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"Gather a shell from the strewn beach
And listen at its lips: they sigh
The same desire and mystery,
The echo of the whole sea's speech."
- Dante Gabriel Rossetti
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Thanks to all for 11,000.000+ views and kind comments ... !
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
"Gather a shell from the strewn beach
And listen at its lips: they sigh
The same desire and mystery,
The echo of the whole sea's speech."
- Dante Gabriel Rossetti
-----------------------------------------------------------------------------------------
Thanks to all for 10,000.000+ views and kind comments ... !
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
This image shows a detail of an old radio.
Ein Asuchnitt aus einem alten Radio in einer verlassenen Wohnung zeigt dieses Bild.
Questa Ú l'acqua, David Foster Wallace
www.anobii.com/it/books/questa-e-l-acqua/9788806199692/01...
www.sfrancesco.it/wp-content/uploads/2015/03/Questa-e-lac...
"Dieci stelline al discorso ai laureati del Kenyon College...
...che secondo me tutti dovrebbero leggere, almeno una volta nella vita. E non esagero se dico che si dovrebbe magari tenerlo a portata di mano, e rileggerlo, ogni tanto, per ricordarsi di tentare (almeno tentare) di avere quello "sguardo profondo" sulla realtà che permette di non dare tutto per scontato, di mettersi nei panni degli altri per vedere le cose sotto una prospettiva differente e di far fare un passo indietro al proprio egocentrismo." Recensione al libro che sottoscrivo. Mi sono piaciuti i racconti, ma Ú il discorso ai laureati che merita l'acquisto del libro. Buona lettura!
"Ten stars for the speech to the graduates of Kenyon College...
...which in my opinion everyone should read, at least once in their life. And I am not exaggerating if I say that you should perhaps keep it at hand, and reread it every now and then, to remember to try (at least try) to have that "deep look" on reality that allows you not to take everything for granted, to put yourself in shoes of others to see things from a different perspective and to take a step back from one's own egocentrism." Review of the book that I subscribe to. I liked the stories, but it is the speech to the graduates that deserves the purchase of the book. Good reading!
I'm sorry but I don't want to be an emperor. That's not my business. I don't want to rule or conquer anyone. I should like to help everyone if possible; Jew, Gentile, black men, white. We all want to help one another. Human beings are like that. We want to live by each others' happiness, not by each other's misery. We don't want to hate and despise one another. In this world there is room for everyone. And the good earth is rich and can provide for everyone. The way of life can be free and beautiful, but we have lost the way.
Greed has poisoned men's souls; has barricaded the world with hate; has goose-stepped us into misery and bloodshed. We have developed speed, but we have shut ourselves in. Machinery that gives abundance has left us in want. Our knowledge as made us cynical; our cleverness, hard and unkind. We think too much and feel too little. More than machinery we need humanity. More than cleverness, we need kindness and gentleness. Without these qualities, life will be violent and all will be lost. The aeroplane and the radio have brought us closer together. The very nature of these inventions cries out for the goodness in man; cries out for universal brotherhood; for the unity of us all.
Even now my voice is reaching millions throughout the world, millions of despairing men, women, and little children, victims of a system that makes men torture and imprison innocent people. To those who can hear me, I say "Do not despair." The misery that is now upon us is but the passing of greed, the bitterness of men who fear the way of human progress. The hate of men will pass, and dictators die, and the power they took from the people will return to the people. And so long as men die, liberty will never perish.
Soldiers! Don't give yourselves to brutes, men who despise you and enslave you; who regiment your lives, tell you what to do, what to think and what to feel! Who drill you, diet you, treat you like cattle, use you as cannon fodder! Don't give yourselves to these unnatural men---machine men with machine minds and machine hearts! You are not machines! You are not cattle! You are men! You have a love of humanity in your hearts! You don't hate! Only the unloved hate; the unloved and the unnatural.
Soldiers! Don't fight for slavery! Fight for liberty! In the seventeenth chapter of St. Luke, it's written "the kingdom of God is within man", not one man nor a group of men, but in all men! In you! You, the people, have the power, the power to create machines, the power to create happiness! You, the people, have the power to make this life free and beautiful, to make this life a wonderful adventure. Then in the name of democracy, let us use that power.
Let us all unite. Let us fight for a new world, a decent world that will give men a chance to work, that will give youth a future and old age a security. By the promise of these things, brutes have risen to power. But they lie! They do not fulfill their promise. They never will! Dictators free themselves but they enslave the people! Now let us fight to fulfill that promise! Let us fight to free the world! To do away with national barriers! To do away with greed, with hate and intolerance! Let us fight for a world of reason, a world where science and progress will lead to all men's happiness.
Soldiers, in the name of democracy, let us all unite!
Extemporaneous Speeches.
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habet rationem causae potest esse falsum assumitur reductiones terminis causae existunt rationes trahere,
Antworten demonstrieren konvertierbare Konvertierungen identischen Probanden Befragung beschrieben mehrdeutiges Wissen,
universelle fejl direkte fejl modsatte måder propositioner tÊnker besiddelse viden middelbetingelser,
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Steve.D.Hammond.
Speech House Lake in the Forest of Dean is a small fishing lake in the Speech House Woods. Beautiful in the morning light. Not a lot of wildlife about when I took this shot, but I liked the light and the stillness of the lake itself. Apparently they filmed some scenes from a BBC show called âMerlinâ here. Never really watched it myself so canât comment!
My thanks to anyone who views, faves or comments on any of my photos. It is much appreciated.
Just before our speeches at the rally to support trans troops back in April 19 just before than ban went into place. Also a great picture with a great friend.
Title:
Silence.
Bâ (B Flat)
A Novel by Mitsushiro Nakagawa
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âSynopsisâ
A Palestinian group from Gaza hacks into North Koreaâs cryptocurrency system, stealing hundreds of millions of dollars. Their true goal is not moneyâbut to recreate the lost homeland of Gaza on American soil.
Amid the backdrop of hardline Republican immigration policies and a growing wave of xenophobia, a quiet plan begins to take shape: the gradual collapse of America from within.
During a speech at Madison Square Garden, Republican presidential candidate Justin Bradford is shot. Almost simultaneously in Los Angeles, former president Owen Reed is attacked at a rally for Democratic hopeful Ryan Bennett.
Two assassinationsâmirroring one anotherâignite a nationâs deepest divide. Yet, against all odds, Justin survives. His blood type is one in 2.5 million: the Bombay Blood Group.
The only person who can donate such blood is Anaya Patel, a community art facilitator working in Brooklyn. Her blood, stored in the Bellevue Hospital Blood Bank, is used for an emergency transfusion that saves the candidateâs life.
Jack Vance, an agent of the U.S. Secret Service, suspects a Gaza-based network behind the attacks. Together with Cameron Bartlett, the FBI Director of the Los Angeles Field Office, and Veronica Reeves, a senior investigator from New York, he begins to uncover a vast conspiracy.
Their investigation leads them to Rafi Gannam, a former architecture student at the Islamic University of Gaza, who has infiltrated redevelopment sites across Los Angeles and New Yorkâembedding C4 explosives deep within beams and structural cores.
His targets: new residential districts where agents of ICE (Immigration and Customs Enforcement) and ERO (Enforcement and Removal Operations) liveâsymbols of âthe order America built.â
Veronica urges the President to pursue dialogue to prevent further destruction, but President Grant M. Ranford refuses to listen.
Meanwhile, the recovering Justin and his Democratic rival Ryan appear on national television, calling for unity beyond political divisions.
Their words of reason, however, are drowned out when Grant takes the stage in Iowa, defiantly declaring: âWe will never bow to terror.â
Among the crowd, Rafiâs operatives have already taken their positions.
As chaos erupts and the stage collapses, Amir Nasserâonce Rafiâs comrade, haunted by the memory of his sisterâs death in Gazaâtries desperately to halt the chain of destruction.
But Rafiâs conviction remains unshaken.
Under the twilight beneath the Williamsburg Bridge, amid the cityâs fading noise, the two men part ways.
It is the boundary between prayer and vengeance, between hope and nothingness.
âCharactersâ
Anaya Patel â 25, Community Art Facilitator
Arjun Singh â 26, Anayaâs boyfriend, Luminatech Innovations
Mika Sato â 25, Anayaâs friend, Community Art Facilitator
Justin Bradford â 27, Republican Presidential Candidate
Eleanor Blake â 26, Justinâs fiancée
President Grant M. Langford â 61, Incumbent Republican President
Vice President Charles âChuckâ Baines â 64, Incumbent Republican Vice President
Ryan Bennett â 30, Democratic Presidential Candidate
Sophia Bennett â 30, Ryanâs wife
Owen Reed â 65, Former Democratic President
Jack Vance â 45, Secret Service, Former FBI Los Angeles Field Office
Ben Holloway â 30, Jackâs colleague
Darryl Ross â 29, Jackâs colleague
Elijah Kane â 28, Jackâs colleague
Marcus Dane â 45, FBI Los Angeles Field Office
Cameron Bartlett â 55, FBI Los Angeles Field Office, Field Office Director
Tom Caldwell â 38, FBI Technical Unit, Marcusâs subordinate
Veronica Reeves â 41, FBI Special Agent
Alexander Harris â 52, FBI New York Field Office, Field Office Director
Elliot Chen â 36, Technology Unit Chief
Alicia Monroe â 58, FBI Director
Zakaria Haddad â 51, Gaza Strip, Palestine; Former Islamic University Engineering Professor, New York Team
Amir Nasser â 23, Gaza Strip, Palestine; Former Islamic University Electronics Engineering, New York Team
Rafi Gannam â 32, Gaza Strip, Palestine; Islamic University, Architecture, New York Team
Rohan Shah â 29, Gaza Strip, Palestine; Islamic University, Architecture, New York Team
Majid Hamza â 47, Gaza Strip, Palestine; University of Palestine, Information Technology, Los Angeles Team
Samira Hammad â 28, Gaza Strip, Palestine; University of Palestine, Engineering, Los Angeles Team
Saeed Kabari â 35, Gaza Strip, Palestine; University of Palestine, Business Administration, Los Angeles Team
Reem Nasser â 30, Gaza Strip, Palestine; University of Palestine, Media Studies, Los Angeles Team
Noah Levi â 55, Israel, residing in Tel Aviv, Jewish
Bâ will be released worldwide on February 29, 2026.
Recently, director Ridley Scott remarked that streaming films and series have become dull.
I agree.
If you have two hours to spare for such stories, I ask for only two minutes of your time.
Two minutes with my novel will outlast those two hours.
I am confident of that.
Stay tuned.
Mitsushiro
October 9th, 2025
P.S.
Micchan â the man who challenges Netflix. ð
( iPhone 13 Pro shot )
Motosuka Beach. Kujukuri Beach. Sanmu City. Chiba Prefecture. Japan. October 9, 2025. ⊠0.9 / 10
(Photo of the day. Unpublished.)
Images.
Taylor Swift ⊠This Love
youtu.be/PfJzQuqWSSE?si=TrtL4Mb-uN2dNmML
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++++++++++++++++++++++++++++++++++++++
ð My New Novel: "Bâ" (B Flat)
This is the 20th installment! ð
The following is still in the first draft stage. I will revise it further.
â¢The order of the content being shared is random.
â¢This will be the final time I share partial excerpts.
The full novel will be released on February 28, 2026.
Please look forward to it! ð
++++++++++++++++++++++++++++++++++++++
++++++++++++++++++++++++++++++++++++++
My new novel
Bâ (B Flat)
English translation by GPT-5, in collaboration with Mitsushiro Nakagawa
âJack, look at your phone. Another message just came through. The IP address traces to a branch of the New York Public Library near Grand Central â via the Stavros Niarchos Foundation.â
It was a FaceTime from Ben. He was standing by in the NYPD Midtown South command post just beside the Garden. Despite everything that was happening, Benâs voice was calm.
Jack slid his finger across his iPhone and read the short line that appeared. The characters lay down carelessly, yet somehow they gave the sentence a shape.
â Thereâs an arched ceiling in the underground concourse of Grand Central. Come there. Jack Vance. And donât come alone â though, of course, you wonât be alone. â
The message struck at the inside of Jackâs chest like a ringing.
The car threaded north along Vanderbilt Avenue and came up at the southern lip of Grand Central. The city had not quite woken; the damp that hid in the canyon between buildings carried the metallic smell of morning. Jack let off the gas and eased the black SUV to the curb, almost sliding it along. As the tires brushed the edge of the pavement, the remaining beads of rain on the road leapt up into streaks of light.
He pushed open the heavy door and stepped out. His shoes hit the cobbles a beat later. Once he turned to look down the street behind him, the red reflection of a siren flashed through a shop window and briefly lit the faces of passersby, whitening them for a single instant.
Weaving through that cut of light, Jack made for the stairs that led down to the concourse. The service door groaned with a slight metallic protest. Inside, a low hum, like the breathing of a subway, filled the space. A cold breath struck his cheeks, and from the depths of the HVAC ducts a distant station announcement blurred toward him.
Wiping the sweat from his brow, Jack took the stairs of Grand Central two at a time. The amber lighting flowed across his soles; his footsteps linked together like the heartbeat of the terminal.
The iron handrail was cold, passing a faint tremor into his fingertips. From far down the stairs other footsteps layered over one another, keeping an old rhythm that led downward. The arched ceiling drew the air in gently; the lights spread a thin film of glow.
The concourse smelled of damp; the old brick walls seemed unable to forget past rains and exhaled them faintly. The floor tiles were dulled by years of feet; hairline cracks ran through them, where little memories of the city had gathered. Jack walked without attending to these things. His gaze was naturally drawn to the darkness at the far end of the corridor. The usual stream of commuters hurried past.
Weathered signs and bulletin boards clung to the walls like pillows for torn flyers. A cleaner dragged her mop in a single ribbon; beyond it, a lone bench sat as if sketching a pale loneliness.
The air that moved through the passage felt to Jack like the slow pulse of a cityâs vein. He felt his breath fall into the same beat and kept walking.
Light touched the tiles at his feet and shadows stretched and swayed. The faint metallic noise of an escalator sounded somewhere far away; the gust from the stairs cooled the heat that had gathered in his body. The scent of the city, the underground damp, and the faint warmth of old lamps mixed; time began to melt slowly.
Stopping, Jack rubbed his palms and let his eyes roam. The hum all around carried a peculiar echo that blurred oneâs sense of direction. He told himself he was only looking for âit,â somewhere in the concourse.
As he moved again, a high metallic scrape suddenly sliced the air. His neck muscles twitched and a tautness ran through the soles of his feet. Reflexively he froze; at the edge of his vision a receiver quivered.
Its cord, knotted with the weight of years, twisted; dusty metal glinted dully. A telephone that should have been unused rang out abruptly, like a festival bell â an alien note within the cityâs hush. The sound was low but it made the air itself tremble.
Jack turned to it slowly. The heavy underground air seemed to press against the backs of his knees. All he heard was his own breathing and the faint vibration of the receiver. People flowed past as if nothing had happened: a mother led a child by the hand, an old man refolded his newspaper and tucked it under his arm, and moved on.
The receiver was calling to Jack. The call came from a tear in silence, spreading slowly like ink trembling on the reverse side of an old map. He reached out without speaking and picked up the handset. The metal was cold; that cold dropped reality onto his palm.
ââŠJack.â
The voice was low but distinct. Its timbre made time seem to slip backward just a touch. He recognized the voice from online footage; yet unlike the voice heard on television, here it carried not a blade but the color of a distant sunset.
Through the receiver Jack felt the corridorâs edges, the benchâs solitude, the small scrap of paper on the floor trickle into the pauses of the conversation. The voice let the cityâs details slide in through the window of speech.
âWhatâs up, Amir? Sounding a little low.â Jackâs voice was quiet and heavy, like a stone dropped to ground. Through the handset he heard Amirâs small nasal laugh.
âSometimes you get down â youâre only human.â
The voice was calm and remote. It was not the public mask Amir sometimes wore, but something honed in shadow. During the call the brief chatter of a passing parent and child snapped into the line and then was gone.
âListen carefully to what Iâm going to say. Well, youâre probably recording.â
âLikewise,â Jack replied.
Amirâs words fell smoothly through the receiver, making tiny ripples on the tiled floor of the underground. The noise around them blurred once and then resolved again: the motherâs footsteps, the mopâs scrape, the distant clink of a vending machine â all intersecting with the rhythm of speech.
âIâm out of the team. The reason? I donât want to watch more people die. Thatâs it.â
Jack felt the receiverâs pulse under his fingers. The voice tried on calm but Jack could hear a tremor beneath. The lights in the concourse blurred slightly with each of Amirâs sentences.
âAre you asking me to believe that? Your professor Zakaria says donât talk like that â he went out in a big way.â Amir fell silent and let out an exhale that sounded like a laugh as if to shrug something off. At the corridorâs edge a child sucking on candy made a tiny wet sound that filled the space between words.
âSo what now? Heartbroken?â Jack asked.
âSomething like that. This detonator will destroy many buildings yet.â
That phrase punched through the little room inside the receiver. For an instant the light underground clouded faintly. Yet the corridor moved on as always; no one turned. The anomaly existed only in sound.
âTell me exactly where, how many, what mechanism â brief. Donât mix in jokes.â Jackâs tone chilled like ice cracking. Amir tried to explain calmly, but Jack listened more to the weight behind the words than to their particulars. In the pauses, the phone boothâs shadow stretched and traced a thin black groove across the floor.
âWe werenât trained terrorists, not professionals. The information was distributed piece by piece. Think of how betrayal would happen â like how I can call you now.â Amirâs voice was careful; not fearful. Jack pressed the receiver to his ear and felt the cityâs everyday noises woven into the fabric of the explanation. An old woman adjusting her bag at the corridorâs edge, the faint opening of a shutter somewhere distant â the beginnings of small workdays.
âWe infiltrated about five years ago. We planted C4 in the core of buildings that were being built then. Rafi studied architecture, so he knew where to place it. Youâve seen the collapse a million times online, you know how it looks. To detonate, you need an old phone that reads a âmute readerâ QR code. Along with it is a tablet I made myself. I embedded C4 into two-thirds of its battery. The tablet has old fingerprint authentication â the kind from a long time ago. I made two of them. One is in Los Angeles, one in New York.â
âSo there are two detonators?â
âI donât know. I wasnât the only one from the electronics department. Also, the phones that read the QR code are ancient, too specialized â they never caught on.â
âHow do you trigger it?â
âThereâs a special QR code placed on a site. You hold the phone up and read it. The QR is a 3D layer. The code rises in relief, deciphers itself, converts into a detonation code, and sends it by radio.â
âRadio? Not WiâFi?â
âIf it were WiâFi youâd shut it down quickly. I modified the tablet. Itâs not WiâFi â it uses FM radio, like pirate radio.â
âWe can jam the frequency.â
Amir laughed for a long moment before speaking.
âI set the app so the frequency can be changed arbitrarily. I also set it so that any signal sent to jam the frequency triggers the detonation. So either way, boom.â
Jack was silent for a little while, then asked,
âWhere is the QR code located?â
âI donât know. Everything was compartmentalized. Hardware production, QR placement, activation method. By scattering the flow, it seemed designed to deter betrayal.â
Silence fell again between them. Amir lifted his eyes from the ground and said,
âJack, Iâd tell you if I knew. Only those holding a mute reader would know. Today, thatâsâŠâ
âJust Rafi?â
âThatâs right.â
Silence spread between them. The call hovered like thin ice. Jackâs breathing returned slowly to the present. The underground light was narrow but it marked him clearly.
âWhy are you talking?â
âLike I said. Iâm tired of people dying.â
âYou knew youâd talk and yet Rafi let you go unharmed? Sounds too neat to be true.â
âMaybe Iâm just making it up to dupe you.â
âJack, take it easy. Amir, donât move.â
Veronicaâs composed voice cut into the call.
âJack, heâs quite handsome in person.â
Amir, who was standing on the opposite side of the wall from Jack, holding a receiver himself, smiled at that.
The joke across the handset dried the damp air of the concourse a little. They were tracing different faces of the same space with their fingers.
Jack tightened his grip on the receiver and nodded softly. The nod felt like a small signal matched to the cityâs beat and also like the announcement of yet another endless season.
Light in the corridor flowed slowly; shadows folded and layered; the conversation seeped into the tiles and sank.
Jack looked around slowly. The NYPD officers who routinely guarded Grand Central from terror stood at the entrances. Under Veronicaâs orders, they had all focused on keeping Amir within range. Red and green laser dots from M4 carbines with Picatinny rails marked Amirâs feet. Likely the red came from the terminalâs NYPD contingent and the green from Veronicaâs team. Two squads had lined up their sights to contain his movement. Of course, the sights were not on Amirâs forehead.
Suddenly a sharp smack of sound struck the receiver.
âAmir, who are you?â It was Ana.
Amirâs eyes widened for an instant then he recovered.
âWas I followed? Miss Patel. And who are you? Getting in Jackâs way.â
He shrugged with his thumb and pointed to his own feet, where the red and green laser dots rested. Ana stepped forward in her voice.
âPlease. Come with Jack.â
Jack added, âFor now, get arrested. Weâll hear the details with Veronica.â
Veronica said nothing; Jack assumed she nodded. He switched the receiver in his hand.
Amir laughed.
âIf I were to say yes and surrender, we wouldnât be having this conversation now, would we? Look â trains are coming in. Watch your crosshairs.â
The concourse swelled with people in the early morning. New York breathed around the terminal. The stream of humanity was the cityâs pulse, its very blood flow; warmth surged through the concourse.
When Ana shifted her gaze for a moment to that tide of people, she spoke calmly and gently.
âPlease. To Jack.â
Amirâs smile fell when he met her look. He accepted Anaâs gaze and said,
âDo you remember the morning at the exhibition when we first met? That wasnât an accident. I went there to kill you.â
Anaâs eyes went white. Life drained from her gaze; the surrounding clamor carried her away and it vanished. Then, softly, she said, why?
âIf you disappear, Bombay Blood in America will be just Justin and me.â
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Across the nation television networks switched to breaking news. Anchorsâ voices trembled as they searched for words; the screen held still images of the scene. Smartphone notifications chimed all at once, but what arrived felt less like words than an announcement of silence.
Social feeds filled in an instant; everyone stared at the frozen time on their screens.
âWhat is going onâŠ?â Hands halted midreach as people watched the images. On distant street corners, in cafés, in offices, faces of people holding their breath were shown.
An old woman on a park bench gripped her bag; a mother with a child went speechless; a driver tightened his hands on the wheel. Silence took the cityâs clamor, the suburbsâ stillness, the open fields of the countryside and wrapped them all together in a single deep breath.
Emergency responses began within government agencies. Phones rang; red alarms flashed on screens. A presidential aide lost words and the pen in his hand trembled. Hallways inside the White House fell quiet; only footsteps echoed.
Words could not be pinned down; fear and confusion spread like a chain. Emergency teams moved; experts began analysis. Reports, communications, camera footage â every piece of information crossed and re-crossed â yet the four had slipped through all eyes of surveillance.
Their silence left no record, but it scored a sure claw mark on the worldâs timeline.
City, state, nation, the world â all inhaled together and froze in the same instant.
The four shadows completed their mission at the center of the world without being recognized, then dissolved as shadows into the curtain of night.
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My new novel:
Bâ (B-flat)
Thereâs still more to come. ð
(This is not the final draft.)
Set in New York City.
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Soundtrack.
music.apple.com/jp/playlist/b-my-novel-soundtrack/pl.u-47...
For japanese
music.apple.com/jp/playlist/b-my-novel-soundtrack-for-jap...
Note: I gave a brief explanation of this novel in the following video:
youtu.be/3w65lqUF-YI?si=yG7qy6TPeCL9xRJV
iTunes Playlist Link::
music.apple.com/jp/playlist/b/pl.u-47DJGhopxMD
For japanese
music.apple.com/jp/playlist/b-my-novel-soundtrack-for-jap...
My new novel:
Bâ (B-flat)
Notes
1. "Bombay Blood Type (hh type)"
â¢Characteristics: A rare blood type that lacks the usual ABO antigens â cannot be classified as A, B, or O.
â¢Discovery: First identified in 1952 in Mumbai, India (formerly Bombay).
â¢Prevalence: Roughly 1 in 10,000 people in India; globally, about 1 in 2.5 million.
â¢Transfusion Compatibility: Only compatible with blood from other Bombay type donors.
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Soundtrack.
music.apple.com/jp/playlist/b-my-novel-soundtrack/pl.u-47...
For japanese
music.apple.com/jp/playlist/b-my-novel-soundtrack-for-jap...
iTunes Playlist Link::
music.apple.com/jp/playlist/b/pl.u-47DJGhopxMD
For japanese
music.apple.com/jp/playlist/b-my-novel-soundtrack-for-jap...
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Shots fired at Trump rally
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My two cents to the B.M. (The Big Mess).
YahooÂŽs behavior on important issues such as the free speech debate in China and whatÂŽs happening here in Flickr right now are very sad stories.
IÂŽm not sure if Yahoo and Flickr are really blocking content due to local legal restrictions (nude content is not forbidden in Germany, for instance) or if they are just taking [bad] management decisions.
Filtering mature content is a parenthood and family issue. The existing filters are already useful for this kind of situation.
Blocking content is not a serious solution. Which is the next country?
Mathieu Struck
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Flickr sperrt uns aus! Und auch dich!
Seit gestern werden fÌr deutsche Nutzer keine Bilder mehr angezeigt, die als 'moderate' oder 'restricted' markiert sind! Es gibt keine Moeglichkeit das umzustellen - das ist eine grobe UnverschÀmtheit und Frechheit von flickr!
We are the users - don't forget that flickr!
Deswegen treten wir gemeinsam in Aktion und zeigen allen, das uns das nicht gefÀllt was flickr mit uns macht! FÌge das Bild zu deinen Favoriten hinzu und poste es!
In English:
If your Yahoo! ID is based in Singapore, Germany, Hong Kong or Korea, you will only be able to view safe content based on your local Terms of Service, and therefore wonât be able to turn off SafeSearch.
In other words, german users can't access photos on flickr that are not flaged "safe" ... only flowers and landscapes for the germans ...
We won't let this happen! Copy and upload this picture to your account - show flickr who we are.
Espanol:
No sé cuando, pero muy recientemente a las cuentas de Alemania, Hong Kong, Corea y Singapur les han prohibido ver las fotos que están en el Safe Search, las mismas en las que a nosotros nos dan la opcÃón de ver o no ver. A ellos simplemente se lo prohiben. Chale no?
Francais:
Si votre compte Yahoo! est basé à Singapour, à Hong Kong, en Corée ou en Allemagne, vous ne pourrez voir que les photos qui n'ont pas été marquées comme ayant un contenu qui peut choquer. Toutes les autres ne vous seront pas accessibles. Vous serez donc condamnés à ne voir que des paysages et des fleurs. Il ne faut pas laisser faire ça. Envoyez cette photo sur votre compte pour montrer à Flickr que nous savons nous mobiliser contre la censure !
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Spread the image!
Lade dieses Bild runter und poste es in deinem Account! Lass uns das Bild ÃŒberall auf flickr verteilen und es in 'Interestingness' heben!! So geht es nicht!
Original Version: farm2.static.flickr.com/1299/543864623_7aadef1e69_o.jpg
Link to the original Thread here: flickr.com/photos/atomtigerzoo/543864623/
Weitere Infos:
- www.heise.de/newsticker/meldung/91085
- www.flickr.com/groups/404938@N23/discuss/72157600347681500/
- www.flickr.com/help/forum/en-us/42597/
Wer einen Blog besitzt oder Kontakte zu den Medien hat: Weiterleiten!
Das Bild und der Text kann einfach kopiert werden, genutzt, veraendert - macht damit was ihr wollt - hauptsache es traegt zur Sache bei, das diese Unsinnigkeit aufhoert! :) Das Bild ist von mir fÃŒr alle! :) Yay!
The font used in this picture is Yanone Kaffeesatz. You can find it here: www.yanone.de/typedesign/kaffeesatz/
Media reporting::
- www.heise.de/newsticker/meldung/91085
- English Version of heise article: www.heise.de/english/newsticker/news/91160
- We made the frontpage of explore with this image! Yarr!
- We made the Fontblog!
- www.infoweek.ch/news/NW_single.cfm?news_ID=16033&sid=0
- If you wanna pack your bags and leave: flickr Down - Download ALL your photos with ease
- www.computerwoche.de/nachrichten/594399/
- www.focus.de/digital/internet/flickr_aid_63330.html
- www.pc-magazin.de/common/nws/einemeldung.php?id=52687
- neuerdings.com/2007/06/13/flickr-mag-keine-deutschen/
- www.spiegel.de/netzwelt/web/0,1518,488542,00.html
- donoevil.netscape.com/story/2007/06/14/flickr-censors-ger...
- www.generatorx.no/20070610/found-on-flickr-1/
- www.golem.de/0706/52871.html
- www.mela.de/archives/725-Flickr-zensiert-...-und-schweigt...
- We even made the news in Chile!
- www.flickr.com/groups/_flickr-fotografen-_deutschland_/di...
- www.spreeblick.com/2007/06/14/filtr/
- www.fontblog.de/flickr-user-gehen-auf-die-barrikaden
- www.boingboing.net/2007/06/14/flickr_users_in_germ.html
Danke fÃŒr eure UnterstÃŒtzung!
Thanks for support!