyde.[55] LeKay also claimed Hirst had copied the idea of For the Love of God from LeKay's crystal skulls made in 1993, and said, "I would like Damien to acknowledge that 'John really did inspire the skull and influenced my work a lot.'"[55] Copyright lawyer Paul Tackaberry reviewed images of LeKay's and Hirst's work and saw no basis for copyright infringement claims in a legal sense.[45]

 

[edit] Hirst's own collection

In November 2006 Hirst was curator of In the darkest hour there may be light, the first public exhibition of (a small part of) his own collection. Now known as the ‘murderme collection’, this significant accumulation of works spans several generations of international artists, from well-known figures such as Francis Bacon, Jeff Koons, Tracey Emin, Richard Prince and Andy Warhol, to artists in earlier stages of their careers such as his former assistant Rachel Howard[56] , David Choe, Nicholas Lumb, Tom Ormond and Dan Baldwin.[57]

 

“As a human being, as you go through life, you just do collect. It was that sort of entropic collecting that I found myself interested in, just amassing stuff while you’re alive.” - Damien Hirst, 2006.[58]

 

Hirst is currently restoring the Grade I listed Toddington Manor, near Cheltenham, where he intends to eventually house the complete collection.[59]

 

In 2007, Hirst donated the 1991 sculptures "The Acquired Inability to Escape" and "Life Without You" and the 2002 work "Who is Afraid of the Dark?" (fly painting), and an exhibition copy from 2007 of "Mother and Child Divided" to the Tate Museum from his own personal collection of works.[60]

 

[edit] Restaurant ventures

Hirst had a short-lived partnership with chef Marco Pierre White in the restaurant Quo Vadis.

 

His best known restaurant involvement was Pharmacy, located in Notting Hill, London, which closed in September 2003. Although one of the owners, Hirst had only leased his art work to the restaurant, so he was able to retrieve and sell it at a Sotheby's auction, earning over £11 million. Some of the work had been adapted, e.g. by signing it prior to the auction.[61].

 

Hirst opened and currently helps to run a seafood restaurant, 11 The Quay, in the seaside town of Ilfracombe in the UK.

 

[edit] Charitable work

Damien Hirst is a supporter of the indigenous rights organization, Survival International.[62] On September 2008, Hirst donated the work, Beautiful Love Survival, at the Sotheby’s London sale, Beautiful Inside My Head Forever, to raise money for this organization.[63][64] Later, he also contributed his writing to the book, We Are One: A Celebration of Tribal Peoples, released in October 2009, in support of Survival. The book explores the existence and threats of indigenous cultures around the world.[65][66]

 

[edit] Personal life and wealth

Hirst lives with his Californian girlfriend, Maia Norman, by whom he has three sons: Connor Ojala, (born 1995, Kensington and Chelsea, London), Cassius Atticus (born 2000, North Devon) and Cyrus Joe (born 2005, Westminster, London).[67] Since the birth of Connor, he has spent most of his time at his remote farmhouse, a 300 year old former inn, near Combe Martin Devon. Hirst and Norman are not married[68] although he has referred to her as his "common-law wife".[5] The artist owns a large compound in Baja, Mexico that serves as a part-time residence and art studio. The studio employs several artists that carry out Hirst's projects.

 

Hirst has admitted serious drug and alcohol problems during a ten year period from the early 1990s: "I started taking cocaine and drink ... I turned into a babbling fucking wreck."[50] During this time he was renowned for his wild behaviour and extrovert acts, including for example, putting a cigarette in the end of his penis in front of journalists.[69] He was an habitué of the high profile Groucho Club in Soho, London, and was banned on occasion for his behaviour.

 

He is reputed to be the richest living artist to date.[5] In 2009, the annually collated chart of the wealthiest individuals in Britain and Ireland, The Times Rich List, placed Hirst at joint number 238 with a net worth of £235m.[70]

 

[edit] Critical responses to conceptual work

[edit] Positive

 

Tracey Emin compared Hirst with Andy Warhol.[71]Hirst has been praised in recognition of his celebrity and the way this has galvanised interest in the arts, raising the profile of British art and helping to (re)create the image of "Cool Britannia." In the mid-1990s, the then-Heritage Secretary, Virginia Bottomley recognised him as "a pioneer of the British art movement", and even sheep farmers were pleased he had raised increased interest in British lamb.[72] Janet Street-Porter praised his originality, which had brought art to new audiences and was the "art-world equivalent of the Oasis concerts at Earl's Court".[72]

 

Andres Serrano is also known for shocking work and understands that contemporary fame does not necessarily equate to lasting fame, but backs Hirst: "Damien is very clever ... First you get the attention ... Whether or not it will stand the test of time, I don't know, but I think it will."[72] Sir Nicholas Serota commented, "Damien is something of a showman ... It is very difficult to be an artist when there is huge public and media attention. Because Damien Hirst has been built up as a very important figure, there are plenty of sceptics ready to put the knife in."[72]

 

Tracey Emin said: "There is no comparison between him and me; he developed a whole new way of making art and he's clearly in a league of his own. It would be like making comparisons with Warhol."[71] Despite Hirst's insults to him, Saatchi remains a staunch supporter, labelling Hirst a genius[72] and stating:

 

General art books dated 2105 will be as brutal about editing the late 20th century as they are about almost all other centuries. Every artist other than Jackson Pollock, Andy Warhol, Donald Judd and Damien Hirst will be a footnote.[73]

[edit] Negative

There has been equally vehement opposition to Hirst's work. Norman Tebbit, commenting on the Sensation exhibition, wrote "Have they gone stark raving mad? The works of the 'artist' are lumps of dead animals. There are thousands of young artists who didn't get a look in, presumably because their work was too attractive to sane people. Modern art experts never learn."[74] The view of the tabloid press was summed up by a Daily Mail headline: "For 1,000 years art has been one of our great civilising forces. Today, pickled sheep and soiled beds threaten to make barbarians of us all." The Evening Standard art critic, Brian Sewell, said simply, "I don't think of it as art ... It is no more interesting than a stuffed pike over a pub door. Indeed there may well be more art in a stuffed pike than a dead sheep."[74]

 

The Stuckist art group was founded in 1999 with a specific anti-Britart agenda by Charles Thomson and Billy Childish;[75] Hirst is one of their main targets. They wrote (referring to a Channel 4 programme on Hirst):

 

The fact that Hirst's work does mirror society is not its strength but its weakness - and the reason it is guaranteed to decline artistically (and financially) as current social modes become outmoded. What Hirst has insightfully observed of his spin-paintings in Life and Death and Damien Hirst is the only comment that needs to be made of his entire oeuvre: "They're bright and they're zany - but there's fuck all there at the end of the day."[74]

 

A Dead Shark Isn't Art, Stuckism International Gallery 2003.[76]In 2003, under the title A Dead Shark Isn't Art, the Stuckism International Gallery exhibited a shark which had first been put on public display two years before Hirst's by Eddie Saunders in his Shoreditch shop, JD Electrical Supplies. Thomson asked, "If Hirst’s shark is recognised as great art, then how come Eddie’s, which was on exhibition for two years beforehand, isn’t? Do we perhaps have here an undiscovered artist of genius, who got there first, or is it that a dead shark isn’t art at all?" [76] The Stuckists suggested that Hirst may have got the idea for his work from Saunders' shop display.[77]

 

In 2008 leading art critic Robert Hughes said Hirst was responsible for the decline in contemporary art.[78] Hughes said Hirst's work was "tacky" and "absurd" in a 2008 TV documentary called The Mona Lisa Curse made by Hughes for Channel 4 in Britain. Hughes said it was "a little miracle" that the value of £5 million was put on Hirst's Virgin Mother (a 35 foot bronze statue), which was made by someone "with so little facility".[79] Hughes called Hirst's shark in formaldehyde "the world's most over-rated marine organism" and attacked the artist for "functioning like a commercial brand", making the case that Hirst and his work proved that financial value was now the only meaning that remained for art.[79]

 

[edit] Artworks

His works include:

 

In and Out of Love (1991), an installation of potted plants, caterpillars and monochrome canvases painted with sugar solution and glue. There were also (in a separate room) tables with ashtrays containing used cigarette butts. Eventually, the caterpillars metamorphose into butterflies, and the insects become fixed to the surfaces of the canvases. In its now fixed form, the work is held by the Yale Center for British Art and is on regular exhibit there.

The Physical Impossibility of Death in the Mind of Someone Living (1991), a tiger shark in a glass tank of formaldehyde. This piece was one of the works in his Turner Prize nomination show.

Pharmacy (1992), a life-size recreation of a chemist's shop.

A Thousand Years (1991), composed of a vitrine with a glass division. In one half is the severed head of a cow on the floor; in the other is an insect electrocutor. Maggots introduced into the vitrine feed off the cow and then develop into flies that are killed by the electrocutor.

Amonium Biborate (1993)

Away from the Flock (1994), composed of a dead sheep in a glass tank of formaldehyde.

Arachidic Acid (1994) an early example of Hirst's spot paintings.

Some Comfort Gained from the Acceptance of the Inherent Lies in Everything (1996) multiple cows in a line head-to-tail, divided cross-sectionally into equal rectangular tanks of formaldehyde, equally-spaced, each containing about 3 feet (0.91 m) of the animals.

Beautiful Axe , Slash, Gosh Painting (1999) Signed on the reverse. Gloss household paint on canvas

Hymn (1999), a scaled-up replica of his son Connor's toy: a basic anatomical model of the male human body. The sculpture is 20 ft (6.1 m) tall and composed of painted bronze.

Mother and Child Divided, composed of a cow and a calf sliced in half in a glass tank of formaldehyde.

Two Fucking and Two Watching, includes a rotting cow and bull. This work was banned from exhibition in New York by public health officials.

God, composed of a cabinet containing pharmaceutical products.

The Stations of the Cross (2004), a series of twelve photographs depicting the final moments of Jesus Christ, made in collaboration with the photographer David Bailey.

The Virgin Mother, a massive sculpture depicting a pregnant female human, with layers removed from one side to expose the fœtus, muscle and tissue layers, and skull underneath. This work was purchased by real estate magnate Aby Rosen for display on the plaza of one of his properties, the Lever House, in New York City.

Breath (2001), a 45-second film of Samuel Beckett's play for the Beckett on Film series.

The Wrath of God (2005), a new version of a shark in formaldehyde.

The Inescapable Truth, (2005). Glass, steel, dove, human skull and formaldehyde solution.

The Sacred Heart of Jesus, (2005). Perspex, bull's heart, silver, assorted needles, scalpels, and formaldehyde solution.

Faithless, (2005). Butterflies and household gloss on canvas

The Hat Makes de Man, (2005). Painted bronze that simulates wood and hats.

The Death of God, (2006). Household gloss on canvas, human skull, knife, coin and sea shells. This painting, which is a part of a group of others which were made in Mexico, are believed to be "the beginning of Hirst's Mexican period".

For The Love of God, a platinum cast of an 18th century skull covered in 8,601 diamonds.[80]

Saint Sebastian, Exquisite Pain, a black calf tied to a pole pierced with arrows. The calf is in a tank of formaldehyde. Performer George Michael has recently purchased this calf and has made it Hirst's fourth most expensive piece.

I had taken photographs of sea anemones before, in Santa Bárbara and Avila Beach, but when I saw these moving about at the Royal Ontario Museum, I thought I had to take a little video.

I was lucky: a relative of Nemo even made a guest appearance.

 

The sound track can serve as a warning: If you are visiting a large aquarium or Natural History Museum, there are going to be a lot of children around, loudly expressing their enthousiasm...

Claustrophobia is defined as the fear of enclosed spaces. Faced with the impossibility of escape, the person suffering from claustrophobia fears being suffocated, being crushed, losing consciousness, or losing control of his actions or sphincter muscles. Avoidance techniques are then developed together with counterphobic behavior (being accompanied by another person, carrying a key) or behavioral modifications (opening doors and windows, positioning oneself near an exit).

 

YAYYY no photoshop besides crop!! :D :D

 

I found out here I have mild claustrophobia. Ummm... not the best place to find out. Ya know, trapped in a small tunnel and all. I took this while Sara smashed eggs. Most amazing place ever. really. Im sooo going back.

 

P.S. Im uploading my 365 early becasue im going to camp this weekend so tomorrow i wont have a computer. So this is early.

SUPPORT the PHOTOGRAPHER: BUY DIRECT!

 

Last for now in this flower-study. The beautiful Iris and a bud.

Bought a mixed bouquet, saw just the tips of the yellow Irises, to my amazement, the center turned out blue, not seen that before, thus photo-session with my new elegant models. This definitely spoke of ballet ...

I don't talk to flowers, they talk to me and I gladly listen!

In Flowers'-language: Iris means faith; hope; wisdom and valour

In Fine Arts: the lenses also have an iris diaphragm which can be opened and closed to control the amount of light reaching the film.

 

Iris can mean:

* The sphincter around the pupil of the eye, the iris is the most visible part of the eye, when photographed with a flash, the iris only reacts to protect the retina, and not fast enough to avoid the red eye effect.

* The equivalent device in a camera,

* The messenger of the gods in Greek mythology

* A variety of flower,

* A female first name.

 

I wish you a good day and thanx for your visit, so very much appreciated, Magda, (*_*)

 

For more of my other work visit here: www.indigo2photography.co.uk

  

IT IS STRICTLY FORBIDDEN (BY LAW!!!) TO USE ANY OF MY images or TEXT on websites, blogs or any other media without my explicit permission. If you do, without accreditation, it is STEALING © All rights reserved

When I was a kid, there was a program on radio that scared the bejesus out of me on a weekly basis, usually on Saturday nights when my brother and I were home alone. (An older brother also scared the bejesus out of me, but then we'd listen to "Suspense" and cringe together.)

 

The Red-winged Blackbird that accompanies this background might give you some ideas. Now, for 10 points each, answer the following questions. (If you're under 60, you're excused, but you may get credit for trying.)

 

1. What radio program ran from 1930 to 1954 and was categorized as a "thriller?" What thriller or macabre program was originally called "Detective Story?"

 

Hint, the first announcer was Derek Jones. Frank Gallop would have been an ideal announcer, but he was busy with another scary show, "Inner Sanctum." Confused? Well "Inner Sanctum" started with a creaking door and Frank Gallop saying, "Welcome to Inner Sanctum" in such a way that all manner of sphincters were triggered. So, it ain't him.

 

2. The second actor to play the main character was played by Orsen Welles. Along with him were Agnes Moorhead, Jeanette Nolan, and Everett Sloan all well known well into the Sixties.

 

3. Last clue: "Who knows what lurks in the hearts of evil men?"

 

Answer: "The Shadow knows!" or as we would wont to say in the second grade, "The Shadow Do."

 

4. Ah, but what was The Shadow's real name?

 

Answer: Lamont Cranston.

 

Since I was around when Bela Lugosi was playing Count Dracula, I always imagined The Shadow to also be wearing a cape, and swishing it around his head just as this Red-winged Blackbird might be doing. The next time you hear a bird ask, "Who knows???" you can answer, "I does."

 

40 points. If you got all four correct, you go to the head of the class, although very slowly.

 

If you got three correct, you canstay after class and clean the erasers. If you don't know what erasers are, you can go home now.

 

If you got two right, well who couldn't, and no, not The Shadow.

 

If you got one right, we know you were guessing, but such a phenomenal guess deserves consideration. GOOD JOB. Here's a participation trophy!

  

Alberta Cancer Foundation’s Underwear Affair, June 2, 2012 in Calgary, Alberta, Canada.

 

The Underwear Affair is a fund raising event. Participation in The Underwear Affair helps lift the taboo connected with cancers below the waist. Proceeds from the Alberta Cancer Foundation's Underwear Affair support the Tom Baker Cancer Centre here in Calgary and 16 other cancer centres throughout the province.

56087 thunders past Woodacre, near Garstang with 6J37 12:44 Carlisle Yard to Chirk "logs". 7/6/2013. I just sneaked it in sun after a sphincter-testing half hour!

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***** Selected for sale in the GETTY IMAGES COLLECTION on May 20th 2015

  

CREATIVE RF gty.im/tbc MOMENT OPEN COLLECTION**

  

This photograph became my 685th frame to be selected for inclusion and sale in the Getty Images 'Moment' collection, and I am very grateful to them for this wonderful opportunity.

  

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This is the last photograph that I took before destroying my most loved lens, the Nikkor AF-S 14-24mm f/2.8G ED IF......You know the lens I am talking about, so good that Can...Cano...(sorry, I cannot bring myself to say the word canon) users can get their grubby little mits on by a special mount to use this on their DSLR's, forged from Magnesium and angel's tears, carved by hand on the supple flesh of a virgin maiden's tender thigh......(not many of those left these days I can tell you)

  

Forty two years holding a plethora of sexy Nikon cameras from classic 35mm film FM's and F4s to the advent of the Digital dawn and D80's to D800's, with no major accidents aside from a horrid third party Tamron SP AF 10-24mm F3.5-4.5 Di II LD Aspherical (IF) lens that deserved to die (cue evil laugh like Vincent Price at the beginning of Michael Jackson's 'Thriller'), is not too bad a record but, oh my, why did it have to be my most favourite of lenses. Famed as the world's best ultra wide professional zoom lens and costing almost as much as Bolivia's national debt £1315 of your 'Gawd bless you Guvnor' British pounds/$2086 of your 'Have a nice day now ya hear' American dollars, dripping in more bling than Lady Ga GA on a trip to the Salon to have her Clunge waxed, lavishly coated in unobtanium juice and protected by Nano pixies (special Nikon Pixies that beat off glare from the sun and generally stroke and massage the lens and tell it how marvellous it really is), this was my second copy after previously (regrettably) selling one a few years earlier along with my full frame D700 before moving to the D800.

  

Now let's make something crystal clear from the outset and say that I am known (i.e - pointed to and laughed at by friends, family and random small ginger haired children on the streets), for being over cautious, Hyper protective and down right anally retentive in terms of looking after my kit.... cleaned scrupulously before and after EVERY photo shoot with silk cloth from the almost extinct Wugga Wugga silk worms of the Borneo jungle (I know they are almost extinct because most have been slaughtered specifically to make that silk cloth for me), and 24 carat gold dipped cotton buds ($25 bucks from Walmart), pampered and preened, never let out of my sight, given separate seats next to me on long haul flights, given names (Nigella in this instance) and a birthday card each year ….. well, you get the picture I'm sure. But on this day, on this little sandy beach in Utopia (well the Highlands of Scotland is near enough), I fell short in terms of the caring side and boy did I pay the price.

  

The 14-24mm was happily seated on my D800, firmly clamped via a PL-14 metal plate to the Manfrotto tripod, all three legs splayed (the tripod's, not mine), no wind (the beach, not mine), no tide nor waves (well, it was a lake)..... just soft golden sand interspersed with tiny shitty little bastard pebbles (you know where I'm going with this)... tripod at it's lowest elevation about eighteen inches off the sand and I rise like an elegant vision in an elegant manor...erm elegantly from seated behind it to kneel and take a panoramic shot, like you do.....the sand in front of me shifts forward like a dust storm in the Sahara and down goes the combo, Nigella screaming for help before I can react.

  

The few seconds it takes to hit the sand and me gather it up along, hopping and cursing like a mad man walking on a bed of red hot coals with several expletives that I didn't even know I knew... And I do apologise most profusely to the coach load of Sisters from the 'Patagonian Church of Our Lady of the sacred Sphincter' who had just pulled up after an arduous journey for a day of beauty, leisure and contemplation by the Loch, for spoiling their day and causing one sister to faint and be promply carted off to the local casualty department in Spleen, just North of McGoolie! With no filter on the front as protection due to the bulbous front glass element and no protection behind thanks to the bulbous photographer taking pictures that day!, and the zoom ring is proper buggered up (that's a technical term used by people like myself who have a vast knowledge of making a cock up on a regular basis in one way or another), and the front glass element looks like PINHEAD, leader of the Cenobites and chief monster from the eighties classic horror flicks 'HELLRAISER. My protective Nano Pixies were all dead and bleeding, the front glass element was tits up waving a surrender flag, my ego shattered, a grown man weeping into the sand. Those random red haired children were now pointing and laughing at my predicament, and I was praying for H.G.Wells to turn up in a puff of smoke with a time machine to take me back a minutes earlier. Might also have ventured back to the Western Cowboy days as I always wanted to wear a ten gallon Stetson and fire me some twin Colt 45's at dudes who dared to even look at me the wrong way!

  

The lens still saw me through the remainder of my trip, but obviously with the coating destroyed, the light hitting the element at angles from the side was a major problem and subsequent frames showed abnormalities not dissimilar to ghosting or long dust spots which ruined many. As an abstract lens shooting ghostly things or those covered in long dust spots it made great viewing, but for anything else it was right royally screwed! The zoom ring, also damaged in the tumble was as useful as a waxworks in a desert, stiff as five day old roadkill and only good for ultra wides at 14mm or standard 24mm frames. A real pain as a client due in the next week had an unusually large forehead which required portrait shots at 16.5mm to flatter and deceive. Anyway, the lens went in today to be sorted at FIXATION in Kennington Lane, London (highly recommended by butter fingered pro's and used by the mighty Nikon empire themselves for many repairs) and so I am awaiting the return of my little beauty in all her former glory....ie not terminally trashed, unable to zoom, unable to render frames without ghostly blades of grass all over the RAW files. And the cost of my brief misdemeanor... we are talking somewhere in the region of £420.... I am still crying into my Starbucks Skinny Latte as I write....Be careful fellow owners of the wonderful Nikkor AF-S 14-24mm f/2.8G ED IF 'cos it's tough out there on those sandy beaches!

  

Lessons learned from my experience:

  

1) The lens needs it's big lens cap on at all times, just take it off when you are about to shoot, and replace thereafter. (Carrying the lens cap in your jeans back pocket makes you look like a terrorist carrying a bomb anyway and leaves an indentation in your ass like a Great White shark bite when you sit down)

 

2) Don't think that a tripod is ever truly stable or safe (even if it is, you might not be)

 

3) Don't keep the camera and battery grip with lens attached to the tripod mount whilst walking about. A simple drop will damage at least the zoom ring and definitely the battery grip electronics where they meet the underside of the camera body (and when you turn suddenly you will probably take out a bus queue of people.... though that might be quite amusing and well worth a frame or two.)

 

4) But MOST IMPORTANTLY OF ALL: - Starbucks skinny latte doesn't taste as good as a full fat Caramel macchiatto!

 

On a serious note: I could not find details on the net of anyone else having to have that bulbous front element replaced, and horror stories from people in armchairs who spend more time giving opinions than actually getting out there and taking photographs, that it would not be economically viable as a proposition to have such a repair.... so now we know. The cost of a new front glass element and a new outer zoom ring on this puppy is somewhere (I will update with final costs) in the region of £145 in labour and £200 for parts plus VAT at 20%...boo hoo

  

***************

 

FINAL UPDATE:

  

Well, the lovely people at FIXATION restored Nigella Nikkor to her former beauty in three working days (cue applause) and the final cost was less than the original quote at £402.92 of your 'Lawks a lummy guvnor up the apple and pears down the dog and duck' English pounds/$646.69 of your *say, do you serve biscuits and gravy for breakfast here' American Dollars (at todays exchange rate). Faultless service, and my beloved Nigella is back and ready to do battle once more.

 

I got a Costa coffee at the station and let me tell you that stuff sucks! As bitter as Heather Mills at the divorce hearing with Paul McCartney... Starbucks rules OK.

 

ONE YEAR ON....

 

So it's December 2014, almost time for Fatty to climb down my chimney with his sack full of Yuletide crap.... two years into my D800 ownership and still the finest camera I have ever had the pleasure of owning.

 

Nigella the Nikkor is still my favourite lens of all time and since the repairs she has performed faultlessly, perhaps even better than new as the smoothness of aperture ring and focus ring are somehow even better than when first purchased, smoother than a baby's bum....yuk! Nigella has regularly been covered in granules of sand and salty sea water from trips to the South Coast, as well as a month long trip to Canada where she was subjected to lake water, sea water, sand and all manner of general abuse. Many shots taken with her have now sold around the world thanks to my agents, GETTY IMAGES, a few more made it to FLICKR EXPLORE, and several have sold on #ilobsterit.

 

I am toying with the idea of a Fotodiox filter kit but they are American made, and cost a fortune to import, so short of donning a balaclava and robbing the nearest Natwest bank, that may have to wait a while.

  

March 2021:

 

The lens still performs beautifully. I invested in a Lee Filters SW150 adapter ring set which then allowed me to use an array of Neutral density graduated soft resin filers, a circular polariser, a 5 stop little stopper and 10 stop big stopper plus a reverse neutral density graduated 3 stop glass filter for Golden hour shots at sunrise and sunset. Having upgraded to the Nikon D850 in 2018, I can confirm that Nigella the Nikkor is well up to the task of resolving a 47.5 megapixel camera, and is still an absolute joy to use. Nikon have never updated the lens because it simply doesn't need updating, it's always been a legend amongst lenses, always will be!

 

*** I finally said goodbye to Nigella the Nikkor in August 2022 when I sold her on Ebay along with her Lee SW150 filter adapter set/filter holder and two long exposure SW150 filters. I still had the venerable Nikkor AF-S 16-35mm f/4 G ED VR lens to fill my ultra wide angle needs.

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Photograph taken taken at 16:15pm on Tuesday 10th September 2013 off the A82 near Lady's Wood at Luss, on the shoreline of Loch Lomond in the Loch Lomond and The Trossachs National Park, Scotland.

  

Loch Lomond (Loch Laomainn), a freshwater loch situated on the Highland Boundary fault, is the largest inland stretch of water by surface area in Great Britain, at 39km in length and up to 8km in width with a maximum depth of 190metres. Primary inflows and outflows include Endrick water, Fruin water and the River Leven.

  

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Nikon D800 21mm 1/500s f/11.0 iso200

  

Nikkor AF-S 14-24mm f/2.8G ED IF. Nikon MB-D12 battery grip. Two Nikon EN-EL15 batteries. Sandisc 32GB Ultra Class 10 30MB/s SDHC. Nikon DK-17a magnifying eyepiece. Hoodman HGEC soft eyepiece cup. Nikon MC-DC2 remote shutter release. Nikon GP-1 GPS unit.

  

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LATITUDE: N 56d 6m 12.39s

LONGITUDE: W 4d 38m 17.83s

ALTITUDE: 13.0m

  

RAW (FINE) FILE: 103.00MB

PROCESSED FILE: 10.60MB

Iris was the Greek goddess of the rainbow.

 

HMS Iris was a 28-gun sixth rate, formerly the American USS Hancock. She was captured in 1777, but retaken by the French in 1781. She was captured again during the occupation of Toulon and burnt in the retreat.

 

www.fluidr.com/photos/sarniebill

  

This work is licensed under a Creative Commons Attribution 3.0 Unported License.

The view of the Grand Prismatic Spring from the top of the Fairy Falls hike is spectacular to say the least. The hike is a little steep & also has it's inherent dangers. Right at the onset of the hike a scary noticeboard advises you not to climb the hill due to the presence of bears. The cyan sky with puffy stratocumulous clouds made me quickly forget the threat & I was up on the top of the hill in no time. Engrossed in taking photographs of this utterly mesmerizing sight, I didn't realize how an hour ticked by.

 

I was jolted out of the magical spell, by a firm tap on my shoulder from behind. I turned around only to see an eight Feet plus Grizzly standing next to me, with his paw firmly pressing my shoulder. I could feel my Jugular vein on the neck go turgid & thump a retreat beat, as he playfully asked: "Do you have a tooth pick?" Extremely Surprised I asked him: "Why do you need a tooth pick!!?" He replied with an American drawl: "Your flesh would stick in my teeth after I have you for lunch, You know!"

 

To this in spite of my sphincter muscles about to open, I calmly replied: "You know Bear Bhai, I hail from India & recently I have been labeled as "INTOLERANT."

 

The Grizzly looked deep into my eyes, smelt my Armpit, lifted his paw from my scraped shoulder, took a step back, lowered his eyes & whispered with lots of pain in his voice: "I am not quitting this country, but surely leaving this hill!" He walked away chastened with his head down.

  

Strange are the Bears of Yellowstone National Park.

 

P.S. - The non Indians would like to read about the Intolerance issue in India to get a whiff of the above.

If a spider is injured on the abdomen (opisthosoma), it usually amounts to a death sentence. Spiders have an open network which means its arteries carry haemolymph, the arthropod equivalent of mammalian blood, out into the tissue spaces where it diffuses past individual cells before being collected back into the heart. There are few, if any, veins in this system and definitely no capillaries. So if there is an injury which causes an opening in the side of the body, this fluid leaks out and the animal dies. Losing a leg or two is a different ball game altogether. At the joints of the legs the spider has sphincters which close off therefore saving the spider from bleeding to death.

During the late 16th and 17th centuries in France, male impotence was considered a crime, as well as legal grounds for a divorce. The practice, which involved inspection of the complainants by court experts, was declared obscene in 1677. John R. Brinkley initiated a boom in male impotence cures in the U.S. in the 1920s and 1930s. His radio programs recommended expensive goat gland implants and "mercurochrome" injections as the path to restored male virility, including operations by surgeon Serge Voronoff. Modern drug therapy for ED made a significant advance in 1983, when British physiologist Giles Brindley dropped his trousers and demonstrated to a shocked Urodynamics Society audience his papaverine-induced erection. The drug Brindley injected into his penis was a non-specific vasodilator, an alpha-blocking agent, and the mechanism of action was clearly corporal smooth muscle relaxation. The effect that Brindley discovered established the fundamentals for the later development of specific, safe, and orally effective drug therapies.

Erectile dysfunction (ED), also known as impotence, is a type of sexual dysfunction characterized by the inability to develop or maintain an erection of the penis during sexual activity. Erectile dysfunction can have psychological consequences as it can be tied to relationship difficulties and self-image. The most important organic causes of impotence are cardiovascular disease and diabetes, neurological problems (for example, trauma from prostatectomy surgery), hormonal insufficiencies (hypogonadism) and drug side effects. Psychological impotence is where erection or penetration fails due to thoughts or feelings (psychological reasons) rather than physical impossibility; this is somewhat less frequent but can often be helped. In psychological impotence, there is a strong response to placebo treatment. Besides treating the underlying causes such as potassium deficiency or arsenic contamination of drinking water, the first line treatment of erectile dysfunction consists of a trial of PDE5 inhibitor (such as sildenafil). In some cases, treatment can involve prostaglandin tablets in the urethra, injections into the penis, a penile prosthesis, a penis pump or vascular reconstructive surgery. Erectile dysfunction is characterized by the regular or repeated inability to obtain or maintain an erection.

Causes

Medications (antidepressants, such as SSRIs, and nicotine[citation needed] are most common)

Neurogenic disorders

Cavernosal disorders (Peyronie's disease)

Hyperprolactinemia (e.g., due to a prolactinoma)

Psychological causes: performance anxiety, stress, and mental disorders

Surgery

Aging. It is four times more common in men aged in their 60s than those in their 40s.

Kidney failure

Diseases such as diabetes mellitus and multiple sclerosis (MS). While these two causes have not been proven they are likely suspects as they cause issues with both the blood flow and nervous systems. Lifestyle: smoking is a key cause of erectile dysfunction. Smoking causes impotence because it promotes arterial narrowing. Surgical intervention for a number of conditions may remove anatomical structures necessary to erection, damage nerves, or impair blood supply. Erectile dysfunction is a common complication of treatments for prostate cancer, including prostatectomy and destruction of the prostate by external beam radiation, although the prostate gland itself is not necessary to achieve an erection. As far as inguinal hernia surgery is concerned, in most cases, and in the absence of postoperative complications, the operative repair can lead to a recovery of the sexual life of patients with preoperative sexual dysfunction, while, in most cases, it does not affect patients with a preoperative normal sexual life. ED can also be associated with bicycling due to both neurological and vascular problems due to compression. The increase risk appears to be about 1.7-fold. Concerns that use of pornography can cause erectile dysfunction have not been substantiated in epidemiological studies according to a 2015 literature review. However, another review and case studies article maintains that use of pornography does indeed cause erectile dysfunction, and critiques the previously described literature review. Penile erection is managed by two mechanisms: the reflex erection, which is achieved by directly touching the penile shaft, and the psychogenic erection, which is achieved by erotic or emotional stimuli. The former uses the peripheral nerves and the lower parts of the spinal cord, whereas the latter uses the limbic system of the brain. In both cases, an intact neural system is required for a successful and complete erection. Stimulation of the penile shaft by the nervous system leads to the secretion of nitric oxide (NO), which causes the relaxation of smooth muscles of corpora cavernosa (the main erectile tissue of penis), and subsequently penile erection. Additionally, adequate levels of testosterone (produced by the testes) and an intact pituitary gland are required for the development of a healthy erectile system. As can be understood from the mechanisms of a normal erection, impotence may develop due to hormonal deficiency, disorders of the neural system, lack of adequate penile blood supply or psychological problems. Spinal cord injury causes sexual dysfunction including ED. Restriction of blood flow can arise from impaired endothelial function due to the usual causes associated with coronary artery disease, but can also be caused by prolonged exposure to bright light. It is analyzed in several ways: Obtaining full erections at some times, such as nocturnal penile tumescence when asleep (when the mind and psychological issues, if any, are less present), tends to suggest that the physical structures are functionally working. Other factors leading to erectile dysfunction are diabetes mellitus (causing neuropathy). There are no formal tests to diagnose erectile dysfunction. Some blood tests are generally done to exclude underlying disease, such as hypogonadism and prolactinoma. Impotence is also related to generally poor physical health, poor dietary habits, obesity, and most specifically cardiovascular disease such as coronary artery disease and peripheral vascular disease. Therefore, a thorough physical examination is helpful, in particular the simple search for a previously undetected groin hernia since it can affect sexual functions in men and is easily curable. A useful and simple way to distinguish between physiological and psychological impotence is to determine whether the patient ever has an erection. If never, the problem is likely to be physiological; if sometimes (however rarely), it could be physiological or psychological. The current diagnostic and statistical manual of mental diseases (DSM-IV) has included a listing for impotence.

Duplex ultrasound

Duplex ultrasound is used to evaluate blood flow, venous leak, signs of atherosclerosis, and scarring or calcification of erectile tissue. Injecting prostaglandin, a hormone-like stimulator produced in the body, induces the erection. Ultrasound is then used to see vascular dilation and measure penile blood pressure.

Penile nerves function

Tests such as the bulbocavernosus reflex test are used to determine if there is sufficient nerve sensation in the penis. The physician squeezes the glans (head) of the penis, which immediately causes the anus to contract if nerve function is normal. A physician measures the latency between squeeze and contraction by observing the anal sphincter or by feeling it with a gloved finger inserted past the anus.

Nocturnal penile tumescence (NPT)

It is normal for a man to have five to six erections during sleep, especially during rapid eye movement (REM). Their absence may indicate a problem with nerve function or blood supply in the penis. There are two methods for measuring changes in penile rigidity and circumference during nocturnal erection: snap gauge and strain gauge. A significant proportion of men who have no sexual dysfunction nonetheless do not have regular nocturnal erections.

Penile biothesiometry

This test uses electromagnetic vibration to evaluate sensitivity and nerve function in the glans and shaft of the penis.

Dynamic infusion cavernosometry (DICC)

technique in which fluid is pumped into the penis at a known rate and pressure. It gives a measurement of the vascular pressure in the corpus cavernosum during an erection.

Corpus cavernosometry

Cavernosography measurement of the vascular pressure in the corpus cavernosum. Saline is infused under pressure into the corpus cavernosum with a butterfly needle, and the flow rate needed to maintain an erection indicates the degree of venous leakage. The leaking veins responsible may be visualized by infusing a mixture of saline and x-ray contrast medium and performing a cavernosogram.[20] In Digital Subtraction Angiography (DSA), the images are acquired digitally.

Magnetic resonance angiography (MRA)

This is similar to magnetic resonance imaging. Magnetic resonance angiography uses magnetic fields and radio waves to provide detailed images of the blood vessels. Doctors may inject a "contrast agent" into the patient's bloodstream that causes vascular tissues to stand out against other tissues. The contrast agent provides for enhanced information regarding blood supply and vascular anomalies.

 

en.wikipedia.org/wiki/Erectile_dysfunction

Pre-loved tapestry wool.

More here

 

Damien Saez - Sonnez Tocsin Dans Les Campagnes

Sonnez tocsin dans les campagnes

Allez camarade debout

Des coups dpioche et des perspectives

Entre le ciel et le ciment

Y a des cocktails dans les bagnoles

Des CRS en farandole

Cest sûr niront au paradis

Que ceux qui brûlent de lalcool

Sécuritaires nos avenues

Ont pris le goût des cimetières

Y a des virus aux hémisphères

Et se i-phones dans les sphincters

Satellitaires sont nos alcôves

Entre les vierges qui je suis

Emportez-moi dans la tourmente

Les freins ont lâché dans la pente

 

Sonnez tocsin dans les campagnes

Allez camarades debout

Entre les tours les illusoires

Et puis le cris des abattoirs

Puisquici on a peur de tout

Des éphémères sur les grands lacs

Pays jadis feu de cultures

Toi dis-moi la bonne aventure

Des somnifères sur la colère

Faut des pansements sur la misère

La jeunesse a tété le sein

Des dictatures de nos besoins

Du cynisme des gouvernements

Puisque le bon peuple est content

Puisquon crie police à tous vents

Surtout pour protéger largent

Aux armes citoyens des pleurs

Quoi te dire dautre quil est lheure

De libérer les horizons

Des contingents de nos armées

Devant nous lavenir enfin

Pour un meilleur au bout du poing

Et des printemps sous les flocons

Y a de lespoir à nos chansons

Allez marchons vers la grand route

Au gré des ombres calcinées

Pour aller faire monter du souffre

Les égouts dans les beaux quartiers

Moi dans mes contes pour mes enfants

Y a des solitudes au calmant

Et du carbone dans les naufrages

Des pétroliers cherchant la plage

Moi dans mes contes pour mes enfants

Y a des solitudes au calmant

Et des polices au paradis

Dun monde qui meurt à crédit

 

Aux agneaux égorgés au loin

Le chant du coq dans le lointain

A lorée des grands champs de blé

Ma campagne a le poing lié

Scotché à la lisière du bois

Petit poucet cherche pourquoi

Ses parents lont abandonné

Au grands vents des communicants

Cest fini le temps des instruits

Le temps des populaires aussi

Fini le temps des littéraires

Finies les latines les racines

Au bon dos de nos origines

Finie la parole sacrée

Fini les ni bon dieu ni maître

Fini le chant des rossignols

Oublié le temps des muguets

Fini salut à toi mon frère

Bonjour le temps des paradis

Au-dessus des comptes bancaires

 

Aux armes citoyens des pleurs

Quoi te dire dautre quil est lheure

De libérer les horizons

Des contingents de nos armées

Devant nous lavenir enfin

Pour un meilleur au bout du poing

Et des printemps sous les flocons

Y a de lespoir à nos chansons

Allez marchons vers la grand route

Au gré des ombres calcinées

Pour aller faire monter du soufre

Les égouts dans les beaux quartiers

Moi dans mes contes pour mes enfants

Y a des solitudes au calmant

 

Et du carbone

 

Dans les naufrages

Des pétroliers cherchent la plage

The intestines are vital organs in the gastrointestinal tract of our digestive system. Their functions are to digest food and to enable the nutrients released from that food to enter into the bloodstream. Our intestines consist of two major subdivisions: the small intestine and the large intestine. The small intestine is much smaller in diameter, but is much longer and more massive than the large intestine. Together the intestines take up most of the space within the abdominal body cavity and are folded many times over to pack their enormous length into such a small area....

The intestines are located inferior to the stomach in the abdominal body cavity. They are connected to the posterior wall of the abdomen by the mesentery, a thin vascular membrane. Blood vessels of the mesentery carry oxygenated blood to support the tissues of the intestines and carry nutrient-rich venous blood away from the intestines to feed the tissues of the body.

 

The small intestine is about 1 inch in diameter and about 10 feet long in a living body. It extends from the stomach to the large intestine and consists of 3 major regions: the duodenum, jejunum, and ileum.

 

The duodenum receives partially digested food from the stomach, bile from the liver and gallbladder, and pancreatic juice from the pancreas. These substances mix in the duodenum to further digest food into its most basic units. The duodenum begins to absorb nutrients from the food passing through its lumen.

Food next passes into the jejunum, a longer region of intestine where the bulk of the absorption of nutrients takes place.

Finally, food passes into the ileum, the longest region of the small intestine. Any last nutrients that were not absorbed in the jejunum are absorbed in the ileum before the food passes into the large intestine.

 

The large intestine is about 2 ½ inches in diameter and about 5 feet long in a living body. It receives fecal matter from the small intestine through the ileocecal sphincter. The smooth walls of the large intestine absorb water from fecal matter. These intestinal walls also absorb vitamins released from the fermentation of feces by bacteria living in the large intestine.

 

Our large intestine consists of 4 major regions: the cecum, colon, rectum, and anal canal.

 

The cecum is a pouch-like dead-end passage that branches inferiorly from the end of the ileum. Fecal matter entering the large intestine from the ileum passes into the cecum before being pushed superiorly into the ascending colon. The appendix is attached to the inferior end of the cecum and is believed to store beneficial bacteria that help break down undigested food.

Fecal matter passes from the cecum into the colon, the largest region of the large intestine. The ascending colon carries feces superiorly from the cecum to the transverse colon. The transverse colon then carries feces transversely from the right side of the abdomen to the left side, where it enters the descending colon. Next, the descending colon carries the feces inferiorly to the S-shaped sigmoid colon and rectum.

The rectum stores feces until they are ready to be defecated (eliminated from the body).

During defecation, the anal sphincter muscles of the anal canal relax to allow feces to exit the body.

 

Eet Smalielijk.

  

Any Obelix - Asterix fans here? Ok! So you guys know what Menhirs are! :D

 

The trek from the Satsar lake to the Jezbal Pass en route to the magnificent Gangbal lake is the most treacherous path of the Kashmir Great Lakes trek. One has to cross a sea of uneven boulders & rocks strewn on the brink of the mountain. The trick is to guess which boulder to step on. A few shake & rattle as you jump a step on them, you know. Not good at all if you are queasy in the tummy, knee, or head, I tell you. As you dare a quick glimpse on the left of you to the ever-increasing chasm between you & the deep valley beneath, your sphincter muscles open. You are glad that the trek pants are brown in color & will camouflage any mishaps due to fear. You hold your walking stick a bit tighter, as you make one more leap of faith on a boulder a meter away.

 

Jezebel Pass at 4040 meters is a test; both mental & physical & yet an adrenaline-pumping one that you'll cherish all your life.

#ABFAV_2love

  

ALL IMAGES ARE BEST seen On Black, yours too!

 

The name Iris is Greek and it means rainbow for its many colours. However, most irises are shades of blue or purple. The majority of irises that we see today are hybrids of the originals.

  

The iris has been around for many centuries, and many artists have chosen to paint them. There are several famous paintings of the flowers.

From 1888 to 1890, Van Gogh painted at least four paintings of irises.

Monet painted "Iris" sometime between 1914 and 1917.

  

Not only is the iris a beautiful flower, but also they have several uses. As a live plant they are used as a water purifier.

They are ingredients in some perfumes, homemade toothpaste, pottery and herbal medicines.

 

The stylised iris, fleur-de-lis, descends from the white iris which is native to Florence, Italy and which grew even in its city walls. This white iris, displayed against a red background, became the symbol of Florence until the Medici family, to signal a change in political power, reversed the colours making the white one red and setting in motion a centuries-long breeding program to hybridise a red iris. Catherine de Medici carried this symbol of Florence to Paris when she married the king of France where this most famous of irises acquired its nickname, fleur-de-lis.

 

The iris has been associated with France as Louis VII adopted it as a symbol in the 12th Century.

 

Contemporary uses can be seen in the Quebec flag and on the flag of Saint Louis, Missouri.

 

The iris is now the sole feature on the flag of the Brussels-Capital Region.

 

The Iris is the state flower of Tennessee.

  

In Flowers'-language: Iris means faith; hope; wisdom and valour

  

Iris can mean:

 

* The sphincter around the pupil of the eye, the iris is the most visible part of the eye, when photographed with a flash, the iris only reacts to protect the retina, and not fast enough to avoid the red eye effect.

 

* The equivalent device in a camera,

 

* The messenger of the gods in Greek mythology,

 

* A variety of flower,

 

* A female first name.

  

Hope this makes you smile again, have a good day and thank you for your visit, so very much appreciated, Magda, (*_*)

 

For more of my other work visit here: www.indigo2photography.com

 

IT IS STRICTLY FORBIDDEN (BY LAW!!!) TO USE ANY OF MY image or TEXT on websites, blogs or any other media without my explicit permission. © All rights reserved

 

Hi Rack,

Will try to write tonight from home. These pills I am taking are making me super-fuzzy. Apparently, they do when you take them at first. They are also called Deroxat. I may be coming to do a job in Palm Beach on the 31st of August for 6 to 8 weeks. After that a few weeks in NYC would not go amiss. I hope they let me through customs with my green card having been away for so long. I should find out later today what is happening, but it is almost a definite offer of work. I need to get away and make some good money so that I can think about getting a studio going again. I really need a break from London and the claustrophobia of the flat.

 

Later babe,

Love,

Ruin

 

Rackers,

I cannot believe that I am heading stateside tomorrow with my dodgy ‘Carte Verte’........there is little or no hope left for us interlopers, we are our own undoing......let’s see if this works and if I manage in ‘Fuck You Palm Beach’, home of perfect teeth and pecs and tans.......poor little insignificant, freckled yellow-toothed me, all lurgyed-up and irresistible, a sphincter waiting to happen. We is light years ahead of those clones, you and I. We have what they all want, and some........Beg, you bug chasers.

 

Love you to death,

Ruin

 

Ruin,

Tomorrow you depart? Excellent. To depart is always a brilliant riposte to life. Palm Beach, imagine? Trying to write here in the August heat, trying to turn off the critic and turn on the air conditioner. When will you drift north to New York?

 

Love you too, to death,

Rack

 

Rack,

As soon as I can slaver this poop on those fuckwalls, Venetian Stucco, no less, and convince them that it is beautiful and what we, the super-rich, do in Europe, private jets, the whole cabbodle, I'll have to find me some fellow cheap trash to feck just to stay sane.

 

Cnuted, lagged before jetting, ready for the scrap heap,

 

Till death does us do parted,

Give us this day our dairy spread (eagle),

Billzer Ruin

 

Furthermore.........Florida..........The Colony Hotel........Salubrious

 

5 Sept 2001

 

Creature, you poor thing.† I can't imagine it being much fun, but perhaps it will allow you some time in New York later.† I am recovering from Labor-Day weekend with the in-laws.† You know, my psyche is just not what it used to be, that is the plain truth.† I can't take it anymore. Their familial insanity has knocked me off course after I was finally feeling a little more stable.† I don't seem to have any skin, no matter a thick one.† I too am knee deep in dull money work.† God how I hate it, but at least it's not an office. That I think is the worst.† You may not get this but I will try calling you at the number you gave me later this evening.† In the meantime, sending you love and strength for the assault course.

 

Love,

Rack

  

10 Sept 2001

 

Ruin,

You poor creature, you sound a bit trapped.† However, I hope he's paying you properly, prostitution can be wonderful.† I'm looking forward to your visit here.† Glad the tranqs are helping you somewhat, though these things never appear to be the full answer - or maybe they are, and it's just a matter of getting it all right re. dosage etc., as in life.† I'm thinking, as always, of running away.† Just got some money from sale of restaurant shares and it's burning a hole in my debts.† Rather than pay them off I'm tempted to run away for a period of time, I just can't decide where to.† Any ideas?† Doing dull work, which I feel less and less able to apply myself to.† Anyway, you sound pretty good in spite of your captive situation.† It's good to miss the mate for a while.† See you soon I hope.†

 

Much love, Rack

 

10 Sept 2001

 

Ruin,†

You sound markedly more well equipped to deal with the heaving humps of shite now you are armed with les pillules.† I may take a leaf out of your beuke and start chucking some down myself.† Am horribly unproductive at present and perhaps it would snap this stale spell.† I can hear rumblings in my liver area and wonder should I take the dread interferon again.† I think I should and just bite it, part of my blue paralysis is knowing that, in spite of the horror - or because of it - I should be taking care of that little problem.† While I'm in moan mode:† have developed some horrid jaw 21st century thing, it feels like a cross between lock jaw, a mobile toothache roaming all the molars and the day after some far too vigorous dick sucking.† It's making me look and feel totally mental.† I keep being struck by the fact that this is my life and it's not really how I wanted it to be.† Perhaps the solution is to celebrate its complete removal from my ideals, dreams and hopes of youth.† To admit it and be done with it: it sucks, there, said it. If the fabulousness wasn't so all surrounding one could get on quietly with one's dreary life and follow the inexorable spiral downwards without interruptions of envy, greed, lust, and horror at one's own demise.† I fancy a small, dreary place with hidden charm and a lot of young fucks.† There's a lot to be said for the semi-nomadic.

 

Loving you lawn time and with thoughts of you in Manatee-ville,

 

Rack

 

12 September 2001

 

Ruin,

No, nowhere near and yet incredibly near: from my bed I watched it all happen as it was in stereo on the television:† explosion, implosion.† I refer you to "The Writing of the Disaster" by Maurice Blanchot.† Reminded again to live.

 

Much love to you,

Rack

PS got a nice e-mail of concern from Eduardo .

  

Dear Billzer Ruin,

Ran away on Thursday to Cape Cod for a long weekend.† The air here was scary.† Sometimes you can afford to be a coward.† And now back. It's odd.† One realises what a freak one is, don't know any financial types, not that that lessens the horror.† Always there is the shadow of the last disaster, the vestiges of which we share in time and blood.† Odd now to share it with a whole city, a whole world.† Oh, so you all finally tuned in to the horror...?† Anyway, conflicted, crazed and unsure.† But sure of wanting to spend time with you.†

 

Much love, Rack

 

20 Sept 2001

  

Dear Ruin,

Yes, it does smell of Diana, but more so of those years we lived through together here, only compressed.† I got very angry when Pete Hamill on last night's Charlie Rose said that there was a "golden parenthesis" from the end of the Cold War until 9/11/01, an age of innocence now come to an end.† What was that recent commemoration of 20 years of aids?† Not to diminish this disaster but it feels alarmingly similar in its contours even if its particulars are very different.† I just want to drink alcohol, eat carbohydrates, sleep and avoid work.† In Union Square people have established a make shift memorial, you've probably seen it on the news.† I went yesterday, it's incredible but it also irritated me.† You know those inappropriate emotions one gets in these situations?† There were so many photographers and TV crews that it made the whole thing a sort of self-conscious exercise.† I'm feeling very out of touch with my emotions; physically pretty awful, I'm not sure if it is the foul air or just the stress.† I'm sad you may not come but understand under the circumstances.† Things are imitating normality now, though people look sad and troubled and are still being more civil to each other.†One story made me laugh:† Foggy had a meeting with Marlene the morning of 9-11, she is the graphic artist for the new restaurant.

She was concerned that Foggy would go to the arranged meeting place, but she had to pick up her daughter from day care.† She left the house without her phone book so dialled our house from memory.† She misdialled one digit and got the answering machine of Dr. Oliver Saks, he of the mistaken hat/wife.†

 

Love, Rack

  

22 Sept 2001

 

Yep, the old plastic emotion.† Don't you ever just long for a real, un-self-watched one though?† I do.† I suppose it's a little late in the day for all that.† It still smells of burning here.†

Much love,

Rack

 

23 Sept 2001

  

Billzer Ruin,

You lovely pink thing.† It makes me deeply tender to think of you there amid all that toasted, boasted flesh.†

 

Today I walked down to near the disaster area.† I went with an Israeli friend who flashed her still delectable self at the cops and they let us through.† We got as far as Chambers St.†It was incredible to see.† I had no idea of the scale until I got up close.†† It truly looks like an image of hell.† It is fast becoming a tourist sight, with streams of pedestrians (still no cars allowed below Canal St.) going as far south as the various authorities will allow them.† There is so much mangled steel, a mountain. The "rescue" (believe me there is no one alive in there) mission is a huge logistical feat with buses full of men, mountains of bottled water, MASH tents, food being carted in, priests in flowing garbs, screaming bigots dressed from head to toe in flag garb, holy rollers, animal handlers bringing in velcro boots for the search dogs, the whole works.

 

I think I have survivor's gloat.† I feel strangely vigorous and renewed.

Would love to hang with you, as they say in these parts.

 

Much love, Rack

  

Dear Rack,

Hi Sweetie, back in blighty and not anthraxed that I know about.

Love you miss you and will contact you fully when I am over this lag.

 

Ruin

 

Another Window on the World.

 

[17:31, 11/09/2021] WhatsApp

 

Ruin: Kissy kissy!

 

Rack: Kissy kissy to you on the anniversary of one Armageddon. I feel more compassion for all those closely affected by it than I did back then. At the time, all I could think was, now you know what it feels like. The beginning of the end of America. The weather today is exactly the same. They roll it out every year. Anyway, what makes me think is the way we are all so compartmentalized in our own disasters. AIDS. 9/11. COVID. Whatever.

I do remember a brief moment in NY where we were all very tender with each other after the towers fell. It lasted a few weeks and then it was gone.

 

Ruin: I am watching it now on wall-to-wall television here. I was in Florida at the time, shocked but untouched. It’s more bewildering now. We were jaded

 

Rack: We had been through our own major trauma. One only has so much space for it. What were you doing in Florida? I don’t recall.

 

Ruin: Sorry, I missed that question and never answered it. I will answer it now. I had flown over to Florida, from London, to do an interior for some millionaire (possibly billionaire, but who knew or cared) or other in Palm Beach. It was a Venetian Stucco Job over 2 floors of thousands of square feet, one of those palatial palm-treed estates, some estates down from the Mar-a-Lago monstrosity. It was about six weeks of hard grind, mostly up scaffolding, smearing walls with ‘artisanly’ concocted ‘luxury’. I remember being up a scaffold, early morning, when the first plane hit home. That island was a queer place. Every evening the ‘help’ would be ushered off the island and back to ‘West Palm Beach’. We, us stucco ‘specialists’, were staying in ‘The Colony Hotel’, on Palm Beach itself, privileged guests in a sea of privilege. It didn’t feel at all like the America we knew, our New York, our abused ‘Home’. New York was home to me, a home that London could never be. I remember you telling me about the smell of the place in those awful weeks around this time. I wanted to be there with you.

We are valuable now (I mean us with our experience of pandemics, with over thirty years of living with this stigma and uncertainty).

 

Rack: I agree. I’m glad to be more human now. Younger (regarding being jaded).

 

Ruin: And angry

 

Rack: Yes, very angry. But that too has subsided for me.

 

Ruin: That’s what I want to talk about. Did you read the last part? I am using your words, your voice.

 

Rack: I suppose we are. I am hearing our young neighbors come and go from their apartment opposite us and realize they were not yet born in 2001.

 

Ruin: Funny

 

Rack: I’m dense. You mean on Flickr? Not seeing it.

 

Ruin: Yes, under the last image.

 

Rack: OK. Will look. Getting ready to go to the beach, Fire Island with Jan and Foggy (my ‘him indoors’). The thought of a swim!

 

Ruin: I don’t want to exploit you at all, I am not trying to make money or a career.

 

Rack: Oh, exploit away. Take it. I feel no ownership of it.

 

Ruin: But you know that already.

 

Rack: I know. Hah! Our messages crossed.

 

Ruin: I will tell our story to the best of my ability. And if I peg it half-way through, it’s yours

 

Rack: Thank you. I don’t seem to be able for it. But I’m not ruling out something. Deal.

 

Ruin: Or you could tell the anti-story from the exact same source and contradict everything that I write

 

Rack: I could, but at this point I don’t feel the need to contradict.

 

Ruin: You are amazing, a huge influence in my life, and I will honour you. But you, like me, will be a filthy bitch!

 

Rack: Anyway, I think the wonder of it was, in large part, that we were so different in our origins and yet so locked together.

 

Ruin: Catholic and Protestant, those polar opposites.

 

Rack: Thank you. I could not have plodded through those pre-treatment years without you. Yup. But some burning thing the same.

 

Ruin: Or me without you. You are there with a small group of women. Set me free and I will honour us.

 

Rack: I had bloodwork last week. I have more T-cells than I’ve ever had. Kidney alerts though, but I think I know what it is. Not serious.

 

Ruin: But you have already, set me free, I mean.

 

Ruin: Yes, I have that kidney 'do-do' too.

 

Rack: So interesting that you were rebirthed by women, in part.

 

Ruin: Just give me 4 years to sort this out (now there’s unbridled optimism speaking). Completely, to that idea of being rebirthed by women.

 

Rack: I guess it’s inevitable that those two beans in our back will dessicate from all the meds. Peter had one kidney when he died that an MRI showed to have shrivelled to a penny.

 

Ruin: I might call on you for memory corrections. 4 years to screw it into submission, with no payback, and I couldn’t care less. A rollicking tale of walks through New York, and being ‘stranded’ on the lower east side. (Our walks were the thing that kept us sane, perhaps).

 

Rack: I have so little memory. Really bad. However, I do have a diary of every year. Not lengthy shit, but what we did every day. For years I’ve been meaning to write it down in a timeline sort of way. 36 years.

 

Rack: Hah! I do remember that (being stranded).

 

Ruin: I knew you would. (I was such a melodramatic idiot, that hasn’t changed, and might even provide some light relief in the proceedings. I will be the fool, that would be the easy part).

Anyway, I need you to correct me when I am wrong (memory is fickle), about you, I mean.

 

Rack: Is there a wrong? It’s what you saw.

 

Rack: You always lived in posher places (than the Lower East Side).

 

Ruin: Clondalkin!!!

 

Rack: Well, I mean you were always fleeing that, and I was always fleeing Howth. Opposite flights.

 

There it is, the intervention of the ‘immediate message’ into the old-world cache of the voluptuous email habit, generated over 25 years. Letters never died; they were transformed. ‘Clarissa’ became ‘The Sluts’ when we weren’t paying attention, and perhaps a new immediacy was added, an immediacy that enriches. We can decry the death of language, the dropping of punctuation or whatever, but this opportunity has never existed before. That I need to correct rushed mistakes, that immediate thing, marks me out as an old codger, that’s me just struggling to make things clearer, by adding stuff between brackets, or whatever. Perhaps it’s an underestimation of youth, of the new direction language might be taking, of punctuation-less writing where a full stop is seen as an insult, the closing of an idea.

 

That being said, I would love to read that diary, written over 36 years, I have no doubt at all about its value. Thankfully, time doesn’t press at all. It’s possibly more important that it gets read, than that I actually read it.

 

I trust you completely. I will very gladly be your fool, or even one of your chorus of fools.

 

Gratiano answers Antonio:

 

GRATIANO:

Let me play the fool!

With mirth and laughter let old wrinkles come;

And let my liver rather heat with wine,(85)

Than my heart cool with mortifying groans.

Why should a man whose blood is warm within

Sit like his grandsire cut in alabaster?

Sleep when he wakes? and creep into the jaundice

By being peevish? I tell thee what, Antonio,—(90)

I love thee, and it is my love that speaks;—

There are a sort of men, whose visages

Do cream and mantle like a standing pond;

And do a wilful stillness entertain,

With purpose to be dress'd in an opinion(95)

Of wisdom, gravity, profound conceit;

As who should say, I am Sir Oracle,

And, when I ope my lips, let no dog bark!

O, my Antonio, I do know of these,

That therefore only are reputed wise,(100)

For saying nothing; who, I am very sure,

If they should speak, would almost damn those ears

Which, hearing them, would call their brothers, fools.

I'll tell thee more of this another time:

But fish not with this melancholy bait,(105)

For this fool-gudgeon, this opinion.

Come, good Lorenzo:— Fare ye well, awhile:

I'll end my exhortation after dinner.

 

The Merchant of Venice.

   

The app I use, it’s free to use, is at its best/worst now, gloriously vulgar and brand spanking new. I like generating the odd geriatric Adonis from it, or a slightly rotund Shakespeare (in lace underwear) with out-of-control fingers.

 

Call me old-fashioned.

 

I doubt very much that I would really like him in real life, but that’s not saying much nowadays, ‘real life’ having secreted itself behind the arras (where’s me© sword?). I only like the other gobshites in this catfishery; I can’t be at the fecking doing with real life, at all at all.

 

Overrated, I tell you, overrated!

 

I have no idea where people got the idea that any of it was real anyway. I definitely made it up as I went along, and here I am presuming the same of everybody else. I say, “where’s me© sword?”, but in reality, I am really tinking© of borrowing your chainsaw and having a real good bloody slash at me© arras, cleaving the buggering thing in twain. Secret chamber, my/me arse! Now I am imagining large chunks of the 'Wizard of Oz' flying in all directions. I better change me© tack. I feel a terrible image coming on, like just before you have to run for the loo after breakfast, or at least after the second cup of coffee. That’s more or less how the images are coming on nowadays, just a manifestation of ‘no filters’, at all, at all. My modus operandi seems to be, first let it explode in your head, then impose it on everybody else, or at least everybody else who might be looking. This works best when nobody is looking, but whatevs, as they say. I do like to tease me© good self.

 

Anyway, I will read the book about your man, and his daddy, that ‘My Ear at His Heart’, if only to make myself jealous. It seems to be what I do, so I can suitably seethe, and seed. There a basic DNA difference between you and me. I love a good confessional, call me post-catholic, I particularly love when they get blindingly mawkish, I feel a comradeship, a fellows-in-arms-ship, a once more unto that breachness. It’s somewhat the same with these blokes who get paralysed and end up with their heads stuck between the wall and the bed, and have to write it all down with the big toe on their left foot. I like artists that manage to paint a Michelangelo, those who have no control over any part of their body, and yet manage to contrive a masterwork with their sphincter muscle (their last working muscle) and a loaded paintbrush lodged therein.

 

This new App thing is somewhat like that. I love it.

 

Prompts: Wizard, geriatric, arras, chainsaw, Van Dyck. The Revenge of Polonius.

Unique Birth Mark

Back element Of 50mm Lens hold it to Galaxy S5 Smartphone handheld no tripod.

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