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Bedruthan Steps, Cornwall, UK
One of the prettiest beaches in Cornwall only accessed at low tide. Dedicated to my friend, max tuta noronha, who was so kind to write a Flickr testimonial for me. Thanks so much, Max. Please visit Max's stream - you will be delighted with his great photography!
My other good news is that I am now one of the Ambassadors for Skylum Software, creator of the amazing photo editing programs, Luminar 3, Luminar Flex and the upcoming Luminar 4. I am proud to be part of this great team of photographers! skylum.com/ambassadors
Please use my codes for great discounts on the software plus my personal code for an additional $10 off.
Luminar 4 pre-order: macphun.evyy.net/c/1912381/645022/3255
Luminar 3 page: macphun.evyy.net/c/1912381/656614/3255
Luminar 3 checkout: macphun.evyy.net/c/1912381/320119/3255
Promo code for $10 off: STRICKLAND
The freezing fog finally departs in the early afternoon as the sun finally makes a break through. Five exposure HDR processed with Nik HDR Efex Pro 2
Nel mio dialetto, la parola ancarvarò indica un cielo pieno di nuvole in movimento, estremamente mutevole. E questo è il cielo tipico della primavera che, dopo il lungo inverno, sembra essere finalmente arrivata su queste colline.
In my dialect, the word ancarvarò indicates a sky full of moving clouds, extremely changeable. And this is the typical sky of spring which, after the long winter, seems to have finally arrived on these hills.
So it's the 'Alexander' catamaran on its way to McMahons Point Wharf, Balmain East Wharf and then across Darling Harbour to Barangaroo.
If you catch this ferry, you will be just in time for an amazing dinner at 'The Malaya' restaurant in Lime Street, right near King Street Wharf, at Barangaroo.
This is one of the coolest restaurants in Sydney. Here's the info AND the latest menu:
kingstreetwharf.com.au/eat-drink/the-malaya/
themalaya.com.au/wp-content/uploads/2024/11/Menu-NOV-24-F...
After dinner catch a night ferry back across the harbour, under the bridge, and on to Circular Quay. OR, get off at Luna Park (aka Milsons Point) and take the super fast, brand new, Metro driverless train back to the Hills District. Too easy, lol.
My Canon EOS 5D Mk IV with the Canon EF 24-100mm f/4L IS II USM lens.
Processed in Adobe Lightoom and PhotoPad Pro by NCH software.
A chance visit as was passing at sunset proved to be a blast as this was the only time i have got something decent for sunset at this spot. Consequently being such a vibrant sunset it was standing room only.
A re-edit of a old crop sensor image with some decent noise reduction. Yay for new software...
Its also included with a bunch of other Coromandel images at this link;
Shellcamp Lake - Autumn Reflections
It was well past peak but some color remained. The lake was as calm as glass with a few clouds in the lovely blue sky.
Date: October 23, 2024
Location: Gilmanton, NH, USA
Equipment: Canon 1DS Mark iii with Sigma 24-105mm F4 OS HSM Art
Software: Lightroom Classic
Copyright: Neil Morrill, All Rights Reserved
Hope you enjoy!
NC
Ericpol Software Pool
Lodz, Poland
designed by HORIZONE Studio
more pics: blog.sotiriouphotography.com/index.php/ericpol-software-p...
At its East Midlands base in 1977. This late-production Viscount was built in 1961 and delivered to Ghana Airways. It survives in Zimbabwe, though probably in poor condition. www.vickersviscount.net/Index/VickersViscount446History.aspx
An ABC Argosy and a DC-3 can be seen in the background.
Scan of a Kodachrome slide from my collection. SilverFast 9 software was used to tidy up scratches and other marks on the original.
All photos are shot and composed by me. The background canyon is a 3d image , i created using Terragen software. TQ and have nice days :)
Happy New Year .......
Equipment used : Canon EOS 50D , Sigma 10-20mm F4-5.6 EX DC lense , Sigma 70-30mm macro telephoto lense
Software used : Adobe Photoshop CS5 + Topaz Adjust 4 plugin , Terragen 1
P/s : The EXIF in Flickr is not right, because i saved this pic in an old frame in PS :D
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Can AI "photos" coexist with the "traditional" imagery???
Do you feel "betrayed" when (if) you found out a photo was an Artificial "photo"... are we getting used to being "lied" too?
Things are likely to become yet more complex as use of artificial intelligence by artists becomes more widespread, and as the machines get better at producing creative works, further blurring the distinction between artwork that is made by a human and that made by a computer.
contentauthenticity.org/blog/leica-launches-worlds-first-...
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This artwork was created with the help of Artificial Intelligence. Create your own AI-generated artworks using NightCafe Creator.
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HIT THE 'L' KEY FOR A BETTER VIEW! Thanks for the favs and comments. Much Appreciated.
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All of my photographs are under copyright ©. None of these photographs may be reproduced and/or used in any way without my permission. Just ask!
© VanveenJF Photography
Facebook : Aegir Photography
500px : 500px.com/photo/125552475/sweep-by-glenn-crouch
Stormy sunrise at Turimetta beach, Sydney Australia.
Nikon D800 & Nikkor 16-35mm. PP in PS CC using Nik Software and luminosity masks.
Analoge Impressionen der Region „Due Laghi“ zwischen Lago Maggiore und Lago di Orta in Italien/Piemont.
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Analog Impressions of the "Due Laghi" region between Lago Maggiore and Lago di Orta in Italy/Piedmont.
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# Camera: Minolta Riva Zoom 70W
# Scanner: Nikon Coolscan 5000ED with VueScan Software
# Film: Kodak Gold 200
This windmill combines 2 Dutch landmarks, the mills and the tulips. I see it everyday from the train when I go to work. This is the right period of the year when tulips are blossom and you can have in one shot both. The windmill is a polder molen built in 1654.
It was unfortunately already late and I did not manage to get the full tulip field on focus due to a light breeze., However the shot is quite out of the camera. I played with colours, burn and dodge and shadows. No strong post-processing. It is a blend of sky and foreground. The GPS info are accurate if you want to know where it is. Comments Welcomed
Woodpecker at the foot of Canjarana
Pica-paus no pé da Canjarana
Pica-pau-do-campo - Campo Flicker
Arte Digital - Digital Art
Image-editing
Texture - Collage - Effects
Double Exposure
Software: Pixlr; Windows Paint 3D; PicsArt Photo Studio.
FREE BIRD
Edição de fotos originais
DSCN0056 e DSCN0057 em 11-06-2020
Pica-pau-do-campo - Campo Flicker
Campo Flicker (Nome em Inglês)
Brasília, Brasil
Art Week Gallery Theme 2022
- 13 Feb. to 19 Feb. our theme is: ~ Valentine's Week ~
This is my first attempt at combining Ha data with LRGB. I would like to add five more hours of luminance and 30 minutes each for G and B channels.
Equipment
Tele Vue NP101is/LCF
ZWO ASI6200MM-P/EFW 2" x 7 (HaLRGB)
Losmandy G11
Software
Planned and captured with NINA
Autoguiding with PHD2
Processing with PixInsight
Composition
Ha: 25 subs at 420s each
L: 24 subs at 90s each
R: 64 subs at 120s each
G: 48 subs at 120s each
B: 48 subs at 120s each
Total Integration time: 8:51
Ericpol Software Pool
Lodz, Poland
designed by HORIZONE Studio
more pics: blog.sotiriouphotography.com/index.php/ericpol-software-p...
I was in a mood tonight what can I say with creative side. I found this free image processing software you use online. It really has some nice unexpected features for being free..Check it out here if you like www.befunky.com Some features you have to pay for but I haven't found the need to. I don't work for them or am I promoting this product. I like the free part ;-)
Small pond near the trailhead for Newlin Trail.
Playing with new software & camera. Anyone else uses On1?
Explored 7-1-19
Another from my recent trip to Crater Lake, Oregon. This one is a six-shot panorama. Had a lot of trouble getting the usual software packages to stitch this one together, but was finally able to do it with some manually entered control points in the PTGui software.
I've wanted this shot for some time, and am really happy with how it turned out! Now I just need to return there someday when there's more & cleaner snow... and maybe with a D800E instead of my D700! :-)
Oh, and this shot is today's (June 19, 2013) NASA Astronomy Photo of the Day (APOD):
This is a rework of a picture I've posted before, using latest software. Key for me was bringing out the details of the pilot - I love that we can so clearly see his gloved right hand on the control column - and I also tried to improve the legibility of the stencilled instructions such as 'Walkway Forward' on the wing. I used a lighter touch with wing surface detailing, than previously. I'll probably have another go at this one next year!
In July-August 1958, I was a participant in a Youth Exchange visit to Rendsburg in Schleswig-Holstein, Germany.
Our group enjoyed a day trip to Hamburg which included: a boat trip around the busy docks and a coach tour to the zoo and airport.
Of these I found the dock visit to be the most impressive and awe inspiring, specially as we came up close to these rows of 'towering giants' moored in the numerous channels.
From the boat we could see bombed 'U-Boat' pens amidst other war-time marine wreckage still awaiting removal.
Our dock visit also included walking through the St. Pauli Elb Tunnel.
MS Munchen IMO 5243607 was a brand new freighter in 1958, having just been built by A.G. Weser of Bremen for the Hamburg-Amerika Linie.
Camera: Braun Paxette 1 (1953), Steinheil Cassar f2.8 45mm lens, Prontor SVS shutter.
Film: Adox KB17
Scanner: Epson V800 with Epson Scanner software.
Technical notes: Nikon F2 with a Nikkor 28mm F3.5 lens on Kodak Tri-X film. Scanned with an Epson Expression 11000XL and Silverfast Software.
Optics : TEC 140 APO (980 mm F 7.0)
Filter : Baader Planetarium D-ERF 160 mm
Beloptik Telecentric 5x
Filter H alfa : Coronado PST
Filter H alfa : Solar Spectrum S.O. 1.5 0.5A
Camera : ZWO ASI 174 MM;
Equivalent Focal lenght : 4900 mm.
Mount : Ioptron CEM70G & Ioptron TriPier;
Software : FireCapture, AutoStakkert3, Adobe Photoshop
Casalecchio di Reno - Italia
44° 29’ 29” N
11° 14’ 58” E
DXO film emulation software: Agfa Ultra Color 100.
Hangar at Floyd Bennett Field, Brooklyn, New York.
Orion Optics UK AG12 F3.8
Starlightxpress TRIUS PRO-694 Midi Combi PRO Blue Edition incl.CFW & OAG unit
FLI Atlas Focuser
SIIHaOIII = 60min, 150min, 150min, combined exposure 6hrs
Astronomik 6nm filters
-20C chip temp, no flats used and no dark frames.
Focal length 1120mm
Image scale 0.84"/pix
Guide Camera: Starlightxpress Lodestar PRO
Data collected 18 March 2023, no Moon, affected by high cloud, reasonable seeing (FWHM 1.9" - 2.4" over the 6hrs)
No BlurExterminator was used on this image
Taken from Eagleview Observatory: pbase.com/strongmanmike2002/eagleview_observatory
Equipment setup: pbase.com/strongmanmike2002/image/173097781/original
Some links to equipment used to take this image:
Sidereal Trading
StarlightXpress CCD Cameras and imaging equipment
Finger Lakes Instrumentation CCD cameras:
Gerd Neumann and Astronomik filters:
MSB Software & Astroart Camera control and Image processing software
Shot with iPhone 15 Pro Max.
35mp ProRAW Max 74.6mb file with the 1.2x (28mm) cropped mode, post-processed externally on iMac with 3rd-party software.
It started to rain, while seeking shelter noticed the temple’s reflection on the wet floor, hence the shot.
I do wonder if the moving rain streaks affected the resolution somewhat during the iPhone’s computational process merging multiple frames? This shot lacks a bit of acuity compared to the one uploaded previously which was shot before the downpour.
I had my Olympus E-M1 Mkii with the 12-100mm f4 IS Pro attached but was not even bothered to take it out of my camera bag for the shot. This m4/3 setup while not heavy is still 1,135g compared to my phone at a mere 221g.
Some photographers like to claim that the experience shooting with system cameras is much more satisfying than handling a smartphone but this smacks of inflexibility IMO, being fixated with the old ways and proverbial “stick in the mud”. “The handling is always dubious at best and there is the ever-present risk of dropping it while taking photos.” Sounds all too similar? This is just like people who expressed reservations about EVF vs OVF when mirrorless cameras came along or worse still the irrational fear that IBIS can result in the sensor getting dislodged within the camera. Flat-earthers exist amongst photographers!
People with the irrational fear of dropping the phone, why barricade our own minds with such false fears instead of thinking about solutions? They really need to “get a grip”, literally. These days there are cheap magnetic grips readily available, just slap one on and sling a wrist-strap to your phone casing and it handles just like a camera. If ergonomics can affect the quality of your photos, you have more fundamental issues than your gear.
The freedom of shooting with a smartphone is quite liberating as you don’t have to bother with lugging heavy gear and hassle of changing lenses. I bought the new SmallRig quick release phone rig and handles but I liked the simplicity of just a wrist-strap and magnetic grip.
These days, pointing a big ass camera attached with a big ass lens in the street can intimidate people, nobody bats an eyelid when it’s a smartphone however. In fact, some touristy places where photography is prohibited, the guards can be all over you as soon as you take out your system camera but will not bat an eyelid with smartphones as everyone does it. It could be that the man in the street still thinks that smartphones take lousy photographs and that makes smartphones stealthy!